Overview

John O’Reilly constructs intimate and beautiful photographic montages. Using a Polaroid camera, he photographs scenes set up in his studio, his own body, or familiar surroundings. He also rephotographs images from magazines, history books, gay porn, and other sources. He then cuts and pastes these various images into collages in which figures and objects morph into each other amidst fragmented backgrounds. These images are put together with the same sort of psychological glue as our dreams. History and fantasy intertwine and become indistinguishable. The past, present and future co-exist. Unlikely juxtapositions are inexplicably logical and uncannily apt.

Works
  • Polaroid montage of several scenes of war (including fighter jets, a town on fire and soldiers poised for battle). Layered with these polaroids are images of the Washington Monument, a man licking a hairy surface, another man’s worried expression and a man’s arm.
    John O'Reilly
    War Series #29, 1991
    polaroid montage
    9 x 12 inches/22.9 x 30.5 cm
  • Young woman with curly hair playing a guitar in front of a landscape painting on the wall. Woman’s body is partially obscured by the torso and leg of a figure lying in front of her.
    John O'Reilly
    Woman with the Guitar, 1982
    paper collage
    7 1/2 x 9 3/8 inches
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