For over 50 years, Wiley has distinguished himself as an artist who challenges the precepts of mainstream art. His work is not readily classifiable into any movement or stylistic trend. Combining humble materials, found objects, personal symbols, enigmatic texts, and references to art history, popular culture, and current events, he has developed a distinctive style that allows for variety, invention, and subtlety.
Wiley’s practices range from drawing, painting in watercolor and acrylic, sculpture, and printmaking to film and performance. One of the defining hallmarks of his work are the texts and wordplay that accompany virtually every piece he makes. These range from stream-of-consciousness rambles to pointed opinions and critiques, accompanied by inflections of humor through the use of puns, sarcasm, malapropisms, and double entendres. Joann Moser, curator of the Smithsonian American Art Museum, writes “Wiley has created a body of work that anticipated such important developments as installation art, audience participation, a revival of interest in drawing, as well as the use of humor and language as significant aspects of contemporary art.”
-
William T. WileyWatch It!, 2018pocket watches and chains, paper clip, branding iron, wood, aspirin and teardrop-shaped slate18 1/2 x 12 x 76 in
47 x 30.5 x 193 cm -
William T. WileyFor Leaner Times, 2012watercolor and ink on paper30 x 20 in
76.2 x 50.8 cm -
William T. WileySwifter Just Us, 2012watercolor and ink on paper12 x 9 in
30.5 x 22.9 cm -
William T. WileyThe Old New Dog Rail Press, 2012watercolor and ink on paper30 x 22 inches/76.2 x 55.9 cm
-
William T. Wiley&…So…Ampersand in Backwards Land, 2011watercolor and ink on paper30 x 22 in
76.2 x 55.9 cm -
William T. WileyNow and Then, 2011watercolor and ink on paper30 x 22 inches/76.2 x 55.9 cm
-
William T. WileyUnobjective Abstraction in Leonardo's Basement with Blue Corners, 2011acrylic and charcoal on canvas62 x 69 3/4 in
157.5 x 177.2 cm -
William T. WileyExtreme Position, 2010watercolor, ink and graphite on paper30 x 22 in
76.2 x 55.9 cm -
William T. WileyGoat & Raven at the Museum, 2010watercolor and ink on paper22 x 30 inches/55.9 x 76.2 cm
-
William T. WileyOn the Left... We? Attempt a New Sign for the Palate. On the Right, Gold Man Sacks the World, 2010watercolor and ink on paper22 x 30 in
55.9 x 76.2 cm -
William T. WileyRejected War Monument, 2010watercolor and ink on paper22 x 30 in
55.9 x 76.2 cm -
William T. WileyGoat & Raven Leak Wink, 2009watercolor, ink and graphite on paper30 x 22 in
76.2 x 55.9 cm -
William T. WileyHear in Silence, 2009acrylic and charcoal on canvas84 x 60 in
213.4 x 152.4 cm -
William T. WileyP.T.S.D. Tires, 2009watercolor and ink on paper30 x 22 in
76.2 x 55.9 cm -
William T. Wiley& So the Universe, 2008acrylic and charcoal on canvas62 1/2 x 44 in
158.8 x 111.8 cm -
William T. WileyPunball: Only One Earth, 2008rebuilt and restored pinball machine with original artwork70 x 26 x 53 in
177.8 x 66 x 134.6 cm -
William T. WileyTrust Us For Just Us, 2008watercolor and ink on paper30 x 22 1/2 in
76.2 x 57.1 cm -
William T. WileyChain of Evince, 2007acrylic and charcoal on canvas64 1/4 x 59 in
163.2 x 149.9 cm -
William T. WileyThe Hearings, 2007watercolor and ink on paper; sticks, yellow and red plastic tapes, rolled map, wire, paper mache with ink and acrylic, book with brown paper cover with ink, rope, woodcut printing block and a binder clipwatercolor: 14 x 20 inches/35.6 x 50.8 cm
construction: 39 x 60 x 27 1/2 inches/99.1 x 152.4 x 69.8 cm -
William T. WileyThis Is Not Blackwater, 2007charcoal and acrylic on canvas40 1/2 x 34 in
102.9 x 86.4 cm -
William T. WileyLay Objekt Day Pathetique, 2006watercolor, ink and graphite on paper; stick, lead weight, plastic, wire, paper mâché, canvas, ink, cardboard and masking tapewatercolor: 30 x 22 inches/76.2 x 55.9 cm
construction: 58 x 17 x 16 inches/147.3 x 43.2 x 40.6 cm -
William T. WileyRehabilitating the Savages, 2006mixed media on canvas128 x 145 in
325.1 x 368.3 cm -
William T. Wiley9/11/2001 #1, 2001acrylic and charcoal on canvas38 x 29 inches/96.5 x 73.7 cm
-
William T. WileyAnd So Foreigners Be Alert Are You One, 2000acrylic and charcoal on canvas31 1/2 x 38 1/4 in
80 x 97.2 cm -
William T. WileyCompany Picnic, 2000watercolor and ink on paper22 1/4 x 30 in
56.52 x 76.2 cm -
William T. WileyIs It Time to Bury the Hatchet, 2000watercolor and ink on paper16 1/4 x 12 1/4 in
41.3 x 31.1 cm -
William T. WileyIs This Fair?, 2000watercolor and ink on paper30 x 22 in
76.2 x 55.88 cm -
William T. WileyMomma's Cross with Jesus, 1995found objects, playing cards, beads, feather, printed paper, plastic on paper, rubber, thumbtack, oil and ink on wood24 1/2 x 14 x 5 1/4 in
62.2 x 35.6 x 13.3 cm -
William T. WileySpooky on the Line, 1987acrylic and graphite on canvas104 x 143 in
264.2 x 363.2 cm -
William T. WileyAgent Orange, 1983carved wood, acrylic, metal, guitar strings, glass, leather, mahjong tile, bamboo and paper41 1/2 x 15 1/2 x 6 1/2 inches/105.4 x 39.4 x 16.5 cm
-
William T. WileyAgent Orange, 1983acrylic, graphite, ink and mixed media on canvas91 x 128 in
231.1 x 325.1 cm -
William T. WileyWhat is Not a Mirror Mask, 1983plywood, acrylic, ink, string, wire, sheet metal, lead weights and wire mesh31 x 20 x 1 3/4 in
78.7 x 50.8 x 4.4 cm -
William T. WileyThere's a Couple We Missed, 1971watercolor and ink on paper23 x 30 1/2 inches/58.4 x 77.5 cm
-
William T. WileyManhood Test, 1969metal dumbbell, rope, leather, wood, canvas, pen and ink19 x 46 x 27 in
48.3 x 116.8 x 68.6 cm -
William T. WileyWizdumb, 1968wood, ink, rope, masking tape, adhesive letters, nails and metal feet6 x 13 x 17 1/4 in
15.2 x 33 x 43.8 cm
-
OFF THE GRID: Post-Formal Conceptualism
11 Apr - 20 May 2023This sprawling group exhibition traces the use of the form of the grid in contemporary art, beginning with some of its most illustrious mid-20th century proponents. From there, it examines...Read more -
Where We Are
23 Oct - 24 Nov 2021In a group exhibition marking this moment in history (and celebrating the 25th anniversary of Hosfelt Gallery) the work of 34 artists is employed to reflect on the zeitgeist of...Read more -
William T. Wiley
MONUMENTAL 7 Sep - 16 Oct 2021Enormous paintings comprise the heart of an exhibition honoring the colossus William T. Wiley, who died on April 25, 2021 at age 83. An audacious visionary, Wiley was an oracle,...Read more -
BETWEEN THEM
An Installation Composed of Drawings 13 Jul - 17 Aug 2019Todd Hosfelt combines approximately 200 drawings in an installation designed to reveal thematic and conceptual relationships across time and place. In drawings spanning the 16th to 21st centuries, from European...Read more -
William T. Wiley
SCULPTURE, EYES WEAR TUG ODD 23 Mar - 4 May 2019William T. Wiley is one of the most influential American artists to come out of the San Francisco Bay Area. His third solo exhibition at Hosfelt Gallery reflects the importance...Read more -
Frankenstein’s Birthday Party
23 Jun - 11 Aug 20182018 is the bicentennial of Mary Wollstonecraft Shelley’s novel, Frankenstein; or, The Modern Prometheus. Why does a 200-year-old ghost story continue to feel so relevant? It’s important to remember that...Read more -
20th Anniversary Exhibition
Banerjee, Campbell, Crotty, DeFeo, Hawkinson, Higgins, Kürten, Lukas, Maggi, O'Reilly, Ouadahi, Piccinini, Porter, Pwerle, Rath, Rodriguez, Schoultz, Wiley, Basquiat, Cave, Hansen, Ruscha, Sikander, and Wilke. 9 Sep - 8 Oct 2016Hosfelt Gallery celebrates its 20th anniversary with an exhibition exploring what makes an artwork significant and lasting, and the qualities that distinguish the most innovative artists of our era. This...Read more -
William T. Wiley
& So… May Cuss Grate Again? 11 Dec 2015 - 30 Jan 2016William T. Wiley’s second solo exhibition at Hosfelt Gallery sheds light on two important and under-examined aspects of Wiley’s oeuvre—his use of black and white and his interest in abstraction....Read more -
Holding It Together: Collage, Montage, Assemblage
12 Jul - 16 Aug 2014RINA BANERJEE, JAY DEFEO, TIM HAWKINSON, EMIL LUKAS, JOHN O'REILLY, PATRICIA PICCININI, LILIANA PORTER, ALAN RATH, ANDREW SCHOULTZ, WILLIAM T. WILEY, BRUCE CONNER, JEAN CONNER, JOHN ASHBERY, JOE BRAINARD, SARAH...Read more -
William T. Wiley
Newslate 8 Feb - 14 Mar 2014William T. Wiley is among a handful of the most influential American artists to come out of the Bay Area. His first solo exhibition at Hosfelt Gallery will consist of...Read more
-
The Grid Revisited
David M. Roth, Squarecylinder, May 1, 2023 -
Double Art Dip–Two Marin Museums Remember William T. Wiley
Charlie Swanson, Pacific Sun, February 1, 2022 -
Best Exhibitions of 2021
David M. Roth, SquareCylinder, December 21, 2021 -
The World of William T. Wiley: A look inside “Fort Phooey"
John Henry Martin, Napa Valley Register, September 29, 2021 -
Funk Art and the Pursuit of Authenticity
Charles Desmarais, Alta Magazine, September 27, 2021 -
Di Rosa Center for Contemporary art celebrates works of William Wiley
Sonoma-Index Tribune, September 27, 2021 -
Mark Van Proyen on William T. Wiley
Mark Van Proyen, Squarecylinder, September 23, 2021 -
William T. Wiley (1937–2021)
Barbara Morris, Artillery Magazine, May 11, 2021 -
WILLIAM T. WILEY (1937–2021)
Dan Nadel, ARTFORUM, May 10, 2021 -
William T. Wiley, ‘Funk Artist’ Who Spurned Convention, Dies at 83
Deborah Solomon, The New York Times, May 5, 2021 -
William T. Wiley, a founder of the Bay Area Funk Art movement and influential art teacher, has died, aged 83
Wallace Ludel, The Art Newspaper, April 30, 2021 -
William T. Wiley, Influential Bay Area Funk Artist and Educator, Is Dead at 83
Alex Greenberger, Art News, April 29, 2021 -
William T. Wiley, multifaceted artist and educator integral to Bay Area art scene, dies at 83
Sam Whiting, San Francisco Chronicle, April 28, 2021 -
50×50: Stories of Visionary Artists from the Collection – William T. Wiley
San Jose Museum of Art, July 1, 2020 -
The Power of Puns
John Yau, Hyperallergic, March 21, 2020 -
William T. Wiley “SCULPTURE, EYES WEAR TUG ODD” @ Hosfelt
David M. Roth, Squarecylinder, April 20, 2019 -
Humanly Possible: Dan Nadel on the art of William T. Wiley
Dan Nadel, Artforum, April 1, 2019 -
William T. Wiley, beloved jester of the art world at Hosfelt Gallery
Charles Desmarais, SF Chronicle, March 7, 2019
-
HG Magazine Issue no. 36
Cornelius Völker, Angelina Pwerle, Max Gimblett & William T. Wiley February 17, 2022Announcing Cornelius Völker: In the Last Light Photo Essay by Cornelius Völker Recent Press William T. Wiley: on view Max Gimblett Artist Book collection acquired...Read more -
Double Art Dip–Two Marin Museums Remember William T. Wiley
February 3, 2022For more than 50 years, Marin artist William T. Wiley created art that defied classification and commented on a range of social, political and philosophical...Read more -
The World of William T. Wiley: A look inside “Fort Phooey"
September 29, 2021The artist William T. Wiley, who lived and worked in the Bay Area for 60 years, died in April of 2020. To commemorate his life,...Read more -
Di Rosa Center for Contemporary art celebrates works of William Wiley
September 27, 2021The di Rosa Center for Contemporary Art’s current exhibition “Fort Phooey: Wiley in the Studio,” recreates the studio space of well-known North Bay artist William...Read more -
HG Magazine Issue no. 30
Celebrating William T. Wiley; plus African Butterfly Research Institute, THE SMALL MATTER exhibition review, bug brownie recipe May 18, 2021Celebrating the life of William T. Wiley (1937-2021) African Butterfly Research Institute Renny Pritikin reviews Isabella Kirkland's THE SMALL MATTER in SquareCylinder In the...Read more -
South East North West: New Works from the Collection
on view at the San Jose Museum of Art through September 19, 2021 October 30, 2020South East North West celebrates SJMA’s 50th anniversary with a dynamic presentation of paintings, sculptures, photographs, works on paper, and new media recently acquired by...Read more -
HG Magazine Issue no. 21
William T. Wiley on View at SFMoMA; plus Gerrymandering panel discussion, Liliana Porter, Driss Ouadahi, Lordy Rodriguez, minestrone soup recipe October 29, 2020Panel Discussion: When Redistricting Becomes Gerrymandering -- Can Districts Be Drawn Equitably? Artwork Explained: Liliana Porter's Brancusi William T. Wiley: Con-Fusion-Ism on view at SFMoMA...Read more -
HG Magazine Issue no. 15
A Public Art Treasure Hunt: Chang, Wiley, Rodriguez, Schoultz, Campbell; plus how Tim Hawkinson makes his Tantric Drip drawings August 14, 2020Explore public art in the San Francisco area by Hosfelt Gallery artists Julie Chang, William T. Wiley, Lordy Rodriguez, Andrew Schoultz and Jim Campbell In...Read more -
HG Magazine Issue no. 6
Studio Visits: Lokai, Piccinini, Porter, Fein, Wiley, Schoultz, Kürten - plus GF carrot muffin recipe May 14, 2020Visit the studios of Bernard Lokai, Patricia Piccinini, Liliana Porter, Nicole Phungrasamee Fein, William T. Wiley, Andrew Schoultz and Stefan Kürten Andrea Higgins shares a...Read more -
Slant Step Forward
on view at the Verge Center for the Arts through October 27, 2019 September 12, 2019The Slant Step is not just a California story. It belongs to all who can identify with Wiley’s early dedication of the object to the...Read more -
‘I Like Drawings”: A Conversation with Todd Hosfelt
Squarecylinder August 5, 2019Drawing, as Hosfelt has envisioned it, appears to have the structure of a decentralized network, patterned through endlessly overlapping family resemblances without any single center...Read more -
Boca Museum Goes “Beyond the Cape!” With Provocative Exhibit
William T. Wiley April 17, 2019The Boca Raton Museum of Art’s playful and provocative exhibition “Beyond the Cape! Comics and Contemporary Art” explores this connection, showcasing 40 artists inspired by,...Read more -
Beyond the Cape! Comics and Contemporary Art
on view at the Boca Raton Museum of Art through October 6, 2018 April 16, 2019Prominent art-world superstars such as Kumasi J. Barnett, George Condo, Renee Cox, Liz Craft, Kota Ezawa, Eric Fertman, Chitra Ganesh, Mark Thomas Gibson, Trenton Doyle...Read more -
These Three Art Exhibits Tether the Visual to the Written Word
William T. Wiley April 4, 2019At his quasi-retrospective sculpture exhibit at Hosfelt Gallery , William T. Wiley obliterates this fine line between perception and intention by embedding language directly onto...Read more