William T. Wiley, "The Furor over the Truth," 2005
The most celebrated aspects of his output – the cryptic maps, the (“wizdumb”) dunce caps, the mock chalkboards, the verbal jousting between the artist’s alter egos (Goat and Raven), and the exquisitely detailed watercolors packed with inventive wordplay — are all on display in a tightly focused, luxuriously arrayed museum-quality exhibition whose title you’ll need to say out loud to understand.
