• William T. Wiley, & D. Warhol U.S. Icon, 2002
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    William T. Wiley
    & D. Warhol U.S. Icon, 2002
    watercolor and ink on paper
    20 x 14 1/8 in
    50.8 x 35.9 cm
    Inquire
  • Heavily layered and textured green oil paint on canvas creates an intricate woven design inspired by the dress suit worn by Jackie Kenndey the day she visited a children’s hospital in Bogota
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    Andrea Higgins
    Jackie (Bogota), 2002
    oil on canvas
    24 1/2 x 21 inches/62.2 x 53.3 cm
  • Orange blue and purple paint layered to create multiple wavy and circular moiré effects with some blue blotches smudged across the piece towards the bottom
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    Anoka Faruqee
    2012P-29, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Rounded stoned basin with dark weathering towards the top of the bowl that holds water.
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    Anonymous
    Tsukubai (water basin), Kamakura Period, 1185-1300
    Shirakawa stone, carved from a suirin (the sphere portion) of an earlier gorinto
    12 1/2 x 14 1/4 x 14 1/4 inches
    31.8 x 36.2 x 36.2 cm
  • A blue and orange life raft hovers over a blank brown background.
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    Ben McLaughlin
    Methods of Propulsion, 2017
    oil on panel
    4 x 6 inches/10.2 x 15.2 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene mostly in shades of black, dark blue and orange. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
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    Bernard Lokai
    Landscape Grid H (Revisited), 2018
    acrylic and oil on canvas (18)
    overall dimensions
    51 1/8 x 135 7/8 inches/130 x 345 cm
    Inquire
  • Birgit Jensen, FUGU I, 2022
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    Birgit Jensen
    FUGU I, 2022
    acrylic on linen
    37 3/8 x 26 3/4 in
    95 x 68 cm
    Inquire
  • Bruce Conner, UNTITLED D-5, 1966
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    Bruce Conner
    UNTITLED D-5, 1966
    felt-tip pen on paper
    38 x 25 1/2 in
    96.5 x 64.8 cm
  • Intimate black and white blurred digital photograph of three wolves snarling in mid fight with fangs bared
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    Christian Houge
    Untitled 18, Norway, 2010
    ink on Canson Baryta paper
    33 x 47 inches/83.8 x 119.4 cm
  • Cornelius Völker, Bonbons (Sweets), 2024
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    Cornelius Völker
    Bonbons (Sweets), 2024
    oil on canvas
    19 3/4 x 23 5/8 in
    50 x 60 cm
    Inquire
  • Dark red green and black abstract urban landscape that alludes to a street corner between two high rise buildings with several glowing street lights A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Hot Night, 2010
    oil on linen
    43 3/8 x 51 1/4 in
    110.1 x 130.1 cm
  • Bubble wrap indents cast into multi-colored plaster and painted in various colors Towards the center right of the piece the colors become more vibrant
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    Emil Lukas
    heat shield #1496, 2016
    paint, plaster, aluminum
    46 x 46 x 6 inches/116.8 x 116.8 x 15.2 cm
  • Blonde boy in red shirt with hand in pocket faces away from viewer in front of blue and exposed canvas background. His legs are cropped out of the composition.
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    Gideon Rubin
    Red Shirt, 2021
    oil on linen
    11 3/4 x 7 7/8 in
    30 x 20 cm
  • Harry Bertoia, Untitled, 1950s
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    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    25 x 12 1/2 in
    63.5 x 31.8 cm
    Inquire
  • Highly detailed and realistic oil still life on panel depicts a variety of species or their remnants that have been sought after for various legal and illegal trades. Such species include the Indigo macaw the tusk of an African Elephant and the draped pelt of a Clouded Leopard
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    Isabella Kirkland
    Trade, 2001
    oil and alkyd on polyester over panel
    36 x 48 in
    91.4 x 121.9 cm
    Inquire
  • Paper collage of various cut out hands from early twenty tens magazines The hands range in age size and skin color along with what they are doing and or holding
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    Jean Conner
    HANDS, 2013
    paper collage
    17 x 11 3/4 inches
    43.2 x 29.8 cm
    Inquire
  • Jess (Collins), Cover for Credences 3, 1975
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    Jess (Collins)
    Cover for Credences 3, 1975
    pasteup
    8 1/2 x 14 in
    21.6 x 35.6 cm
    Inquire
  • Gif of nine rectangular pieces with green LEDs behind Plexiglass that display multiple different animals and humans in motion as an homage to late eighteen hundreds photographer Eadweard Muybridge’s motion studies. To the right of the piece a person is standing to show scale
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    Jim Campbell
    Rhythm Studies (studies), 2019
    custom electronics, 3,456 LEDs, treated plexiglas
    installation and dimensions variable
    72 x 112 x 1/2 inches/182.9 x 284.5 x 1.3 cm, as installed
    Inquire
  • An image of a bridge and parts of land above water.
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    Judith Belzer
    From the Anthropocene #5, 2015
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
  • Multi-colored patterns overlap on a dark maroon painted panel The patterns reference various Indonesian ikat patterning and other indigenious textile work
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    Julie W. Chang
    Shield, 2016
    acrylic on panel
    11 1/2 x 11 1/2 x 2 3/4 in
    29.2 x 29.2 x 7 cm
    Inquire
  • Jutta Haeckel, Swarm, 2024
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    Jutta Haeckel
    Swarm, 2024
    acrylic on jute
    59 x 47 1/4 in
    150 x 120 cm
    Inquire
  • Rectangular wooden panel with an industrial nail sticking out of it at an angle. To the left of the nail a tiny human figurine with raises a hammer club over its head and is assumed to be the one who hammered the nail into the wood
    Add to wishlist
    Liliana Porter
    Man with Nail, 2014
    nail, figurine and graphite on wood
    10 x 8 x 3 1/2 inches/25.4 x 20.3 x 8.9 cm
  • Marco Maggi, Hypo Real, 2009
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    Marco Maggi
    Hypo Real, 2009
    cuts on 4 Plexiglas cubes, shelf
    10 x 9 x 11 1/2 inches/25.4 x 22.9 x 29.2 cm
  • Red green and Sunburst variegated leaf hasty and dripping brush stokes dip and dive across the neon pink circular panel
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    Max Gimblett
    Peacock, 2021
    acrylic, resin, water-based size and Sunburst variegated leaf on panel
    15 x 15 in
    38.1 x 38.1 cm
    Inquire
  • UFO-shaped glass sculpture. Top 2/3 opaque blush-pink, bottom 1/3 pink. Clear top with clear bubbles of varying sizes.
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    Patricia Piccinini
    Peaceful Blush, 2022
    hand blown glass, Britannia metal
    7 1/8 x 11 5/8 x 11 5/8 in
    18 x 29.5 x 29.5 cm
    Inquire
  • Rina Banerjee, Our temper to surrender with no anger seeded, our weighted and tempered steely and stole tresses or our curled, bleached blonde mustaches all neglected in grooming now, quietly eaten., 2021
    Add to wishlist
    Rina Banerjee
    Our temper to surrender with no anger seeded, our weighted and tempered steely and stole tresses or our curled, bleached blonde mustaches all neglected in grooming now, quietly eaten., 2021
    ink, acrylic, collage and gold leaf on paper
    16 x 12 in
    40.6 x 30.5 cm
  • Black and white ballpoint pen and pencil astronomical drawing with a close up of interstellar cloud known as Lagoon Nebula as the subject
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    Russell Crotty
    M8, The Lagoon Nebula in Sagittarius, 2002
    ink and pencil on paper
    38 1/2 x 38 1/2 in
    97.8 x 97.8 cm
  • Tim Hawkinson, Clare at Eaton Canyon Falls, 2021
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    Tim Hawkinson
    Clare at Eaton Canyon Falls, 2021
    oil on panel
    11 7/8 x 8 in
    30.2 x 20.3 cm
    Inquire
  • Heavily layered and textured black and pink oil paint on canvas creates an intricate woven pattern inspired by typical attire worn by Hillary Clinton
    Add to wishlist
    Andrea Higgins
    Hillary, 2002
    oil on canvas
    52 x 40 inches/132.1 x 101.6 cm
  • Light yellow dark brown and white paint layered to create multiple wavy moiré effects
    Add to wishlist
    Anoka Faruqee
    2012P-13, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Folded multicolored blankets are stacked neatly on top of one another on a white surface against a black background. Their folds are visible to the viewer.
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    Ben McLaughlin
    Navigation lights, 2017
    oil on panel
    8 x 6 inches/20.3 x 15.2 cm
  • Layered over orange background with textured brushstrokes are green, turquoise and purple brushstrokes and red dripping lines, creating an abstract design.
    Add to wishlist
    Bernard Lokai
    String, 2014
    acrylic and oil on canvas
    63 x 78 3/4 inches
    160 x 200 cm
    Inquire
  • Birgit Jensen, KONIN V, 2020
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    Birgit Jensen
    KONIN V, 2020
    acrylic on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
    Inquire
  • Dark brown line work on a beige background creates central rings and four outer circles.
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    Bruce Conner
    UNTITLED MAY 2, 1968, 1968
    felt-tip pen on paper
    17 7/8 x 15 1/8 in
    45.4 x 38.4 cm
    Inquire
  • Cornelius Völker, Eingelegtes (Pickles), 2021
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    Cornelius Völker
    Eingelegtes (Pickles), 2021
    oil on canvas
    63 x 39 3/8 in
    160 x 100 cm
    Inquire
  • Mixed media piece of golden dots raining down from the top of the piece and onto several gold metallic floating pointillism clouds against washes of deep royal blue. Five golden contours of chrysanthemum buds float on top of one gold cloud while a much larger and fully bloomed chrysanthemum slouches at the the bottom center
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    Crystal Liu
    the lake, 'unequivocal', 2017
    gouache and watercolor on paper
    40 x 38 inches/101.6 x 96.5 cm
  • Blonde boy in red shirt with hand in pocket faces away from viewer in front of blue and exposed canvas background. His legs are cropped out of the composition.
    Add to wishlist
    Gideon Rubin
    Red Shirt, 2021
    oil on linen
    59 1/8 x 41 3/8 in
    150 x 105 cm
    Inquire
  • Harry Bertoia, Untitled, c. 1960s
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    Harry Bertoia
    Untitled, c. 1960s
    welded and patinated bronze
    8 1/2 x 4 1/2 x 1 1/4 in
    21.6 x 11.4 x 3.2 cm
    Inquire
  • Several species of flora and fauna typically found in rainforest floor habitat depicted in said habitat with stream. Detail of black and white snake.
    Add to wishlist
    Isabella Kirkland
    Nova: Forest Floor, 2007
    oil and alkyd on polyester over wood panel
    36 x 72 in
    91.4 x 182.9 cm
  • Collage depicting acrobat leaping off a trampoline that is the upside down tail feathers of a humming bird flying downwards.
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    Jean Conner
    HUMMINGBIRD, 1984
    paper collage
    13 1/2 x 10 in
    34.3 x 25.4 cm
  • Crayon drawing of a blonde man holding a tobacco pipe to his lips; wood frame with burnt orange mat
    Add to wishlist
    Jess (Collins)
    Self-Portrait, early 1950s
    handmade oil and wax crayon on paper in artist's frame
    image 12 x 9 in / 30.5 x 22.9 cm
    frame 20 x 16 1/2 in / 50.8 x 41.9 cm
  • Gif of a rectangular piece with multi-colored LEDs behind angled Plexiglass that display pixelated scenes of waves crashing onto the shore and into swimmers at a beach in Southern California
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    Jim Campbell
    Southern California, 2019
    custom electronics, 1,920 LEDs, treated plexiglas
    24 x 72 in
    61 x 182.9 cm
    Inquire
  • An image of a boulder balancing in tiny rocks.
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    Judith Belzer
    All That is Solid #22, 2021
    oil on canvas
    40 x 40 in
    101.6 x 101.6 cm
    Inquire
  • Jutta Haeckel, Temporary Constellations, 2023-2024
    Add to wishlist
    Jutta Haeckel
    Temporary Constellations, 2023-2024
    acrylic on jute (diptych)
    90 1/2 x 149 5/8 in
    230 x 380 cm
  • White paper with black print of metal screw with eyelet with string coming through eye and around and through page.
    Add to wishlist
    Liliana Porter
    Untitled (hook and string), 1973
    silkscreen and string on paper, unique
    20 3/4 x 25 1/2 inches
    52.7 x 64.8 cm
    Inquire
  • Marco Maggi, Stacking Quotes (Red), 2018
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    Marco Maggi
    Stacking Quotes (Red), 2018
    cut paper, cloth bound notebooks
    6 x 8 1/4 x 6 in
    15.2 x 21 x 15.2 cm
  • Pink aqua and silver hasty and dripping brush strokes that dive and dip across the surface of a black and red painted canvas The lower bottom of the canvas has hints of read while the majority of the background is black
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    Max Gimblett
    Orion, 2019
    acrylic, aqua size, and precious metal leaf on canvas
    50 x 40 in
    127 x 101.6 cm
    Inquire
  • Sculpture of hybrid-creature with horse-like hind legs connected to human torso with reptilian head. Head and arms are resting on the ground which puts creature in a downward-dog position. Creature has human skin and brown fur. From behind, creature has several nipples (like a dog), a butthole that looks like a face, and a phallic-shaped tail.
    Add to wishlist
    Patricia Piccinini
    Bottom Feeder, 2009
    silicone, fiberglass, steel, fox fur
    17 3/4 x 15 3/4 x 26 inches/45.1 x 40 x 66 cm
  • An image of a stell structure with textiles and materials.
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    Rina Banerjee
    flourish me different in wind and drift and breezes set sale always in motion and mindful adaptation, in not yet settled in fertile selection, in open folds and ceaseless creases, in remote reaches this was wrinkled and snagged touched stopped with what , 2014
    steel structure, textiles, beads, feathers, thread, bulbs
    36 x 40 x 20 in
    91.4 x 101.6 x 50.8 cm
  • Tim Hawkinson, Neti Self-portrait, 2021
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    Tim Hawkinson
    Neti Self-portrait, 2021
    oil on panel
    11 x 8 1/8 in
    27.9 x 20.6 cm
  • William T. Wiley, Peacock & Tower, 1995
    Add to wishlist
    William T. Wiley
    Peacock & Tower, 1995
    acrylic, charcoal and graphite on canvas
    69 1/2 x 64 in
    176.5 x 162.6 cm
  • Heavily layered and textured red paint on canvas creates an intricate flowing woven pattern inspired by the several signature red dresses worn by Nancy Reagan
    Add to wishlist
    Andrea Higgins
    Nancy, 2002
    oil on canvas
    70 x 35 inches/177.8 x 88.9 cm
  • Neon yellow green and dark blue paint layered to create multiple wavy moiré effects
    Add to wishlist
    Anoka Faruqee
    2012P-10, 2012
    acrylic on linen on panel
    11 1/4 x 10 1/4 in
    28.6 x 26 cm
    Inquire
  • Anoka Faruqee & David Driscoll, 2024P-02, 2024
    Add to wishlist
    Anoka Faruqee & David Driscoll
    2024P-02, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Tall stone lantern with stylized details.
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    Anonymous
    Nishinoya-style Lantern, Edo Period, 1603-1868
    Shirakawa stone
    62 1/2 x 21 x 20 3/4 inches
    158.8 x 53.3 x 52.7 cm
  • Multiple silkscreen layers of blue green red and purple paint form a constructed landscape of distant shore A small light blue circle alludes to a full moon in the sky above the water and a thick light blue distorted line creates the illusion of moonlight on the water
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    Birgit Jensen
    KONIN IV, 2020
    acrylic on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
    Inquire
  • A dark grey and white abstract painting featuring a black stick figure cross.
    Add to wishlist
    Bruce Conner
    UNTITLED NOVEMBER 5, 1963, 1963
    felt-tip pen on paper
    26 1/4 x 20 in
    66.5 x 50.8 cm
    Inquire
  • Cornelius Völker, Blüten (Petals), 2020
    Add to wishlist
    Cornelius Völker
    Blüten (Petals), 2020
    oil on canvas
    76 3/4 x 51 1/8 in
    195 x 130 cm
  • Crystal Liu, the flowers, 'breathe in', 2014
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    Crystal Liu
    the flowers, 'breathe in', 2014
    ink, gouache and watercolor on paper
    29 3/4 x 29 3/4 in
    75.6 x 75.6 cm
    Inquire
  • Graphite abstract drawing of outdoor playground streets and rocks with a high rise building in the background to the right and two large wooden plank swings in the foreground The drawing floats in the center of the page with negative space surrounding it
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    Driss Ouadahi
    Liquid Stone, 2019
    graphite on paper
    33 1/8 x 40 1/2 in
    84 x 103 cm
    Inquire
  • Dark gray vertical flat brushstrokes with overlapping ink trails that crawl across the paper with a heavier concentration of ink in the lower right corner. The work is contained in a white wooden frame.
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    Emil Lukas
    lost photograph #69 circa 1925 #1969, 2020
    hand-ground Sumi on glass over paper and graphite in painted wood frame
    15 x 12 x 2 in
    38.1 x 30.5 x 5.1 cm
  • Faceless woman with hair in loose bun wears green backless dress and faces away from viewer to the left against blue and exposed canvas background. Her lower body is cropped out of the composition.
    Add to wishlist
    Gideon Rubin
    Green Dress, 2021
    oil on linen
    11 3/4 x 7 7/8 in
    30 x 20 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
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    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    39 3/8 x 12 x 12 in
    100 x 30.5 x 30.5 cm
    Tops: 3 x 1/2 in
    Rod layout: 7 x 7; 6 x 6 (85 total rods)
  • Highly detailed and realistic oil painting on panel of multiple endangered South American rainforest animals insects reptiles and plants living peacefully amongst each other in shady tree covered foliage
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    Isabella Kirkland
    Understory, 2007
    oil and alkyd on polyester over panel
    60 x 48 in
    152.4 x 121.9 cm
    Inquire
  • Collage of tumble weeds crossing dirt road with birds eye view of dry canyon. The two images overlapped with cutouts of the sky create a false mountain scape.
    Add to wishlist
    Jean Conner
    MIRAGE, 1994
    paper collage
    15 1/8 x 7 5/8 in
    38.4 x 19.4 cm
  • Brightly colored abstract vs figurative painting of greenery and flowers
    Add to wishlist
    Jess (Collins)
    Meadow Sweet, n.d.
    handmade oil and wax crayon on paperboard in artist's frame
    6 1/2 x 4 1/4 in
    16.5 x 10.8 cm
  • Gif of rectangular piece with multiple multi-colored LEDs behind Plexiglass that displays a blurred and abstract scene of prayer flags flapping in the wind
    Add to wishlist
    Jim Campbell
    Temple at Yunnan (variation), 2019
    custom electronics, 768 LEDs, treated plexiglas
    23 x 29 7/8 x 3 in
    58.4 x 75.9 x 7.6 cm
    Inquire
  • Judith Belzer, All That Is Solid #15, 2020
    Add to wishlist
    Judith Belzer
    All That Is Solid #15, 2020
    oil on canvas
    96 x 78 in
    243.8 x 198.1 cm
    Inquire
  • Two separate panels side by side, the right in all black and the other in black and yellow, hang on a white wall. Several layers of acrylic paint form multiple patterns on each and contain stereotypical asian iconography vegetal motifs and elements of the artist’s Asian American upbringing in the primarily white suburb of Orange County California
    Add to wishlist
    Julie W. Chang
    Second Shift/Hush Little Baby, 2012
    acrylic on panel
    each panel 36 x 24 x 3 inches
    91.4 x 61 x 7.6 cm
    Inquire
  • A bright, multicolored abstract painting.
    Add to wishlist
    Jutta Haeckel
    Cosmic Background Radiation 1, 2022
    acrylic on jute
    59 x 74 3/4 in (or reverse)
    150 x 190 cm
  • Digital photograph of an installation piece in which an industrial nail sticks out the side of a white wall. A small white painted wooden cube has been mounted near the nail and a tiny human figurine dressed in green kneels down with a hammer. It is assumed that the figurine is nailing the nail into the wall
    Add to wishlist
    Liliana Porter
    Nail, 2008
    figurine on wooden cube and nail
    3 x 3 1/2 x 2 inches/7.6 x 8.9 x 5.1 cm
  • Max Gimblett, Paradise After Tintoretto, 2014
    Add to wishlist
    Max Gimblett
    Paradise After Tintoretto, 2014
    gesso, acrylic and vinyl polymers, Ex-74 resin, water-based size and silver leaf on canvas
    50 x 40 in
    127 x 101.6 cm
    Inquire
  • Sculpture of small fetus-like creature with human skin, hair, hands and feet. Creature has rodent face and is encased in a rounded spiked shell. Creature sits on fuzzy blue carpet.
    Add to wishlist
    Patricia Piccinini
    The Rookie, 2015
    silicone, fiberglass, human hair
    25 5/8 x 18 1/8 x 19 3/4 in
    65.1 x 46 x 50.2 cm
  • Rina Banerjee, unlike "Two peas in a pod," peanuts or golden droplets, like matrimonial dangers, a mixed bag on her lap, aloha to horizons which can be wide open, she met she, was sweetened and she was wakened and gregarious often articulate but quiet, how nice to see d, 2021
    Add to wishlist
    Rina Banerjee
    unlike "Two peas in a pod," peanuts or golden droplets, like matrimonial dangers, a mixed bag on her lap, aloha to horizons which can be wide open, she met she, was sweetened and she was wakened and gregarious often articulate but quiet, how nice to see d, 2021
    acrylic on paper
    16 x 12 in
    40.6 x 30.5 cm
  • An eleven by twenty nine grid of ball point pen sketches of different shacks
    Add to wishlist
    Russell Crotty
    Shacks I, 1992
    ink and pencil on paper
    29 x 23 in
    73.7 x 58.4 cm
    Inquire
  • Tim Hawkinson, Hand and Feet, 2021
    Add to wishlist
    Tim Hawkinson
    Hand and Feet, 2021
    oil on panel
    10 3/4 x 6 3/4 in
    27.3 x 17.1 cm
  • Heavily layered and textured pink and purple oil paint on canvas creates a madras pattern inspired by the dress suit worn by Laura Bush on her meeting with Hilary Clinton in December eighteenth two thousand
    Add to wishlist
    Andrea Higgins
    Laura, 2001
    oil on canvas
    52 x 52 inches/132.1 x 132.1 cm
  • Green yellow red and blue paint layered to create multiple wavy moiré effects
    Add to wishlist
    Anoka Faruqee
    2012P-20, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Purple and light yellow paint layered to create several circular moiré effects
    Add to wishlist
    Anoka Faruqee & David Driscoll
    2017P-18, 2017
    acrylic on linen on panel
    22 1/2 x 22 1/2 in
    57.1 x 57.1 cm
  • Black leaves dispersed on a beige scroll.
    Add to wishlist
    Anonymous
    FALLEN LEAVES OCTOBER 7, 2001, 2001
    ink and collage on paper and silk
    36 x 17 in
    91.4 x 43.2 cm
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