Artworks

  • A dark grey and white abstract painting featuring a black stick figure cross.
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    Bruce Conner
    UNTITLED NOVEMBER 5, 1963, 1963
    felt-tip pen on paper
    26 1/4 x 20 in
    66.5 x 50.8 cm
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  • Cornelius Völker, Blüten (Petals), 2020
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    Cornelius Völker
    Blüten (Petals), 2020
    oil on canvas
    76 3/4 x 51 1/8 in
    195 x 130 cm
  • Crystal Liu, the flowers, 'breathe in', 2014
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    Crystal Liu
    the flowers, 'breathe in', 2014
    ink, gouache and watercolor on paper
    29 3/4 x 29 3/4 in
    75.6 x 75.6 cm
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  • Graphite abstract drawing of outdoor playground streets and rocks with a high rise building in the background to the right and two large wooden plank swings in the foreground The drawing floats in the center of the page with negative space surrounding it
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    Driss Ouadahi
    Liquid Stone, 2019
    graphite on paper
    33 1/8 x 40 1/2 in
    84 x 103 cm
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  • Emil Lukas, #2318, 2025
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    Emil Lukas
    #2318, 2025
    acrylic on canvas over wood panel
    14 1/2 x 12 x 2 1/2 in
    36.8 x 30.5 x 6.3 cm
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  • Faceless woman with hair in loose bun wears green backless dress and faces away from viewer to the left against blue and exposed canvas background. Her lower body is cropped out of the composition.
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    Gideon Rubin
    Green Dress, 2021
    oil on linen
    11 3/4 x 7 7/8 in
    30 x 20 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
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    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    39 3/8 x 12 x 12 in
    100 x 30.5 x 30.5 cm
    Tops: 3 x 1/2 in
    Rod layout: 7 x 7; 6 x 6 (85 total rods)
  • Collage of tumble weeds crossing dirt road with birds eye view of dry canyon. The two images overlapped with cutouts of the sky create a false mountain scape.
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    Jean Conner
    MIRAGE, 1994
    paper collage
    15 1/8 x 7 5/8 in
    38.4 x 19.4 cm
  • Brightly colored abstract vs figurative painting of greenery and flowers
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    Jess (Collins)
    Meadow Sweet, n.d.
    handmade oil and wax crayon on paperboard in artist's frame
    6 1/2 x 4 1/4 in
    16.5 x 10.8 cm
  • Gif of rectangular piece with multiple multi-colored LEDs behind Plexiglass that displays a blurred and abstract scene of prayer flags flapping in the wind
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    Jim Campbell
    Temple at Yunnan (variation), 2019
    custom electronics, 768 LEDs, treated plexiglas
    23 x 29 7/8 x 3 in
    58.4 x 75.9 x 7.6 cm
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  • Judith Belzer, All That Is Solid #15, 2020
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    Judith Belzer
    All That Is Solid #15, 2020
    oil on canvas
    96 x 78 in
    243.8 x 198.1 cm
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  • Two separate panels side by side, the right in all black and the other in black and yellow, hang on a white wall. Several layers of acrylic paint form multiple patterns on each and contain stereotypical asian iconography vegetal motifs and elements of the artist’s Asian American upbringing in the primarily white suburb of Orange County California
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    Julie W. Chang
    Second Shift/Hush Little Baby, 2012
    acrylic on panel
    each panel 36 x 24 x 3 inches
    91.4 x 61 x 7.6 cm
    Inquire
  • A bright, multicolored abstract painting.
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    Jutta Haeckel
    Cosmic Background Radiation 1, 2022
    acrylic on jute
    59 x 74 3/4 in (or reverse)
    150 x 190 cm
  • Digital photograph of an installation piece in which an industrial nail sticks out the side of a white wall. A small white painted wooden cube has been mounted near the nail and a tiny human figurine dressed in green kneels down with a hammer. It is assumed that the figurine is nailing the nail into the wall
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    Liliana Porter
    Nail, 2008
    figurine on wooden cube and nail
    3 x 3 1/2 x 2 inches/7.6 x 8.9 x 5.1 cm
  • Max Gimblett, Paradise After Tintoretto, 2014
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    Max Gimblett
    Paradise After Tintoretto, 2014
    gesso, acrylic and vinyl polymers, Ex-74 resin, water-based size and silver leaf on canvas
    50 x 40 in
    127 x 101.6 cm
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  • Sculpture of small fetus-like creature with human skin, hair, hands and feet. Creature has rodent face and is encased in a rounded spiked shell. Creature sits on fuzzy blue carpet.
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    Patricia Piccinini
    The Rookie, 2015
    silicone, fiberglass, human hair
    25 5/8 x 18 1/8 x 19 3/4 in
    65.1 x 46 x 50.2 cm
  • Rina Banerjee, unlike "Two peas in a pod," peanuts or golden droplets, like matrimonial dangers, a mixed bag on her lap, aloha to horizons which can be wide open, she met she, was sweetened and she was wakened and gregarious often articulate but quiet, how nice to see d, 2021
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    Rina Banerjee
    unlike "Two peas in a pod," peanuts or golden droplets, like matrimonial dangers, a mixed bag on her lap, aloha to horizons which can be wide open, she met she, was sweetened and she was wakened and gregarious often articulate but quiet, how nice to see d, 2021
    acrylic on paper
    16 x 12 in
    40.6 x 30.5 cm
  • An eleven by twenty nine grid of ball point pen sketches of different shacks
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    Russell Crotty
    Shacks I, 1992
    ink and pencil on paper
    29 x 23 in
    73.7 x 58.4 cm
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  • Tim Hawkinson, Hand and Feet, 2021
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    Tim Hawkinson
    Hand and Feet, 2021
    oil on panel
    10 3/4 x 6 3/4 in
    27.3 x 17.1 cm
  • Heavily layered and textured pink and purple oil paint on canvas creates a madras pattern inspired by the dress suit worn by Laura Bush on her meeting with Hilary Clinton in December eighteenth two thousand
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    Andrea Higgins
    Laura, 2001
    oil on canvas
    52 x 52 inches/132.1 x 132.1 cm
  • Green yellow red and blue paint layered to create multiple wavy moiré effects
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    Anoka Faruqee
    2012P-20, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Purple and light yellow paint layered to create several circular moiré effects
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    Anoka Faruqee & David Driscoll
    2017P-18, 2017
    acrylic on linen on panel
    22 1/2 x 22 1/2 in
    57.1 x 57.1 cm
  • Black leaves dispersed on a beige scroll.
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    Anonymous
    FALLEN LEAVES OCTOBER 7, 2001, 2001
    ink and collage on paper and silk
    36 x 17 in
    91.4 x 43.2 cm
  • Diptych of two abstract panels. Left panel has abstract brushstrokes in black and gray. Right panel has abstract textured brushstrokes in orange and yellow layered over white and purple sections of the canvas.
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    Bernard Lokai
    Untitled, 2019
    acrylic on canvas (2)
    each 11 3/4 x 15 3/4 inches/30 x 40 cm
  • Birgit Jensen, KANALUA I, 2020
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    Birgit Jensen
    KANALUA I, 2020
    acrylic on canvas
    27 1/2 x 24 1/8 in
    70 x 61 cm
    Inquire
  • Light brown totem-like drawings in orderly columns on a beige background.
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    Bruce Conner
    INKBLOT DRAWING DECEMBER 25, 1993, 1993
    ink and pencil on paper
    7 1/2 x 7 1/4 in
    19.1 x 18.3 cm
  • Intimate digital photograph of a gray wolf wading through water taken from the perspective that the viewer is in front of and looking down at the wolf
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    Christian Houge
    Untitled 3, Norway, 2011
    ink on Canson Baryta paper
    47 x 33 inches/119.4 x 83.8 cm
  • Cornelius Völker, Hunde (Dog), 1999
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    Cornelius Völker
    Hunde (Dog), 1999
    oil on canvas
    19 3/4 x 23 5/8 in
    50 x 60 cm
  • Crystal Liu, in the dead of winter, 'when night falls', 2005
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    Crystal Liu
    in the dead of winter, 'when night falls', 2005
    pigment print
    29 x 29 in
    73.7 x 73.7 cm
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  • Video of ​​Driss Ouadahi creating Oppressed Blessing The artist is dressed in all black with white chalk on his hands jumping to create handprints on large black canvas
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    Driss Ouadahi
    Oppressed Blessing, 2016
    video
    2 minutes 27 seconds
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  • Emil Lukas, locked endurance #2265, 2024
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    Emil Lukas
    locked endurance #2265, 2024
    ink, graphite and charcoal on glass and paper in painted wood frame
    25 x 21 x 2 in
    63.5 x 53.3 x 5.1 cm
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  • Blonde woman with hair in chignon faces away from viewer in front of blue and exposed canvas background. Her body below the shoulders is cropped out of the composition.
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    Gideon Rubin
    Blonde (Chignon), 2020
    oil on linen
    10 1/8 x 8 1/8 in
    25.5 x 20.5 cm
  • Harry Bertoia, Untitled, c. 1963
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    Harry Bertoia
    Untitled, c. 1963
    bronze
    1 1/2 x 2 7/8 x 2 3/4 in
    3.8 x 7.3 x 7 cm
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  • Hanging vine surrounded with/by several species of flora and fauna typically found in the rainforest in Emergent level in front of humid rainforest.
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    Isabella Kirkland
    Emergent, 2009
    oil on canvas over wood panel
    60 x 48 in
    152.4 x 121.9 cm
  • Paper collage of various cut outs from early twenty tens magazines display a commercial street of a small town with a tanned individual suspended in the upper center performing a flip dive In the foreground and towards the bottom of the piece lies a dirty boardwalk with a mound of charred scraps lying to the right
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    Jean Conner
    OUT OF THE BLUE MAY 25, 2015, 2015
    paper collage
    10 7/8 x 8 1/8 in
    27.6 x 20.6 cm
  • Sepia Pacific Telephone advertisement depicting man and woman in domestic setting with woman on phone. Greyscale man pasted in, affectionately intertwined with man and woman.
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    Jess (Collins)
    Share a Party Line?, n.d.
    pasteup
    10 3/4 x 8 1/2 in
    27.3 x 21.6 cm
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  • Gif of rectangular piece with multiple multi-colored LEDs behind Plexiglass that displays a blurred scene of protesters from the Women’s March in twenty seventeen
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    Jim Campbell
    Edition 27 (Women’s March), 2018
    custom electronics, 384 LEDs, treated plexiglas
    15 1/2 x 22 3/4 x 2 7/8 in
    39.4 x 57.8 x 7.3 cm
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  • Judith Belzer, Untitled, 2025
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    Judith Belzer
    Untitled, 2025
    gouache and pencil on paper
    19 x 24 in
    48.3 x 61 cm
    Inquire
  • Print with white border of sand with sphere, circle cut into sand, and cut circle matching print.
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    Liliana Porter
    Untitled (with circle), 1975
    photo etching and collage on paper
    plate 8 3/4 x 11 3/4 inches/22.2 x 29.8 cm
    sheet 26 x 23 1/2 inches/66 x 59.7 cm
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  • Black paint on oval canvas with smooth matte effect At the top of the painting there is evidence of brush stroke and the left-center most of the work fades to a beige
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    Max Gimblett
    Pool, 1991-92
    acrylic polymer and silica on canvas
    20 x 12 inches/50.8 x 30.5 cm
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  • Still from video; a girl in a pink dress stands in a sand flat, watching bubbles blossom from three white, alien plants.
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    Patricia Piccinini
    We Travel Together, 2021
    single channel HD video with audio
    Duration: 10 minutes
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  • Rina Banerjee, Standing trial by man and the family of Man denied she wore the hardest but turtle shells on her mossy back heels dug on hers alone a golden island with foaming waters at edge, exhausted by humanity his fears of others, mothers, girls and boys that could , 2019
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    Rina Banerjee
    Standing trial by man and the family of Man denied she wore the hardest but turtle shells on her mossy back heels dug on hers alone a golden island with foaming waters at edge, exhausted by humanity his fears of others, mothers, girls and boys that could , 2019
    acrylic and gold leaf on wood panel
    20 x 16 in
    50.8 x 40.6 cm
  • Tim Hawkinson, Mary-Louise Reading My Cup (Woodpecker), 2021
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    Tim Hawkinson
    Mary-Louise Reading My Cup (Woodpecker), 2021
    oil on panel
    10 1/2 x 7 5/8 in
    26.7 x 19.4 cm
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  • William T. Wiley, We Eat the Berries and Blush after Bruegel (Sort Of), 1994
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    William T. Wiley
    We Eat the Berries and Blush after Bruegel (Sort Of), 1994
    acrylic, charcoal and graphite on canvas
    35 x 27 1/2 in
    88.9 x 69.8 cm
    stretched 39 x 31 in
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  • Dark blue turquoise and red paint layered to create multiple wavy and circular moiré effects
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    Anoka Faruqee
    2012P-17, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Multi-colored paint layered to create pink blue and orange circular moiré effects
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    Anoka Faruqee & David Driscoll
    2017P-30, 2017
    acrylic on linen on panel
    33 3/4 x 33 3/4 in
    85.7 x 85.7 cm
  • Four plastic chairs surround small round white table against a black background.
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    Ben McLaughlin
    Recognizing The Planets, 2017
    oil on panel
    7 3/4 x 12 in
    19.7 x 30.5 cm
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  • Birgit Jensen, CANNA, 2022
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    Birgit Jensen
    CANNA, 2022
    acrylic on canvas
    27 1/2 x 24 1/8 in
    70 x 61 cm
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  • A sepia-toned multimedia collage featuring a white half-circle shell as the focal point.
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    Bruce Conner
    BIRTH OF VENUS, 1959
    paper, gold foil, metal tacks, shell, beads, fabric, thread, hair, twine, cherry pit, cigarette butt, glass, metal, plastic, fabric and nylon stocking on Masonite
    12 x 9 1/2 in
    30.5 x 24.1 cm
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  • Still life of lit candle to the left of jar of preserved asparagus with green lid.
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    Cornelius Völker
    Kerze mit Spargel (Candle with Asparagus), 2021
    oil on canvas
    29 1/2 x 19 3/4 in
    75 x 50 cm
  • Abstract chalk drawing of white diamond wire fence with several white handprints scattered across black canvas
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    Driss Ouadahi
    Oppressed Blessing (3), 2016
    chalk pastel and fixative on paper
    15 3/4 x 39 3/8 in
    40 x 100 cm
  • Emil Lukas, #2316, 2025
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    Emil Lukas
    #2316, 2025
    acrylic on canvas over wood panel
    16 x 13 1/4 x 2 1/4 in
    40.6 x 33.7 x 5.7 cm
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  • Faceless woman in white nightgown hugs herself while seated on a brown bench in front of a white background.
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    Gideon Rubin
    Untitled, 2018
    oil on linen
    35 3/8 x 31 1/2 in
    90 x 80 cm
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  • Harry Bertoia, Untitled, 1960s
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    Harry Bertoia
    Untitled, 1960s
    melt-pressed, welded and patinated bronze
    2 1/2 x 2 x 2 1/2 in
    6.3 x 5.1 x 6.3 cm
    Inquire
  • Six round phasmid insect egg cases in different shapes and color on black background.
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    Isabella Kirkland
    Phasmid Eggs II, 2021
    oil on panel
    12 x 12 in
    30.5 x 30.5 cm
  • Mixed media work depicts a still life of a bouquet of pink flowers made with parallel, cross hatched lines The bottom edge is lined with pink fringe
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    Jean Conner
    PAINTING WITH FRINGE, 1964
    mixed media collage
    16 3/8 x 11 inches
    41.6 x 27.9 cm
  • A vintage lamp made of found materials, featuring a canine statuette, pull chain, and flower bud-like bulb
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    Jess (Collins)
    Assembly Lamp Seven, 1963
    mixed media assemblage
    29 x 18 x 18 in
    73.7 x 45.7 x 45.7 cm
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  • Large light box depicting multiple high resolution layers of people at the twenty seventeen Women’s March in Washington DC
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    Jim Campbell
    Women's March on Washington 3, 2017
    color photographic transparency mounted in lightbox
    32 x 48 x 5 in
    81.3 x 121.9 x 12.7 cm
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  • Judith Belzer, Edgelands #27, 2013
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    Judith Belzer
    Edgelands #27, 2013
    oil on canvas
    42 x 80 in
    106.7 x 203.2 cm
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  • Several layers of multi-colored acrylic paint overlap to display several patterns against a dark faded maroon painted panel The symbols depict various geometric and vegetal motifs along with elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
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    Julie W. Chang
    Pony Argyle Sun Discs, 2011
    acrylic on panel
    28 x 22 x 3 inches
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  • Front view of a multicolored abstract painting.
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    Jutta Haeckel
    Contemplation IV, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
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  • Digital photograph of an installation piece in which a light blue pile of sheer fabric has been piled and placed onto a white painted shelf. Towards the left of the shelf, a tiny human figurine dressed in gray sits on the ledge and is knitting. A single strand from the large light blue pile is connected to the figure leaving us to assume that the figurine has create the blue sheer fabric pile
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    Liliana Porter
    Tejedora (Gris) / Weaver (Grey), 2018
    figurine, fabric and painted wooden shelf
    7 x 43 1/2 x 11 inches/17.8 x 110.5 x 27.9 cm
  • A thick platinum brush stroke creates a cursive-like line across a quatrefoil shaped canvas In the background are four drippy sections of blue and pink which alternate within the quatrefoil shape
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    Max Gimblett
    Secret, 2020
    gesso, acrylic, resin, size and platinum leaf on canvas
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • A cushion-like blown-glass sculpture, top two-thirds translucent blue, bottom one-third opaque blue.
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    Patricia Piccinini
    Cobalt Message, 2022
    hand blown glass
    8 x 12 3/8 x 12 1/4 in
    20.2 x 31.5 x 31.2 cm
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  • Rina Banerjee, I am not afraid of you said the Elephant to the Rodent, 2022
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    Rina Banerjee
    I am not afraid of you said the Elephant to the Rodent, 2022
    acrylic and ink on paper
    15 x 12 in
    38.1 x 30.5 cm
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  • Horizontal and vertical straight black ink lines form a mirrored geometric pattern. At the center of the pattern is a circle which is then surrounded by various curves and ridges. Throughout the piece lines get closer to create optical illusions of depth and recession into space
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    Tim Hawkinson
    Olabli, 2020
    India ink on Yupo paper
    60 x 60 inches/152.4 x 152.4 cm
  • Multi-colored paint layered to create multiple wavy moiré effects
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    Anoka Faruqee
    2012P-16, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Multi-colored paint layered to create multi-hued blue circular moiré effects
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    Anoka Faruqee & David Driscoll
    2017P-24, 2017
    acrylic on linen on panel
    22 1/2 x 22 1/2 in
    57.1 x 57.1 cm
  • Bernard Lokai, Landscape Block O, 2020
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    Bernard Lokai
    Landscape Block O, 2020
    oil and acrylic on canvas (18)
    51 1/8 x 135 7/8 in
    130 x 345 cm
  • Birgit Jensen, FOG IX, 2022
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    Birgit Jensen
    FOG IX, 2022
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
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  • Black ink on paper which was folded in half creates a large mirrored abstract organic form
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    Bruce Conner
    INKBLOT DRAWING OCTOBER, 1991, 1991
    ink on paper
    22 1/2 x 30 3/8 in
    57.1 x 77.2 cm
  • Intimate digital photograph of the silhouette river reflections of two wolves bending down to drinking water on top of two gray rocks
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    Christian Houge
    Untitled 6 (Shadow Within), Norway, 2010
    ink on Canson Baryta paper
    30 x 63 in
    76.2 x 160 cm
    Inquire
  • Three dark green leaves attached to a single red stem cast shadows onto the white surface they rest on.
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    Cornelius Völker
    Blatt (Leaf), 2021
    oil on paper
    15 3/4 x 21 5/8 in
    40 x 55 cm
  • Abstract mixed media piece in which several variously sized chrysanthemums and shiny droplets made out of multiple tiny gold dots cascade down from the top center of the piece to the bottom
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    Crystal Liu
    the flowers, 'downpour', 2014
    ink, gouache and watercolor on paper
    39 3/4 x 26 inches/101 x 66 cm
  • Green and blue Urban landscape with several grayscale highrise buildings and streets Two large blue an purple grids of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Pierre liquide, V, 2013
    graphite pigment and oil on canvas
    23 5/8 x 19 3/4 in
    60 x 50 cm
    Inquire
  • Emil Lukas, shot #2315, 2025
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    Emil Lukas
    shot #2315, 2025
    acrylic on canvas over wood panel
    14 1/2 x 12 x 2 1/4 in
    36.8 x 30.5 x 5.7 cm
    Inquire
  • Girl with blonde hair in low ponytail wearing red shirt faces away from the viewer, hunched over, in front of blue background. Her lower body is cropped out of the composition.
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    Gideon Rubin
    Red Shirt, 2020
    oil on board
    16 x 12 1/8 in
    40.5 x 30.5 cm
  • Harry Bertoia, Untitled, 1960s
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    Harry Bertoia
    Untitled, 1960s
    melt-pressed bronze
    2 x 2 1/2 x 1 3/4 in
    5.1 x 6.3 x 4.4 cm
    Inquire
  • Paper collage of various cut outs from nineteen eighties magazines creates a surreal scene of a brown and white dog running in front of a young cow which is running in front of two Native Americans in traditional clothing whom are also running In the center of the scene is a large yellow rose The entire image of the running figures is framed by a vibrant yellow background
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    Jean Conner
    ROSE OF SAN ANTONIO, 1980
    paper collage
    19 7/8 x 16 in
    50.5 x 40.6 cm
    Inquire
  • Jim Campbell, Data Transformation 1, 2017
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    Jim Campbell
    Data Transformation 1, 2017
    custom electronics, 1,069 LEDs, treated Plexiglas
    33 x 65 1/2 x 2 1/2 inches/83.8 x 166.4 x 6.3 cm
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