• Rina Banerjee, Monsters with an eagle eye., 2024
    Rina Banerjee
    Monsters with an eagle eye., 2024
    acrylic, ink, collage, copper and platinum leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, College Tour, 2022
    Tim Hawkinson
    College Tour, 2022
    oil on panel
    10 3/8 x 7 3/8 in
    26.4 x 18.7 cm
  • Heavily layered and textured pink and salmon oil paint on canvas creates an intricate woven diamond pattern inspired by the dress Jackie Kenndey wore during her nineteen sixty two trip to India
    Andrea Higgins
    Jackie (India), 2003
    oil on canvas
    24 1/2 x 21 inches/62.2 x 53.3 cm
  • Anoka Faruqee, 2012P-35, 2012
    Anoka Faruqee
    2012P-35, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as dark grey and dappled.
    Anonymous
    INKBLOT DRAWING, OCTOBER 29, 2001, 2001
    ink and collage on paper
    image 5 1/2 x 2 3/4 inches/14 x 7 cm
    sheet 11 3/8 x 7 1/2 inches/28.9 x 19.1 cm
  • Birgit Jensen, WILD GREEN V, 2023
    Birgit Jensen
    WILD GREEN V, 2023
    acrylic paint on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Bruce Conner, LANDSCAPE SEPTEMBER 15, 1965, 1965
    Bruce Conner
    LANDSCAPE SEPTEMBER 15, 1965, 1965
    felt-tip pen on paper
    26 1/8 x 20 in
    66.4 x 50.8 cm
  • Cornelius Völker, Zwei Herzen (Two Hearts), 2025
    Cornelius Völker
    Zwei Herzen (Two Hearts), 2025
    oil on canvas
    35 3/8 x 51 1/8 in
    90 x 130 cm
  • Zoomed in digital photograph of a frozen, deep pink ranunculus with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part one, 'ranunculus two', 2009
    digital C-print
    29 x 29 inches/73.7 x 73.7 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues and purples
    Driss Ouadahi
    Gouttes de Lumieres, 2019
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • Bubble wrap indents painted in various pastel colors cast into black painted plaster
    Emil Lukas
    dispersion #1594, 2018
    plaster, paint, aluminum
    24 x 20 x 2 in
    61 x 50.8 x 5.1 cm
  • Woman facing away from the viewer towards a white car tames her blonde hair with her left hand.
    Gideon Rubin
    Untitled (White Car), 2021
    oil on linen
    51 1/8 x 51 1/8 in
    130 x 130 cm
  • Harry Bertoia, Untitled, 1943-50
    Harry Bertoia
    Untitled, 1943-50
    ink on Japanese paper
    10 1/4 x 25 1/2 in
    26 x 64.8 cm
  • Highly detailed and realistic oil still life on panel depicts a variety of non native invasive species to the United States such as the pigeon, the bullfrog, and water hyacinth
    Isabella Kirkland
    Ascendant, 2000
    oil on polyester over panel
    48 x 36 in
    121.9 x 91.4 cm
  • Jess (Collins), A Cryogenic Consideration: Or. Sounding One Horn of the Dilemma (Winter), 1980
    Jess (Collins)
    A Cryogenic Consideration: Or. Sounding One Horn of the Dilemma (Winter), 1980
    paper and push-pin on board over plywood
    48 x 72 in
    121.9 x 182.9 cm
  • Jim Campbell, Edition 29 (Swirl), 2023
    Jim Campbell
    Edition 29 (Swirl), 2023
    custom electronics, treated Plexiglas, 384 RGB LEDs
    15 1/2 x 22 3/4 x 2 7/8 in
    39.4 x 57.8 x 7.3 cm
  • An image of boulders and rocks balancing on each other.
    Judith Belzer
    All That Is Solid #1, 2019
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Multi-colored intricate geometric patterns referencing textile patterns of indigenous cultures overlap and cascade down the length of a light gray piece of paper
    Julie W. Chang
    Inside, 2016
    acrylic on paper
    78 x 45 in
    198.1 x 114.3 cm
  • Jutta Haeckel, Matrice 1, 2024
    Jutta Haeckel
    Matrice 1, 2024
    acrylic on jute
    70 7/8 x 51 1/8 in
    180 x 130 cm
  • A rectangular dark grainy etching depicting a black and white French word book is mounted onto a beige piece of paper. In the upper right corner of the book the image and word for La Lune is colored in gold
    Liliana Porter
    La Luna (LUNE/The Moon), 1977
    photo etching and aquatint on paper
    plate 12 x 10 inches/30.5 x 25.4 cm
    sheet 24 1/4 x 18 3/4 inches/61.6 x 47.6 cm
  • Marco Maggi, Frozen Ream, 2014
    Marco Maggi
    Frozen Ream, 2014
    drypoint on 11 x 8 1/2 x 2 inch Plexiglas block, on black shelf
    13 x 12 x 12 inches/33 x 30.5 x 30.5 cm
  • Max Gimblett, Night Journey, 2020
    Max Gimblett
    Night Journey, 2020
    gesso, acrylic, size, and aluminum leaf on canvas
    30 x 22 inches/76.2 x 55.9 cm
  • Rainbow colored ring surrounds the perimeter of an orange-brown circle made of tiny dots against white background.
    Nicole Phungrasamee Fein
    21.05.12.01 Cadmium Red Purple Serpentine Genuine Cerulean Blue, Chromium, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Pencil drawing of sideways human back. Top part of torso has no arm but long flowy hair sprouting from shoulder. Bottom arm reaches toward lower back to hold a hummingbird.
    Patricia Piccinini
    Cataracts and perch, 2014
    graphite on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
  • Rina Banerjee, Runaway in rope, liberty protested mirrored in records of menials, natives, and female messages. Massages to the law extenuated imbalances breast cloth agitation of 1813 gave authority a dosage patriarchal intoxication., 2024
    Rina Banerjee
    Runaway in rope, liberty protested mirrored in records of menials, natives, and female messages. Massages to the law extenuated imbalances breast cloth agitation of 1813 gave authority a dosage patriarchal intoxication., 2024
    Murano glass monkey, spinner’s wheel, drying rack, vintage iron hook & pulley, assorted synthetic, cotton and jute rope, four iron wheels, shells, fish nets, painted gourds, wire, red and green synthetic hair extensions, metal fish cake mold, watermelon net bags, vintage handheld mirrors, sequins, sand, pigeon and pheasant feathers, horseshoe crab shells, light bulbs
    dimensions variable
  • Large circular black and white ballpoint pen drawing with washes of gray watercolor create a night time mountainous landscape with multiple stars At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the rocky landscape
    Russell Crotty
    Leo Over Eastern Sierra, 2006
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Tim Hawkinson, Pacemaker, 2022
    Tim Hawkinson
    Pacemaker, 2022
    oil on panel
    9 5/8 x 6 in
    24.4 x 15.2 cm
  • Heavily layered and textured blue paints on canvas create an intricate woven pattern inspired by a typical dress worn by Barbara Bush The pattern consists of a royal blue background with four large slightly lighter blue circles at the center of the piece
    Andrea Higgins
    Barbara, 2002
    oil on canvas
    46 x 46 inches/116.8 x 116.8 cm
  • Anoka Faruqee, 2012P-34, 2012
    Anoka Faruqee
    2012P-34, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Anoka Faruqee & David Driscoll, 2024P-06, 2024
    Anoka Faruqee & David Driscoll
    2024P-06, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Weathered square stone basin with circle in center holding water.
    Anonymous
    Tsukubai (water basin), Kamakura Period, 1185-1300
    Shirakawa stone
    13 x 19 x 18 1/2 inches
    33 x 48.3 x 47 cm
  • Yellow canvas with one jagged section of purple brushstrokes emerging from the bottom of the canvas.
    Bernard Lokai
    Ohne Titel, 2010
    oil on linen
    55 x 79 inches/139.7 x 200.7 cm
  • Birgit Jensen, WILD GREEN IV, 2023
    Birgit Jensen
    WILD GREEN IV, 2023
    acrylic paint on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Bruce Conner, UNTITLED SEPTEMBER 2, 1966, 1966
    Bruce Conner
    UNTITLED SEPTEMBER 2, 1966, 1966
    felt-tip pen on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Digital panoramic portrait photograph of a Russian welder surrounded by his workbench and several tools in his darkened workshop
    Christian Houge
    Welder, 2006
    digital c-print
    19 3/4 x 59 1/8 inches/50.2 x 150.2 cm
  • Cornelius Völker, Bonbons-Love (Sweets-Love), 2025
    Cornelius Völker
    Bonbons-Love (Sweets-Love), 2025
    oil on canvas
    29 1/2 x 39 3/8 in
    75 x 100 cm
  • Mixed media landscape with a long flowing willow tree at the top of a single large black and white marbled mountain top. Silver metallic pointillism floating clouds crash against the base of the mountain and near the gold metallic moon which floats in the sky above the lower right corner
    Crystal Liu
    going places (weeping willows), "getting in touch", 2018
    watercolor, ink and collage on paper
    38 x 38 in
    96.5 x 96.5 cm
  • Abstract cloudy lavender sky through black diamond wire fence A large hole had been torn in the fence towards the bottom right of the painting
    Driss Ouadahi
    Flying fence, 2016
    oil on canvas
    70 7/8 x 86 5/8 in
    180 x 220 cm
  • Faceless woman finishes a golf swing in front of a golf course and blue sky background.
    Gideon Rubin
    Swing, 2021
    oil on linen
    59 x 41 3/8 in
    150 x 105 cm
  • Harry Bertoia, Untitled, 1949-59
    Harry Bertoia
    Untitled, 1949-59
    ink on Japanese paper
    10 1/4 x 25 1/4 in
    26 x 64.1 cm
  • Highly detailed and realistic oil painting on panel of multiple endangered South American rainforest animals insects and plants living peacefully amongst each other in a shared tree top canopy
    Isabella Kirkland
    Canopy, 2008
    oil and alkyd on polyester over panel
    60 x 48 in
    152.4 x 121.9 cm
  • Black and white paper collage of antique engravings create a surreal landscape of several sheep in a eucalyptus grove whose trees have several eyes and a human arm
    Jean Conner
    EUCALYPTUS GROVE, 1960
    paper collage
    12 x 9 in
    30.5 x 22.9 cm
  • Jess (Collins), Mystic Writing #9, 1955
    Jess (Collins)
    Mystic Writing #9, 1955
    handmade oil and wax crayon on paper
    11 1/2 x 11 1/4 in
    29.2 x 28.6 cm
  • Moving image of a wave.
    Jim Campbell
    Edition 28 (Surf), 2021
    custom electronics, 384 LEDs, treated plexiglass
    15 1/2 x 22 3/4 x 2 7/8 in
    39.4 x 57.8 x 7.3 cm
  • An image of rocks and boulders balancing on each other.
    Judith Belzer
    All That Is Solid #16, 2020
    oil on canvas
    96 x 78 in
    243.8 x 198.1 cm
  • Several layers of multi-colored acrylic paint overlap to display multiple patterns against a gray painted panel The symbols depict vegetal and central asian suzani motifs with luxury brand icons
    Julie W. Chang
    Racquet Link Sun Discs 2, 2011
    acrylic on panel
    18 x 18 x 3 in
    45.7 x 45.7 x 7.6 cm
  • Jutta Haeckel, Matrice 3, 2024
    Jutta Haeckel
    Matrice 3, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Digital duraflex photograph of two tiny brown chairs. The chair to the left holds a larger photocard that displays the colored drawing of a man with a black hat raincoat and umbrella against a red orange background
    Liliana Porter
    Magritte, 2008
    digital duraflex mounted on Plexiglas
    11 x 16 3/8 in
    27.9 x 41.6 cm
  • Marco Maggi, GooglePlexi, 2009
    Marco Maggi
    GooglePlexi, 2009
    cuts on Plexiglas, shelf
    3 x 9 x 11 1/2 inches/7.6 x 22.9 x 29.2 cm
  • Rough hasty thick light blue and gold leaf brush strokes that drip down and dive and dip across an oval canvas The background is messily horizontally divided between a red top region and a bottom dark blue one
    Max Gimblett
    Olympus, 2019
    acrylic, aqua size, and 23.75kt Rosanoble gold leaf on canvas
    30 x 21 inches
    76.2 x 53.3 cm
  • Flower-like orb created from the layered overlapping of circles in many different pastel colors. All circles are created from tiny dots but from afar appear to be solid colors.
    Nicole Phungrasamee Fein
    21.08.16.01 Cerulean Blue Chromium Rose Madder Prussian Green Nickel Azo Yellow Scarlet Lake Phthalo Blue (Red Shade) Quinacridone Rose Cadmium Yellow Deep Hue Mayan Blue Genuine Cadmium Orange Hue Cadmium Red Purple Serpentine Genuine, 2021
    watercolor on paper
    8 x 8 in
    20.3 x 20.3 cm
  • Sculpture of creature with two stilt-like legs, neck, and gorilla’s head. Creature is fully covered in hair except face, ears and exposed kneecaps. Backside of create is flat sole of a boot.
    Patricia Piccinini
    The Dancer, 2016
    silicone, steel, resin, human and animal hair
    17 3/4 x 9 1/2 x 6 1/4 in
    45.1 x 24.1 x 15.9 cm
  • Am image of installation piece with feathers, lamp shade, and light bulbs
    Rina Banerjee
    I ask my mother what will I be? Will I be strong, will I have courage, will I be happy? My mother she answers with this - The future is yours to make, 2016
    Plastic net cloth, resin replica horn of the American buffalo, copper dirty eyes in enamel, cowry shell, brass and copper wire, copper armature, Burt out light bulbs, oversized 500 watt light bulbs, pigeon feather fans, steel chain in white enamel, 2 s hooks in steel, 1 steel armature
    96 high x 60 inches in diamater
  • Horizontal rectangular drawing of a yellow mountainous landscape with grey starry sky and two planet, one with rings and the other banded
    Russell Crotty
    The Conjunction, 2022
    color pencil, gouache and ink on museum board (2)
    16 x 80 in
    40.6 x 203.2 cm
  • Tim Hawkinson, Burbank, 2022
    Tim Hawkinson
    Burbank, 2022
    oil on panel
    9 1/8 x 8 3/4 in
    23.2 x 22.2 cm
  • William T. Wiley, Dark Vincent's War Thoughts, 2001
    William T. Wiley
    Dark Vincent's War Thoughts, 2001
    acrylic and charcoal on canvas
    109 x 145 in
    276.9 x 368.3 cm
  • Heavily layered and textured pink and purple oil paint on canvas creates an intricate woven design inspired by the dress suit worn by Jackie Kenndey the day her husband President John F Kennedy was assassinated in Dallas
    Andrea Higgins
    Jackie (Dallas), 2002
    oil on canvas
    30 x 37 inches
    76.2 x 94 cm
  • Green yellow blue and purple paint layered to create multiple wavy moiré effects
    Anoka Faruqee
    2012P-31, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as grey and dappled.
    Anonymous
    INKBLOT DRAWING, OCTOBER 29, 2001, 2001
    ink and collage on paper
    image 5 1/2 x 3 1/2 inches/14 x 8.9 cm
    sheet 11 1/4 x 7 1/2 inches/28.6 x 19.1 cm
  • Dark brown and orange textured brushstrokes cut across grainy pastel pink and orange background. A grainy black and white diagonal line cuts into the canvas from the top right corner.
    Bernard Lokai
    Strahl, 2018
    acrylic on canvas
    23 5/8 x 17 3/4 in
    60 x 45.1 cm
  • Birgit Jensen, WILD GREEN II, 2022
    Birgit Jensen
    WILD GREEN II, 2022
    acrylic paint on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Bruce Conner, UNTITLED APRIL 1, 1968, 1968
    Bruce Conner
    UNTITLED APRIL 1, 1968, 1968
    felt-tip pen on paper
    22 5/8 x 16 1/2 in
    57.5 x 41.9 cm
  • Blue toned digital panoramic landscape photograph of a giant scientific instrument in the middle of an arctic tundra whose shape resembles a large satellite dish At the top of the instrument a red light glows and illuminates the interior of the dish
    Christian Houge
    Winternight, 2002
    digital C print
    39 x 118 in
    99.1 x 299.7 cm
  • Cornelius Völker, Colt Defender, 2014
    Cornelius Völker
    Colt Defender, 2014
    oil on canvas
    39 3/8 x 41 3/8 in
    100 x 105 cm
  • Zoomed in digital photograph of a large white and pale pink peony blossom with multiple tiny air bubbles and ice cracks
    Crystal Liu
    give us our dream: part one, 'peony two', 2009
    digital c-print
    29 x 29 inches/73.7 x 73.7 cm
  • Layers of multi-colored threads strung across a round wooden and plaster panel create the effect of a dark blue center that fades to white on the outer border
    Emil Lukas
    fall way #1940, 2020
    thread, wood, plaster, paint, nails
    44 1/2 x 44 1/2 x 5 in
    113 x 113 x 12.7 cm
  • Boy in white t-shirt with hand in pocket faces away from viewer in front of blue and exposed canvas background. His legs are cropped out of the composition.
    Gideon Rubin
    White T Shirt, 2021
    oil on linen
    11 3/4 x 7 7/8 in
    30 x 20 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    8 1/2 x 13 in
    21.6 x 33 cm
  • Highly detailed and realistic oil painting on panel of multiple endangered South American rainforest animals and plants living peacefully amongst each other in a shared ground among a rainforest riverbank
    Isabella Kirkland
    Co-Existants, 2017
    oil and alkyd on polyester over panel
    44 x 64 in
    111.8 x 162.6 cm
  • Paper collage of various cut outs from nineteen eighties magazines create an amalgamation of different birds but predominantly a peacock and a hummingbird In the background the peacocks outstretch feathers take up the entirety of the collage
    Jean Conner
    FEATHERS, 1980
    paper collage
    11 3/4 x 8 3/4 in
    29.8 x 22.1 cm
  • Viewed from underneath and through an old-style car's steering wheel the viewer sees two white men standing in the open car door, the front man is nude with arms behind back looking over shoulder at the viewer, man in back is fully clothed with hands resting on door and top of car, leaning past nude man's chest to stare at viewer
    Jess (Collins)
    Untitled (Car and Male Nude), circa 1962-1969
    pasteup
    13 1/2 x 9 in
    34.3 x 22.9 cm
  • A gif of blue swimmers swimming around blue LED lights,
    Jim Campbell
    Blue Swimmers, 2018
    custom electronics, 600 LEDs, treated plexiglas
    23 1/2 x 34 x 2 1/2 in
    59.7 x 86.4 x 6.3 cm
  • Judith Belzer, All That Is Solid #18, 2020
    Judith Belzer
    All That Is Solid #18, 2020
    oil on canvas
    80 x 56 in
    203.2 x 142.2 cm
  • Jutta Haeckel, Petal, 2024
    Jutta Haeckel
    Petal, 2024
    acrylic on jute
    59 x 47 1/4 in
    150 x 120 cm
  • Marco Maggi, Monochrome (Re-entry Red), 2014
    Marco Maggi
    Monochrome (Re-entry Red), 2014
    cuts and folds on 225 35mm papers in slide mounts
    30 x 30 inches/76.2 x 76.2 cm
  • Hasty circular black ink brush stroke painted towards the bottom of the piece with dark red splotch in the center of the circle The two are painted on top of aluminum leaf
    Max Gimblett
    Not titled, 2021
    sumi ink, aqua size and aluminum leaf on Somerset paper
    30 x 22 in
    76.2 x 55.9 cm
  • Sculpture of shiny orange and red automotive figure with four wheels lying in fetal position.
    Patricia Piccinini
    Embryo, 2016
    fiberglass, polyurethane, auto paint
    29 1/8 x 44 7/8 x 48 7/8 in
    74 x 114 x 124.1 cm
  • A brown skinned person kneels, surrounded by multicolored nature imagery.
    Rina Banerjee
    Mother gathered Three or no more dirty black stones, tossed them to sky that could break what had hardened her ground and without frown or flirt of flower father like grease or butter slipped aside to free her from forty and some more grown men who held h, 2017
    acrylic on two wood panels with sequin fabric and collage
    80 x 40 x 2 in
    203.2 x 101.6 x 5.1 cm
  • Russell Crotty, Lyra over Summit Boulders Mt. Pinos, 2006
    Russell Crotty
    Lyra over Summit Boulders Mt. Pinos, 2006
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Tim Hawkinson, Geraniums, 2021
    Tim Hawkinson
    Geraniums, 2021
    oil on panel
    11 7/8 x 8 in
    30.2 x 20.3 cm
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