Artworks

  • Digital photograph of an installation piece in which a pile of tangled black and beige ropes are rested on a white floor. Towards the lower left of the rope pile an incredibly tiny figurine holds out a small strand that connects back to larger rope pile
    Liliana Porter
    Forced Labor (rope), 2011
    Duraflex
    32 1/2 x 46 1/4 inches/82.5 x 117.5 cm
  • Marco Maggi, Frozen Quadrant, 2018
    Marco Maggi
    Frozen Quadrant, 2018
    engraved acrylic
    8 x 8 x 2 inches/20.3 x 20.3 x 5.1 cm
    overall with shelf 10 1/8 x 12 x 12 inches
  • Rough hasty thick platinum gold bright green and black brushstrokes dance across a square canvas The background behind the brushstrokes is a mix of darker blue and green dripping paint
    Max Gimblett
    Jungle-After Henri Rousseau, 2019
    acrylic, resin, aqua size and platinum white gold leaf on canvas
    70 x 70 in
    177.8 x 177.8 cm
  • Faint blue rays create a light glow surrounding a dense dark blue and gray circular mass in the center of white canvas.
    Nicole Phungrasamee Fein
    18.08.01, 2018
    watercolor on illustration board
    8 x 8 in
    20.3 x 20.3 cm
  • Nestled into the cocoon of a yellow curved shape is a red and black plant-like form. Stemming from the plant are eight tan hairy pods. Resting near the bottom of the yellow form at two black and orange shapes that resemble the pods.
    Patricia Piccinini
    Metaflora (eight pods), 2014
    ink and gouache on paper
    22 1/2 x 30 1/4 in
    57.1 x 76.8 cm
  • Rina Banerjee, In a whirlwind, upside down two birds one named memory and the other sleepy past waving arms tried to lift mountains with her flocks flirted with sky and tickled the night to stop time., 2024
    Rina Banerjee
    In a whirlwind, upside down two birds one named memory and the other sleepy past waving arms tried to lift mountains with her flocks flirted with sky and tickled the night to stop time., 2024
    acrylic, ink, collage and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Large circular ballpoint pen drawing with washes of blue purple and green watercolor create a mountainous night time landscape with multiple stars. At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the landscape
    Russell Crotty
    Jupiter over the Eastern Sierras, 2020
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Tim Hawkinson, Patty Reading, 2022
    Tim Hawkinson
    Patty Reading, 2022
    oil on panel
    9 1/2 x 11 3/4 in
    24.1 x 29.8 cm
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace VI, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace VI, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Heavily layered and textured yellow and beige paints on canvas create an intricate woven pattern inspired by the inaugural gown worn by Claudia Lady Bird Johnson The pattern consists of a wavy yellow and beige background with texture creating the impression of multiple embroidered starbursts
    Andrea Higgins
    Lady Bird, 2003
    oil on canvas
    60 x 38 1/2 inches/152.4 x 97.8 cm
  • Anoka Faruqee, 2012P-36, 2012
    Anoka Faruqee
    2012P-36, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-12, 2024
    Anoka Faruqee & David Driscoll
    2024P-12, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Small weathered Japanese stone sculpture.
    Anonymous
    Gorinto, Kamakura Period, 1185-1300 and Edo Period, 1603-1868
    stone
    32 1/4 x 12 1/2 x 12 1/2 inches
    81.9 x 31.8 x 31.8 cm
  • Canoe holds two men, one standing and rowing and one seated. Mountains rise above sea in the background and front of canoe is obscured by floating black brushstroke.
    Ben McLaughlin
    Comets, 2017
    oil on panel
    7 3/4 x 12 inches/19.7 x 30.5 cm
  • Background is blue chrome on the left, solid yellow on the right and red chrome on the bottom. On top of the background are textured strips of yellow brushstrokes. Two smooth yellow chrome shapes are layered on top of the textured brushstrokes.
    Bernard Lokai
    Splitter, 2019
    acrylic on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
  • Birgit Jensen, EIDER, 2023
    Birgit Jensen
    EIDER, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Bruce Conner, UNTITLED, 1965
    Bruce Conner
    UNTITLED, 1965
    felt-tip pen on paper (double-sided)
    2 5/8 x 6 1/8 in
    6.7 x 15.6 cm
  • Digital panoramic landscape photograph of two tall antenna amongst a bright white arctic mountainous landscape The two antenna show similarities with ship masks hence the title of the piece
    Christian Houge
    Sunken Ship, 2001
    digital c-print
    26 x 78.8 inches
    68 x 200 cms
  • Cornelius Völker, Blüte (Bloom), 2025
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    27 1/2 x 19 3/4 in
    70 x 50 cm
  • Mixed media landscape with a long flowing willow tree at the top of a gray and white marbled mountain top. Silver metallic pointillism clouds float around the left edges of the piece and in a small valley towards the bottom right where a small gold metallic moon rests
    Crystal Liu
    going places (weeping willows), "stuck in between", 2018
    watercolor, ink and collage on paper
    44 x 30 in
    111.8 x 76.2 cm
  • Emil Lukas, distant twin #2253, 2024
    Emil Lukas
    distant twin #2253, 2024
    thread, aluminum, wood, plaster, paint, nails
    18 1/2 x 18 1/2 x 2 1/2 in
    47 x 47 x 6.3 cm
  • Faceless woman with close-cropped haircut is seated in red armchair. Her breasts are exposed beneath unbuttoned purple shirt.
    Gideon Rubin
    Purple, 2021
    oil on linen
    28 x 26 in
    71 x 66 cm
  • Harry Bertoia, Untitled, mid to late 1950s
    Harry Bertoia
    Untitled, mid to late 1950s
    ink on Japanese paper
    22 1/2 x 18 in
    57.1 x 45.7 cm
  • Several species of edible insects crawling on branch, log, and in dead leaves.
    Isabella Kirkland
    Edible, 2021
    oil on polyester over wood panel
    30 x 40 in
    76.2 x 101.6 cm
  • Paper collage of cut out photographs create side by side depictions of her husband Bruce Conner The depiction on the left is holding a white candle while the one center holds a black cross Parts of Bruce’s face and body are missing
    Jean Conner
    BRUCE, 1962/1974
    photograph and paper collage
    3 3/16 x 3 1/2 in
    8.1 x 8.9 cm
  • Jess (Collins), Untitled (Pooh Figure), 1953
    Jess (Collins)
    Untitled (Pooh Figure), 1953
    collage
    17 1/2 x 23 1/2 in
    44.5 x 59.7 cm
  • Still image of vertical rectangular piece of white LEDs behind Plexiglass that display the blurred face of the artist reading the bible by spelling out each word in order
    Jim Campbell
    I Have Never Read the Bible Again, 2008
    custom electronics, LED, Plexiglass,
    green or white leds - being made by jim 5/08
    15 x 12 inches/38.1 x 30.5 cm
  • An image of a bridge above water,
    Judith Belzer
    From the Anthropocene #1, 2014
    oil on canvas
    64 x 64 in
    162.6 x 162.6 cm
  • Black white and yellow vegetal patterns overlap on a dark gray painted panel The pattern in white include an icon of a pistol
    Julie W. Chang
    Graphite and Gold Pistol Trellis, 2011
    acrylic on panel
    15 x 20 x 3 in
  • Jutta Haeckel, Matrice 2, 2024
    Jutta Haeckel
    Matrice 2, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Black and white chromogenic print of a digital photo in which a wrinkled hand with an extended index finger touches a photo of a younger hand that is similarly posed. The two hands have a string tied around the tip of their outstretched index fingers. A drawing of a thin black line on the white mount of the digital photo creates the illusion that the string extends beyond the continues of the photo
    Liliana Porter
    Forty Years IIIA (hand over horizontal line 1973), 2013
    chromogenic print
    25 1/2 x 26 iN
    64.8 x 66 cm
  • Marco Maggi, Gold is the New White, 2017
    Marco Maggi
    Gold is the New White, 2017
    hand-cut metal foil, 600 35mm slide mounts
    60 x 40 in
    152.4 x 101.6 cm
  • Hasty black ink brushstroke that forms a loop in the center of the paper and dripps diagonally down towards the bottom
    Max Gimblett
    Lassoed Head, 2016
    sumi ink on Thai garden 100% kozo plain smooth handmade paper
    31 x 22 inches/78.7 x 55.9 cm
  • Interwoven horizontal and vertical lines in shades of blue create a square-shaped color field.
    Nicole Phungrasamee Fein
    Untitled (1070407), 2007
    watercolor on paper
    12 5/8 x 12 1/2 in
    32.1 x 31.8 cm
  • Three glass sculptures arranged on a white floor.
    Patricia Piccinini
    Shadow Gloaming, 2021
    hand blown glass
    7 1/4 x 11 5/8 x 10 7/8 in
    18.3 x 29.6 x 27.5 cm
  • Rina Banerjee, Monsters with an eagle eye., 2024
    Rina Banerjee
    Monsters with an eagle eye., 2024
    acrylic, ink, collage, copper and platinum leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, College Tour, 2022
    Tim Hawkinson
    College Tour, 2022
    oil on panel
    10 3/8 x 7 3/8 in
    26.4 x 18.7 cm
  • Heavily layered and textured pink and salmon oil paint on canvas creates an intricate woven diamond pattern inspired by the dress Jackie Kenndey wore during her nineteen sixty two trip to India
    Andrea Higgins
    Jackie (India), 2003
    oil on canvas
    24 1/2 x 21 inches/62.2 x 53.3 cm
  • Anoka Faruqee, 2012P-35, 2012
    Anoka Faruqee
    2012P-35, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as dark grey and dappled.
    Anonymous
    INKBLOT DRAWING, OCTOBER 29, 2001, 2001
    ink and collage on paper
    image 5 1/2 x 2 3/4 inches/14 x 7 cm
    sheet 11 3/8 x 7 1/2 inches/28.9 x 19.1 cm
  • Birgit Jensen, WILD GREEN V, 2023
    Birgit Jensen
    WILD GREEN V, 2023
    acrylic paint on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Bruce Conner, LANDSCAPE SEPTEMBER 15, 1965, 1965
    Bruce Conner
    LANDSCAPE SEPTEMBER 15, 1965, 1965
    felt-tip pen on paper
    26 1/8 x 20 in
    66.4 x 50.8 cm
  • Cornelius Völker, Zwei Herzen (Two Hearts), 2025
    Cornelius Völker
    Zwei Herzen (Two Hearts), 2025
    oil on canvas
    35 3/8 x 51 1/8 in
    90 x 130 cm
  • Zoomed in digital photograph of a frozen, deep pink ranunculus with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part one, 'ranunculus two', 2009
    digital C-print
    29 x 29 inches/73.7 x 73.7 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues and purples
    Driss Ouadahi
    Gouttes de Lumieres, 2019
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • Emil Lukas, suspended and diffused #2368, 2025
    Emil Lukas
    suspended and diffused #2368, 2025
    acrylic on canvas over wood panel
    31 x 25 in
    78.7 x 63.5 cm
  • Woman facing away from the viewer towards a white car tames her blonde hair with her left hand.
    Gideon Rubin
    Untitled (White Car), 2021
    oil on linen
    51 1/8 x 51 1/8 in
    130 x 130 cm
  • Harry Bertoia, Untitled, 1943-50
    Harry Bertoia
    Untitled, 1943-50
    ink on Japanese paper
    10 1/4 x 25 1/2 in
    26 x 64.8 cm
  • Jess (Collins), A Cryogenic Consideration: Or. Sounding One Horn of the Dilemma (Winter), 1980
    Jess (Collins)
    A Cryogenic Consideration: Or. Sounding One Horn of the Dilemma (Winter), 1980
    paper and push-pin on board over plywood
    48 x 72 in
    121.9 x 182.9 cm
  • Jim Campbell, Edition 29 (Swirl), 2023
    Jim Campbell
    Edition 29 (Swirl), 2023
    custom electronics, treated Plexiglas, 384 RGB LEDs
    15 1/2 x 22 3/4 x 2 7/8 in
    39.4 x 57.8 x 7.3 cm
  • An image of boulders and rocks balancing on each other.
    Judith Belzer
    All That Is Solid #1, 2019
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Multi-colored intricate geometric patterns referencing textile patterns of indigenous cultures overlap and cascade down the length of a light gray piece of paper
    Julie W. Chang
    Inside, 2016
    acrylic on paper
    78 x 45 in
    198.1 x 114.3 cm
  • Jutta Haeckel, Matrice 1, 2024
    Jutta Haeckel
    Matrice 1, 2024
    acrylic on jute
    70 7/8 x 51 1/8 in
    180 x 130 cm
  • A rectangular dark grainy etching depicting a black and white French word book is mounted onto a beige piece of paper. In the upper right corner of the book the image and word for La Lune is colored in gold
    Liliana Porter
    La Luna (LUNE/The Moon), 1977
    photo etching and aquatint on paper
    plate 12 x 10 inches/30.5 x 25.4 cm
    sheet 24 1/4 x 18 3/4 inches/61.6 x 47.6 cm
  • Marco Maggi, Frozen Ream, 2014
    Marco Maggi
    Frozen Ream, 2014
    drypoint on 11 x 8 1/2 x 2 inch Plexiglas block, on black shelf
    13 x 12 x 12 inches/33 x 30.5 x 30.5 cm
  • Max Gimblett, Night Journey, 2020
    Max Gimblett
    Night Journey, 2020
    gesso, acrylic, size, and aluminum leaf on canvas
    30 x 22 inches/76.2 x 55.9 cm
  • Rainbow colored ring surrounds the perimeter of an orange-brown circle made of tiny dots against white background.
    Nicole Phungrasamee Fein
    21.05.12.01 Cadmium Red Purple Serpentine Genuine Cerulean Blue, Chromium, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Pencil drawing of sideways human back. Top part of torso has no arm but long flowy hair sprouting from shoulder. Bottom arm reaches toward lower back to hold a hummingbird.
    Patricia Piccinini
    Cataracts and perch, 2014
    graphite on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
  • Rina Banerjee, Runaway in rope, liberty protested mirrored in records of menials, natives, and female messages. Massages to the law extenuated imbalances breast cloth agitation of 1813 gave authority a dosage patriarchal intoxication., 2024
    Rina Banerjee
    Runaway in rope, liberty protested mirrored in records of menials, natives, and female messages. Massages to the law extenuated imbalances breast cloth agitation of 1813 gave authority a dosage patriarchal intoxication., 2024
    Murano glass monkey, spinner’s wheel, drying rack, vintage iron hook & pulley, assorted synthetic, cotton and jute rope, four iron wheels, shells, fish nets, painted gourds, wire, red and green synthetic hair extensions, metal fish cake mold, watermelon net bags, vintage handheld mirrors, sequins, sand, pigeon and pheasant feathers, horseshoe crab shells, light bulbs
    dimensions variable
  • Large circular black and white ballpoint pen drawing with washes of gray watercolor create a night time mountainous landscape with multiple stars At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the rocky landscape
    Russell Crotty
    Leo Over Eastern Sierra, 2006
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Tim Hawkinson, Pacemaker, 2022
    Tim Hawkinson
    Pacemaker, 2022
    oil on panel
    9 5/8 x 6 in
    24.4 x 15.2 cm
  • Heavily layered and textured blue paints on canvas create an intricate woven pattern inspired by a typical dress worn by Barbara Bush The pattern consists of a royal blue background with four large slightly lighter blue circles at the center of the piece
    Andrea Higgins
    Barbara, 2002
    oil on canvas
    46 x 46 inches/116.8 x 116.8 cm
  • Anoka Faruqee, 2012P-34, 2012
    Anoka Faruqee
    2012P-34, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Anoka Faruqee & David Driscoll, 2024P-06, 2024
    Anoka Faruqee & David Driscoll
    2024P-06, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Weathered square stone basin with circle in center holding water.
    Anonymous
    Tsukubai (water basin), Kamakura Period, 1185-1300
    Shirakawa stone
    13 x 19 x 18 1/2 inches
    33 x 48.3 x 47 cm
  • Yellow canvas with one jagged section of purple brushstrokes emerging from the bottom of the canvas.
    Bernard Lokai
    Ohne Titel, 2010
    oil on linen
    55 x 79 inches/139.7 x 200.7 cm
  • Birgit Jensen, WILD GREEN IV, 2023
    Birgit Jensen
    WILD GREEN IV, 2023
    acrylic paint on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Bruce Conner, UNTITLED SEPTEMBER 2, 1966, 1966
    Bruce Conner
    UNTITLED SEPTEMBER 2, 1966, 1966
    felt-tip pen on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Digital panoramic portrait photograph of a Russian welder surrounded by his workbench and several tools in his darkened workshop
    Christian Houge
    Welder, 2006
    digital c-print
    19 3/4 x 59 1/8 inches/50.2 x 150.2 cm
  • Mixed media landscape with a long flowing willow tree at the top of a single large black and white marbled mountain top. Silver metallic pointillism floating clouds crash against the base of the mountain and near the gold metallic moon which floats in the sky above the lower right corner
    Crystal Liu
    going places (weeping willows), "getting in touch", 2018
    watercolor, ink and collage on paper
    38 x 38 in
    96.5 x 96.5 cm
  • Abstract cloudy lavender sky through black diamond wire fence A large hole had been torn in the fence towards the bottom right of the painting
    Driss Ouadahi
    Flying fence, 2016
    oil on canvas
    70 7/8 x 86 5/8 in
    180 x 220 cm
  • Emil Lukas, object #2366, 2025
    Emil Lukas
    object #2366, 2025
    acrylic on canvas over wood panel
    14 1/2 x 12 x 2 1/2 in
    36.8 x 30.5 x 6.3 cm
  • Faceless woman finishes a golf swing in front of a golf course and blue sky background.
    Gideon Rubin
    Swing, 2021
    oil on linen
    59 x 41 3/8 in
    150 x 105 cm
  • Harry Bertoia, Untitled, 1949-59
    Harry Bertoia
    Untitled, 1949-59
    ink on Japanese paper
    10 1/4 x 25 1/4 in
    26 x 64.1 cm
  • Black and white paper collage of antique engravings create a surreal landscape of several sheep in a eucalyptus grove whose trees have several eyes and a human arm
    Jean Conner
    EUCALYPTUS GROVE, 1960
    paper collage
    12 x 9 in
    30.5 x 22.9 cm
  • Jess (Collins), Mystic Writing #9, 1955
    Jess (Collins)
    Mystic Writing #9, 1955
    handmade oil and wax crayon on paper
    11 1/2 x 11 1/4 in
    29.2 x 28.6 cm
  • Moving image of a wave.
    Jim Campbell
    Edition 28 (Surf), 2021
    custom electronics, 384 LEDs, treated plexiglass
    15 1/2 x 22 3/4 x 2 7/8 in
    39.4 x 57.8 x 7.3 cm
  • An image of rocks and boulders balancing on each other.
    Judith Belzer
    All That Is Solid #16, 2020
    oil on canvas
    96 x 78 in
    243.8 x 198.1 cm
  • Several layers of multi-colored acrylic paint overlap to display multiple patterns against a gray painted panel The symbols depict vegetal and central asian suzani motifs with luxury brand icons
    Julie W. Chang
    Racquet Link Sun Discs 2, 2011
    acrylic on panel
    18 x 18 x 3 in
    45.7 x 45.7 x 7.6 cm
  • Jutta Haeckel, Matrice 3, 2024
    Jutta Haeckel
    Matrice 3, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
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