• Rina Banerjee, Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
    Rina Banerjee
    Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
    acrylic, ink, collage and copper leaf on paper
    24 x 18 in
    61 x 45.7 cm
  • Tim Hawkinson, RIP Issey, 2022
    Tim Hawkinson
    RIP Issey, 2022
    oil on panel
    10 3/4 x 7 1/2 in
    27.3 x 19.1 cm
  • Alexandre Kyungu Mwilambwe, Password in the green area
    Alexandre Kyungu Mwilambwe
    Password in the green area
    wood cutting, incision, engraving, acrylic, collage of wood and wood dust on wood plywood
    31 1/2 x 25 3/8 in
    80 x 64.5 cm
  • Heavily layered and textured earth toned paints on canvas create an intricate woven blue green white and orange floral pattern inspired by the pattern of the furniture described in the novel Babbitt by Sinclair Lewis. On the right and left combinations of reds blues and browns come together to create other woven textured pieces inspired by same novel
    Andrea Higgins
    Babbitt, 2004
    oil on canvas
    triptych
    27 x 24 in/68.6 x 61 cm
    27 x 40 in/68.6 x 101.6 cm
    27 x 24 in/68.6 x 61 cm
  • Against a red background, non-uniform yellow dots create a cloudy pattern. Inside some of the yellow dots are smaller red spots. A dark red border encircles the perimeter of the canvas.
    Angelina Pwerle
    Bush plum (13-716), 2016
    acrylic on linen
    31 1/2 x 23 5/8 in
    80 x 60 cm
  • Anoka Faruqee, 2012P-41, 2012
    Anoka Faruqee
    2012P-41, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Anoka Faruqee & David Driscoll, 2024P-15, 2024
    Anoka Faruqee & David Driscoll
    2024P-15, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • A man’s head from eyebrows and ears up is visible against a blue striped background.
    Ben McLaughlin
    Anatomy For The Artist, 2020
    oil on panel
    5 3/4 x 4 inches/14.5 x 10 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene. Panels on the left are black and dark gray (night) and panels on the right are white and light gray (day). Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Night and Day, 2015
    acrylic and oil paint on canvas (18)
    overall 51 1/8 x 135 7/8 inches/129.9 x 345.1 cm
  • Birgit Jensen, SLEEPING DRAGON I, 2023
    Birgit Jensen
    SLEEPING DRAGON I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Cornelius Völker, Bücher-Handlinien (Books-Handlines), 2019
    Cornelius Völker
    Bücher-Handlinien (Books-Handlines), 2019
    oil on canvas
    51 1/8 x 86 5/8 in
    130x 220 cm
  • Mixed media landscape of a gold leaf moon surrounded by a row of birch trees. Both the moon and the trees are reflected in a light gray pool which takes up the bottom two thirds of the piece. Also visible in the reflective pool are several dark clouds and gold leaf dots which resemble stars
    Crystal Liu
    caught in between (from the series 'the moon'), 2014
    ink, watercolor, gouache and gold leaf on paper
    5 7/8 x 5 7/8 inches/15 x 15 cm
  • Dull yellow white and purple abstract landscape alludes to elevated highway with several trees underneath and faded high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Departure, 2015
    oil on canvas
    63 x 55 1/8 in
    160 x 140 cm
  • Flowers in vase to the right of three stacked books on orange surface in front of beige wall.
    Gideon Rubin
    Roses in the Studio, 2021
    oil on canvas
    14 1/8 x 12 1/4 in
    36 x 31 cm
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    8 x 3 x 2 1/4 in
    20.3 x 7.6 x 5.7 cm
  • Several varieties of nudibranchs in different shapes, sizes, and colors on black background.
    Isabella Kirkland
    Nudibranchia, 2015
    oil and alkyd on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Large light box depicting multiple high resolution layers of people at a political protest
    Jim Campbell
    Political Protest New York 2004 (III), 2005
    light box with color transparency
    48 x 72 x 5 in
    121.9 x 182.9 x 12.7 cm
  • Judith Belzer, All That is Solid #23, 2021
    Judith Belzer
    All That is Solid #23, 2021
    oil on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Black gray orange and yellow patterns overlap on a beige painted panel The patterns reference various vegetal patterns and are arranged in a combination of argyle and Indonesian ikat patterning
    Julie W. Chang
    Graphite and Gold Argyle Ikat, 2011
    acrylic on panel
    15 x 20 x 3 in
  • Jutta Haeckel, Skin in the Game, 2024
    Jutta Haeckel
    Skin in the Game, 2024
    acrylic on jute (8 panels)
    78 3/4 x 126 in
    200 x 320 cm
  • Marco Maggi, Flat Pencil, 2019
    Marco Maggi
    Flat Pencil, 2019
    graphite on graphite
    24 x 18 in
    61 x 45.7 cm
  • Rough hasty thick black brush strokes across wider pale colored strokes against a red underpainting
    Max Gimblett
    Juggernaut, 2019
    acrylic on canvas
    70 x 140 inches
    177.8 x 355.6 cm
  • Thin horizontal lines are painted in gradient hues from tan to purple and back to tan again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1090312, 2012
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Two pink, blown-glass sculptures arranged on a white floor.
    Patricia Piccinini
    Carnation Expansion, 2021
    hand blown glass
    8 3/8 x 14 1/8 x 13 1/2 in
    21.3 x 36 x 34.3 cm
  • Rina Banerjee, Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
    Rina Banerjee
    Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
    gourd, horn, glass beads, wire, copper crochet, copper wire, Murano glass beads
    33 1/2 x 31 1/8 x 19 1/4 in
    85 x 79 x 49 cm
  • Tim Hawkinson, Sock and Buskin, 2022
    Tim Hawkinson
    Sock and Buskin, 2022
    oil on panel
    11 x 6 3/8 in
    27.9 x 16.2 cm
  • Alexandre Kyungu Mwilambwe, J'habite la terre , 2017
    Alexandre Kyungu Mwilambwe
    J'habite la terre , 2017
    engraving, incision and acrylic on wood door
    66 7/8 x 20 7/8 in
    170 x 53 cm
  • Heavily layered and textured vibrant green and blue paint on canvas comes together to create an intricate woven lime green pattern inspired by a piece worn by Betty Ford The different textures on the surface of the artwork create the impression of a large embroidered rose whose tendrils loop and curve across the surface of the piece
    Andrea Higgins
    Betty, 2003
    oil on canvas
    40 x 23 1/2 inches/101.6 x 59.7 cm
  • Against a black background, non-uniform yellow dots create a cloudy pattern. A black border encircles the perimeter of the canvas.
    Angelina Pwerle
    Bush Plum 19-416, 2016
    acrylic on canvas
    71 7/8 x 48 1/8 inches/182.6 x 122.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-14, 2024
    Anoka Faruqee & David Driscoll
    2024P-14, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as grey and dappled.
    Anonymous
    INKBLOT DRAWING, OCTOBER 30, 2001, 2001
    ink and collage on paper
    image 4 1/4 x 3 3/8 inches/10.8 x 8.6 cm
    sheet 7 1/2 x 7 1/2 inches/19.1 x 19.1 cm
  • A person sitting at a desk touches an open book in front of them, one of several objects on the desk. Their face is obscured by a floating black shape.
    Ben McLaughlin
    Channel Islands, 2017
    oil on panel
    6 1/2 x 9 1/4 inches/16.5 x 23.5 cm
  • Brushstrokes in dark orange create an abstract background. On top, a gray line emerges near the top left of the canvas, a bright red shape is superimposed near the center, and blue brushstrokes emerge from the bottom right corner.
    Bernard Lokai
    Schlacht, 2012
    oil paint on canvas
    47 1/4 x 70 7/8 inches
    120 x 180 cm
  • Birgit Jensen, SEARCHING FOR MUSHROOMS I, 2023
    Birgit Jensen
    SEARCHING FOR MUSHROOMS I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Intimate black and white digital photograph of a wolf walking into a cave from the perspective that the viewer is in the cave and watching the wolf enter. The facial features of the wolf cannot be seen as the head of the animal is silhouetted and framed by roots and earth
    Christian Houge
    Untitled 13, Norway, 2012
    ink on Hahnemuhle Paper
    23 5/8 x 15 3/4 inches/60 x 40 cm
  • Zoomed in digital photograph of several frozen, deep pink anemone flowers with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part one, 'anemone four', 2009
    digital c-print print
    29 x 29 inches/73.7 x 73.7 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues reds and purples
    Driss Ouadahi
    Extra Muros, 2018
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • Two boys, one with red hair and one with brown hair, in white t-shirts facing away from the viewer towards blue wall. One boy is on each panel of the diptych.
    Gideon Rubin
    Boys, 2021
    oil on linen, diptych
    33 1/8 x 23 5/8 in each
    84 x 60 cm each
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    6 1/8 x 2 3/4 x 2 3/4 in
    15.6 x 7 x 7 cm
  • Highly detailed and realistic oil painting on panel of multiple diverse types of phasmid or stick bug eggs which are magnified and painted proportionally against a black background
    Isabella Kirkland
    Phasmid Eggs, 2021
    oil on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Black cat head pasted onto bear body peering through passenger window of car.
    Jean Conner
    BEARCAT, c. 1980
    paper collage
    5 1/4 x 6 3/8 in
    13.3 x 16 cm
  • Jess (Collins), Boob #1, 1952
    Jess (Collins)
    Boob #1, 1952
    pasteup
    12 3/4 x 16 1/2 in
    32.4 x 41.9 cm
  • Rectangular digital counter displaying in orange digits the number fifty two point three hundred fifteen. To the left of the piece a black wire which is a censor which records the amount of daylight has passed on a scale of one hundred - zero being dawn and one hundred being dusk
    Jim Campbell
    Untitled (for the sun), 1999/2003
    custom electronics, numeric LED display, light sensor
    6 x 18 x 2 inches/15.2 x 45.7 x 5.1 cm
  • Judith Belzer, All That is Solid #24, 2021
    Judith Belzer
    All That is Solid #24, 2021
    oil on canvas
    84 x 96 in
    213.4 x 243.8 cm
  • Several silkscreen layers of dark purple and red acrylic paint overlap to display patterns on a red painted panel The patterns depict indigenous stereotypes, luxury brand icons, and asian iconography
    Julie W. Chang
    Smoke Signals, 2012
    acrylic on panel
    16 x 16 x 3 in
    40.6 x 40.6 x 7.6 cm
  • Jutta Haeckel, Rubisco, 2023-2024
    Jutta Haeckel
    Rubisco, 2023-2024
    acrylic on jute
    59 x 47 1/4 in
    150 x 120 cm
  • Digital photograph of an installation piece in which a pile of tangled black and beige ropes are rested on a white floor. Towards the lower left of the rope pile an incredibly tiny figurine holds out a small strand that connects back to larger rope pile
    Liliana Porter
    Forced Labor (rope), 2011
    Duraflex
    32 1/2 x 46 1/4 inches/82.5 x 117.5 cm
  • Marco Maggi, Frozen Quadrant, 2018
    Marco Maggi
    Frozen Quadrant, 2018
    engraved acrylic
    8 x 8 x 2 inches/20.3 x 20.3 x 5.1 cm
    overall with shelf 10 1/8 x 12 x 12 inches
  • Rough hasty thick platinum gold bright green and black brushstrokes dance across a square canvas The background behind the brushstrokes is a mix of darker blue and green dripping paint
    Max Gimblett
    Jungle-After Henri Rousseau, 2019
    acrylic, resin, aqua size and platinum white gold leaf on canvas
    70 x 70 in
    177.8 x 177.8 cm
  • Faint blue rays create a light glow surrounding a dense dark blue and gray circular mass in the center of white canvas.
    Nicole Phungrasamee Fein
    18.08.01, 2018
    watercolor on illustration board
    8 x 8 in
    20.3 x 20.3 cm
  • Nestled into the cocoon of a yellow curved shape is a red and black plant-like form. Stemming from the plant are eight tan hairy pods. Resting near the bottom of the yellow form at two black and orange shapes that resemble the pods.
    Patricia Piccinini
    Metaflora (eight pods), 2014
    ink and gouache on paper
    22 1/2 x 30 1/4 in
    57.1 x 76.8 cm
  • Rina Banerjee, In a whirlwind, upside down two birds one named memory and the other sleepy past waving arms tried to lift mountains with her flocks flirted with sky and tickled the night to stop time., 2024
    Rina Banerjee
    In a whirlwind, upside down two birds one named memory and the other sleepy past waving arms tried to lift mountains with her flocks flirted with sky and tickled the night to stop time., 2024
    acrylic, ink, collage and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Large circular ballpoint pen drawing with washes of blue purple and green watercolor create a mountainous night time landscape with multiple stars. At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the landscape
    Russell Crotty
    Jupiter over the Eastern Sierras, 2020
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Tim Hawkinson, Patty Reading, 2022
    Tim Hawkinson
    Patty Reading, 2022
    oil on panel
    9 1/2 x 11 3/4 in
    24.1 x 29.8 cm
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace VI, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace VI, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Heavily layered and textured yellow and beige paints on canvas create an intricate woven pattern inspired by the inaugural gown worn by Claudia Lady Bird Johnson The pattern consists of a wavy yellow and beige background with texture creating the impression of multiple embroidered starbursts
    Andrea Higgins
    Lady Bird, 2003
    oil on canvas
    60 x 38 1/2 inches/152.4 x 97.8 cm
  • Anoka Faruqee, 2012P-36, 2012
    Anoka Faruqee
    2012P-36, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-12, 2024
    Anoka Faruqee & David Driscoll
    2024P-12, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Small weathered Japanese stone sculpture.
    Anonymous
    Gorinto, Kamakura Period, 1185-1300 and Edo Period, 1603-1868
    stone
    32 1/4 x 12 1/2 x 12 1/2 inches
    81.9 x 31.8 x 31.8 cm
  • Canoe holds two men, one standing and rowing and one seated. Mountains rise above sea in the background and front of canoe is obscured by floating black brushstroke.
    Ben McLaughlin
    Comets, 2017
    oil on panel
    7 3/4 x 12 inches/19.7 x 30.5 cm
  • Background is blue chrome on the left, solid yellow on the right and red chrome on the bottom. On top of the background are textured strips of yellow brushstrokes. Two smooth yellow chrome shapes are layered on top of the textured brushstrokes.
    Bernard Lokai
    Splitter, 2019
    acrylic on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
  • Birgit Jensen, EIDER, 2023
    Birgit Jensen
    EIDER, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Bruce Conner, UNTITLED, 1965
    Bruce Conner
    UNTITLED, 1965
    felt-tip pen on paper (double-sided)
    2 5/8 x 6 1/8 in
    6.7 x 15.6 cm
  • Digital panoramic landscape photograph of two tall antenna amongst a bright white arctic mountainous landscape The two antenna show similarities with ship masks hence the title of the piece
    Christian Houge
    Sunken Ship, 2001
    digital c-print
    26 x 78.8 inches
    68 x 200 cms
  • Cornelius Völker, Blüte (Bloom), 2025
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    27 1/2 x 19 3/4 in
    70 x 50 cm
  • Mixed media landscape with a long flowing willow tree at the top of a gray and white marbled mountain top. Silver metallic pointillism clouds float around the left edges of the piece and in a small valley towards the bottom right where a small gold metallic moon rests
    Crystal Liu
    going places (weeping willows), "stuck in between", 2018
    watercolor, ink and collage on paper
    44 x 30 in
    111.8 x 76.2 cm
  • Faceless woman with close-cropped haircut is seated in red armchair. Her breasts are exposed beneath unbuttoned purple shirt.
    Gideon Rubin
    Purple, 2021
    oil on linen
    28 x 26 in
    71 x 66 cm
  • Harry Bertoia, Untitled, mid to late 1950s
    Harry Bertoia
    Untitled, mid to late 1950s
    ink on Japanese paper
    22 1/2 x 18 in
    57.1 x 45.7 cm
  • Several species of edible insects crawling on branch, log, and in dead leaves.
    Isabella Kirkland
    Edible, 2021
    oil on polyester over wood panel
    30 x 40 in
    76.2 x 101.6 cm
  • Paper collage of cut out photographs create side by side depictions of her husband Bruce Conner The depiction on the left is holding a white candle while the one center holds a black cross Parts of Bruce’s face and body are missing
    Jean Conner
    BRUCE, 1962/1974
    photograph and paper collage
    3 3/16 x 3 1/2 in
    8.1 x 8.9 cm
  • Jess (Collins), Untitled (Pooh Figure), 1953
    Jess (Collins)
    Untitled (Pooh Figure), 1953
    collage
    17 1/2 x 23 1/2 in
    44.5 x 59.7 cm
  • Still image of vertical rectangular piece of white LEDs behind Plexiglass that display the blurred face of the artist reading the bible by spelling out each word in order
    Jim Campbell
    I Have Never Read the Bible Again, 2008
    custom electronics, LED, Plexiglass,
    green or white leds - being made by jim 5/08
    15 x 12 inches/38.1 x 30.5 cm
  • An image of a bridge above water,
    Judith Belzer
    From the Anthropocene #1, 2014
    oil on canvas
    64 x 64 in
    162.6 x 162.6 cm
  • Black white and yellow vegetal patterns overlap on a dark gray painted panel The pattern in white include an icon of a pistol
    Julie W. Chang
    Graphite and Gold Pistol Trellis, 2011
    acrylic on panel
    15 x 20 x 3 in
  • Jutta Haeckel, Matrice 2, 2024
    Jutta Haeckel
    Matrice 2, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Black and white chromogenic print of a digital photo in which a wrinkled hand with an extended index finger touches a photo of a younger hand that is similarly posed. The two hands have a string tied around the tip of their outstretched index fingers. A drawing of a thin black line on the white mount of the digital photo creates the illusion that the string extends beyond the continues of the photo
    Liliana Porter
    Forty Years IIIA (hand over horizontal line 1973), 2013
    chromogenic print
    25 1/2 x 26 iN
    64.8 x 66 cm
  • Marco Maggi, Gold is the New White, 2017
    Marco Maggi
    Gold is the New White, 2017
    hand-cut metal foil, 600 35mm slide mounts
    60 x 40 in
    152.4 x 101.6 cm
  • Hasty black ink brushstroke that forms a loop in the center of the paper and dripps diagonally down towards the bottom
    Max Gimblett
    Lassoed Head, 2016
    sumi ink on Thai garden 100% kozo plain smooth handmade paper
    31 x 22 inches/78.7 x 55.9 cm
  • Interwoven horizontal and vertical lines in shades of blue create a square-shaped color field.
    Nicole Phungrasamee Fein
    Untitled (1070407), 2007
    watercolor on paper
    12 5/8 x 12 1/2 in
    32.1 x 31.8 cm
  • Three glass sculptures arranged on a white floor.
    Patricia Piccinini
    Shadow Gloaming, 2021
    hand blown glass
    7 1/4 x 11 5/8 x 10 7/8 in
    18.3 x 29.6 x 27.5 cm
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