• Heavily layered and vibrant paint on panel creates an intricate and unique blue white and gold scale pattern. At the center of the piece a white circle with a red yellow and blue feathered bird with outstretched wings is sitting on a thinly branched plant. The pattern is inspired by the novel The Picture of Dorian Gray by Oscar Wilde
    Andrea Higgins
    Dorian 2, 2008
    oil on panel
    28 x 28 inches/71.1 x 71.1 cm
  • Anoka Faruqee, 2012P-22, 2012
    Anoka Faruqee
    2012P-22, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-20, 2024
    Anoka Faruqee & David Driscoll
    2024P-20, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Short and squat leaf on white paper. The leaf is covered with ink blotting, with a light center and bolder black edges.
    Anonymous
    INKBLOT DRAWING, OCTOBER 30, 2001, 2001
    ink and collage on paper
    image 6 3/8 x 3 3/8 inches/16.2 x 8.6 cm
    sheet 11 1/4 x 7 1/2 inches/28.6 x 19.1 cm
  • Empty bathtub is depicted from above surrounded by a tiled wall with stained glass shower head and handle.
    Ben McLaughlin
    04:15 Inside the Actors Studio, 2013
    oil on panel
    7 1/2 x 9 7/8 inches/19.1 x 25.1 cm
  • Birgit Jensen, SHADOW WITH REFLEX, 2023
    Birgit Jensen
    SHADOW WITH REFLEX, 2023
    acrylic on linen
    11 3/4 x 15 3/4 in
    30 x 40 cm
  • Digital panoramic landscape photograph of a green toned eerily lit indoor swimming pool with one swimmer sitting down on a distant bench
    Christian Houge
    Oleg, 2001
    digital c-print
    19 3/4 x 59 1/8 in
    50.2 x 150.2 cm
  • Cornelius Völker, Bonbons-Herzen (Sweets-Hearts), 2025
    Cornelius Völker
    Bonbons-Herzen (Sweets-Hearts), 2025
    oil on canvas
    31 1/2 x 39 3/8 in
    80 x 100 cm
  • Chromogenic print of a zoomed in digital photograph of a spoon full of red purple jam on top of a white bed The spoon full of jam is staining the white crocheted bed cover it was left on and leaving behind several fruit clumps
    Crystal Liu
    "In the dead of Winter, 'In the dead of Winter'", 2005
    chromogenic print
    29 x 29 inches/73.7 x 73.7 cm
  • Colorful abstract landscape alludes to several high rise buildings amongst garden space A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Communion, 2020
    oil on canvas
    39 3/8 x 45 1/4 in
    100 x 114.9 cm
  • Layers of multi-colored threads strung across a round wooden and plaster panel create the effect of a large glowing pale orange center that is encircled by a dark red border
    Emil Lukas
    condensed heat #1599, 2018
    thread, plaster, nails, wood, paint
    17 diameter x 3 inches deep/43.2 diameter x 7.6 cm deep
  • Seven preserved parrots with green heads and blue and red body feathers in shallow cardboard box. Each bird has paper ID tag on foot.
    Isabella Kirkland
    Paradise Parrots (extinct), 2015
    oil and alkyd on wood panel
    15 3/4 x 19 3/4 inches
    40 x 50.2 cm
  • Drawing that depicts an hourglass shape with pointed top.
    Jay DeFeo
    Seven Pillars of Wisdom No. 8, 1989
    charcoal, wax pencil and acrylic on paper
    29 x 23 in
    73.7 x 58.4 cm

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A collage featuring a sunflower above a brown and white cow standing on a bed with blue and gold sheets and drapery.
    Jean Conner
    UNTITLED, 2021
    paper collage on found wood
    7 1/2 x 5 in
    19.1 x 12.7 cm
  • Jess (Collins), Book Cover for Norma Cole's Mars, 1993
    Jess (Collins)
    Book Cover for Norma Cole's Mars, 1993
    pasteup
    8 1/2 x 12 3/4 in
    21.6 x 32.4 cm
  • Still image of multiple large hanging white LED strips attached to a long horizontal metal pole The LEDs light the wall behind them with blurred scenes taken from old family home movies
    Jim Campbell
    Home Movies (1040-1), 2008
    LED lights, custom electronics
    78 x 120 x 3 inches/198.1 x 304.8 x 7.6 cm
  • Judith Belzer, All That Is Solid #34, 2022
    Judith Belzer
    All That Is Solid #34, 2022
    oil on canvas
    56 x 80 in
    142.2 x 203.2 cm
  • Five separate wooden panel diptychs with several silkscreen layers of multi-colored paint which overlaps to display several patterns Each diptych has its own set of patterns which differ from the other yet overall relate back to stereotypical asian iconography, vegetal motifs and elements of the artist’s Asian American upbringing in the primarily white suburb of Orange County California
    Julie W. Chang
    Tee Pee for Me, Extra Cutie, Don't Tell Mommy, Pom Pom Beauty, Eleven, Twelve, Dig and Delve II, 2012
    acrylic on panel
    43 x 65 1/2 inches/109.2 x 166.4 cm
  • Jutta Haeckel, Biophilia 2, 2024
    Jutta Haeckel
    Biophilia 2, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Fuji-flex c-print of a digital photograph. The photo displays a small white boat figurine that has been placed at the lower right of an opened book. The book is opened to an image of a roaring river with a bridge above it
    Liliana Porter
    Bridge, 2016
    Fuji-flex c-print
    12 x 18 in
    30.5 x 45.7 cm
  • Rough hasty thick dark blue and gold brush strokes dive and dip across a circular canvas The background underneath the brushstrokes is messily divided vertically separating a smaller space of dark gray to the left and a larger area of darkened pale blue to the right
    Max Gimblett
    In Our Time, 2020
    gesso, acrylic, resin, size, and 23kt red gold leaf on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Around the perimeter of a brown square made of tiny dots, lines in blue and red overlap with yellow to create orange and green offset lines, set against white background.
    Nicole Phungrasamee Fein
    21.01.11.01 Cobalt Blue Cadmium Yellow Deep Hue Cadmium Red Deep, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Patricia Piccinini, Sapling, 2020
    Patricia Piccinini
    Sapling, 2020
    silicone, fiberglass, hair, clothing
    79 1/8 x 37 x 18 1/8 in
    201 x 94 x 46 cm
  • Rina Banerjee, Unseasonably Submerged, under the reddest algae and her magnetic electrification a super unnatural being beneath yearned lingered waiting for rebirth on earth, 2024
    Rina Banerjee
    Unseasonably Submerged, under the reddest algae and her magnetic electrification a super unnatural being beneath yearned lingered waiting for rebirth on earth, 2024
    acrylic on canvas
    36 x 96 in
    91.4 x 243.8 cm
  • Russell Crotty, Auriga Over Western Ridges, 2008-2020
    Russell Crotty
    Auriga Over Western Ridges, 2008-2020
    ink and watercolor on paper on fiberglass sphere
    12 x 12 x 12 in
    30.5 x 30.5 x 30.5 cm
  • Tim Hawkinson, Clare Finds Jesus, 2023
    Tim Hawkinson
    Clare Finds Jesus, 2023
    oil on panel
    8 3/4 x 6 in
    22.2 x 15.2 cm
  • William T. Wiley, Bridled Horse (after Gozzoli), 1995
    William T. Wiley
    Bridled Horse (after Gozzoli), 1995
    acrylic and charcoal on canvas
    33 3/4 x 20 1/2 in
    85.7 x 52.1 cm
    stretched 36 x 23 in
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace VII, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace VII, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Heavily layered and textured pastel paints on canvas create an intricate woven pattern inspired by a typical dress worn by Pat Nixon. The pattern consists of blue pink and yellow flowers of varying sizes surrounded by big green leaves. The beige and white gridded pattern in the background is also built up with several layers of paint
    Andrea Higgins
    Pat, 2007
    oil on canvas
    32 1/2 x 40 inches/82.5 x 101.6 cm
  • Against a black background, tiny white dots and slightly bigger neon blue and green dots create a dense cloudy pattern.
    Angelina Pwerle
    Bush plum (6-511), 2011
    acrylic on canvas
    59 1/2 x 59 1/2 inches/151.1 x 151.1 cm
  • Anoka Faruqee, 2012P-48, 2012
    Anoka Faruqee
    2012P-48, 2012
    acrylic on linen on panel
    45 x 41 inches
  • Anoka Faruqee & David Driscoll, 2024P-18, 2024
    Anoka Faruqee & David Driscoll
    2024P-18, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Abstract fuschia and orange background over which navy and chrome gray shapes are superimposed.
    Bernard Lokai
    Magenta, 2011
    oil on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
  • Birgit Jensen, MOONSHADOW V, 2023
    Birgit Jensen
    MOONSHADOW V, 2023
    acrylic on linen
    11 3/4 x 15 3/4 in
    30 x 40 cm
  • Digital panoramic landscape photograph of a singular petrol pump underneath a shining overhead light The illuminated pump contrasts with the mountainous blue arctic landscape behind it
    Christian Houge
    Petrol Pump in Moonlight, 2001
    digital c-print
    26 x 78 3/4 in
    66 x 200.2 cm
  • Cornelius Völker, Bücher (Books), 2008
    Cornelius Völker
    Bücher (Books), 2008
    oil on canvas
    78 3/4 x 51 1/8 in
    200 x 130 cm
  • Gouache painting of a bare tree with gold leaf bark against a black background. White contours of several twisted ropes with frayed ends are tangled throughout the branches of the tree and droop down and over the right side of the ground
    Crystal Liu
    "The Fray 'unhinged' ", 2013"
    gouache and gold leaf on paper
    21 3/4 x 22 inches/55.2 x 55.9 cm
  • Colorful abstract landscape alludes to several high rise buildings amongst garden space with blue-purple sky A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Déambulation, 2020
    oil on canvas
    15 3/4 x 19 3/4 in
    40 x 50 cm
  • Gideon Rubin, Untitled (blue), 2021
    Gideon Rubin
    Untitled (blue), 2021
    oil on linen
    14 x 12 1/8 in
    35.5 x 30.5 cm
  • Harry Bertoia, Untitled, c. 1963
    Harry Bertoia
    Untitled, c. 1963
    melt-pressed and patinated bronze
    9 3/4 x 2 x 2 in
    24.8 x 5.1 x 5.1 cm
  • Highly detailed and realistic oil painting on panel of three green glowing mice in a strawberry patch underneath a starry night sky The scene was inspired by actual glowing mice created by Stanford engineers who inserted bioluminescent jellyfish DNA into the rodents
    Isabella Kirkland
    Transgenic Mice, 2018
    oil, alkyd, and phosphorescent pigment on panel
    12 x 16 in
    30.5 x 40.6 cm
  • Paper collage of various furniture animal and human cut outs from early nineteen sixties The furniture and other figures are each arranged in specific ways to create different scenes however the top portion of the collage is upside down while the bottom is right side up
    Jean Conner
    TWO WAY COLLAGE, 1960
    paper collage
    21 3/4 x 7 1/4 in
    55.2 x 18.4 cm
  • Still image of multiple large hanging white LED strips attached to a long horizontal metal pole The LEDs light the wall behind them with blurred scenes taken from old family home movies. In this image a person is standing in front of the piece showing scale
    Jim Campbell
    Home Movies (1248-1), 2007
    custom electronics, LEDs, wire
    192 x 288 x 8 inches/487.7 x 731.5 x 20.3 cm
  • Judith Belzer, All That is Solid #25, 2021
    Judith Belzer
    All That is Solid #25, 2021
    oil on canvas
    96 x 84 in
    243.8 x 213.4 cm
  • Black silhouettes of UFOs with red yellow and balck abstract patterns against a white painted panel
    Julie W. Chang
    Invasion, 2016
    acrylic on panel
    11 1/2 x 11 1/2 x 2 3/4 in
    29.2 x 29.2 x 7 cm
  • Jutta Haeckel, Biophilia 1, 2024
    Jutta Haeckel
    Biophilia 1, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Digital duraflex photograph of a close up of a melting candle which has been molded to take the realistic form of a white toy poodle dog
    Liliana Porter
    Candle/Dog, 2008
    digital duraflex mounted on Plexiglas
    8 x 5 1/2 in
    20.3 x 14 cm
  • Marco Maggi, Global Myopia (Utah Street), 2012
    Marco Maggi
    Global Myopia (Utah Street), 2012
    engraved mirror
    36 x 36 inches/91.4 x 91.4 cm
  • Twenty three point seventy-five carat rosanoble gold leaf layered on top of quatrefoil cut panel and smoothed to create a reflective surface
    Max Gimblett
    In Praise of the Master, 2020
    gesso, resin, and 23.75kt Rosanoble gold leaf on wood panel
    30 x 30 in
    76.2 x 76.2 cm
  • Around the outer perimeter of dark gray ring (that encircles white negative space) overlapping gray lines create a geometric and layered pattern.
    Nicole Phungrasamee Fein
    1012915, 2015
    watercolor on heavyweight paper
    8 x 8 inches/20.3 x 20.3 cm
  • Pencil drawing of hummingbird in flight with its beak attached to a strand of coiled hair that appears to be sprouting from a human’s groin area.
    Patricia Piccinini
    Figure and Hummingbird, 2011
    graphite on paper
    22 1/4 x 30 in
    56.5 x 76.2 cm
  • Panoramic drawing of a moon hanging low over a rocky landscape and purple-yellow sky. Strings of repeated words flow over the rocks.
    Russell Crotty
    A Glowing Lantern of Dreams, 2022
    color pencil, gouache and ink on museum board
    5 1/2 x 32 in
    14 x 81.3 cm
  • Tim Hawkinson, Elevator, 2022
    Tim Hawkinson
    Elevator, 2022
    oil on panel
    11 3/4 x 6 1/2 in
    29.8 x 16.5 cm
  • William T. Wiley, & 4 U A Ford, A Bull Picasso, 2002
    William T. Wiley
    & 4 U A Ford, A Bull Picasso, 2002
    acrylic and charcoal on canvas
    34 3/4 x 31 1/4 in
    88.3 x 79.4 cm
  • Alexandre Kyungu Mwilambwe, Access Door, 2017
    Alexandre Kyungu Mwilambwe
    Access Door, 2017
    acrylic on incised found wooden doors
    66 7/8 x 15 1/2 in
    170 x 39.5 cm
  • Heavily layered and textured paint on canvas creates a multicolored but dominantly pink blue white and green plaid pattern
    Andrea Higgins
    Swatch (Continental), 2005
    oil on canvas
    24 1/2 x 21 1/4 inches/62.2 x 54 cm
  • Non-uniform white dots create an abstract cloudy pattern against a black background. Some of the dots are arranged in lines that when seen from afar create a geometric pattern.
    Angelina Pwerle
    Bush plum (9-1207), 2007
    acrylic on canvas
    60 1/4 x 72 1/8 inches/153 x 183.2 cm
  • Anoka Faruqee, 2012P-43, 2012
    Anoka Faruqee
    2012P-43, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-16, 2024
    Anoka Faruqee & David Driscoll
    2024P-16, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Small paper leaf with details drawn in black ink.
    Anonymous
    LEAF, 2001
    felt-tip pen on paper
    leaf: 7 1/4 x 5 5/16 in
    mount: 12 x 10 in
  • A group of people standing on a wooden deck overlook a clouded scene of mountains and open sky.
    Ben McLaughlin
    John Cheever, Collected Stories, 2021
    oil on panel
    8 1/4 x 11 3/4 in
    21 x 29.8 cm
  • Abstract loose purple brushstrokes criss-cross the canvas, layering with sections of white, black and bright orange.
    Bernard Lokai
    Loops, 2020
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
  • Birgit Jensen, MOONSHADOW III, 2023
    Birgit Jensen
    MOONSHADOW III, 2023
    acrylic on linen
    11 3/4 x 15 3/4 in
    30 x 40 cm
  • Intimate black and white digital photograph of two wolves pressed together with their mouths wide open and fangs bared next to a rocky mountain side
    Christian Houge
    Untitled 1, Norway, 2010
    ink on Canson Baryta paper
    47 x 33 inches
  • Cornelius Völker, Blüten (Petals), 2024
    Cornelius Völker
    Blüten (Petals), 2024
    oil on canvas
    118 1/8 x 78 3/4 in
    300 x 200 cm
  • Mixed media mountainous nighttime landscape. Vibrant multicolored pointillism clouds group and wrap themselves around the tips of several gray triangular mountain tops while a gold leaf moon shimmers behind at the center right of the work
    Crystal Liu
    "this must be the place 'fitting in' ", 2012
    gouache, watercolor and gold leaf on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Layers of multi-colored threads strung across a square wooden and plaster panel create the effect of a glowing white center that is enclosed by a dark maroon and black border
    Emil Lukas
    clearing #1511, 2016
    thread over painted wood frame with nails
    25 x 25 x 3 1/2 inches/63.5 x 63.5 x 8.9 cm
  • Woman wearing light blue shirt partially unbuttoned is leaning forward. Woman’s head and lower body are cropped out of the composition.
    Gideon Rubin
    Blue Shirt, 2021
    oil on linen
    12 1/8 x 10 1/8 in
    30.5 x 25.5 cm
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    15 1/2 x 3 1/2 x 3 1/2 in
    39.4 x 8.9 x 8.9 cm
  • Highly detailed and realistic oil painting on panel of two black and white Ivory Billed Woodpeckers latched onto a tree with mossy bark The two possibly extinct birds are surrounded by green orange and yellow leaves and natural sunlight The woodpecker to the left has a red mohawk and the other on the right has a black one
    Isabella Kirkland
    Ivory Billed Woodpeckers, 2005
    oil and alkyd on panel
    20 x 16 in
    50.8 x 40.6 cm
  • Jean Conner, "O" BEGINNING A FAIRY TALE, 1963
    Jean Conner
    "O" BEGINNING A FAIRY TALE, 1963
    ink on paper
    14 x 10 7/8 in
    35.6 x 27.6 cm
  • Jess (Collins), Cover for Credences 1, 1974
    Jess (Collins)
    Cover for Credences 1, 1974
    pasteup
    9 x 14 in
    22.9 x 35.6 cm
  • Still image of a rectangular piece with multi-colored LEDs behind a sheet of velvet The LEDs illuminate the wall behind it creating the appearance that the black rectangle has glowing multi-colored sides
    Jim Campbell
    5th at 56th, 2006
    custom electronics, velvet, LED lights
    11 x 14 x 2 inches/27.9 x 35.6 x 5.1 cm
  • An image of many boudlers and rockers balancing on each other with a yellowish backfround.
    Judith Belzer
    All That is Solid #4, 2019
    oil on canvas
    72 x 108 in
    182.9 x 274.3 cm
  • Several green and yellow overlapping patterns on a wooden panel depict luxury brands and asian iconography
    Julie W. Chang
    Follow the Leader, 2012
    acrylic on panel
    23 x 47 x 3 in
    58.4 x 119.4 x 7.6 cm
  • Jutta Haeckel, Biophilia 4, 2024
    Jutta Haeckel
    Biophilia 4, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Dark green etching with black string of yarn. The yarn is placed over two areas of the etching where there appear to be horizontal indentations creating the illusion that the yarn being wrapped around the green etching
    Liliana Porter
    Cubierta para un objecto extranjero (cover for a foreign object), 1970
    etching and yarn
    31 x 22 inches/78.7 x 55.9 cm
  • Marco Maggi, Monochrome (Blast-off Blue), 2014
    Marco Maggi
    Monochrome (Blast-off Blue), 2014
    cuts and folds on 225 35mm papers in slide mounts
    30 x 30 inches/76.2 x 76.2 cm
  • Hasty black ink brush that curves left and splatters on brown textured paper
    Max Gimblett
    In This Zendo, 2002
    sumi ink, acrylic and vinyl polmers on Kuzakizome Kuri Hakeme handmade paper
    25 x 19 inches/63.5 x 48.3 cm
  • White grid lines cut through rainbow-colored square shape against white background.
    Nicole Phungrasamee Fein
    Untitled (1072007), 2007
    watercolor on paper
    12 5/8 x 12 1/2 in
    32.1 x 31.8 cm
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