Artworks

  • Jutta Haeckel, Biophilia 1, 2024
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    Jutta Haeckel
    Biophilia 1, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Digital duraflex photograph of a close up of a melting candle which has been molded to take the realistic form of a white toy poodle dog
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    Liliana Porter
    Candle/Dog, 2008
    digital duraflex mounted on Plexiglas
    8 x 5 1/2 in
    20.3 x 14 cm
    Inquire
  • Marco Maggi, Global Myopia (Utah Street), 2012
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    Marco Maggi
    Global Myopia (Utah Street), 2012
    engraved mirror
    36 x 36 inches/91.4 x 91.4 cm
  • Twenty three point seventy-five carat rosanoble gold leaf layered on top of quatrefoil cut panel and smoothed to create a reflective surface
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    Max Gimblett
    In Praise of the Master, 2020
    gesso, resin, and 23.75kt Rosanoble gold leaf on wood panel
    30 x 30 in
    76.2 x 76.2 cm
  • Around the outer perimeter of dark gray ring (that encircles white negative space) overlapping gray lines create a geometric and layered pattern.
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    Nicole Phungrasamee Fein
    1012915, 2015
    watercolor on heavyweight paper
    8 x 8 inches/20.3 x 20.3 cm
  • Pencil drawing of hummingbird in flight with its beak attached to a strand of coiled hair that appears to be sprouting from a human’s groin area.
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    Patricia Piccinini
    Figure and Hummingbird, 2011
    graphite on paper
    22 1/4 x 30 in
    56.5 x 76.2 cm
    Inquire
  • Panoramic drawing of a moon hanging low over a rocky landscape and purple-yellow sky. Strings of repeated words flow over the rocks.
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    Russell Crotty
    A Glowing Lantern of Dreams, 2022
    color pencil, gouache and ink on museum board
    5 1/2 x 32 in
    14 x 81.3 cm
    Inquire
  • Tim Hawkinson, Elevator, 2022
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    Tim Hawkinson
    Elevator, 2022
    oil on panel
    11 3/4 x 6 1/2 in
    29.8 x 16.5 cm
  • William T. Wiley, & 4 U A Ford, A Bull Picasso, 2002
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    William T. Wiley
    & 4 U A Ford, A Bull Picasso, 2002
    acrylic and charcoal on canvas
    34 3/4 x 31 1/4 in
    88.3 x 79.4 cm
    Inquire
  • Alexandre Kyungu Mwilambwe, Access Door, 2017
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    Alexandre Kyungu Mwilambwe
    Access Door, 2017
    acrylic on incised found wooden doors
    66 7/8 x 15 1/2 in
    170 x 39.5 cm
    Inquire
  • Heavily layered and textured paint on canvas creates a multicolored but dominantly pink blue white and green plaid pattern
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    Andrea Higgins
    Swatch (Continental), 2005
    oil on canvas
    24 1/2 x 21 1/4 inches/62.2 x 54 cm
  • Non-uniform white dots create an abstract cloudy pattern against a black background. Some of the dots are arranged in lines that when seen from afar create a geometric pattern.
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    Angelina Pwerle
    Bush plum (9-1207), 2007
    acrylic on canvas
    60 1/4 x 72 1/8 inches/153 x 183.2 cm
  • Anoka Faruqee, 2012P-43, 2012
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    Anoka Faruqee
    2012P-43, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-16, 2024
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    Anoka Faruqee & David Driscoll
    2024P-16, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
    Inquire
  • Small paper leaf with details drawn in black ink.
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    Anonymous
    LEAF, 2001
    felt-tip pen on paper
    leaf: 7 1/4 x 5 5/16 in
    mount: 12 x 10 in
  • A group of people standing on a wooden deck overlook a clouded scene of mountains and open sky.
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    Ben McLaughlin
    John Cheever, Collected Stories, 2021
    oil on panel
    8 1/4 x 11 3/4 in
    21 x 29.8 cm
  • Abstract loose purple brushstrokes criss-cross the canvas, layering with sections of white, black and bright orange.
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    Bernard Lokai
    Loops, 2020
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
    Inquire
  • Birgit Jensen, MOONSHADOW III, 2023
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    Birgit Jensen
    MOONSHADOW III, 2023
    acrylic on linen
    15 3/4 x 11 3/4 in
    40 x 30 cm
    Inquire
  • Intimate black and white digital photograph of two wolves pressed together with their mouths wide open and fangs bared next to a rocky mountain side
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    Christian Houge
    Untitled 1, Norway, 2010
    ink on Canson Baryta paper
    47 x 33 inches
  • Cornelius Völker, Blüten (Petals), 2024
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    Cornelius Völker
    Blüten (Petals), 2024
    oil on canvas
    118 1/8 x 78 3/4 in
    300 x 200 cm
  • Mixed media mountainous nighttime landscape. Vibrant multicolored pointillism clouds group and wrap themselves around the tips of several gray triangular mountain tops while a gold leaf moon shimmers behind at the center right of the work
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    Crystal Liu
    "this must be the place 'fitting in' ", 2012
    gouache, watercolor and gold leaf on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Emil Lukas, #2394 hold, 2026
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    Emil Lukas
    #2394 hold, 2026
    acrylic on canvas over wood panel
    48 x 48 x 2 3/4 in
    121.9 x 121.9 x 7 cm
    Inquire
  • Woman wearing light blue shirt partially unbuttoned is leaning forward. Woman’s head and lower body are cropped out of the composition.
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    Gideon Rubin
    Blue Shirt, 2021
    oil on linen
    12 1/8 x 10 1/8 in
    30.5 x 25.5 cm
  • Harry Bertoia, Untitled, c. 1960s
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    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    15 1/2 x 3 1/2 x 3 1/2 in
    39.4 x 8.9 x 8.9 cm
  • Jean Conner, "O" BEGINNING A FAIRY TALE, 1963
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    Jean Conner
    "O" BEGINNING A FAIRY TALE, 1963
    ink on paper
    14 x 10 7/8 in
    35.6 x 27.6 cm
    Inquire
  • Jess (Collins), Cover for Credences 1, 1974
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    Jess (Collins)
    Cover for Credences 1, 1974
    pasteup
    9 x 14 in
    22.9 x 35.6 cm
    Inquire
  • Still image of a rectangular piece with multi-colored LEDs behind a sheet of velvet The LEDs illuminate the wall behind it creating the appearance that the black rectangle has glowing multi-colored sides
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    Jim Campbell
    5th at 56th, 2006
    custom electronics, velvet, LED lights
    11 x 14 x 2 inches/27.9 x 35.6 x 5.1 cm
  • An image of many boudlers and rockers balancing on each other with a yellowish backfround.
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    Judith Belzer
    All That is Solid #4, 2019
    oil on canvas
    72 x 108 in
    182.9 x 274.3 cm
    Inquire
  • Several green and yellow overlapping patterns on a wooden panel depict luxury brands and asian iconography
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    Julie W. Chang
    Follow the Leader, 2012
    acrylic on panel
    23 x 47 x 3 in
    58.4 x 119.4 x 7.6 cm
    Inquire
  • Jutta Haeckel, Biophilia 4, 2024
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    Jutta Haeckel
    Biophilia 4, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Dark green etching with black string of yarn. The yarn is placed over two areas of the etching where there appear to be horizontal indentations creating the illusion that the yarn being wrapped around the green etching
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    Liliana Porter
    Cubierta para un objecto extranjero (cover for a foreign object), 1970
    etching and yarn
    31 x 22 inches/78.7 x 55.9 cm
    Inquire
  • Marco Maggi, Monochrome (Blast-off Blue), 2014
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    Marco Maggi
    Monochrome (Blast-off Blue), 2014
    cuts and folds on 225 35mm papers in slide mounts
    30 x 30 inches/76.2 x 76.2 cm
  • Hasty black ink brush that curves left and splatters on brown textured paper
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    Max Gimblett
    In This Zendo, 2002
    sumi ink, acrylic and vinyl polmers on Kuzakizome Kuri Hakeme handmade paper
    25 x 19 inches/63.5 x 48.3 cm
  • White grid lines cut through rainbow-colored square shape against white background.
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    Nicole Phungrasamee Fein
    Untitled (1072007), 2007
    watercolor on paper
    12 5/8 x 12 1/2 in
    32.1 x 31.8 cm
  • Rina Banerjee, Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
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    Rina Banerjee
    Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
    acrylic, ink, collage and copper leaf on paper
    24 x 18 in
    61 x 45.7 cm
  • Tim Hawkinson, RIP Issey, 2022
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    Tim Hawkinson
    RIP Issey, 2022
    oil on panel
    10 3/4 x 7 1/2 in
    27.3 x 19.1 cm
    Inquire
  • Alexandre Kyungu Mwilambwe, Password in the green area
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    Alexandre Kyungu Mwilambwe
    Password in the green area
    wood cutting, incision, engraving, acrylic, collage of wood and wood dust on wood plywood
    31 1/2 x 25 3/8 in
    80 x 64.5 cm
    Inquire
  • Heavily layered and textured earth toned paints on canvas create an intricate woven blue green white and orange floral pattern inspired by the pattern of the furniture described in the novel Babbitt by Sinclair Lewis. On the right and left combinations of reds blues and browns come together to create other woven textured pieces inspired by same novel
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    Andrea Higgins
    Babbitt, 2004
    oil on canvas
    triptych
    27 x 24 in/68.6 x 61 cm
    27 x 40 in/68.6 x 101.6 cm
    27 x 24 in/68.6 x 61 cm
  • Against a red background, non-uniform yellow dots create a cloudy pattern. Inside some of the yellow dots are smaller red spots. A dark red border encircles the perimeter of the canvas.
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    Angelina Pwerle
    Bush plum (13-716), 2016
    acrylic on linen
    31 1/2 x 23 5/8 in
    80 x 60 cm
    Inquire
  • Anoka Faruqee, 2012P-41, 2012
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    Anoka Faruqee
    2012P-41, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Anoka Faruqee & David Driscoll, 2024P-15, 2024
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    Anoka Faruqee & David Driscoll
    2024P-15, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • A man’s head from eyebrows and ears up is visible against a blue striped background.
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    Ben McLaughlin
    Anatomy For The Artist, 2020
    oil on panel
    5 3/4 x 4 inches/14.5 x 10 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene. Panels on the left are black and dark gray (night) and panels on the right are white and light gray (day). Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
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    Bernard Lokai
    Night and Day, 2015
    acrylic and oil paint on canvas (18)
    overall 51 1/8 x 135 7/8 inches/129.9 x 345.1 cm
    Inquire
  • Birgit Jensen, SLEEPING DRAGON I, 2023
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    Birgit Jensen
    SLEEPING DRAGON I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
    Inquire
  • Cornelius Völker, Bücher-Handlinien (Books-Handlines), 2019
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    Cornelius Völker
    Bücher-Handlinien (Books-Handlines), 2019
    oil on canvas
    51 1/8 x 86 5/8 in
    130x 220 cm
    Inquire
  • Mixed media landscape of a gold leaf moon surrounded by a row of birch trees. Both the moon and the trees are reflected in a light gray pool which takes up the bottom two thirds of the piece. Also visible in the reflective pool are several dark clouds and gold leaf dots which resemble stars
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    Crystal Liu
    caught in between (from the series 'the moon'), 2014
    ink, watercolor, gouache and gold leaf on paper
    5 7/8 x 5 7/8 inches/15 x 15 cm
  • Dull yellow white and purple abstract landscape alludes to elevated highway with several trees underneath and faded high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Departure, 2015
    oil on canvas
    63 x 55 1/8 in
    160 x 140 cm
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  • Emil Lukas, canopy #2400, 2026
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    Emil Lukas
    canopy #2400, 2026
    acrylic on canvas over wood panel
    66 x 96 x 2 in
    167.6 x 243.8 x 5.1 cm
    Inquire
  • Flowers in vase to the right of three stacked books on orange surface in front of beige wall.
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    Gideon Rubin
    Roses in the Studio, 2021
    oil on canvas
    14 1/8 x 12 1/4 in
    36 x 31 cm
  • Harry Bertoia, Untitled, c. 1960s
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    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    8 x 3 x 2 1/4 in
    20.3 x 7.6 x 5.7 cm
    Inquire
  • Several varieties of nudibranchs in different shapes, sizes, and colors on black background.
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    Isabella Kirkland
    Nudibranchia, 2015
    oil and alkyd on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Large light box depicting multiple high resolution layers of people at a political protest
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    Jim Campbell
    Political Protest New York 2004 (III), 2005
    light box with color transparency
    48 x 72 x 5 in
    121.9 x 182.9 x 12.7 cm
    Inquire
  • Black gray orange and yellow patterns overlap on a beige painted panel The patterns reference various vegetal patterns and are arranged in a combination of argyle and Indonesian ikat patterning
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    Julie W. Chang
    Graphite and Gold Argyle Ikat, 2011
    acrylic on panel
    15 x 20 x 3 in
    Inquire
  • Jutta Haeckel, Skin in the Game, 2024
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    Jutta Haeckel
    Skin in the Game, 2024
    acrylic on jute (8 panels)
    78 3/4 x 126 in
    200 x 320 cm
  • Marco Maggi, Flat Pencil, 2019
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    Marco Maggi
    Flat Pencil, 2019
    graphite on graphite
    24 x 18 in
    61 x 45.7 cm
    Inquire
  • Rough hasty thick black brush strokes across wider pale colored strokes against a red underpainting
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    Max Gimblett
    Juggernaut, 2019
    acrylic on canvas
    70 x 140 inches
    177.8 x 355.6 cm
  • Thin horizontal lines are painted in gradient hues from tan to purple and back to tan again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
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    Nicole Phungrasamee Fein
    1090312, 2012
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
    Inquire
  • Two pink, blown-glass sculptures arranged on a white floor.
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    Patricia Piccinini
    Carnation Expansion, 2021
    hand blown glass
    8 3/8 x 14 1/8 x 13 1/2 in
    21.3 x 36 x 34.3 cm
  • Rina Banerjee, Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
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    Rina Banerjee
    Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
    gourd, horn, glass beads, wire, copper crochet, copper wire, Murano glass beads
    33 1/2 x 31 1/8 x 19 1/4 in
    85 x 79 x 49 cm
    Inquire
  • Tim Hawkinson, Sock and Buskin, 2022
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    Tim Hawkinson
    Sock and Buskin, 2022
    oil on panel
    11 x 6 3/8 in
    27.9 x 16.2 cm
    Inquire
  • Alexandre Kyungu Mwilambwe, J'habite la terre , 2017
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    Alexandre Kyungu Mwilambwe
    J'habite la terre , 2017
    engraving, incision and acrylic on wood door
    66 7/8 x 20 7/8 in
    170 x 53 cm
    Inquire
  • Heavily layered and textured vibrant green and blue paint on canvas comes together to create an intricate woven lime green pattern inspired by a piece worn by Betty Ford The different textures on the surface of the artwork create the impression of a large embroidered rose whose tendrils loop and curve across the surface of the piece
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    Andrea Higgins
    Betty, 2003
    oil on canvas
    40 x 23 1/2 inches/101.6 x 59.7 cm
  • Against a black background, non-uniform yellow dots create a cloudy pattern. A black border encircles the perimeter of the canvas.
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    Angelina Pwerle
    Bush Plum 19-416, 2016
    acrylic on canvas
    71 7/8 x 48 1/8 inches/182.6 x 122.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-14, 2024
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    Anoka Faruqee & David Driscoll
    2024P-14, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
    Inquire
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as grey and dappled.
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    Anonymous
    INKBLOT DRAWING, OCTOBER 30, 2001, 2001
    ink and collage on paper
    image 4 1/4 x 3 3/8 inches/10.8 x 8.6 cm
    sheet 7 1/2 x 7 1/2 inches/19.1 x 19.1 cm
  • A person sitting at a desk touches an open book in front of them, one of several objects on the desk. Their face is obscured by a floating black shape.
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    Ben McLaughlin
    Channel Islands, 2017
    oil on panel
    6 1/2 x 9 1/4 inches/16.5 x 23.5 cm
  • Brushstrokes in dark orange create an abstract background. On top, a gray line emerges near the top left of the canvas, a bright red shape is superimposed near the center, and blue brushstrokes emerge from the bottom right corner.
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    Bernard Lokai
    Schlacht, 2012
    oil paint on canvas
    47 1/4 x 70 7/8 inches
    120 x 180 cm
    Inquire
  • Birgit Jensen, SEARCHING FOR MUSHROOMS I, 2023
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    Birgit Jensen
    SEARCHING FOR MUSHROOMS I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Intimate black and white digital photograph of a wolf walking into a cave from the perspective that the viewer is in the cave and watching the wolf enter. The facial features of the wolf cannot be seen as the head of the animal is silhouetted and framed by roots and earth
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    Christian Houge
    Untitled 13, Norway, 2012
    ink on Hahnemuhle Paper
    23 5/8 x 15 3/4 inches/60 x 40 cm
  • Zoomed in digital photograph of several frozen, deep pink anemone flowers with multiple tiny air bubbles
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    Crystal Liu
    give us our dream: part one, 'anemone four', 2009
    digital c-print print
    29 x 29 inches/73.7 x 73.7 cm
    Inquire
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues reds and purples
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    Driss Ouadahi
    Extra Muros, 2018
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • Emil Lukas, chandelier hallucination #2384, 2026
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    Emil Lukas
    chandelier hallucination #2384, 2026
    thread, wood, paint, nails
    31 1/2 x 31 1/2 x 3 in
    80 x 80 x 7.6 cm
    Inquire
  • Two boys, one with red hair and one with brown hair, in white t-shirts facing away from the viewer towards blue wall. One boy is on each panel of the diptych.
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    Gideon Rubin
    Boys, 2021
    oil on linen, diptych
    33 1/8 x 23 5/8 in each
    84 x 60 cm each
  • Harry Bertoia, Untitled, c. 1960s
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    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    6 1/8 x 2 3/4 x 2 3/4 in
    15.6 x 7 x 7 cm
    Inquire
  • Highly detailed and realistic oil painting on panel of multiple diverse types of phasmid or stick bug eggs which are magnified and painted proportionally against a black background
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    Isabella Kirkland
    Phasmid Eggs, 2021
    oil on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Black cat head pasted onto bear body peering through passenger window of car.
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    Jean Conner
    BEARCAT, c. 1980
    paper collage
    5 1/4 x 6 3/8 in
    13.3 x 16 cm
    Inquire
  • Jess (Collins), Boob #1, 1952
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    Jess (Collins)
    Boob #1, 1952
    pasteup
    12 3/4 x 16 1/2 in
    32.4 x 41.9 cm
    Inquire
  • Rectangular digital counter displaying in orange digits the number fifty two point three hundred fifteen. To the left of the piece a black wire which is a censor which records the amount of daylight has passed on a scale of one hundred - zero being dawn and one hundred being dusk
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    Jim Campbell
    Untitled (for the sun), 1999/2003
    custom electronics, numeric LED display, light sensor
    6 x 18 x 2 inches/15.2 x 45.7 x 5.1 cm
  • Several silkscreen layers of dark purple and red acrylic paint overlap to display patterns on a red painted panel The patterns depict indigenous stereotypes, luxury brand icons, and asian iconography
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    Julie W. Chang
    Smoke Signals, 2012
    acrylic on panel
    16 x 16 x 3 in
    40.6 x 40.6 x 7.6 cm
    Inquire
  • Jutta Haeckel, Rubisco, 2023-2024
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    Jutta Haeckel
    Rubisco, 2023-2024
    acrylic on jute
    59 x 47 1/4 in
    150 x 120 cm
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