Artworks

  • Several layers of multi-colored acrylic paint overlap to display multiple patterns against a light yellow painted panel The symbols depict vegetal and central asian suzani motifs with luxury brand icons
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    Julie W. Chang
    Racquet Link Double Suzani, 2011
    acrylic on panel
    28 x 22 x 3 inches
    Inquire
  • A multicolored abstract painting with fingerprint-like line work.
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    Jutta Haeckel
    Contemplation II, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Dark grainy etching depicting a cube that casts a dramatic shadow to its left. The contours of a podium have been drawn in pencil over the etching creating the illusion that the cube is resting on top of the podium
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    Liliana Porter
    Untitled (with cube - low), 1974
    photo etching and pencil on paper
    plate 9 x 11 3/4 inches/22.9 x 29.8 cm
    sheet 31 x 24 inches/78.7 x 61 cm
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  • Gold leaf background with thick black brushstroke in the shape of vertical rectangle that is not completed.
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    Max Gimblett
    The Doorway to Heaven, 2020-21
    acrylic and 23.75kt Rosanoble gold leaf on burlap
    30 x 22 in
    76.2 x 55.9 cm
  • Sculpture of seal-like hybrid creature with blonde hair, eyelashes and human skin. Creature’s hands and feet appear to be like that of a human baby, except that feet are conjoined like a dolphin’s tail. Creature’s face is like that of a giraffe.
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    Patricia Piccinini
    The Naturalist, 2017
    silicone, fiberglass, hair
    10 1/4 x 13 3/8 x 10 5/8 in
    26 x 34 x 27 cm
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  • Rina Banerjee, Relocation? is this a dislocation? An undercover twisted formation? migration trapped in geography and distress of growing garbage of plastic bags in the sea, she in sea to shining sea, America reminded her, her of her or he as she not to be confused by a, 2019
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    Rina Banerjee
    Relocation? is this a dislocation? An undercover twisted formation? migration trapped in geography and distress of growing garbage of plastic bags in the sea, she in sea to shining sea, America reminded her, her of her or he as she not to be confused by a, 2019
    acrylic and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, Loboli, 2020
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    Tim Hawkinson
    Loboli, 2020
    India ink on Yupo paper
    84 x 56 inches/213.4 x 142.2 cm
  • Red yellow and navy paint layered to create multiple wavy and circle moiré effects
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    Anoka Faruqee
    2012P-15, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Multi-colored paint layered to create red copper and gray circular moiré effects
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    Anoka Faruqee & David Driscoll
    2018P-21, 2018
    acrylic on linen on panel
    45 x 45 in
    114.3 x 114.3 cm
    Inquire
  • A lone chair sits in a classroom in front of a chalkboard displaying a simple graph in chalk of a line curved upward.
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    Ben McLaughlin
    The Eagle and the Dolphin, 2017
    oil on panel
    12 x 8 inches/30.5 x 20.3 cm
  • Birgit Jensen, FOG VIII, 2022
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    Birgit Jensen
    FOG VIII, 2022
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
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  • Print from an original collage of black and white photos creates the image of a uniformed military member whose head has been replaced with the cloud of a large nuclear explosion In the background is a sky full of clouds
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    Bruce Conner
    BOMBHEAD, 2002/1989
    pigment and acrylic on paper
    a printer's proof aside from the edition of 20
    38 3/8 x 31 1/8 in
    97.5 x 79.1 cm
  • Intimate black and white digital photograph of two wolves snarling in mid fight while looking at the viewer
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    Christian Houge
    Untitled 17 (Shadow Within), Norway, 2010
    ink on Canson Baryta paper
    47 x 33 in
    119.4 x 83.8 cm
  • Cornelius Völker, Raspberries, 2018
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    Cornelius Völker
    Raspberries, 2018
    oil canvas
    31 1/2 x 47 1/4 inches
    80 x 120 cms
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  • Mixed media landscape of multiple black and white marbled mountain tops. A gigantic gold metallic moon peeks out from behind the mountains while silver and gold pointillism clouds blotch out parts of the moon and mountain
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    Crystal Liu
    the moon and the tides, ''wash over me', 2017
    watercolor, gouache, and collage on paper
    48 x 48 inches/121.9 x 121.9 cm
  • Dirty white and blue tiled hallway with dark floor ceiling and stairs
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    Driss Ouadahi
    Random tiles, 2016
    oil on canvas
    70 7/8 x 86 5/8 in
    180 x 220 cm
    Inquire
  • Woman grabs the ends of her white dress while walking away from the viewer towards blue and beige background. Her upper body is cropped out of the composition.
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    Gideon Rubin
    Untitled, 2019
    oil on linen
    12 1/8 x 9 7/8 in
    30.5 x 25 cm
  • Harry Bertoia, Untitled, 1950s
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    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    13 x 24 in
    33 x 61 cm
  • Several varieties of butterfly species in shallow cardboard box. Some are blue, light blue and black, and black and tan. they're arranged in vertical columns.
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    Isabella Kirkland
    Junonia sp., 2019
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
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  • Still image of a spread out grid of twelve square pieces with multi-colored LEDs behind Plexiglass. The LEDs display pixelated scenes of protestors from the twenty seventeen Women’s March in Washington DC
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    Jim Campbell
    Scattered 12x (Women's March on Washington), 2017
    custom electronics, 432 LEDs, treated Plexiglas
    47 x 64 x 3 in
    119.4 x 162.6 x 7.6 cm
    Inquire
  • An image of painted boulders and rocks with an orange yellow background.
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    Judith Belzer
    All That is Solid #6, 2019
    oil on canvas
    80 x 98 in
    203.2 x 248.9 cm
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  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on white paper The symbols depict various asian stereotypes, luxury brand icons, and elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
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    Julie W. Chang
    Untitled #3, 2012
    acrylic on paper
    22 1/2 x 30 in
    57.1 x 76.2 cm
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  • A multicolored abstract painting.
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    Jutta Haeckel
    Transition, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • White print with page of book with several labeled objects. The square with a horse on it is opening like a door and casts a shadow over page. The square is labeled the door.
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    Liliana Porter
    The Door, 1977
    photo etching and aquatint on paper
    plate 11 3/4 x 9 1/4 in/29.8 x 23.5 cm
    sheet 25 x 18 in/63.5 x 45.7 cm
    Inquire
  • Marco Maggi, Stairs, 2014
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    Marco Maggi
    Stairs, 2014
    cuts and folds on red, blue and yellow papers in slide mounts
    72 x 12 inches/182.9 x 30.5 cm
  • Installation semi-side view of The Golden Cathedral
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    Max Gimblett
    The Golden Cathedral, 2020-21
    gesso, resin, 23.75kt Rosanoble gold leaf on wood panel
    40 x 40 in
    101.6 x 101.6 cm
  • Pencil drawing of symmetrical creature in a W shape. Middle part of the W is covered in wavy hair and has nipples. Right arm appears to be a reptilian mouth and left arm holds hummingbird perched on nest of flowy hair.
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    Patricia Piccinini
    Friends, 2015
    graphite on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
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  • Large circular black and blue ballpoint pen drawing with washes of blue and brown watercolor create a starry night time mountainous landscape with a few silhouettes of trees
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    Russell Crotty
    Triangulum/Andromeda over Domelands, 2020
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
    Inquire
  • Horizontal and vertical straight black ink lines form a mirrored geometric pattern. At the top of the piece two circles rest while throughout the rest of the piece various curves and grooves form due to lines getting closer together and creating optical illusions of depth and recession into space
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    Tim Hawkinson
    Ooluflai, 2020
    India ink on Yupo paper
    84 x 56 in
    213.4 x 142.2 cm
  • Dark and light blue with neon green paint layered to create multiple wavy and circle moiré effects
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    Anoka Faruqee
    2012P-14, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • A tent with sharp legs stands on a grassy field in front of a forest of trees. The scene is depicted in orange hues.
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    Ben McLaughlin
    The Hundred Years, 2019
    oil on panel
    14 1/2 x 11 3/4 in
    36.8 x 29.8 cm
  • Multicolored abstract collage background of orange, yellow and gray chrome. Layered on top are textured loose black brushstrokes.
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    Bernard Lokai
    Untitled, 2018
    acrylic on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
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  • Multiple silkscreen layers of black gray and hot pink paint form a constructed landscape of a curving river bank. Towards the left of the piece a thin tree with several bare branches leans to the left
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    Birgit Jensen
    FOG VI, 2022
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Black and white photograph of punk rock group DEVO performing at a concert In the scene several members of the group are playing guitar and bass while either jumping standing or sliding on the stage floor surrounded by sound equipment and members of the audience
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    Bruce Conner
    DEVO, JANUARY 6, 1978, 27 PUNK PHOTOS, #27, 1978
    gelatin silver print
    image 13 x 8 inches/32.9 x 20.3 cm
    sheet 14 x 11 inches/35.6 x 27.9 cm
  • Blurred stack of colorful sheets of paper emerging from the left side of the canvas.
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    Cornelius Völker
    Stack of Paper, 2019
    oil on canvas
    27 1/2 x 35 3/8 in
    70 x 90 cm
  • Abstract mixed media landscape of a large moon floating above a hill of small black and white chrysanthemum heads. The moon is composed of multiple variously sized shiny gold dots and directly underneath it, sprouting from the hill, two huge black and white chrysanthemums lean out and form a curved V shape. Floating around the moon and covering parts of the huge flower blossoms are multiple shiny gold dots
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    Crystal Liu
    the flowers,'in dreams', 2014
    ink, gouache and watercolor on paper
    26 x 39 3/4 inches/66 x 101 cm
  • Floor view of a landscape of dirty white hallways with red and blue patterned titled walls and pillars The tiled floor is dark and the ceiling has two rows of bright fluorescent lights that run down the hallway
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    Driss Ouadahi
    Red on White, 2010
    oil on linen
    74 7/8 x 94 1/2 in
    190.1 x 240.2 cm
  • Emil Lukas, horizontal #2095, 2023
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    Emil Lukas
    horizontal #2095, 2023
    thread, wood, paint, nails
    27 1/2 x 31 1/4 x 3 in
    69.8 x 79.4 x 7.6 cm
    Inquire
  • Faceless woman with hair in loose bun wears green backless dress and faces away from viewer to the left against blue and exposed canvas background. Her lower body is cropped out of the composition.
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    Gideon Rubin
    Green Dress, 2021
    oil on linen
    34 1/8 x 23 7/8 in
    86.5 x 60.5 cm
  • Harry Bertoia, Untitled, 1950s
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    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    10 1/4 x 21 1/2 in
    26 x 54.6 cm
    Inquire
  • Highly detailed and realistic oil still life on panel of a bouquet of purple and pale pink tulips Along the stems of the tulips their leaves and on the curtain in the background multiple highly invasive Japanese Beetles can be seen crawling
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    Isabella Kirkland
    Old Opportunist (Japanese Beetles: Popillia japonica), 2018
    oil and alkyd on wood panel
    20 x 16 in
    50.8 x 40.6 cm
  • Forest with white birch trees with large egg shell in foreground. Various shapes floating over the scene.
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    Jean Conner
    THE EIDER'S EGG SEPTEMBER 12, 2012, 2012
    paper collage
    5 1/8 x 3 3/4 in
    13 x 9.5 cm
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  • Still image of a rectangular aluminum board with metal rods arranged more densely towards the right side. On the ends of each rod multi-colored LEDs are mounted and they shine soft glowing circles on the surface of the board
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    Jim Campbell
    Exploded Flat 2, 2017
    aluminum, 73 LEDs, fiberglass pegs, custom electronics
    48 x 72 x 4 1/2 in
    121.9 x 182.9 x 11.4 cm
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  • An image of a scenery with rocks and boulders.
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    Judith Belzer
    HalfEmptyHalfFull #18, 2018
    oil on canvas
    72 x 48 in
    182.9 x 121.9 cm
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  • Julie W. Chang, Thank You Link Double Suzani, 2011
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    Julie W. Chang
    Thank You Link Double Suzani, 2011
    acrylic on panel
    17 x 11 x 3 inches/43.2 x 27.9 x 7.6 cm
    Inquire
  • A multicolored abstract painting of fibrous strands.
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    Jutta Haeckel
    Circulating, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
    Inquire
  • Collage made out of a small wooden sphere mounted onto the old lined paper of a notebook. On the surface of the sphere a tiny human figurine holds a tennis racket and holds a tennis pose
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    Liliana Porter
    Tennis Player, 2014
    collage on notebook paper
    8 1/4 x 6 1/4 x 1 3/4 in
    21 x 15.9 x 4.4 cm
  • Marco Maggi, The Grey Lady, 2018
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    Marco Maggi
    The Grey Lady, 2018
    cut paper on museum board
    24 x 18 in
    61 x 45.7 cm
  • Hasty black ink brush stroke that thickens at the bottom and forms a circle at the end of the wrinkled paper Inside the circle and to the right several black ink lines and splotches form an abstract human face
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    Max Gimblett
    The Lean, 2012
    Sumi ink on Thai embossed paper
    31 x 22 inches/78.7 x 55.9 cm
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  • Sculpture of small hairy creature with human skin and large monkey eyes. Creature is holding onto the groin area of a pair of legs, one rooted into the ground and the other outstretched to the sky. The legs have a human-like quality but feature some non-human elements.
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    Patricia Piccinini
    The Pollinator, 2017
    silicone, fiberglass, polystyrene, steel, hair
    82 5/8 x 38 5/8 x 17 3/8 inches/210 x 98 x 44 cm
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  • 5 vertical rectangular panels make up a large horizontal rectangular piece depicting a starry sky with a milky-white band in the center over a mountain range. The mountains are filled with written text
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    Russell Crotty
    It's Different Up Here, 2023
    color pencil, gouache and ink on museum board
    each panel 40 x 32 in/101.6 x 81.3 cm
    overall 40 x 160 in/101.6 x 406.4 cm
    Inquire
  • Tim Hawkinson, Nioni, 2019
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    Tim Hawkinson
    Nioni, 2019
    India ink on Yupo paper
    48 x 72 inches/121.9 x 182.9 cm
  • William T. Wiley, & So...Wry Thing In The Light (after Bosch Maybe), 2011
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    William T. Wiley
    & So...Wry Thing In The Light (after Bosch Maybe), 2011
    ink on paper
    30 1/2 x 22 1/2 in
    77.5 x 57.1 cm
    Inquire
  • Pastel pink yellow blue and purple paint layered to create circular moiré effects
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    Anoka Faruqee & David Driscoll
    2017P-16, 2017
    acrylic on linen on panel
    22 1/2 x 22 1/2 in
    57.1 x 57.1 cm
  • Multiple silkscreen layers of blue black green and red form a constructed landscape of a river bank In the foreground are several black silhouettes of submerged trees and hanging branches with many leaves
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    Birgit Jensen
    PASTURE, 2021
    acrylic on linen
    78 3/4 x 66 7/8 in
    200 x 170 cm
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  • Black ink on paper which was folded in various evenly spaced columns creates several groups of intricate mirrored abstract organic forms. Graphite illustrated on top of the dried ink forms various geometric shapes and patterns that contain and surround the inkblots
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    Bruce Conner
    DISSERTATION, OCTOBER 5, 1994, 1994
    ink and pencil on paper
    image 10 3/4 x 11 5/8 inches/27.3 x 29.5 cm
    sheet 11 x 12 1/8 inches/27.9 x 30.8 cm
  • Four fuschia flower petals float over blurry colorful floral green, yellow and turquoise background.
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    Cornelius Völker
    Petals, 2020
    oil on canvas
    39 3/8 x 27 1/2 in
    100 x 70 cm
  • Mixed media landscape with silver metallic pointillism floating clouds that obscure the view of some large black and white marbled mountain tops Several bare birches and flowing willow trees are visible at the mountain tops while multiple blush peonies bloom at the bottom of the piece
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    Crystal Liu
    the fog, "hold up", 2019
    gouache, watercolor, ink and collage on paper
    40 x 40 inches/101.6 x 101.6 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues reds and purples
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    Driss Ouadahi
    Recto-verso, 2020
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
    Inquire
  • Emil Lukas, jiggling #2073, 2021
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    Emil Lukas
    jiggling #2073, 2021
    plaster, aluminum, acrylic
    46 x 46 x 6 in
    116.8 x 116.8 x 15.2 cm
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  • Gideon Rubin, Untitled, 2018
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    Gideon Rubin
    Untitled, 2018
    oil on linen
    14 x 12 1/8 inches/35.5 x 30.5 cm
  • Harry Bertoia, Untitled, 1950s
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    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    8 1/2 x 26 in
    21.6 x 66 cm
    Inquire
  • Highly detailed and realistic oil painting on panel of a zoomed in birds eye view of a bouquet of vibrant red and pink flowers Crawling up the stems of the flowers are several Spotted Lantern Flies an insect indigenious to China but has now spread invasively into Japan South Korea and the United States
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    Isabella Kirkland
    New Opportunist (Spotted Lantern Fly: Lycorma delicatula), 2018
    oil and alkyd on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Paper collage of various cut outs from early twenty tens magazines display a pair of old withered hands holding an oval image of a man and woman kissing. On top of the intimate image an orange butterfly rests at the lower left side
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    Jean Conner
    THE KISS, SEPTEMBER 2010, 2010
    paper collage
    10 13/16 x 8 3/16 in
    27.5 x 20.8 cm
  • Still image of multiple colorful LEDs shining up through acrylic blocks of varying heights on the surface of a pedestal
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    Jim Campbell
    Repixelated 3, 2017
    custom electronics, 300 LEDs, acrylic
    30 1/2 x 22 1/2 x 16 1/2 inches/77.5 x 57.1 x 41.9 cm
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  • Dots of colorful paint creates a tentacle-like shape moving from the bottom left to the top right of canvas. Around the canvas’s edge, more colorful dots in red and orange create interwoven shapes.
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    Jutta Haeckel
    Lights Dots Waves II, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Dark photo etching depicting a book opened to an old yellowed image of a well dressed man with multiple hands eating at a dinner table. Hovering above the book a hand uses a fork like tool to dab the mouth of the man in the image with a tiny white napkin
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    Liliana Porter
    The Magician, 1977
    photo etching and aquatint on paper
    plate 11 x 8 1/2 inches/27.9 x 21.6 cm
    sheet 23 1/8 x 18 1/8 inches/58.7 x 46 cm
    Inquire
  • Marco Maggi, Waiting to Surface (color on white), 2019
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    Marco Maggi
    Waiting to Surface (color on white), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Thin black and white hasty brush strokes with two smaller white arches painted on top of a multi-blue painted circular cut canvas
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    Max Gimblett
    The White Fish with Silver Wings, 2020
    acrylic, water-based size and platinum leaf on canvas
    50 x 50 in
    127 x 127 cm
  • Sculpture of shiny red motorcycle-like vehicle with many mirrors forming antlers. Yellow sculpture that is part-animal with webbed hands and part-motorcycle appears to be leaping on the back of the red motorcycle.
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    Patricia Piccinini
    The Struggle, 2017
    fiberglass, auto paint, leather, steel, scooter parts
    78 3/4 x 94 1/2 x 47 1/4 in
    200 x 240 x 120 cm
    Inquire
  • Horizontal and vertical straight black ink lines form a geometric pattern of semi circles and curves creating patterns similar to simplified wave crescents. Throughout the piece several lines get closer to create optical illusions of depth and recession into space
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    Tim Hawkinson
    Pultek, 2020
    India ink on Yupo paper
    60 x 40 in
    152.4 x 101.6 cm
    Inquire
  • William T. Wiley, Angel Saving Stag From Jaguar, 1995
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    William T. Wiley
    Angel Saving Stag From Jaguar, 1995
    acrylic on canvas
    68 x 97 in
    172.7 x 246.4 cm
    Inquire
  • Purple pink and red paint layered to create several circular moiré effects with some pink blotches towards the corners of the piece
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    Anoka Faruqee & David Driscoll
    2017P-21, 2017
    acrylic on linen on panel
    33 3/4 x 33 3/4 inches/85.7 x 85.7 cm
  • Woman gazes down at the white table she’s seated at. Her form is mirrored but slightly distorted by a black shape that hovers to her left.
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    Ben McLaughlin
    The Northern Cross, 2017
    oil on panel
    12 x 8 inches/30.5 x 20.3 cm
  • Abstract scene with cobalt blue background in the top left, brown in the bottom left and yellow on the right. Layered on top of the background are textured dark yellow brushstrokes, two gray chrome shapes and two horizontal strips of orange chrome.
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    Bernard Lokai
    Untitled, 2018
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
    Inquire
  • Birgit Jensen, KAGAMI VllI, 2018
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    Birgit Jensen
    KAGAMI VllI, 2018
    acrylic on linen
    78 3/4 x 66 7/8 in
    200 x 170 cm
    Inquire
  • Enlarged print of an original photograph of a performance piece The photo captures the urban nineteen fifties landscape scene of the word LOVE painted in white onto San Francisco’s Oak Street
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    Bruce Conner
    LOVE OAK, 2004/2021
    pigmented inkjet print on paper
    20 x 24 in
    50.8 x 61 cm
    Inquire
  • Woman’s head and shoulders are seen from behind as she turns her head to the left. Her blonde hair is pulled into a bun in the middle of her head.
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    Cornelius Völker
    Bun, 2013
    oil on canvas
    19 3/4 x 27 1/2 in
    50 x 70 cm
  • Mixed media landscape with silver pointillism streams of fog caress several blush peonies, bare birch trees, and black and white marbled mountain tops. At the bottom a gold metallic moon peeks out from three of the marbled mountain tops
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    Crystal Liu
    the fog, "please be gentle", 2020
    gouache, watercolor, collage and ink on paper
    50 x 40 inches
    127 x 101.6 cm
  • Harry Bertoia, Untitled, 1960s
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    Harry Bertoia
    Untitled, 1960s
    ink with graphite on Japanese paper
    24 x 13 in
    61 x 33 cm
    Inquire
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