• Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on white paper The symbols depict various asian stereotypes, luxury brand icons, and elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
    Julie W. Chang
    Untitled #3, 2012
    acrylic on paper
    22 1/2 x 30 in
    57.1 x 76.2 cm
  • A multicolored abstract painting.
    Jutta Haeckel
    Transition, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • White print with page of book with several labeled objects. The square with a horse on it is opening like a door and casts a shadow over page. The square is labeled the door.
    Liliana Porter
    The Door, 1977
    photo etching and aquatint on paper
    plate 11 3/4 x 9 1/4 in/29.8 x 23.5 cm
    sheet 25 x 18 in/63.5 x 45.7 cm
  • Marco Maggi, Stairs, 2014
    Marco Maggi
    Stairs, 2014
    cuts and folds on red, blue and yellow papers in slide mounts
    72 x 12 inches/182.9 x 30.5 cm
  • Installation semi-side view of The Golden Cathedral
    Max Gimblett
    The Golden Cathedral, 2020-21
    gesso, resin, 23.75kt Rosanoble gold leaf on wood panel
    40 x 40 in
    101.6 x 101.6 cm
  • Pencil drawing of symmetrical creature in a W shape. Middle part of the W is covered in wavy hair and has nipples. Right arm appears to be a reptilian mouth and left arm holds hummingbird perched on nest of flowy hair.
    Patricia Piccinini
    Friends, 2015
    graphite on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
  • Large circular black and blue ballpoint pen drawing with washes of blue and brown watercolor create a starry night time mountainous landscape with a few silhouettes of trees
    Russell Crotty
    Triangulum/Andromeda over Domelands, 2020
    ink and watercolor on paper
    20 x 20 in
    50.8 x 50.8 cm
  • Horizontal and vertical straight black ink lines form a mirrored geometric pattern. At the top of the piece two circles rest while throughout the rest of the piece various curves and grooves form due to lines getting closer together and creating optical illusions of depth and recession into space
    Tim Hawkinson
    Ooluflai, 2020
    India ink on Yupo paper
    84 x 56 in
    213.4 x 142.2 cm
  • Dark and light blue with neon green paint layered to create multiple wavy and circle moiré effects
    Anoka Faruqee
    2012P-14, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • A tent with sharp legs stands on a grassy field in front of a forest of trees. The scene is depicted in orange hues.
    Ben McLaughlin
    The Hundred Years, 2019
    oil on panel
    14 1/2 x 11 3/4 in
    36.8 x 29.8 cm
  • Multicolored abstract collage background of orange, yellow and gray chrome. Layered on top are textured loose black brushstrokes.
    Bernard Lokai
    Untitled, 2018
    acrylic on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
  • Multiple silkscreen layers of black gray and hot pink paint form a constructed landscape of a curving river bank. Towards the left of the piece a thin tree with several bare branches leans to the left
    Birgit Jensen
    FOG VI, 2022
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Black and white photograph of punk rock group DEVO performing at a concert In the scene several members of the group are playing guitar and bass while either jumping standing or sliding on the stage floor surrounded by sound equipment and members of the audience
    Bruce Conner
    DEVO, JANUARY 6, 1978, 27 PUNK PHOTOS, #27, 1978
    gelatin silver print
    image 13 x 8 inches/32.9 x 20.3 cm
    sheet 14 x 11 inches/35.6 x 27.9 cm
  • Blurred stack of colorful sheets of paper emerging from the left side of the canvas.
    Cornelius Völker
    Stack of Paper, 2019
    oil on canvas
    27 1/2 x 35 3/8 in
    70 x 90 cm
  • Abstract mixed media landscape of a large moon floating above a hill of small black and white chrysanthemum heads. The moon is composed of multiple variously sized shiny gold dots and directly underneath it, sprouting from the hill, two huge black and white chrysanthemums lean out and form a curved V shape. Floating around the moon and covering parts of the huge flower blossoms are multiple shiny gold dots
    Crystal Liu
    the flowers,'in dreams', 2014
    ink, gouache and watercolor on paper
    26 x 39 3/4 inches/66 x 101 cm
  • Floor view of a landscape of dirty white hallways with red and blue patterned titled walls and pillars The tiled floor is dark and the ceiling has two rows of bright fluorescent lights that run down the hallway
    Driss Ouadahi
    Red on White, 2010
    oil on linen
    74 7/8 x 94 1/2 in
    190.1 x 240.2 cm
  • Multiple hollow aluminum tubes stacked and arranged to form a cloud shape that acts as a distorted lens
    Emil Lukas
    operative spot #1614, 2018
    aluminum
    33 x 109 x 25 in
    83.8 x 276.9 x 63.5 cm
  • Faceless woman with hair in loose bun wears green backless dress and faces away from viewer to the left against blue and exposed canvas background. Her lower body is cropped out of the composition.
    Gideon Rubin
    Green Dress, 2021
    oil on linen
    34 1/8 x 23 7/8 in
    86.5 x 60.5 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    10 1/4 x 21 1/2 in
    26 x 54.6 cm
  • Highly detailed and realistic oil still life on panel of a bouquet of purple and pale pink tulips Along the stems of the tulips their leaves and on the curtain in the background multiple highly invasive Japanese Beetles can be seen crawling
    Isabella Kirkland
    Old Opportunist (Japanese Beetles: Popillia japonica), 2018
    oil and alkyd on wood panel
    20 x 16 in
    50.8 x 40.6 cm
  • Forest with white birch trees with large egg shell in foreground. Various shapes floating over the scene.
    Jean Conner
    THE EIDER'S EGG SEPTEMBER 12, 2012, 2012
    paper collage
    5 1/8 x 3 3/4 in
    13 x 9.5 cm
  • Still image of a rectangular aluminum board with metal rods arranged more densely towards the right side. On the ends of each rod multi-colored LEDs are mounted and they shine soft glowing circles on the surface of the board
    Jim Campbell
    Exploded Flat 2, 2017
    aluminum, 73 LEDs, fiberglass pegs, custom electronics
    48 x 72 x 4 1/2 in
    121.9 x 182.9 x 11.4 cm
  • An image of a scenery with rocks and boulders.
    Judith Belzer
    HalfEmptyHalfFull #18, 2018
    oil on canvas
    72 x 48 in
    182.9 x 121.9 cm
  • Julie W. Chang, Thank You Link Double Suzani, 2011
    Julie W. Chang
    Thank You Link Double Suzani, 2011
    acrylic on panel
    17 x 11 x 3 inches/43.2 x 27.9 x 7.6 cm
  • A multicolored abstract painting of fibrous strands.
    Jutta Haeckel
    Circulating, 2022
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Collage made out of a small wooden sphere mounted onto the old lined paper of a notebook. On the surface of the sphere a tiny human figurine holds a tennis racket and holds a tennis pose
    Liliana Porter
    Tennis Player, 2014
    collage on notebook paper
    8 1/4 x 6 1/4 x 1 3/4 in
    21 x 15.9 x 4.4 cm
  • Marco Maggi, The Grey Lady, 2018
    Marco Maggi
    The Grey Lady, 2018
    cut paper on museum board
    24 x 18 in
    61 x 45.7 cm
  • Hasty black ink brush stroke that thickens at the bottom and forms a circle at the end of the wrinkled paper Inside the circle and to the right several black ink lines and splotches form an abstract human face
    Max Gimblett
    The Lean, 2012
    Sumi ink on Thai embossed paper
    31 x 22 inches/78.7 x 55.9 cm
  • Sculpture of small hairy creature with human skin and large monkey eyes. Creature is holding onto the groin area of a pair of legs, one rooted into the ground and the other outstretched to the sky. The legs have a human-like quality but feature some non-human elements.
    Patricia Piccinini
    The Pollinator, 2017
    silicone, fiberglass, polystyrene, steel, hair
    82 5/8 x 38 5/8 x 17 3/8 inches/210 x 98 x 44 cm
  • 5 vertical rectangular panels make up a large horizontal rectangular piece depicting a starry sky with a milky-white band in the center over a mountain range. The mountains are filled with written text
    Russell Crotty
    It's Different Up Here, 2023
    color pencil, gouache and ink on museum board
    each panel 40 x 32 in/101.6 x 81.3 cm
    overall 40 x 160 in/101.6 x 406.4 cm
  • Tim Hawkinson, Nioni, 2019
    Tim Hawkinson
    Nioni, 2019
    India ink on Yupo paper
    48 x 72 inches/121.9 x 182.9 cm
  • William T. Wiley, & So...Wry Thing In The Light (after Bosch Maybe), 2011
    William T. Wiley
    & So...Wry Thing In The Light (after Bosch Maybe), 2011
    ink on paper
    30 1/2 x 22 1/2 in
    77.5 x 57.1 cm
  • Pastel pink yellow blue and purple paint layered to create circular moiré effects
    Anoka Faruqee & David Driscoll
    2017P-16, 2017
    acrylic on linen on panel
    22 1/2 x 22 1/2 in
    57.1 x 57.1 cm
  • Multiple silkscreen layers of blue black green and red form a constructed landscape of a river bank In the foreground are several black silhouettes of submerged trees and hanging branches with many leaves
    Birgit Jensen
    PASTURE, 2021
    acrylic on linen
    78 3/4 x 66 7/8 in
    200 x 170 cm
  • Black ink on paper which was folded in various evenly spaced columns creates several groups of intricate mirrored abstract organic forms. Graphite illustrated on top of the dried ink forms various geometric shapes and patterns that contain and surround the inkblots
    Bruce Conner
    DISSERTATION, OCTOBER 5, 1994, 1994
    ink and pencil on paper
    image 10 3/4 x 11 5/8 inches/27.3 x 29.5 cm
    sheet 11 x 12 1/8 inches/27.9 x 30.8 cm
  • Four fuschia flower petals float over blurry colorful floral green, yellow and turquoise background.
    Cornelius Völker
    Petals, 2020
    oil on canvas
    39 3/8 x 27 1/2 in
    100 x 70 cm
  • Mixed media landscape with silver metallic pointillism floating clouds that obscure the view of some large black and white marbled mountain tops Several bare birches and flowing willow trees are visible at the mountain tops while multiple blush peonies bloom at the bottom of the piece
    Crystal Liu
    the fog, "hold up", 2019
    gouache, watercolor, ink and collage on paper
    40 x 40 inches/101.6 x 101.6 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues reds and purples
    Driss Ouadahi
    Recto-verso, 2020
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • “Layers of multi-colored threads strung across a round wooden and plaster panel create the effect of a small glowing purple center that is encircled by criss-crossing red border
    Emil Lukas
    proximity of heat #1814, 2020
    thread, wood, plaster, paint, nails
    27 1/2 x 27 1/2 x 3 1/2 in
    69.8 x 69.8 x 8.9 cm
  • Gideon Rubin, Untitled, 2018
    Gideon Rubin
    Untitled, 2018
    oil on linen
    14 x 12 1/8 inches/35.5 x 30.5 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    8 1/2 x 26 in
    21.6 x 66 cm
  • Highly detailed and realistic oil painting on panel of a zoomed in birds eye view of a bouquet of vibrant red and pink flowers Crawling up the stems of the flowers are several Spotted Lantern Flies an insect indigenious to China but has now spread invasively into Japan South Korea and the United States
    Isabella Kirkland
    New Opportunist (Spotted Lantern Fly: Lycorma delicatula), 2018
    oil and alkyd on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Paper collage of various cut outs from early twenty tens magazines display a pair of old withered hands holding an oval image of a man and woman kissing. On top of the intimate image an orange butterfly rests at the lower left side
    Jean Conner
    THE KISS, SEPTEMBER 2010, 2010
    paper collage
    10 13/16 x 8 3/16 in
    27.5 x 20.8 cm
  • Still image of multiple colorful LEDs shining up through acrylic blocks of varying heights on the surface of a pedestal
    Jim Campbell
    Repixelated 3, 2017
    custom electronics, 300 LEDs, acrylic
    30 1/2 x 22 1/2 x 16 1/2 inches/77.5 x 57.1 x 41.9 cm
  • An image of painted boulders and rocks with an orange yellow background.
    Judith Belzer
    All That Is Solid #32, 2022
    oil on canvas
    60 x 80 in
    152.4 x 203.2 cm
  • Dots of colorful paint creates a tentacle-like shape moving from the bottom left to the top right of canvas. Around the canvas’s edge, more colorful dots in red and orange create interwoven shapes.
    Jutta Haeckel
    Lights Dots Waves II, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Dark photo etching depicting a book opened to an old yellowed image of a well dressed man with multiple hands eating at a dinner table. Hovering above the book a hand uses a fork like tool to dab the mouth of the man in the image with a tiny white napkin
    Liliana Porter
    The Magician, 1977
    photo etching and aquatint on paper
    plate 11 x 8 1/2 inches/27.9 x 21.6 cm
    sheet 23 1/8 x 18 1/8 inches/58.7 x 46 cm
  • Marco Maggi, Waiting to Surface (color on white), 2019
    Marco Maggi
    Waiting to Surface (color on white), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Thin black and white hasty brush strokes with two smaller white arches painted on top of a multi-blue painted circular cut canvas
    Max Gimblett
    The White Fish with Silver Wings, 2020
    acrylic, water-based size and platinum leaf on canvas
    50 x 50 in
    127 x 127 cm
  • Sculpture of shiny red motorcycle-like vehicle with many mirrors forming antlers. Yellow sculpture that is part-animal with webbed hands and part-motorcycle appears to be leaping on the back of the red motorcycle.
    Patricia Piccinini
    The Struggle, 2017
    fiberglass, auto paint, leather, steel, scooter parts
    78 3/4 x 94 1/2 x 47 1/4 in
    200 x 240 x 120 cm
  • Horizontal and vertical straight black ink lines form a geometric pattern of semi circles and curves creating patterns similar to simplified wave crescents. Throughout the piece several lines get closer to create optical illusions of depth and recession into space
    Tim Hawkinson
    Pultek, 2020
    India ink on Yupo paper
    60 x 40 in
    152.4 x 101.6 cm
  • William T. Wiley, Angel Saving Stag From Jaguar, 1995
    William T. Wiley
    Angel Saving Stag From Jaguar, 1995
    acrylic on canvas
    68 x 97 in
    172.7 x 246.4 cm
  • Purple pink and red paint layered to create several circular moiré effects with some pink blotches towards the corners of the piece
    Anoka Faruqee & David Driscoll
    2017P-21, 2017
    acrylic on linen on panel
    33 3/4 x 33 3/4 inches/85.7 x 85.7 cm
  • Woman gazes down at the white table she’s seated at. Her form is mirrored but slightly distorted by a black shape that hovers to her left.
    Ben McLaughlin
    The Northern Cross, 2017
    oil on panel
    12 x 8 inches/30.5 x 20.3 cm
  • Abstract scene with cobalt blue background in the top left, brown in the bottom left and yellow on the right. Layered on top of the background are textured dark yellow brushstrokes, two gray chrome shapes and two horizontal strips of orange chrome.
    Bernard Lokai
    Untitled, 2018
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
  • Birgit Jensen, KAGAMI VllI, 2018
    Birgit Jensen
    KAGAMI VllI, 2018
    acrylic on linen
    78 3/4 x 66 7/8 in
    200 x 170 cm
  • Enlarged print of an original photograph of a performance piece The photo captures the urban nineteen fifties landscape scene of the word LOVE painted in white onto San Francisco’s Oak Street
    Bruce Conner
    LOVE OAK, 2004/2021
    pigmented inkjet print on paper
    20 x 24 in
    50.8 x 61 cm
  • Woman’s head and shoulders are seen from behind as she turns her head to the left. Her blonde hair is pulled into a bun in the middle of her head.
    Cornelius Völker
    Bun, 2013
    oil on canvas
    19 3/4 x 27 1/2 in
    50 x 70 cm
  • Mixed media landscape with silver pointillism streams of fog caress several blush peonies, bare birch trees, and black and white marbled mountain tops. At the bottom a gold metallic moon peeks out from three of the marbled mountain tops
    Crystal Liu
    the fog, "please be gentle", 2020
    gouache, watercolor, collage and ink on paper
    50 x 40 inches
    127 x 101.6 cm
  • Harry Bertoia, Untitled, 1960s
    Harry Bertoia
    Untitled, 1960s
    ink with graphite on Japanese paper
    24 x 13 in
    61 x 33 cm
  • Sixteen varieties of Nudibranch egg cases, in different shapes, sizes, and colors on black background.
    Isabella Kirkland
    Nudibranchia, Egg Cases, 2014
    oil and alkyd on wood panel
    7 3/4 x 7 3/4 in
    19.7 x 19.7 cm
  • Two gallon milk jugs on foggy beach.
    Jean Conner
    TWO NUDISTS AT THE BEACH, 1996
    paper collage
    7 7/8 x 7 1/2 in
    20 x 19.1 cm
  • Still image of metal rods protruding out of a wall and arranged more densely towards the center of the piece. On the ends of each rod multi-colored LEDs are mounted and they shine soft glowing circles on the surface of the wall which display a scene of a crowd splitting in two at the twenty seventeen Women’s March in Washington DC
    Jim Campbell
    Splitting the Crowd, 2017
    custom electronics, 713 LEDs
    120 x 240 in
    304.8 x 609.6 cm
  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on black paper The patterns depict vegetal designs and elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
    Julie W. Chang
    Untitled #14, 2012
    acrylic on paper
    22 1/8 x 30 inches/56.2 x 76.2 cm
  • Jutta Haeckel, Pattern of Chance II, 2021
    Jutta Haeckel
    Pattern of Chance II, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Marco Maggi, What is the Meaning of Blue, 2018
    Marco Maggi
    What is the Meaning of Blue, 2018
    cut paper on museum board
    24 x 18 in
    61 x 45.7 cm
  • Three thick hasty black ink strokes that form interconnecting messy circles that in an area to the left drips down
    Max Gimblett
    Universe-5 for Sengai Gibbon, 2014
    sumi ink on Thai garden paper
    22 x 30 inches/55.9 x 76.2 cm
  • Tim Hawkinson, Nine Lobed Roliepolie, 2019
    Tim Hawkinson
    Nine Lobed Roliepolie, 2019
    urethane
    12 x 14 x 15 inches
    30.5 x 35.6 x 38.1 cms
  • Painting of blackboard with wooden frame. Black board dread "Trust us for Just us" with large barrel that says "HOAX" with other phrases.
    William T. Wiley
    Trust Us For Just Us, 2008
    watercolor and ink on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Multi-colored paint layered to create pink blue and green circular moiré effects
    Anoka Faruqee & David Driscoll
    2018P-02, 2018
    acrylic on linen on panel
    45 x 45 in
    114.3 x 114.3 cm
  • Streetlamp on a hill on the left side of the canvas is set against cityscape on the lower right and stormy blue sky in the background.
    Ben McLaughlin
    The Three Evangelists, 2021
    oil on panel
    6 x 4 in
    15.2 x 10.2 cm
  • Multiple silkscreen layers of black blue green and yellow paint form a constructed landscape of a blurred and heavily pixelated river bank In the foreground curving from the bottom right corner to the upper left is a silhouette of a large tree branch
    Birgit Jensen
    FOG V, 2021
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Maroon felt ink pen creates intricate blobs ranging in sizes on paper to form abstract patterning Negative space is left in between each blob and in some areas the white of the paper creates its own unique shapes
    Bruce Conner
    UNTITLED, 1968
    ink on paper
    image 14 3/8 x 10 1/8 inches/36.5 x 25.7 cm
    sheet 14 1/2 x 10 1/2 inches/36.8 x 26.7 cm
  • Five dark fuschia flower petals float over glowing blurry background in neon green, fuschia and black.
    Cornelius Völker
    Blüten/Petals, 2021/2019
    oil on canvas
    102 3/8 x 78 3/4 in
    260 x 200 cm
  • Colorful abstract landscape alludes to several distorted high rise buildings amongst garden space Several thin vertical black lines are painted on top of the landscape
    Driss Ouadahi
    Retour aux Sources, 2020
    oil on canvas
    27 1/2 x 31 1/2 in
    70 x 80 cm
  • Seated woman with black sandals, white pants and green shirt sits on wood structure with hands in her lap. Her body above the elbows is cropped out of the composition.
    Gideon Rubin
    Black Sandals, 2018
    oil on board
    9 7/8 x 8 1/8 in
    25 x 20.5 cm
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed and patinated bronze
    5 1/4 x 6 1/4 x 5 1/4 in
    13.3 x 15.9 x 13.3 cm
  • Light colored stone with orange lichens and green sprouting plant.
    Isabella Kirkland
    Graveyard Lichens VI, 2018
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Black ink on paper creates a thinly illustrated and abstract scene of flowing and hatching lines with some recognizable forms such as four candles at the top of the piece and a skeleton at the lower right
    Jean Conner
    UNTITLED, 1962
    ink on paper
    12 x 8 7/8 in
    30.5 x 22.5 cm
  • Still image of a rectangular piece with multi-colored LEDs behind angled Plexiglass that display pixelated scenes from the twenty seventeen Women’s March in Washington DC To the right side the scene is burry due to the Plexi being farther away while at the left is it more pixelated due to the Plexiglass being closer
    Jim Campbell
    Slur IV, 2017
    custom electronics, LEDs, treated Plexiglas
    18 x 48 x 8 inches/45.7 x 121.9 x 20.3 cm
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