• Sculpture of two lifelike young girls in casual clothing holding laundry basket with towels and sleeping furry creature wearing gloves. Girls are mid-walk and one girl grips the shoulder of the girl in front of her.
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    Patricia Piccinini
    The Rescuers, 2021
    silicone, fiberglass, hair, clothing, washing basket, animal, bandages
    62 1/4 x 26 3/4 x 37 3/8 in
    158 x 68 x 95 cm
  • Wood block resembling book with title WIZDUMB has rope emerging from center that is threaded through thin wood cylinder
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    William T. Wiley
    Wizdumb, 1968
    wood, ink, rope, masking tape, adhesive letters, nails and metal feet
    6 x 13 x 17 1/4 in
    15.2 x 33 x 43.8 cm
    Inquire
  • Square painting with red concentric circles radiating from the center outward creating Moire pattern. There are organically shaped splatters of red paint at the edges.
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    Anoka Faruqee & David Driscoll
    2020P-01 (Circle), 2020
    acrylic on linen on panel
    56 1/4 x 56 1/4 in
    142.9 x 142.9 cm
  • Painting featuring log with treed emerging out of open air marshland.
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    Birgit Jensen
    FOG I, 2021
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Bruce Conner, UNTITLED, 1967
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    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    image 1 5/8 x 1 5/8 in/4.1 x 4.1 cm
    sheet 8 1/2 x 5 1/2 in/21.6 x 14 cm
    Inquire
  • Woman with glasses faces away from viewer, her blonde hair in a loose bun.
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    Cornelius Völker
    Bun, 2013
    oil on canvas
    21 5/8 x 19 3/4 in
    54.9 x 50.2 cm
  • Faceless man in white, partially unbuttoned shirt touches his neck. His lower body is cropped out of the composition.
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    Gideon Rubin
    White Shirt, 2018
    oil on linen
    17 7/8 x 20 1/8 in
    45.5 x 51 cm
  • A loosely drawn black and white portrait with facial features made visible through subtle eraser markings
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    Jean Conner
    YOUTH, 1961
    graphite on paper
    6 13/16 x 3 7/8 inches
    7.3 x 9.9 cm
  • Still image of a rectangular piece with hot pink LEDs behind Plexiglass that displays a heavily pixelated shadowy person running
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    Jim Campbell
    Running Falling Apart, 2005
    custom electronics, LEDs, plexiglas
    22 x 30 x 3 inches/55.9 x 76.2 x 7.6 cm
  • Against exposed burlap background, small dots create brushstroke-like whirls across the canvas, converging in the dots of a computer chip shape near the top right corner of the canvas.
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    Jutta Haeckel
    Force of Nature III, 2019
    acrylic and acrylic paste on jute
    59 1/8 x 47 1/4 in
    150.2 x 120 cm
  • Max Gimblett, The Beginning of Time, 2022
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    Max Gimblett
    The Beginning of Time, 2022
    acrylic, water-based size, Rosanoble gold leaf, resin, oil size and 22kt gold leaf on canvas
    40 x 15 1/2 in
    101.6 x 39.4 cm
    Inquire
  • Sculpture of turtle with human-like scaly skin. Turtle’s shell is an artificial yellow plastic attachment that alludes to a vacuum contraption.
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    Patricia Piccinini
    Cleaner, 2019
    fiberglass, auto paint, silicone and hair
    11 3/4 x 27 1/2 x 35 3/8 in
    30 x 70 x 90 cm
  • Large unstretched painting with four quadrants in primary colors and black. This piece is about war veterans; featuring various scenes.
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    William T. Wiley
    Rehabilitating the Savages, 2006
    mixed media on canvas
    128 x 145 in
    325.1 x 368.3 cm
  • Multiple silkscreen layers of multi-colored paint construct a blurry and highly pixelated abstract night time landscape of a city
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    Birgit Jensen
    GBERT V, 2012
    acrylic on canvas
    37 3/8 x 55 1/8 in
    94.9 x 140 cm
    Inquire
  • Bruce Conner, UNTITLED D-8, 1968
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    Bruce Conner
    UNTITLED D-8, 1968
    felt-tip pen on paper
    22 1/2 x 16 1/2 in
    57.1 x 41.9 cm
  • Torso of person wearing white blouse and skirt with multi-colored horizontal stripes has arms out to the sides with hands clenched.
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    Cornelius Völker
    Hands, 2003
    oil on canvas
    78 3/4 x 118 1/8 in
    200 x 300 cm
  • Young boy seated at wooden table holds the sides of a gas mask over his face in front of a plain brown background.
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    Gideon Rubin
    Boy with Gas Mask, 2012
    oil on board
    11 3/4 x 11 3/4 in
    29.8 x 29.8 cm
  • Paper collage of various cut outs from nineteen sixties magazines create a blue scene of figures popping out of an old adding machine
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    Jean Conner
    ADDING MACHINE, 1969
    paper collage
    16 x 8 in
    40.6 x 20.3 cm
    Inquire
  • Still image of rectangular piece with multiple white LEDs behind a thick block of resin that displays a pixelated scene of birds flying
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    Jim Campbell
    Edition 25, 2013
    192 LEDs, custom electronics, resin
    11 1/4 x 14 1/2 x 3 inches/28.6 x 36.8 x 7.6 cm
    Inquire
  • Negative space of exposed burlap canvas peaks through multicolored dots creating chaotic shapes and lines throughout canvas.
    Add to wishlist
    Jutta Haeckel
    Force of Nature I, 2019
    acrylic and acrylic paste on jute
    59 1/8 x 47 1/4 inches/150 x 120 cm
  • Max Gimblett, Karma, 2022
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    Max Gimblett
    Karma, 2022
    acrylic, resin, oil size and Chinese pewter leaf on canvas and panel
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
  • Sculpture of two-pronged twig emerges from blue mountain peak. From each end of the twig protrudes a flower of human hair, skin tongues and tentacles.
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    Patricia Piccinini
    Metaflora (Twin Rivers Mouth), 2015
    silicone, bronze, fiberglass, human hair
    59 1/8 x 12 5/8 x 13 3/8 in
    150.2 x 32.1 x 34 cm
  • William T. Wiley, Watch It!, 2018
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    William T. Wiley
    Watch It!, 2018
    pocket watches and chains, paper clip, branding iron, wood, aspirin and teardrop-shaped slate
    18 1/2 x 12 x 76 in
    47 x 30.5 x 193 cm
    Inquire
  • Multiple silkscreen layers of multicolored paint form a constructed landscape of two burry and heavily pixelated riverbanks jutting from the left and right center of the piece. In the foreground a black silhouette of a thin tree branch extends from the upper right corner to the left of the piece. At the upper left center a large white circle alluding to a moon floats in a blue sky while a faint pink circle towards the bottom left of the piece represents its watery reflection
    Add to wishlist
    Birgit Jensen
    IPPEI I, 2016
    acrylic on canvas
    28 x 23 5/8 in
    71.1 x 60 cm
  • Bruce Conner, UNTITLED, 1972
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    Bruce Conner
    UNTITLED, 1972
    felt-tip pen on paper
    1 7/8 x 1 7/8 in
    4.8 x 4.8 cm
  • Four oysters, two shells and two lemons all rest on turquoise surface.
    Add to wishlist
    Cornelius Völker
    Oysters, 2002-2004
    oil on canvas
    47 1/4 x 78 3/4 in
    120 x 200 cm
  • Old plane viewed from the front flies over grassy landscape emitting clouds of smoke into white sky.
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    Gideon Rubin
    Untitled, 2017
    oil on canvas
    8 x 12 in
    20.3 x 30.5 cm
  • Still image of a rectangular piece with multiple white LEDs behind Plexiglass display asynchronous scenes of pixelated shadowy people walking around Grand Central Terminal in New York City
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    Jim Campbell
    Grand Central Station 4, 2010
    1728 LEDs, Plexiglas, custom electronics
    33 x 44 x 2 inches/83.8 x 111.8 x 5.1 cm
    Inquire
  • With a dark tan and green background, chunks of white and pastel red paint create loose but bold striped pattern across canvas.
    Add to wishlist
    Jutta Haeckel
    Fields, 2017
    acrylic and acrylic paste on jute
    39 3/8 x 31 1/2 inches/100 x 80 cm
  • Max Gimblett, Leave No Traces, 2022
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    Max Gimblett
    Leave No Traces, 2022
    acrylic on poly-cotton canvas
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
  • Sculpture of seated gorilla with red hair, human skin and human hands for its feet. The creature holds two babies, one climbing on its back and the other holding onto its side.
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    Patricia Piccinini
    Kindred, 2018
    silicone, fiberglass, hair
    40 1/2 x 37 3/8 x 50 3/8 inches/103 x 95 x 128 cm
    Inquire
  • William T. Wiley, Spooky on the Line, 1987
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    William T. Wiley
    Spooky on the Line, 1987
    acrylic and graphite on canvas
    104 x 143 in
    264.2 x 363.2 cm
    Inquire
  • Multiple silkscreen layers of black blue white and turquoise paint form a constructed landscape of two burry and heavily pixelated riverbanks jutting from the left and right center of the piece. At the center left is a white circle alluding to a full moon rising while a semi-circle directly beneath it represents its watery reflection
    Add to wishlist
    Birgit Jensen
    IPPEI IV, 2016
    acrylic on canvas
    28 x 23 5/8 in
    71.1 x 60 cm
  • Abstract brown-black undulating line work on sepia paper
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    Bruce Conner
    UNTITLED FEBRUARY 28, 1967, 1967
    felt-tip pen on paper
    13 1/4 x 11 in
    33.7 x 27.9 cm
    Inquire
  • Heckler & Koch USP pistol lying on its side on green/beige surface.
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    Cornelius Völker
    Heckler & Koch USP, 2014
    oil on canvas
    39 3/8 x 41 3/8 in
    100 x 105.1 cm
  • Many white roses and other flowers in yellow vase against gray background.
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    Gideon Rubin
    Roses, 2017
    oil on board
    16 x 12 in
    40.6 x 30.5 cm
  • Jim Campbell, Wandering, 2024
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    Jim Campbell
    Wandering, 2024
    custom electronics, 384 LEDs, treated plexiglass
    6 x 8 3/4 in
    15.2 x 22.2 cm
    Inquire
  • Dark brown and light green paint appears to be dripping up canvas and off to the sides. On top, jagged shapes in solid black and black and tan stripes layer over dripping effect.
    Add to wishlist
    Jutta Haeckel
    Ghosts of the Past, 2017
    acrylic and acrylic paste on jute
    59 1/8 x 47 1/4 inches/150 x 120 cm
  • Max Gimblett, The Garden, 2022
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    Max Gimblett
    The Garden, 2022
    acrylic, resin, water-based size and lemon gold leaf on poly-cotton canvas
    50 x 70 in
    127 x 177.8 cm
    Inquire
  • William T. Wiley, Now and Then, 2011
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    William T. Wiley
    Now and Then, 2011
    watercolor and ink on paper
    30 x 22 inches/76.2 x 55.9 cm
    Inquire
  • Multiple silkscreen layers of multi-colored paint form a constructed landscape of a blurry and highly pixelated distant river bank with several strips of land jutting from the left and right In the foreground three dark silhouettes of thin trees obscure the view of the river as well as the large light blurred circle or moon floating in the center of the piece. Towards the bottom another large circle in yellow alludes the the reflection of the moon in the water
    Add to wishlist
    Birgit Jensen
    KAGAMI 33 III, 2018
    acrylic on canvas
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Abstract black and white drawing, suggesting fibrous network
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    Bruce Conner
    UNTITLED AUGUST 7, 1975, 1975
    ink on paper
    22 1/8 x 29 7/8 in
    56.2 x 75.9 cm
    Inquire
  • Cornelius Völker, Bücher (Books), 2008
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    Cornelius Völker
    Bücher (Books), 2008
    oil on canvas
    78 3/4 x 51 1/8 in
    200 x 130 cm
    Inquire
  • Woman contorts to pull stockings over her nude body in front of gray background. Her head is cropped out of the composition.
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    Gideon Rubin
    Untitled, 2017
    oil on linen
    14 x 12 in
    35.6 x 30.5 cm
  • Orange and olive green shapes outlined in white criss-cross canvas in a mostly horizontal fashion against a light tan background with splashes of red and blue.
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    Jutta Haeckel
    Torn, 2018
    acrylic and acrylic paste on jute
    39 3/8 x 31 1/2 inches/100 x 80 cm
  • Max Gimblett, Novel, 2022
    Add to wishlist
    Max Gimblett
    Novel, 2022
    acrylic on poly-cotton canvas
    70 x 50 in
    177.8 x 127 cm
    Inquire
  • William T. Wiley, Rejected War Monument, 2010
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    William T. Wiley
    Rejected War Monument, 2010
    watercolor and ink on paper
    22 x 30 in
    55.9 x 76.2 cm
    Inquire
  • Heavily pixelated and patterned blue and white landscape of Mount Everest or in sanskrit Sagarmatha
    Add to wishlist
    Birgit Jensen
    SAGARMATHA, 2009
    acrylic on canvas
    78 3/4 x 66 7/8 inches
    200 x 170 cm
  • An abstract painting of brown-orange shapes on a white background.
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    Bruce Conner
    UNTITLED 3/7/55, 1955
    oil on masonite in artist's frame
    12 x 9 in
    30.5 x 22.9 cm
    Inquire
  • Cornelius Völker, Kalbskopf (Calf’s Head), 2025
    Add to wishlist
    Cornelius Völker
    Kalbskopf (Calf’s Head), 2025
    oil on canvas
    39 3/8 x 31 1/2 in
    100 x 80 cm
    Inquire
  • Faceless man in gray coat and captain’s hat stands in row boat beneath dark night sky.
    Add to wishlist
    Gideon Rubin
    Untitled, 2018
    oil on linen
    14 x 12 1/8 in
    35.6 x 30.8 cm
  • Dark lines emanating from an explosive shape in the bottom right corner of the canvas criss-cross the canvas above a glowing purple and yellow grid in the background. Shards of paint outlined in white float over dark lines and glowing grid.
    Add to wishlist
    Jutta Haeckel
    Fragments, 2018
    acrylic and acrylic paste on jute
    39 3/8 x 31 1/2 inches/100 x 80 cm
  • Max Gimblett, Delphi, 2022
    Add to wishlist
    Max Gimblett
    Delphi, 2022
    acrylic on canvas
    70 x 50 in
    177.8 x 127 cm
    Inquire
  • Sculpture of two small hybrid creatures holding each other close. Their faces are like baby monkeys but they have the hands of humans, blonde hair and speckled human-like skin. Their bodies are wrinkled and their backs are like soles of boots.
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    Patricia Piccinini
    The Loafers, 2018
    fiberglass, silicone, hair
    10 5/8 x 10 3/8 x 9 7/8 in/27 x 26.5 x 25 cm
    Inquire
  • William T. Wiley, Punball: Only One Earth, 2008
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    William T. Wiley
    Punball: Only One Earth, 2008
    rebuilt and restored pinball machine with original artwork
    70 x 26 x 53 in
    177.8 x 66 x 134.6 cm
    Inquire
  • Multiple silkscreen layers of black blue and green paint form a constructed landscape of a blurry and highly pixelated lake shore with two black silhouettes of thin trees in the foreground. In the upper portion of the piece to the left a small light green circle alluding to a full moon floats in the sky while another much larger circle lies towards the bottom of the piece alluding to the moon’s reflection in the water
    Add to wishlist
    Birgit Jensen
    KAGAMI IX, 2018
    acrylic on canvas
    78 3/4 x 66 7/8 in
    200 x 170 cm
    Inquire
  • Cornelius Völker, Blüte (Bloom), 2025
    Add to wishlist
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    27 1/2 x 19 3/4 in
    70 x 50 cm
  • Seated woman in blue coat and white skirt faces away from viewer in front of plain white background.
    Add to wishlist
    Gideon Rubin
    Untitled, 2018
    oil on canvas
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • On top of pastel background, dark red and tan paint seeps onto canvas from sides and top. Dark turquoise shapes are also layered on top of pastel background.
    Add to wishlist
    Jutta Haeckel
    Glacier, 2018
    acrylic and acrylic paste on jute
    92 1/2 x 70 7/8 inches/235 x 180 cm
  • Max Gimblett, Sorcery, 2022
    Add to wishlist
    Max Gimblett
    Sorcery, 2022
    gesso, acrylic, resin, water-based size and copper leaf on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Sculpture of two zoomorphic motorcycles cuddling. The orange one nestles into the red one with smaller antler-like mirrors.
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    Patricia Piccinini
    The Lovers, 2011
    fiberglass, auto paint, leather, scooter parts
    79 1/2 x 80 3/4 x 51 1/8 inches/201.9 x 205.1 x 129.9 cm
  • William T. Wiley, This Is Not Blackwater, 2007
    Add to wishlist
    William T. Wiley
    This Is Not Blackwater, 2007
    charcoal and acrylic on canvas
    40 1/2 x 34 in
    102.9 x 86.4 cm
  • Multiple silkscreen layers of black blue and salmon paint form a constructed landscape of a burry and heavily pixelated distant riverbank with a black silhouette of a tree in the foreground. The tree obscures the view of the large salmon circle or moon in the upper center of the piece as well as its watery reflection down at the bottom center of the piece
    Add to wishlist
    Birgit Jensen
    KAGAMI OR II, 2017
    acrylic on canvas
    28 x 23 5/8 in
    71.1 x 60 cm
  • Fine and delicate ink blot drawings in vertical lines featuring extremely intricate details.
    Add to wishlist
    Bruce Conner
    INKBLOT DRAWING JUNE 3, 1998, 1998
    ink on paper
    8 1/2 x 4 3/4 in
    21.6 x 11.9 cm
  • Young faceless boy viewed from the back wields pitchfork in field of hay.
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    Gideon Rubin
    Untitled (In the Field), 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Busy composition is created with colorful diamonds and circles of many sizes. Colors are separated by white paint branching throughout entire canvas.
    Add to wishlist
    Jutta Haeckel
    White Noise, 2009
    acrylic and oil on canvas
    74 3/4 x 106 1/4 inches/190 x 270 cm
  • A thick, gold, dripping brushstroke atop a luminous emerald blue background.
    Add to wishlist
    Max Gimblett
    Script, 2022
    gesso, acrylic, resin, water-based size and Rosanoble gold leaf on canvas
    70 x 50 in
    177.8 x 127 cm
    Inquire
  • William T. Wiley, Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
    Add to wishlist
    William T. Wiley
    Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
    acrylic and charcoal on canvas
    62 x 69 3/4 in
    157.5 x 177.2 cm
    Inquire
  • Multiple silkscreen layers of black blue gray and green paint form a constructed landscape of a blurry and highly pixelated winding riverbank with several silhouettes of hanging branches extending from the left and right of the piece. In the upper center of the work a small light gray circle alluding to a full moon floats above the bank while another circle in light blue alludes to ts reflection
    Add to wishlist
    Birgit Jensen
    KAGAMI VII, 2017
    acrylic on canvas
    78 3/4 x 66 7/8 in
    200 x 170 cm
    Inquire
  • Black ink illustrations on nine separate sheets of square paper form a three by three grid of abstract landscapes
    Add to wishlist
    Bruce Conner
    SNAPSHOTS AUGUST 8, 1975, 1975
    ink on nine sheets of paper
    14 1/2 x 18 in
    36.8 x 45.7 cm
  • Young faceless boy wearing long socks, shorts and blue shorts bikes towards the viewer on forest path.
    Add to wishlist
    Gideon Rubin
    Untitled (Bike Ride), 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Tan and black stripes create a fingerprint-like pattern across canvas. Layered on top are shards of light pastel paint outlined in white.
    Add to wishlist
    Jutta Haeckel
    Ghost Rider, 2017
    acrylic and watercolor on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
    Inquire
  • Candy pink quatrefoil with red and platinum brushstrokes
    Add to wishlist
    Max Gimblett
    Coral, 2021
    gesso, acrylic, resin, water-based size and palladium leaf on burlap
    40 x 40 in
    101.6 x 101.6 cm
    Inquire
  • William T. Wiley, Momma's Cross with Jesus, 1995
    Add to wishlist
    William T. Wiley
    Momma's Cross with Jesus, 1995
    found objects, playing cards, beads, feather, printed paper, plastic on paper, rubber, thumbtack, oil and ink on wood
    24 1/2 x 14 x 5 1/4 in
    62.2 x 35.6 x 13.3 cm
    Inquire
  • Multiple silkscreen layers of multi-colored paint construct a blurry and highly pixelated abstract landscape of the Preseli Hills in Wales
    Add to wishlist
    Birgit Jensen
    Preseli I, 2012
    acrylic on canvas
    15 x 19 3/4 in
    38.1 x 50.2 cm
  • Black and white photograph of a punk rock group performing at a concert In the scene a member of the group is on stage caught in a midair jump holding a microphone and surrounded by light and sound equipment
    Add to wishlist
    Bruce Conner
    OINTMENT, MARCH 9, 1978, 27 PUNK PHOTOS, #13, 1978
    gelatin silver print
    image 13 1/16 x 8 inches/33.1 x 20.3 cm
    sheet 14 x 11 inches/35.6 x 27.9 cm
  • Faceless woman wearing white dress sits on chair in forest, gazing at her hands.
    Add to wishlist
    Gideon Rubin
    Untitled, 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Camouflage-shaped vertical stripes of paint in shades of black and brown gradually become lighter from left to right on top of a background of multicolored, pastel lines.
    Add to wishlist
    Jutta Haeckel
    Closer, 2017
    acrylic and oil on jute
    78 3/4 x 59 1/8 inches/200 x 150 cm
  • Max Gimblett, Highway—After Bill deKooning, 2022, 2022
    Add to wishlist
    Max Gimblett
    Highway—After Bill deKooning, 2022, 2022
    gesso, acrylic, resin, water-based size and French Pale 22kt gold leaf on canvas
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Multiple silkscreen layers of blue and black form a constructed landscape of a dark river bank jutting out from the center right of the piece At the top center a faded light gray circle alludes to a full moon floating in the sky above multiple black silhouettes of trees
    Add to wishlist
    Birgit Jensen
    KONIN II, 2019
    acrylic on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
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