• Polaroid montage of several scenes of war (including fighter jets, a town on fire and soldiers poised for battle). Layered with these polaroids are images of the Washington Monument, a man licking a hairy surface, another man’s worried expression and a man’s arm.
    John O'Reilly
    War Series #29, 1991
    polaroid montage
    9 x 12 inches/22.9 x 30.5 cm
  • Multi-colored symbols from a variety of different cultures and ethnicities are layered on top of each other against a bright gold painted panel
    Julie W. Chang
    Untitled, 2020
    acrylic on panel
    11 1/2 x 11 1/2 in
    29.2 x 29.2 cm
  • Small lines made of multicolored dots criss-cross the tan canvas, creating chaos over a background of orange, blue, yellow, dark purple and exposed burlap canvas.
    Jutta Haeckel
    Micro Map II, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Digital photograph of an installation piece of a metallic bronze and copper gear clock. At the center of the clock on top of several gears a tiny human figurine stands and appears to be pulling on a tall lever
    Liliana Porter
    To Fix It (Wall Clock IV), 2018
    metal and figurine
    4 3/4 x 6 x 3 1/2 inches/12.1 x 15.2 x 8.9 cm
  • Marco Maggi, Waiting to Surface (South), 2020
    Marco Maggi
    Waiting to Surface (South), 2020
    cut paper mounted on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Black ink hasty brush stroke that forms an upside down Y shape at the center of the beige paper
    Max Gimblett
    Untitled, 2017
    sumi ink on Thai garden 100% kozo plain smooth handmade paper
    30 x 22 inches/76.2 x 55.9 cm
  • Three glass blown sculptures arranged on a white floor.
    Patricia Piccinini
    Tender Foam, 2021
    hand blown glass, Britannia metal
    7 7/8 x 14 3/4 x 13 3/4 in
    20 x 37.5 x 35 cm
  • Black and white ballpoint pen and pencil astronomical drawing with supernova remnant known as the Veil Nebula at the center of the piece
    Russell Crotty
    The Veil Nebulae, Super Nova Remnant in Cygnus, 2002
    ink and pencil on paper
    38 1/2 x 38 1/2 inches
    45 x 45 inches framed
  • Geometric sculpture of the artist’s cast body parts namely fingers, elbows, and knees. Various denim fabrics cover the cast parts and frayed holes form at the sculpture’s joints
    Tim Hawkinson
    Knob and Tube, 2021
    fabric and urethane
    18 x 38 x 20 in
    45.7 x 96.5 x 50.8 cm
  • William T. Wiley, So Long Sol, 2007
    William T. Wiley
    So Long Sol, 2007
    mixed media on paper
    46 x 34 in
    116.8 x 86.4 cm
  • Purple and blue paint layered to create several circular moiré effects with some large dark purple blotches towards the bottom of the piece
    Anoka Faruqee & David Driscoll
    2018P-06, 2018
    acrylic on linen on panel
    22 1/2 x 22 1/2 inches/57.1 x 57.1 cm
  • Child stands next to woman seated in beach chair on an expansive plain with blue sky in the background.
    Ben McLaughlin
    The Two Bears, 2017
    oil on panel
    6 x 4 inches/5.2 x 10.2 cm
  • Textured brown brushstrokes are superimposed over cloudy pastel background.
    Bernard Lokai
    Untitled, 2017
    acrylic on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
  • Birgit Jensen, GREENLIGHT, 2020
    Birgit Jensen
    GREENLIGHT, 2020
    acrylic on canvas
    27 1/2 x 24 1/8 in
    70 x 61 cm
  • Cornelius Völker, Five Plums, 2018
    Cornelius Völker
    Five Plums, 2018
    oil on canvas
    15 3/4 x 23 5/8 inches/40 x 60 cm
  • Mixed media landscape with tall black and white marbled mountains which become obscured towards the top of the piece as silver metallic pointillism clouds cover its peaks. At the bottom of the piece a small gold metallic moon hovers above a row of bare birch trees
    Crystal Liu
    the mountains, 'the wait', 2016
    gouache, watercolor and ink on paper
    30 x 30 in
    76.2 x 76.2 cm
  • Bubble wrap indents cast into plaster and painted in various colors
    Emil Lukas
    soft cluster #1612, 2018
    paint, plaster, aluminum
    46 x 46 x 2 in
    116.8 x 116.8 x 5.1 cm
  • The tops of two palm trees rise into blue cloudless sky behind a red and green tree.
    Gideon Rubin
    Palm Tree, 2019
    oil on canvas panel
    15 3/4 x 15 3/4 in
    40 x 40 cm
  • Harry Bertoia, Untitled, c. 1960-65
    Harry Bertoia
    Untitled, c. 1960-65
    bronze
    7 1/2 x 14 1/2 x 2 1/2 in
    19.1 x 36.8 x 6.3 cm
  • Highly detailed and realistic oil painting on panel of a two by three grid of several different kinds of sea slugs against a black background The individuals painted in this piece all exemplify different methods a sea slug can defend itself
    Isabella Kirkland
    Self Defense, 2014
    oil and alkyd on wood panel
    7 3/4 x 7 3/4 inches/19.7 x 19.7 cm
  • Paper collage of various cut outs from early nineteen seventies magazines create the surreal scene of a wealthy couple being driven by their chauffeur with a Humpty Dupty like figure in the back seat. On top of the car a young woman in yellow holds up a large spider with trails of smoke coming from her left in the background
    Jean Conner
    UNSOLVED MYSTERY, 1978
    paper collage
    14 3/4 x 9 1/8 in
    37.5 x 23.2 cm
  • Still image of rectangular piece with multiple LEDs behind blurred photographic image mounted on Plexiglass that displays a scene of people moving about in entrance to the BART and Muni station on Powell Street in San Francisco
    Jim Campbell
    Powell Street, 2009
    768 LEDs, photograph mounted on plexiglas, custom electronics
    22 1/2 x 29 1/2 x 2 inches/57.1 x 74.9 x 5.1 cm
  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on black paper The patterns depict vegetal designs, luxury brand icons, and elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
    Julie W. Chang
    Untitled #5, 2012
    acrylic on paper
    22 1/8 x 30 in
    56.2 x 76.2 cm
  • Jutta Haeckel, Pattern of Chance I, 2021
    Jutta Haeckel
    Pattern of Chance I, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Digital photograph of an installation piece of a thick white wooden shelf which holds a broken and dismantled round wooden and metal clock. On top of the clock is a tiny human figurine who is crouched down with a tool in hand
    Liliana Porter
    To Fix It II (round clock), 2016
    metal clock, figurine on painted shelf
    6 x 12 x 10 1/4 in
    15.2 x 30.5 x 26 cm
  • Marco Maggi, RED significa ROJO en Inglés, Translation Series, 2018
    Marco Maggi
    RED significa ROJO en Inglés, Translation Series, 2018
    paper on dibond
    24 x 18 inches/61 x 45.7 cm
  • Hasty dripping platinum leaf brush stroke horizontally painted across the center of the canvas In the background are two unevenly horizontally divided sections of blue taking up the top of the piece and black on the bottom
    Max Gimblett
    Vigil, 2020
    acrylic, water-based size and platinum leaf on canvas
    70 x 70 in
    177.8 x 177.8 cm
  • Hanging sphere covered with a drawing of a red rock mountainous landscape and a starry skyscape with a milky white band.
    Russell Crotty
    Extreme High Desert Boulder Problems, 2006-2022
    ink and gouache on paper on fiberglass sphere
    12 x 12 x 12 in
    30.5 x 30.5 x 30.5 cm
  • Tim Hawkinson, Big Agnes, 2022
    Tim Hawkinson
    Big Agnes, 2022
    oil on panel
    8 7/8 x 6 5/8 in
    22.5 x 16.8 cm
  • Watercolor of poster on plank in fair ground. Poster reads in symbols " & so Eye ASS Q, Is this Fair?" Watercolor has small blurb written underneath it.
    William T. Wiley
    Is This Fair?, 2000
    watercolor and ink on paper
    30 x 22 in
    76.2 x 55.88 cm
  • Dark and light brown with forest green paint layered to create multiple wavy moiré effects
    Anoka Faruqee & David Driscoll
    2013P-72, 2013
    acrylic on linen on panel
    22 1/2 x 22 1/2 inches/57.1 x 57.1 cm
  • A small portable grill with a lit fire stands on grass in front of a white fence. The scene is depicted in primarily turquoise hues.
    Ben McLaughlin
    The Young Alfred The Great, 2019
    oil on panel
    6 x 4 in
    15.2 x 10.2 cm
  • Abstract textured brushstrokes in purple, black, gray and orange create loose patterns across the canvas.
    Bernard Lokai
    Untitled, 2019
    acrylic on canvas
    11 3/4 x 15 3/4 inches/30 x 40 cm
  • Multiple silkscreen layers of multi-colored paint form a constructed landscape of a blurry and highly pixelated distant river bank jutting from the right of the piece In the foreground three black silhouettes of thin trees obscure the view of the river as well as the faded light pink circle or moon floating in the center of the piece. Towards the bottom another circle murch large and in light blue alludes the the reflection of the moon in the water
    Birgit Jensen
    KAGAMI 33 IV, 2018
    acrylic on canvas
    66 7/8 x 55 1/8 in
    170 x 140 cm
  • Black and white photograph of a punk rock group performing at a concert In the scene several members of the group are playing instruments but are highly distorted in a way that makes it look like they are evaporating into glowing vapors
    Bruce Conner
    GLITTER BAND BURN OUT, MARCH 7, 1978, 27 PUNK PHOTOS, #19, 1978
    gelatin silver print
    image 8 3/4 x 13 inches/22.1 x 33 cm
    sheet 11 x 14 inches/27.9 x 35.6 cm
  • Against white background, books with colorful covers are stacked to create a pyramid shape.
    Cornelius Völker
    Stack of Books, 2018
    oil on vellum
    27 1/2 x 39 3/8 in
    69.8 x 100 cm
  • Mixed media landscape of a small gold leaf moon reflected in a light gray body of water. To the upper left a small dark gray and blue watercolor island houses several thin birch trees, one of which bends down as if reaching to touch the moon
    Crystal Liu
    The Moon, "the moon", 2014
    watercolor, gouache, ink and gold leaf on paper
    15 x 15 inches/38.1 x 38.1 cm
  • Colorful abstract landscape alludes to several high rise buildings amongst garden space A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Temporary Friction, 2020
    oil on canvas
    70 7/8 x 63 in
    180 x 160 cm
  • Woman with hair in loose low buns wearing a green shirt faces away from the viewer in front of a gray background. Her body below the shoulders is cropped from the composition.
    Gideon Rubin
    Untitled, 2019
    oil on canvas
    22 1/8 x 24 1/8 in
    56 x 61 cm
  • Harry Bertoia, Untitled, 1960
    Harry Bertoia
    Untitled, 1960
    welded phosphor bronze
    3 1/2 x 10 1/2 x 4 3/4 in
    8.9 x 26.7 x 12.1 cm
  • Highly detailed and realistic oil still life on panel of a variety of species that have been on the brink of extinction but have been brought back. Such species include the hatian magnolia the madagascar red owl and the kakapo
    Isabella Kirkland
    Back, 2003
    oil and alkyd on polyester over panel
    48 x 36 in
    121.9 x 91.4 cm
  • Paper collage of various cut outs from early nineteen eighties magazines create the surreal underwater scene of bunches of purple grapes and a pink flower floating amongst a school of small blue fish
    Jean Conner
    UNTITLED, 1983
    paper collage
    8 3/4 x 11 1/2 in
    22.2 x 29.2 cm
  • Gif of multiple hanging white LEDs mounted at the ends of wires form the shape of a curved wave The LEDs create various scenes of swimmers
    Jim Campbell
    Eroding Wave, 2016
    3,456 LEDs, custom electronics, wire, steel
    84 x 110 1/4 x 73 1/2 inches/213.4 x 280 x 186.7 cm
  • Young woman with curly hair playing a guitar in front of a landscape painting on the wall. Woman’s body is partially obscured by the torso and leg of a figure lying in front of her.
    John O'Reilly
    Woman with the Guitar, 1982
    paper collage
    7 1/2 x 9 3/8 inches
  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on white paper The patterns depict luxury brand icons and elements from the artist’s own Asian American upbringing in the primarily white suburb of Orange County California
    Julie W. Chang
    Untitled #7, 2012
    acrylic on paper
    22 1/2 x 30 in
    57.1 x 76.2 cm
  • Dots in shades of blue and red form a web criss-crossing the canvas above a background of pastel orange, blue and green.
    Jutta Haeckel
    Lights Dots Waves III, 2021
    acrylic on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
  • Incomplete black brushstroke circle with several small paint splatters and tiny figurine placed towards the lower right. The figurine is positioned in a way that look as if it is the one responsible for painting the circle
    Liliana Porter
    To Try Your Best, 2014
    acrylic and figurine on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Marco Maggi, Waiting to Surface (white on white), 2019
    Marco Maggi
    Waiting to Surface (white on white), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Installation view of Guardian Angel
    Max Gimblett
    Guardian Angel, 2020
    acrylic, resin, water-based size, and Sunset leaf on canvas
    40 x 40 x 2 in
    101.6 x 101.6 x 5.1 cm
  • Watercolor divided into two panels; left side is only neutral colors with classic Wiley phrases and iconography, the other is a colorful picnic scene.
    William T. Wiley
    Company Picnic, 2000
    watercolor and ink on paper
    22 1/4 x 30 in
    56.52 x 76.2 cm
  • Blue brown and yellow paint layered to create several circular moiré effects with some solid blue paint creating a rough vignette around the edges
    Anoka Faruqee & David Driscoll
    2018P-07, 2018
    acrylic on linen on panel
    33 3/4 x 33 3/4 inches/85.7 x 85.7 cm
  • Group of well-dressed men and women overlook landscape with expansive sky from behind fence illuminated with warm light.
    Ben McLaughlin
    Wednesday April 6, 2011: Laurent Gbabo Of Ivory Coast Is Negotiating A Surrender From A Bunker In His Presidential Palace, 2011
    oil on linen
    16 x 24 inches/40.6 x 61 cm
  • Abstracted brushstrokes in shades of blue are layered with bright yellow shapes that have an appearance similar to scraps of paper.
    Bernard Lokai
    Untitled, 2020
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
  • Multiple silkscreen layers of gray blue green and black paint form a constructed landscape of a blurry and highly pixelated river bank with black silhouettes of trees and hanging willow branches. In the upper center of the piece a large light gray circle which alludes to a full moon floats in the sky while another circle rests towards the bottom of the piece alluding to the moon's reflection in the water
    Birgit Jensen
    KAGAMI 33 I, 2018
    acrylic on canvas
    67 x 55 in
    170 x 140 cm
  • Photocopy of a black and white collage depicting multiple photos which have been tampered with to create an elongated and distorted head fingers and arms
    Bruce Conner
    ILL, 1987
    photocopy collage
    58 x 39 1/4 inches/147.3 x 99.7 cm
  • Cornelius Völker, Three Peaches, 2018
    Cornelius Völker
    Three Peaches, 2018
    oil on canvas
    15 3/4 x 23 5/8 inches/40 x 60 cm
  • Digital c-print of a photograph which depicts a zoomed in view of an earth toned tea cup with matching saucer. The tea cup is decorated with an Asian watercolor ink landscape of a mountain and several trees. Around the rim of the tea cup there are several evenly spaced indents
    Crystal Liu
    the storm, 2008
    digital c-print
    30 x 30 inches/76.2 x 76.2 cm
  • Abstract landscape of a dark blue tiled hallway that leads to the pillared waiting area of a train station which is painted in bright light blues to create an illusion of light at the end of the hallway
    Driss Ouadahi
    Untitled (Subway I, Wuppertal-Barmen), 2018
    oil on canvas
    74 3/4 x 94 1/2 in
    190 x 240 cm
  • Gray horizontal faded ink stains with overlapping dark ink trails bordered by a dark ink wash. Upper left corner has a heavier concentration of ink trails
    Emil Lukas
    lost photograph #80 circa 1860 #1980, 2020
    hand-ground Sumi on glass over paper and graphite in painted wood frame
    12 x 15 x 2 in
    30.5 x 38.1 x 5.1 cm
  • Seated faceless man in navy suit gazes towards the viewer in front of mountains and blue sky in the background.
    Gideon Rubin
    Blue Suit, 2019
    oil on canvas
    39 3/4 x 35 3/8 in
    101 x 90 cm
  • Harry Bertoia, Untitled, c. 1957
    Harry Bertoia
    Untitled, c. 1957
    block printed ink and graphite on mulberry paper
    18 x 17 in
    45.7 x 43.2 cm
  • Highly detailed and realistic black colored pencil drawing after the painting of the same name by Isabella Kirkland The drawing displays a variety of extinct animals amphibians reptiles fish and plants
    Isabella Kirkland
    Gone, 2005
    black colored pencil on paper
    50 x 38 1/8 inches/127 x 96.8 cm
  • Black ink hatching and cross hatching marks create a surreal illustration of a humanoid figure squatting with several mechanical, wheel like components jutting out from the left and four light bulbs surrounding its head
    Jean Conner
    UNTITLED, 1962
    ink on paper
    12 x 9 in
    30.5 x 22.9 cm
  • Still image of multiple multi-colored LEDs blurred behind thick block of resin show a street scene of cars and people walking
    Jim Campbell
    Blur Two, 2014
    300 4-color LEDs, custom electronics, resin
    18 x 22 1/4 x 6 in
    45.7 x 56.5 x 15.2 cm
  • Multi-colored symbols from a variety of different cultures and ethnicities, vegetal motifs, and elements from the artist’s upbringing are layered on top of each other against an olive painted panel
    Julie W. Chang
    Untitled, 2020
    acrylic on panel
    11 x 17 in
    27.9 x 43.2 cm
  • Against negative space of exposed burlap canvas and white paint, multicolored dots create a weave-like effect across canvas.
    Jutta Haeckel
    Delta 2, 2021
    acrylic on jute
    23 5/8 x 19 3/4 in
    60 x 50 cm
  • Dark grainy etching depicting a piece of white paper whose upper left corner has been folded twice to make two wrinkles
    Liliana Porter
    Untitled (wrinkle I), 1968-69
    photo-etching and cut
    13 1/4 x 16 1/4 inches/33.7 x 41.3 cm
  • Marco Maggi, Drop, 2009
    Marco Maggi
    Drop, 2009
    cuts on 4" Plexiglas cube, 5 1/4" Plexiglas cubes, Plexiglas sheet, wooden shelf
    7 x 9 x 11 1/2 inches/17.8 x 22.9 x 29.2 cm
  • Mixed media piece with a concentration of multi-colored geometric shapes that form rectangles and circles at the lower right corner of the paper The rest of the paper is evenly painted with a light pink
    Max Gimblett
    Anima - Nautical Vision - Submarine Sailboat, 2010-19
    pencil, ink, metallic ink, acrylic polymer, oil size, Japanese silver-colored pastel cherry blossom leaf on paper
    23 x 30 inches/58.4 x 76.2 cm
  • Sculpture of hoof-like stiletto heel with scalloped feathers in yellow to green ombre.
    Patricia Piccinini
    Shoeform (Tresses), 2019
    resin, automotive paint
    22 7/8 x 13 3/4 x 20 1/2 in
    58 x 35 x 52 cm
  • An image mixed media sculpture and painting.
    William T. Wiley
    The Hearings, 2007
    watercolor and ink on paper; sticks, yellow and red plastic tapes, rolled map, wire, paper mache with ink and acrylic, book with brown paper cover with ink, rope, woodcut printing block and a binder clip
    watercolor: 14 x 20 inches/35.6 x 50.8 cm
    construction: 39 x 60 x 27 1/2 inches/99.1 x 152.4 x 69.8 cm
  • Orange yellow and dark purple paint layered to create several circular moiré effects with some orange blotches towards the corners of the piece
    Anoka Faruqee & David Driscoll
    2018P-08, 2018
    acrylic on linen on panel
    45 x 45 inches/114.3 x 114.3 cm
  • Multiple silkscreen layers of blue black and green paint form a dark constructed landscape of a river bank with tall grass and several black silhouettes of thin trees in the foreground. In the center of the background a large dark blue circle alludes to a blue moon which is the title of the piece in German
    Birgit Jensen
    BLAUER MOND II, 2020
    acrylic on canvas
    28 x 23 5/8 in
    71 x 60 cm
  • Bruce Conner, UNTITLED, 1974
    Bruce Conner
    UNTITLED, 1974
    felt-tip pen on paper
    4 1/4 x 4 1/4 in
    10.8 x 10.8 cm
  • Four stacks of books with colorful covers. Two books are open on top of the stack, one featuring an image of a yellow skull and the other displaying a fruit still-life.
    Cornelius Völker
    Basket of Fruit, 2018
    oil on canvas
    78 3/4 x 118 1/8 in
    200 x 300 cm
  • Mixed media landscape with black and white marbled mountains At the bottom center of the piece a gold metallic moon is held in between two mountains Two slouching bare birch trees grow on top of the mountain against a light pink yellow blue and gray watercolor washed sky
    Crystal Liu
    the mountains, 'the partition', 2016
    collage, gouache, ink and watercolor on paper
    30 x 30 inches/76.2 x 76.2 cm
  • Woman seated cross-legged wearing white shirt and shorts fixes her hair. Her face and lower legs are cropped from the composition.
    Gideon Rubin
    Untitled, 2019
    oil on linen
    39 3/8 x 39 3/8 in
    100 x 100 cm
  • Isabella Kirkland, Gone, 2004
    Isabella Kirkland
    Gone, 2004
    oil and alkyd on polyester over panel
    48 x 36 in
    121.9 x 91.4 cm
  • Paper collage of various cut outs from early nineteen eighties magazines create the surreal scene of a nearly naked white woman with lavish earrings, stockings, and silver high heels sitting in the middle of a forest. Underneath the woman a large green coin purse is partially opened and to the left a large celery stalk is visible
    Jean Conner
    UNTITLED, 1981
    paper collage
    13 5/8 x 10 3/8 in
    34.6 x 26.2 cm
  • Still image of multiple colorful LEDs behind multiple squares of sandblasted glass which are mounted at various depths from the wall The LEDs display a blurred city street scene
    Jim Campbell
    Z Wall, 2014
    1,440 4-color LEDs, custom electronics, sandblasted glass
    45 x 67 x 24 inches/114.3 x 170.2 x 61 cm
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