Artworks

  • Jim Campbell, Motion Color Study #1, 2024
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    Jim Campbell
    Motion Color Study #1, 2024
    custom electronics, 768 LEDs, treated plexiglass
    23 1/2 x 31 x 4 1/2 in
    59.7 x 78.7 x 11.4 cm
    Inquire
  • Judith Belzer, HalfEmptyHalfFull #15, 2018
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    Judith Belzer
    HalfEmptyHalfFull #15, 2018
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
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  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on white paper The symbols depict indigenous stereotypes, luxury brand icons, and vegetal motifs
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    Julie W. Chang
    J is for jump & T is for teepee, 2015
    acrylic on paper
    2 works, each 40 x 30 inches
  • Jutta Haeckel, Biophilia 3, 2024
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    Jutta Haeckel
    Biophilia 3, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Digital duraflex photograph of a small pink bird figurine standing on a small brown stone. The bird is placed to the right of and is looking at a larger propped up photo of a white egg which is actually a popular Brancusi sculpture
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    Liliana Porter
    Brancusi, 2008
    Duraflex photograph mounted on plexiglas
    11 x 15 1/4 inches/27.9 x 38.7 cm
  • Marco Maggi, Drop, 2017
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    Marco Maggi
    Drop, 2017
    engraved plexiglass cube, plexiglass shelf
    12 x 12 x 7 inches/30.5 x 30.5 x 17.8 cm
    engraved plexi cube : 4 x 4 x 4 inches/10.6 x 10.6 x 10.6 cm
  • Rough hasty thick black brush stroke travels the length of the circular cut canvas with areas of less paint The center of the canvas is cut out to form a small donut-hole
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    Max Gimblett
    Enso-afterJuin, 2008
    acrylic and vinyl polymers on canvas
    80 x 80 inches
    203.2 x 203.2 cm
    Inquire
  • Thin horizontal lines are painted in gradient hues from light orange to red and back to light orange again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
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    Nicole Phungrasamee Fein
    1061212, 2012
    watercolor on paper
    15 x 15 in
    38.1 x 38.1 cm
  • Rina Banerjee, Lucy and Billy broke the rope punished by winter's curls and prickly girls spring arrived., 2024
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    Rina Banerjee
    Lucy and Billy broke the rope punished by winter's curls and prickly girls spring arrived., 2024
    acrylic, ink and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Tim Hawkinson, Oasis, 2023
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    Tim Hawkinson
    Oasis, 2023
    oil on panel
    11 x 6 in
    27.9 x 15.2 cm
  • Alexandre Kyungu Mwilambwe, Autoportrait, 2016
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    Alexandre Kyungu Mwilambwe
    Autoportrait, 2016
    acrylic on incised found wooden door
    59 x 20 x 2 in
    149.9 x 50.8 x 5.1 cm
    Inquire
  • Heavily layered and vibrant multicolored paint on canvas and panel create two separate unique woven patterns On the left gray green and red overlap to create a woven look inspired by the novel The Picture of Dorian Gray by Oscar Wilde Likewise the panel to the right which displays a green and gold vegetal pattern framed by a meander is inspired by the china Dorian owned
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    Andrea Higgins
    Dorian, 2008
    oil on canvas, oil on panel
    28 x 36 inches/71.1 x 91.4 cm
  • White, yellow and blue non-uniform dots create abstract, loose, cloudy patterns against a red canvas. On the left side of the canvas, the white dots are most prominent. On the left side of the canvas, the yellow dots are most prominent.
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    Angelina Pwerle
    Bush plum (29-209), 2009
    acrylic on linen
    59 1/2 x 59 7/8 inches/151.1 x 152.1 cm
  • Anoka Faruqee, 2012P-49, 2012
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    Anoka Faruqee
    2012P-49, 2012
    acrylic on linen on panel
    34 x 31 x 1 3/8 inches
  • Anoka Faruqee & David Driscoll, 2024P-21, 2024
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    Anoka Faruqee & David Driscoll
    2024P-21, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • 15 small rectangular panels arranged in a grid of three rows and five columns. Each panel has a distinct abstract or landscape scene. Panels on the left are mostly orange and yellow and panels on the right are dark gray. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
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    Bernard Lokai
    Constellation, 2016
    acrylic and oil on canvas (15)
    overall 51 1/8 x 111 3/4 inches/129.9 x 283.8 cm
  • Birgit Jensen, TOTO I, 2023
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    Birgit Jensen
    TOTO I, 2023
    acrylic on linen
    18 7/8 x 14 5/8 in
    48 x 37 cm
    Inquire
  • Digital panoramic landscape photograph of a field of antenna with the arctic mountainscape of Svalbard in the background
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    Christian Houge
    Antenna Forest 2, 2010
    digital c-print
    39 3/8 x 118 1/8 inches/100 x 300 cm
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  • Cornelius Völker, Blüte (Bloom), 2025
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    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    47 1/4 x 31 1/2 in
    120 x 80 cm
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  • Mixed media marbled mountainous blue toned landscape with a valley filled with silver metallic pointillism clouds. Towards the bottom right of the piece a red moon floats and illuminates the clouds around it with a faint pink
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    Crystal Liu
    I always meant to love you, 'with one embrace'', 2017
    gouache, watercolour, ink and collage on paper
    38 x 38 inches/96.5 x 96.5 cm
  • Blurry blue landscape seen through through a black diamond wire fence which has a large hole torn at the lower right of the painting
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    Driss Ouadahi
    Fences hole 2, 2011
    oil on linen
    66 7/8 x 70 7/8 in
    170 x 180 cm
  • Emil Lukas, red rain #2199, 2024
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    Emil Lukas
    red rain #2199, 2024
    thread, wood, paint, nails
    55 x 79 x 3 1/2 in
    139.7 x 200.7 x 8.9 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
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    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    phosphor bronze on brass plate
    30 1/2 x 8 x 8 in
    77.5 x 20.3 x 20.3 cm
    Rod layout: 14 x 14; 13 x 13 (365 total rods)
    Inquire
  • Preserved yellow birds on their backs in shallow cardboard box. They have long curved bills and identification tags on their feet
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    Isabella Kirkland
    Akialoa Hemingnathus, 2011
    oil on wood panel
    15 3/4 x 19 3/4 in
    40 x 50.2 cm
  • Jay DeFeo, Three Mile Island, #3 (One O'clock Jump Series), 1978
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    Jay DeFeo
    Three Mile Island, #3 (One O'clock Jump Series), 1978
    acrylic, charcoal and acrylic medium on paper
    40 x 30 in
    101.6 x 76.2 cm

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • Still image of rectangular piece with multiple LEDs behind blurred photographic image mounted on Plexiglass that displays a scene of people moving about in Grand Central Terminal in New York City
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    Jim Campbell
    Fundamental Interval (Commuters), 2010
    duratrans on plexiglas, 1728 LEDs, custom electronics
    33 x 44 x 2 inches/83.8 x 111.8 x 5.1 cm
  • Jutta Haeckel, Biophilia 5, 2024
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    Jutta Haeckel
    Biophilia 5, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Print of hand holding folded piece of paper with same piece of paper.
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    Liliana Porter
    Untitled (hand with paper), 1973
    photo etching and collage on paper
    plate 11 3/4 x 12 inches/29.8 x 30.5 cm
    sheet 26 x 24 inches/66 x 61 cm
    Inquire
  • Marco Maggi, RED means NET in Spanish, Translation Series, 2018
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    Marco Maggi
    RED means NET in Spanish, Translation Series, 2018
    cut paper on dibond
    24 x 18 in
    61 x 45.7 cm
  • Hasty circular black ink brush stroke painted towards the bottom of the piece on top of twenty two carat gold leaf
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    Max Gimblett
    Golden Enso, 2021
    sumi ink, aqua size and 22kt gold leaf on Arches paper
    30 x 22 in
    76.2 x 55.9 cm
  • Gray rays shoot out from a small white circle, creating an outer gray ring. The rays are darker close to the inner circle and become lighter as they stretch out towards the white background.
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    Nicole Phungrasamee Fein
    1010815, 2015
    watercolor on heavyweight paper
    image 16 x 16 inches
    sheet 22 x 22 inches
  • Large circular ballpoint pen drawing with washes of blue and orange watercolor create a night time landscape with a large shooting star soaring across the sky at the upper center At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the orange mountainous landscape
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    Russell Crotty
    Blue Kachina Star Over High Desert Boulders, 2006
    ink and watercolor on paper
    20 x 20 inches
    50.8 x 50.8 cms
  • Tim Hawkinson, Wake ll, 2023
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    Tim Hawkinson
    Wake ll, 2023
    oil on panel
    11 x 7 in
    27.9 x 17.8 cm
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  • Alexandre Kyungu Mwilambwe, Homme Universel, 2016
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    Alexandre Kyungu Mwilambwe
    Homme Universel, 2016
    acrylic and collage on incised found doors
    70 3/4 x 31 1/2 x 1 1/2 in
    179.7 x 80 x 3.8 cm
    Inquire
  • Heavily layered and vibrant paint on panel creates an intricate and unique blue white and gold scale pattern. At the center of the piece a white circle with a red yellow and blue feathered bird with outstretched wings is sitting on a thinly branched plant. The pattern is inspired by the novel The Picture of Dorian Gray by Oscar Wilde
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    Andrea Higgins
    Dorian 2, 2008
    oil on panel
    28 x 28 inches/71.1 x 71.1 cm
  • Anoka Faruqee, 2012P-22, 2012
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    Anoka Faruqee
    2012P-22, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-20, 2024
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    Anoka Faruqee & David Driscoll
    2024P-20, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
    Inquire
  • Short and squat leaf on white paper. The leaf is covered with ink blotting, with a light center and bolder black edges.
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    Anonymous
    INKBLOT DRAWING, OCTOBER 30, 2001, 2001
    ink and collage on paper
    image 6 3/8 x 3 3/8 inches/16.2 x 8.6 cm
    sheet 11 1/4 x 7 1/2 inches/28.6 x 19.1 cm
  • Empty bathtub is depicted from above surrounded by a tiled wall with stained glass shower head and handle.
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    Ben McLaughlin
    04:15 Inside the Actors Studio, 2013
    oil on panel
    7 1/2 x 9 7/8 inches/19.1 x 25.1 cm
  • Birgit Jensen, SHADOW WITH REFLEX, 2023
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    Birgit Jensen
    SHADOW WITH REFLEX, 2023
    acrylic on linen
    15 3/4 x 11 3/4 in
    40 x 30 cm
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  • Digital panoramic landscape photograph of a green toned eerily lit indoor swimming pool with one swimmer sitting down on a distant bench
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    Christian Houge
    Oleg, 2001
    digital c-print
    19 3/4 x 59 1/8 in
    50.2 x 150.2 cm
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  • Cornelius Völker, Bonbons-Herzen (Sweets-Hearts), 2025
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    Cornelius Völker
    Bonbons-Herzen (Sweets-Hearts), 2025
    oil on canvas
    31 1/2 x 39 3/8 in
    80 x 100 cm
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  • Chromogenic print of a zoomed in digital photograph of a spoon full of red purple jam on top of a white bed The spoon full of jam is staining the white crocheted bed cover it was left on and leaving behind several fruit clumps
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    Crystal Liu
    "In the dead of Winter, 'In the dead of Winter'", 2005
    chromogenic print
    29 x 29 inches/73.7 x 73.7 cm
  • Colorful abstract landscape alludes to several high rise buildings amongst garden space A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Communion, 2020
    oil on canvas
    39 3/8 x 45 1/4 in
    100 x 114.9 cm
  • Emil Lukas, migratory #2401, 2026
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    Emil Lukas
    migratory #2401, 2026
    acrylic on canvas over wood panel
    55 x 79 x 2 in
    139.7 x 200.7 x 5.1 cm
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  • Seven preserved parrots with green heads and blue and red body feathers in shallow cardboard box. Each bird has paper ID tag on foot.
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    Isabella Kirkland
    Paradise Parrots (extinct), 2015
    oil and alkyd on wood panel
    15 3/4 x 19 3/4 inches
    40 x 50.2 cm
  • Drawing that depicts an hourglass shape with pointed top.
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    Jay DeFeo
    Seven Pillars of Wisdom No. 8, 1989
    charcoal, wax pencil and acrylic on paper
    29 x 23 in
    73.7 x 58.4 cm

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A collage featuring a sunflower above a brown and white cow standing on a bed with blue and gold sheets and drapery.
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    Jean Conner
    UNTITLED, 2021
    paper collage on found wood
    7 1/2 x 5 in
    19.1 x 12.7 cm
  • Jess (Collins), Book Cover for Norma Cole's Mars, 1993
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    Jess (Collins)
    Book Cover for Norma Cole's Mars, 1993
    pasteup
    8 1/2 x 12 3/4 in
    21.6 x 32.4 cm
  • Still image of multiple large hanging white LED strips attached to a long horizontal metal pole The LEDs light the wall behind them with blurred scenes taken from old family home movies
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    Jim Campbell
    Home Movies (1040-1), 2008
    LED lights, custom electronics
    78 x 120 x 3 inches/198.1 x 304.8 x 7.6 cm
    Inquire
  • Judith Belzer, All That Is Solid #34, 2022
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    Judith Belzer
    All That Is Solid #34, 2022
    oil on canvas
    56 x 80 in
    142.2 x 203.2 cm
    Inquire
  • Five separate wooden panel diptychs with several silkscreen layers of multi-colored paint which overlaps to display several patterns Each diptych has its own set of patterns which differ from the other yet overall relate back to stereotypical asian iconography, vegetal motifs and elements of the artist’s Asian American upbringing in the primarily white suburb of Orange County California
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    Julie W. Chang
    Tee Pee for Me, Extra Cutie, Don't Tell Mommy, Pom Pom Beauty, Eleven, Twelve, Dig and Delve II, 2012
    acrylic on panel
    43 x 65 1/2 inches/109.2 x 166.4 cm
    Inquire
  • Jutta Haeckel, Biophilia 2, 2024
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    Jutta Haeckel
    Biophilia 2, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Fuji-flex c-print of a digital photograph. The photo displays a small white boat figurine that has been placed at the lower right of an opened book. The book is opened to an image of a roaring river with a bridge above it
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    Liliana Porter
    Bridge, 2016
    Fuji-flex c-print
    12 x 18 in
    30.5 x 45.7 cm
    Inquire
  • Rough hasty thick dark blue and gold brush strokes dive and dip across a circular canvas The background underneath the brushstrokes is messily divided vertically separating a smaller space of dark gray to the left and a larger area of darkened pale blue to the right
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    Max Gimblett
    In Our Time, 2020
    gesso, acrylic, resin, size, and 23kt red gold leaf on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Around the perimeter of a brown square made of tiny dots, lines in blue and red overlap with yellow to create orange and green offset lines, set against white background.
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    Nicole Phungrasamee Fein
    21.01.11.01 Cobalt Blue Cadmium Yellow Deep Hue Cadmium Red Deep, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
    Inquire
  • Patricia Piccinini, Sapling, 2020
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    Patricia Piccinini
    Sapling, 2020
    silicone, fiberglass, hair, clothing
    79 1/8 x 37 x 18 1/8 in
    201 x 94 x 46 cm
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  • Rina Banerjee, Unseasonably Submerged, under the reddest algae and her magnetic electrification a super unnatural being beneath yearned lingered waiting for rebirth on earth, 2024
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    Rina Banerjee
    Unseasonably Submerged, under the reddest algae and her magnetic electrification a super unnatural being beneath yearned lingered waiting for rebirth on earth, 2024
    acrylic on canvas
    36 x 96 in
    91.4 x 243.8 cm
  • Russell Crotty, Auriga Over Western Ridges, 2008-2020
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    Russell Crotty
    Auriga Over Western Ridges, 2008-2020
    ink and watercolor on paper on fiberglass sphere
    12 x 12 x 12 in
    30.5 x 30.5 x 30.5 cm
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  • Tim Hawkinson, Clare Finds Jesus, 2023
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    Tim Hawkinson
    Clare Finds Jesus, 2023
    oil on panel
    8 3/4 x 6 in
    22.2 x 15.2 cm
  • William T. Wiley, Bridled Horse (after Gozzoli), 1995
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    William T. Wiley
    Bridled Horse (after Gozzoli), 1995
    acrylic and charcoal on canvas
    33 3/4 x 20 1/2 in
    85.7 x 52.1 cm
    stretched 36 x 23 in
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  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace VII, 2017
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    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace VII, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
    Inquire
  • Heavily layered and textured pastel paints on canvas create an intricate woven pattern inspired by a typical dress worn by Pat Nixon. The pattern consists of blue pink and yellow flowers of varying sizes surrounded by big green leaves. The beige and white gridded pattern in the background is also built up with several layers of paint
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    Andrea Higgins
    Pat, 2007
    oil on canvas
    32 1/2 x 40 inches/82.5 x 101.6 cm
  • Against a black background, tiny white dots and slightly bigger neon blue and green dots create a dense cloudy pattern.
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    Angelina Pwerle
    Bush plum (6-511), 2011
    acrylic on canvas
    59 1/2 x 59 1/2 inches/151.1 x 151.1 cm
  • Anoka Faruqee, 2012P-48, 2012
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    Anoka Faruqee
    2012P-48, 2012
    acrylic on linen on panel
    45 x 41 inches
  • Anoka Faruqee & David Driscoll, 2024P-18, 2024
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    Anoka Faruqee & David Driscoll
    2024P-18, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
    Inquire
  • Abstract fuschia and orange background over which navy and chrome gray shapes are superimposed.
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    Bernard Lokai
    Magenta, 2011
    oil on canvas
    55 1/8 x 78 3/4 in
    140 x 200 cm
    Inquire
  • Birgit Jensen, MOONSHADOW V, 2023
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    Birgit Jensen
    MOONSHADOW V, 2023
    acrylic on linen
    15 3/4 x 11 3/4 in
    40 x 30 cm
    Inquire
  • Digital panoramic landscape photograph of a singular petrol pump underneath a shining overhead light The illuminated pump contrasts with the mountainous blue arctic landscape behind it
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    Christian Houge
    Petrol Pump in Moonlight, 2001
    digital c-print
    26 x 78 3/4 in
    66 x 200.2 cm
    Inquire
  • Cornelius Völker, Bücher (Books), 2008
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    Cornelius Völker
    Bücher (Books), 2008
    oil on canvas
    78 3/4 x 51 1/8 in
    200 x 130 cm
    Inquire
  • Gouache painting of a bare tree with gold leaf bark against a black background. White contours of several twisted ropes with frayed ends are tangled throughout the branches of the tree and droop down and over the right side of the ground
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    Crystal Liu
    "The Fray 'unhinged' ", 2013"
    gouache and gold leaf on paper
    21 3/4 x 22 inches/55.2 x 55.9 cm
  • Colorful abstract landscape alludes to several high rise buildings amongst garden space with blue-purple sky A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Déambulation, 2020
    oil on canvas
    15 3/4 x 19 3/4 in
    40 x 50 cm
  • Emil Lukas, ninety seven inch shift #2399, 2025-26
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    Emil Lukas
    ninety seven inch shift #2399, 2025-26
    acrylic on canvas over wood panel
    30 x 24 in
    76.2 x 61 cm
    Inquire
  • Gideon Rubin, Untitled (blue), 2021
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    Gideon Rubin
    Untitled (blue), 2021
    oil on linen
    14 x 12 1/8 in
    35.5 x 30.5 cm
  • Harry Bertoia, Untitled, c. 1963
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    Harry Bertoia
    Untitled, c. 1963
    melt-pressed and patinated bronze
    9 3/4 x 2 x 2 in
    24.8 x 5.1 x 5.1 cm
    Inquire
  • Highly detailed and realistic oil painting on panel of three green glowing mice in a strawberry patch underneath a starry night sky The scene was inspired by actual glowing mice created by Stanford engineers who inserted bioluminescent jellyfish DNA into the rodents
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    Isabella Kirkland
    Transgenic Mice, 2018
    oil, alkyd, and phosphorescent pigment on panel
    12 x 16 in
    30.5 x 40.6 cm
  • Paper collage of various furniture animal and human cut outs from early nineteen sixties The furniture and other figures are each arranged in specific ways to create different scenes however the top portion of the collage is upside down while the bottom is right side up
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    Jean Conner
    TWO WAY COLLAGE, 1960
    paper collage
    21 3/4 x 7 1/4 in
    55.2 x 18.4 cm
    Inquire
  • Still image of multiple large hanging white LED strips attached to a long horizontal metal pole The LEDs light the wall behind them with blurred scenes taken from old family home movies. In this image a person is standing in front of the piece showing scale
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    Jim Campbell
    Home Movies (1248-1), 2007
    custom electronics, LEDs, wire
    192 x 288 x 8 inches/487.7 x 731.5 x 20.3 cm
  • Judith Belzer, All That is Solid #25, 2021
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    Judith Belzer
    All That is Solid #25, 2021
    oil on canvas
    96 x 84 in
    243.8 x 213.4 cm
    Inquire
  • Black silhouettes of UFOs with red yellow and balck abstract patterns against a white painted panel
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    Julie W. Chang
    Invasion, 2016
    acrylic on panel
    11 1/2 x 11 1/2 x 2 3/4 in
    29.2 x 29.2 x 7 cm
    Inquire
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