• Non-uniform white dots create an abstract cloudy pattern against a black background. Some of the dots are arranged in lines that when seen from afar create a geometric pattern.
    Angelina Pwerle
    Bush plum (9-1207), 2007
    acrylic on canvas
    60 1/4 x 72 1/8 inches/153 x 183.2 cm
  • Anoka Faruqee, 2012P-43, 2012
    Anoka Faruqee
    2012P-43, 2012
    acrylic on linen on panel
    22.5 x 20.5 inches
  • Anoka Faruqee & David Driscoll, 2024P-16, 2024
    Anoka Faruqee & David Driscoll
    2024P-16, 2024
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Small paper leaf with details drawn in black ink.
    Anonymous
    LEAF, 2001
    felt-tip pen on paper
    leaf: 7 1/4 x 5 5/16 in
    mount: 12 x 10 in
  • A group of people standing on a wooden deck overlook a clouded scene of mountains and open sky.
    Ben McLaughlin
    John Cheever, Collected Stories, 2021
    oil on panel
    8 1/4 x 11 3/4 in
    21 x 29.8 cm
  • Abstract loose purple brushstrokes criss-cross the canvas, layering with sections of white, black and bright orange.
    Bernard Lokai
    Loops, 2020
    acrylic on canvas
    55 1/8 x 78 3/4 inches
    140 x 200 cm
  • Birgit Jensen, MOONSHADOW III, 2023
    Birgit Jensen
    MOONSHADOW III, 2023
    acrylic on linen
    11 3/4 x 15 3/4 in
    30 x 40 cm
  • Bruce Conner, PRINCESS PERSEPHONE, 1963
    Bruce Conner
    PRINCESS PERSEPHONE, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Intimate black and white digital photograph of two wolves pressed together with their mouths wide open and fangs bared next to a rocky mountain side
    Christian Houge
    Untitled 1, Norway, 2010
    ink on Canson Baryta paper
    47 x 33 inches
  • Cornelius Völker, Blüten (Petals), 2024
    Cornelius Völker
    Blüten (Petals), 2024
    oil on canvas
    118 1/8 x 78 3/4 in
    300 x 200 cm
  • Mixed media mountainous nighttime landscape. Vibrant multicolored pointillism clouds group and wrap themselves around the tips of several gray triangular mountain tops while a gold leaf moon shimmers behind at the center right of the work
    Crystal Liu
    "this must be the place 'fitting in' ", 2012
    gouache, watercolor and gold leaf on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Layers of multi-colored threads strung across a square wooden and plaster panel create the effect of a glowing white center that is enclosed by a dark maroon and black border
    Emil Lukas
    clearing #1511, 2016
    thread over painted wood frame with nails
    25 x 25 x 3 1/2 inches/63.5 x 63.5 x 8.9 cm
  • Woman wearing light blue shirt partially unbuttoned is leaning forward. Woman’s head and lower body are cropped out of the composition.
    Gideon Rubin
    Blue Shirt, 2021
    oil on linen
    12 1/8 x 10 1/8 in
    30.5 x 25.5 cm
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    15 1/2 x 3 1/2 x 3 1/2 in
    39.4 x 8.9 x 8.9 cm
  • Highly detailed and realistic oil painting on panel of two black and white Ivory Billed Woodpeckers latched onto a tree with mossy bark The two possibly extinct birds are surrounded by green orange and yellow leaves and natural sunlight The woodpecker to the left has a red mohawk and the other on the right has a black one
    Isabella Kirkland
    Ivory Billed Woodpeckers, 2005
    oil and alkyd on panel
    20 x 16 in
    50.8 x 40.6 cm
  • Jean Conner, "O" BEGINNING A FAIRY TALE, 1963
    Jean Conner
    "O" BEGINNING A FAIRY TALE, 1963
    ink on paper
    14 x 10 7/8 in
    35.6 x 27.6 cm
  • Jess (Collins), Cover for Credences 1, 1974
    Jess (Collins)
    Cover for Credences 1, 1974
    pasteup
    9 x 14 in
    22.9 x 35.6 cm
  • Still image of a rectangular piece with multi-colored LEDs behind a sheet of velvet The LEDs illuminate the wall behind it creating the appearance that the black rectangle has glowing multi-colored sides
    Jim Campbell
    5th at 56th, 2006
    custom electronics, velvet, LED lights
    11 x 14 x 2 inches/27.9 x 35.6 x 5.1 cm
  • An image of many boudlers and rockers balancing on each other with a yellowish backfround.
    Judith Belzer
    All That is Solid #4, 2019
    oil on canvas
    72 x 108 in
    182.9 x 274.3 cm
  • Several green and yellow overlapping patterns on a wooden panel depict luxury brands and asian iconography
    Julie W. Chang
    Follow the Leader, 2012
    acrylic on panel
    23 x 47 x 3 in
    58.4 x 119.4 x 7.6 cm
  • Jutta Haeckel, Biophilia 4, 2024
    Jutta Haeckel
    Biophilia 4, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Dark green etching with black string of yarn. The yarn is placed over two areas of the etching where there appear to be horizontal indentations creating the illusion that the yarn being wrapped around the green etching
    Liliana Porter
    Cubierta para un objecto extranjero (cover for a foreign object), 1970
    etching and yarn
    31 x 22 inches/78.7 x 55.9 cm
  • Marco Maggi, Monochrome (Blast-off Blue), 2014
    Marco Maggi
    Monochrome (Blast-off Blue), 2014
    cuts and folds on 225 35mm papers in slide mounts
    30 x 30 inches/76.2 x 76.2 cm
  • Hasty black ink brush that curves left and splatters on brown textured paper
    Max Gimblett
    In This Zendo, 2002
    sumi ink, acrylic and vinyl polmers on Kuzakizome Kuri Hakeme handmade paper
    25 x 19 inches/63.5 x 48.3 cm
  • White grid lines cut through rainbow-colored square shape against white background.
    Nicole Phungrasamee Fein
    Untitled (1072007), 2007
    watercolor on paper
    12 5/8 x 12 1/2 in
    32.1 x 31.8 cm
  • Rina Banerjee, Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
    Rina Banerjee
    Spoken to like earthquake, like mistakes, felt like heavy pancakes, made me shake, melt like ice cream on hot days., 2024
    acrylic, ink, collage and copper leaf on paper
    24 x 18 in
    61 x 45.7 cm
  • Tim Hawkinson, RIP Issey, 2022
    Tim Hawkinson
    RIP Issey, 2022
    oil on panel
    10 3/4 x 7 1/2 in
    27.3 x 19.1 cm
  • William T. Wiley, Skaters Wall on the Lock, 1998
    William T. Wiley
    Skaters Wall on the Lock, 1998
    acrylic and graphite on canvas
    28 x 31 in
    71.1 x 78.7 cm
    stretched 34 x 37 in
  • Alexandre Kyungu Mwilambwe, Password in the green area
    Alexandre Kyungu Mwilambwe
    Password in the green area
    wood cutting, incision, engraving, acrylic, collage of wood and wood dust on wood plywood
    31 1/2 x 25 3/8 in
    80 x 64.5 cm
  • Heavily layered and textured earth toned paints on canvas create an intricate woven blue green white and orange floral pattern inspired by the pattern of the furniture described in the novel Babbitt by Sinclair Lewis. On the right and left combinations of reds blues and browns come together to create other woven textured pieces inspired by same novel
    Andrea Higgins
    Babbitt, 2004
    oil on canvas
    triptych
    27 x 24 in/68.6 x 61 cm
    27 x 40 in/68.6 x 101.6 cm
    27 x 24 in/68.6 x 61 cm
  • Against a red background, non-uniform yellow dots create a cloudy pattern. Inside some of the yellow dots are smaller red spots. A dark red border encircles the perimeter of the canvas.
    Angelina Pwerle
    Bush plum (13-716), 2016
    acrylic on linen
    31 1/2 x 23 5/8 in
    80 x 60 cm
  • Anoka Faruqee, 2012P-41, 2012
    Anoka Faruqee
    2012P-41, 2012
    acrylic on linen on panel
    11.25 x 10.25 inches
  • Anoka Faruqee & David Driscoll, 2024P-15, 2024
    Anoka Faruqee & David Driscoll
    2024P-15, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • A man’s head from eyebrows and ears up is visible against a blue striped background.
    Ben McLaughlin
    Anatomy For The Artist, 2020
    oil on panel
    5 3/4 x 4 inches/14.5 x 10 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene. Panels on the left are black and dark gray (night) and panels on the right are white and light gray (day). Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Night and Day, 2015
    acrylic and oil paint on canvas (18)
    overall 51 1/8 x 135 7/8 inches/129.9 x 345.1 cm
  • Birgit Jensen, SLEEPING DRAGON I, 2023
    Birgit Jensen
    SLEEPING DRAGON I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Bruce Conner, WICHITA, 1963
    Bruce Conner
    WICHITA, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Cornelius Völker, Bücher-Handlinien (Books-Handlines), 2019
    Cornelius Völker
    Bücher-Handlinien (Books-Handlines), 2019
    oil on canvas
    51 1/8 x 86 5/8 in
    130x 220 cm
  • Mixed media landscape of a gold leaf moon surrounded by a row of birch trees. Both the moon and the trees are reflected in a light gray pool which takes up the bottom two thirds of the piece. Also visible in the reflective pool are several dark clouds and gold leaf dots which resemble stars
    Crystal Liu
    caught in between (from the series 'the moon'), 2014
    ink, watercolor, gouache and gold leaf on paper
    5 7/8 x 5 7/8 inches/15 x 15 cm
  • Dull yellow white and purple abstract landscape alludes to elevated highway with several trees underneath and faded high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Departure, 2015
    oil on canvas
    63 x 55 1/8 in
    160 x 140 cm
  • Flowers in vase to the right of three stacked books on orange surface in front of beige wall.
    Gideon Rubin
    Roses in the Studio, 2021
    oil on canvas
    14 1/8 x 12 1/4 in
    36 x 31 cm
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    8 x 3 x 2 1/4 in
    20.3 x 7.6 x 5.7 cm
  • Several varieties of nudibranchs in different shapes, sizes, and colors on black background.
    Isabella Kirkland
    Nudibranchia, 2015
    oil and alkyd on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Jess (Collins), A Break-Down Make-Up of the Hole in the World, 1950s
    Jess (Collins)
    A Break-Down Make-Up of the Hole in the World, 1950s
    ink, handmade oil and wax crayon, and pasteup on paperboard (2)
    overall 10 x 16 1/2 in / 25.4 x 41.9 cm
  • Large light box depicting multiple high resolution layers of people at a political protest
    Jim Campbell
    Political Protest New York 2004 (III), 2005
    light box with color transparency
    48 x 72 x 5 in
    121.9 x 182.9 x 12.7 cm
  • Judith Belzer, All That is Solid #23, 2021
    Judith Belzer
    All That is Solid #23, 2021
    oil on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Black gray orange and yellow patterns overlap on a beige painted panel The patterns reference various vegetal patterns and are arranged in a combination of argyle and Indonesian ikat patterning
    Julie W. Chang
    Graphite and Gold Argyle Ikat, 2011
    acrylic on panel
    15 x 20 x 3 in
  • Jutta Haeckel, Skin in the Game, 2024
    Jutta Haeckel
    Skin in the Game, 2024
    acrylic on jute (8 panels)
    78 3/4 x 126 in
    200 x 320 cm
  • Marco Maggi, Flat Pencil, 2019
    Marco Maggi
    Flat Pencil, 2019
    graphite on graphite
    24 x 18 in
    61 x 45.7 cm
  • Rough hasty thick black brush strokes across wider pale colored strokes against a red underpainting
    Max Gimblett
    Juggernaut, 2019
    acrylic on canvas
    70 x 140 inches
    177.8 x 355.6 cm
  • Thin horizontal lines are painted in gradient hues from tan to purple and back to tan again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1090312, 2012
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Two pink, blown-glass sculptures arranged on a white floor.
    Patricia Piccinini
    Carnation Expansion, 2021
    hand blown glass
    8 3/8 x 14 1/8 x 13 1/2 in
    21.3 x 36 x 34.3 cm
  • Rina Banerjee, Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
    Rina Banerjee
    Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped, dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourni, 2018
    gourd, horn, glass beads, wire, copper crochet, copper wire, Murano glass beads
    33 1/2 x 31 1/8 x 19 1/4 in
    85 x 79 x 49 cm
  • Tim Hawkinson, Sock and Buskin, 2022
    Tim Hawkinson
    Sock and Buskin, 2022
    oil on panel
    11 x 6 3/8 in
    27.9 x 16.2 cm
  • William T. Wiley, Harmonium Montra Memorium, 1997
    William T. Wiley
    Harmonium Montra Memorium, 1997
    acrylic and charcoal on canvas
    59 3/4 x 34 1/2 in
    151.8 x 99.1 cm
    stretched 63 1/2 x 38 in
  • Alexandre Kyungu Mwilambwe, J'habite la terre , 2017
    Alexandre Kyungu Mwilambwe
    J'habite la terre , 2017
    engraving, incision and acrylic on wood door
    66 7/8 x 20 7/8 in
    170 x 53 cm
  • Heavily layered and textured vibrant green and blue paint on canvas comes together to create an intricate woven lime green pattern inspired by a piece worn by Betty Ford The different textures on the surface of the artwork create the impression of a large embroidered rose whose tendrils loop and curve across the surface of the piece
    Andrea Higgins
    Betty, 2003
    oil on canvas
    40 x 23 1/2 inches/101.6 x 59.7 cm
  • Against a black background, non-uniform yellow dots create a cloudy pattern. A black border encircles the perimeter of the canvas.
    Angelina Pwerle
    Bush Plum 19-416, 2016
    acrylic on canvas
    71 7/8 x 48 1/8 inches/182.6 x 122.2 cm
  • Light blue yellow and navy paint layered to create multiple wavy and circular moiré effects with some light blue blotches scattered among the painting
    Anoka Faruqee
    2012P-39, 2012
    acrylic on linen on panel
    11 1/4 x 10 1/4 in
    28.6 x 26 cm
  • Anoka Faruqee & David Driscoll, 2024P-14, 2024
    Anoka Faruqee & David Driscoll
    2024P-14, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Short and squat leaf on white paper. The leaf is covered with very fine ink blotting, making the leaf read as grey and dappled.
    Anonymous
    INKBLOT DRAWING, OCTOBER 30, 2001, 2001
    ink and collage on paper
    image 4 1/4 x 3 3/8 inches/10.8 x 8.6 cm
    sheet 7 1/2 x 7 1/2 inches/19.1 x 19.1 cm
  • A person sitting at a desk touches an open book in front of them, one of several objects on the desk. Their face is obscured by a floating black shape.
    Ben McLaughlin
    Channel Islands, 2017
    oil on panel
    6 1/2 x 9 1/4 inches/16.5 x 23.5 cm
  • Brushstrokes in dark orange create an abstract background. On top, a gray line emerges near the top left of the canvas, a bright red shape is superimposed near the center, and blue brushstrokes emerge from the bottom right corner.
    Bernard Lokai
    Schlacht, 2012
    oil paint on canvas
    47 1/4 x 70 7/8 inches
    120 x 180 cm
  • Birgit Jensen, SEARCHING FOR MUSHROOMS I, 2023
    Birgit Jensen
    SEARCHING FOR MUSHROOMS I, 2023
    acrylic on linen
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Bruce Conner, UNTITLED MAY 20, 1975, 1975
    Bruce Conner
    UNTITLED MAY 20, 1975, 1975
    ink on paper
    11 1/8 x 11 1/4 in
    28.3 x 28.6 cm
  • Intimate black and white digital photograph of a wolf walking into a cave from the perspective that the viewer is in the cave and watching the wolf enter. The facial features of the wolf cannot be seen as the head of the animal is silhouetted and framed by roots and earth
    Christian Houge
    Untitled 13, Norway, 2012
    ink on Hahnemuhle Paper
    23 5/8 x 15 3/4 inches/60 x 40 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    59 x 39 1/2 in
    150 x 100 cm
  • Zoomed in digital photograph of several frozen, deep pink anemone flowers with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part one, 'anemone four', 2009
    digital c-print print
    29 x 29 inches/73.7 x 73.7 cm
  • Multi-colored thin straight lines overlap and intersect to create a digital like graph amongst dark and light blues reds and purples
    Driss Ouadahi
    Extra Muros, 2018
    oil on canvas
    74 3/4 x 66 7/8 in
    190 x 170 cm
  • Two boys, one with red hair and one with brown hair, in white t-shirts facing away from the viewer towards blue wall. One boy is on each panel of the diptych.
    Gideon Rubin
    Boys, 2021
    oil on linen, diptych
    33 1/8 x 23 5/8 in each
    84 x 60 cm each
  • Harry Bertoia, Untitled, c. 1960s
    Harry Bertoia
    Untitled, c. 1960s
    melt-pressed bronze
    6 1/8 x 2 3/4 x 2 3/4 in
    15.6 x 7 x 7 cm
  • Highly detailed and realistic oil painting on panel of multiple diverse types of phasmid or stick bug eggs which are magnified and painted proportionally against a black background
    Isabella Kirkland
    Phasmid Eggs, 2021
    oil on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Black cat head pasted onto bear body peering through passenger window of car.
    Jean Conner
    BEARCAT, c. 1980
    paper collage
    5 1/4 x 6 3/8 in
    13.3 x 16 cm
  • Jess (Collins), Boob #1, 1952
    Jess (Collins)
    Boob #1, 1952
    pasteup
    12 3/4 x 16 1/2 in
    32.4 x 41.9 cm
  • Rectangular digital counter displaying in orange digits the number fifty two point three hundred fifteen. To the left of the piece a black wire which is a censor which records the amount of daylight has passed on a scale of one hundred - zero being dawn and one hundred being dusk
    Jim Campbell
    Untitled (for the sun), 1999/2003
    custom electronics, numeric LED display, light sensor
    6 x 18 x 2 inches/15.2 x 45.7 x 5.1 cm
  • Judith Belzer, All That is Solid #24, 2021
    Judith Belzer
    All That is Solid #24, 2021
    oil on canvas
    84 x 96 in
    213.4 x 243.8 cm
  • Several silkscreen layers of dark purple and red acrylic paint overlap to display patterns on a red painted panel The patterns depict indigenous stereotypes, luxury brand icons, and asian iconography
    Julie W. Chang
    Smoke Signals, 2012
    acrylic on panel
    16 x 16 x 3 in
    40.6 x 40.6 x 7.6 cm
  • Jutta Haeckel, Rubisco, 2023-2024
    Jutta Haeckel
    Rubisco, 2023-2024
    acrylic on jute
    59 x 47 1/4 in
    150 x 120 cm
  • Digital photograph of an installation piece in which a pile of tangled black and beige ropes are rested on a white floor. Towards the lower left of the rope pile an incredibly tiny figurine holds out a small strand that connects back to larger rope pile
    Liliana Porter
    Forced Labor (rope), 2011
    Duraflex
    32 1/2 x 46 1/4 inches/82.5 x 117.5 cm
  • Marco Maggi, Frozen Quadrant, 2018
    Marco Maggi
    Frozen Quadrant, 2018
    engraved acrylic
    8 x 8 x 2 inches/20.3 x 20.3 x 5.1 cm
    overall with shelf 10 1/8 x 12 x 12 inches
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