• William T. Wiley, Hear in Silence, 2009
    William T. Wiley
    Hear in Silence, 2009
    acrylic and charcoal on canvas
    84 x 60 in
    213.4 x 152.4 cm
  • Alexandre Kyungu Mwilambwe, Nzoloko Map, 2018
    Alexandre Kyungu Mwilambwe
    Nzoloko Map, 2018
    acrylic, collage, wood dust and glue on incised wood
    12 x 12 in
    30.5 x 30.5 cm
  • Green brown red and orange asterisk shaped forms morphing against each other
    Anoka Faruqee
    Freehand Asterisk Painting (getting smaller) #2, 2006
    flashe on linen on panel
    50 5/8 x 46 1/8 in
    128.6 x 117.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-23, 2024
    Anoka Faruqee & David Driscoll
    2024P-23, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Weathered stone sculpture with open hole in center and sloped edge topper.
    Anonymous
    Yose-Oki Lantern, Edo Period, 1603-1868
    stone
    16 x 22 x 15 inches
    40.6 x 55.9 x 38.1 cm
  • Body of woman is depicted lying in bathtub. Woman’s face is cropped out of the composition.
    Ben McLaughlin
    01:55, 2013
    oil on panel
    4 x 5 3/4 inches/10.2 x 14.6 cm
  • Birgit Jensen, PARADISE BEACH, 2024
    Birgit Jensen
    PARADISE BEACH, 2024
    acrylic on linen
    76 3/4 x 90 1/2 in
    195 x 230 cm
  • Bruce Conner, UNTITLED, 1967
    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    9 x 6 in
    22.9 x 15.2 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day In some areas the tarp has been shredded and reveals the icy glacier which it is protecting underneath
    Christian Houge
    Untitled 2, 2019
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Blüte (Bloom), 2025
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    23 5/8 x 35 3/8 in
    60 x 90 cm
  • Mixed media mountainous nighttime landscape. Vibrant multicolored pointillism clusters form drooping leaves and hang from dark gray branches in front of triangular mountain tops to the right of the piece. A pattern of light blue waves against a light green allude to a lake or ocean at the bottom
    Crystal Liu
    "this must be the place 'I'll take you there' ", 2012
    gouache, watercolor, ink and gold leaf on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Layers of multi-colored threads strung across a round wooden and plaster panel create the effect of a glowing center that is encircled by a dark border
    Emil Lukas
    #1939, 2020
    thread, wood, plaster, paint, nails
    44 1/2 x 44 1/2 x 5 in
    113 x 113 x 12.7 cm
  • Harry Bertoia, Untitled, 1960
    Harry Bertoia
    Untitled, 1960
    welded and patinated bronze
    6 x 12 1/2 x 7 3/4 in
    15.2 x 31.8 x 19.7 cm
  • Vertical rows of two varieties of one butterfly species. Half are grey, blue and red and half are orange and black.
    Isabella Kirkland
    Seasonal Dimorphism: Precis octavia, 2020
    oil on wood panel
    12 x 16 in
    30.5 x 40.6 cm
  • Jay DeFeo, Untitled (Architecture series), 1983
    Jay DeFeo
    Untitled (Architecture series), 1983
    graphite, acrylic and tape on paper
    17 x 14 in
    43.2 x 35.6 cm
    Estate no. E1512

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A collage of someone swimming upward in dark blue water as a sea monster looms below.
    Jean Conner
    PEARL DIVER, 1982
    paper collage
    10 x 6 3/4 in
    25.4 x 17.1 cm
  • Jim Campbell, Motion Color Study #4, 2024
    Jim Campbell
    Motion Color Study #4, 2024
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 4 1/2 in
    86.4 x 114.3 x 11.4 cm
  • Judith Belzer, Not If #16, 2023
    Judith Belzer
    Not If #16, 2023
    oil on canvas
    72 x 48 in
    182.9 x 121.9 cm
  • Dark green white and blue asian motifs and vegetal patterns overlap on a navy painted panel The dark green pattern uses an icon of a martial artist to create an abstract four sided image
    Julie W. Chang
    I Know Karate, 2012
    acrylic on panel
    28 x 22 x 3 in
    71.1 x 55.9 x 7.6 cm
  • Jutta Haeckel, Mater 5, 2024
    Jutta Haeckel
    Mater 5, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • White sheet with doll figurine looking into tiny mirror reflecting face.
    Liliana Porter
    Blue Eyes, 2000
    cibachrome print
    32 x 22 in
    81.3 x 55.9 cm
  • Marco Maggi, Independent Red, 2014
    Marco Maggi
    Independent Red, 2014
    cuts and folds on red, blue and yellow papers in slide mounts
    12 x 9 1/2 x 1 inches/30.5 x 24.1 x 2.5 cm
  • Hasty black ink brush stroke centrally painted on top of variegated blue metal leaf which creates an organic gold turquoise and copper pattern
    Max Gimblett
    Chariot, 2021
    sumi ink, aqua size, variegated blue metal leaf on Fabriano mai tai cocktail paper
    27 1/2 x 19 1/2 in
    69.8 x 49.5 cm
  • Against a white background, green square is created from tiny dots with a perimeter of square of orange, green, turquoise and purple on each side. The corners of the square are entirely different colors created from the overlapping of the perimeter colors.
    Nicole Phungrasamee Fein
    21.08.13.01 Rose of Ultramarine Cadmium Orange Hue Cadmium Yellow Deep Hue Hooker’s Green Sleeping Beauty Turquoise Genuine Cerulean Blue Chromium Cadmium Red Purple Serpentine Genuine, 2021
    watercolor on paper
    10 x 10 in
    25.4 x 25.4 cm
  • A hanging sphere covered in a drawing of a light blue body of water, a blue and white mountainous landscape, a yellow band and a purple-grey starry sky
    Russell Crotty
    Far North, 2011-21
    ink, acrylic and gouache on paper mounted on fiberglass sphere
    24 x 24 x 24 in
    61 x 61 x 61 cm
  • Tim Hawkinson, Empty Nesters, 2023
    Tim Hawkinson
    Empty Nesters, 2023
    oil on panel
    15 7/8 x 8 3/8 in
    40.3 x 21.3 cm
  • William T. Wiley, Sluggo and Matisse #2, 1999
    William T. Wiley
    Sluggo and Matisse #2, 1999
    mixed media on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Alexandre Kyungu Mwilambwe, The Scar of the Earth II, 2022
    Alexandre Kyungu Mwilambwe
    The Scar of the Earth II, 2022
    cut rubber (car tire inner tube)
    69 3/4 x 47 1/4 x 3/4 in
    177 x 120 x 2 cm
  • Heavily layered and vibrant green yellow and purple oil paint on linen create two separate unique woven patterns inspired by the silk described in Japanese courtesan Lady Nijo’s autobiography Go-Fukakusa was the emperor the courtesan served The different green and yellow hues in the left piece create a criss crossing pattern as the multiple textured layers create the impression of a large embroidered spindling plant On the right different purple hues create a separate woven pattern with texture creating the impression of two embroidered flowers at the top right and bottom left corner
    Andrea Higgins
    GoFukakusa, 2009
    oil on linen
    diptych, overall 43 x 40 inches/109.2 x 101.6 cm
  • Against dark gray background, non-uniform white, red and forest green dots create abstract cloudy pattern.
    Angelina Pwerle
    Bush Plum (5-518), 2018
    acrylic on linen
    47 1/4 x 35 3/8 inches/120 x 90 cm
  • Anoka Faruqee, 2012P-50, 2012
    Anoka Faruqee
    2012P-50, 2012
    acrylic on linen on panel
    34 x 31 x 1 3/8 inches
  • Anoka Faruqee & David Driscoll, 2024P-22, 2024
    Anoka Faruqee & David Driscoll
    2024P-22, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Leaves with fine ink blotting. One large vertical leaf on beige scroll with a horizontal leaf below the scroll. Several smaller vertical leaves line the scroll.
    Anonymous
    LEAVES, OCTOBER 5, 2001, 2001
    ink and collage
    36 1/4 x 17 inches/92.1 x 43.2 cm
  • Warm yellow light emits from the interior of a house through its bay window. Plants out front barely graze the bottom of the window.
    Ben McLaughlin
    A Foot on Three Daisies, 2021
    oil on panel
    10 1/4 x 7 3/4 in
    26 x 19.7 cm
  • 9 small rectangular panels arranged in a grid of three rows and three columns. Each panel has a distinct abstract scene with stripes and shapes in gray, green, and light pink over a light gray background. The panels create a singular piece of art when seen together.
    Bernard Lokai
    Bright, 2019
    acrylic on canvas (9)
    overall 51 1/8 x 63 3/4 inches/130 x 162 cm
  • Birgit Jensen, SEARCHING FOR MUSHROOMS V, 2023
    Birgit Jensen
    SEARCHING FOR MUSHROOMS V, 2023
    acrylic on linen
    28 x 23 5/8 in
    71 x 60 cm
  • Blue toned digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier with rocky mountain terrain in the background
    Christian Houge
    Untitled 12, 2016
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    59 x 39 3/8 in
    150 x 100 cm
  • Zoomed in digital photograph of a frozen, purple delphinium with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part two, 'delphinium', 2010
    digital C-print
    29 x 29 inches/73.7 x 73.7 cm
  • Light blue abstract landscape alludes to several high rise buildings A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Between Light and Shadow, 2020
    oil on canvas
    13 3/4 x 17 3/4 in
    35 x 45 cm
  • Mixed media sculpture with circular black pattern curved to form an incomplete globe The sculpture rests on a wooden rectangular frame
    Emil Lukas
    artifact #1489, 2016
    plaster, paper, plastic and wood
    74 x 30 x 15 inches/188 x 76.2 x 38.1 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    25 x 12 1/2 in
    63.5 x 31.8 cm
  • Highly detailed and realistic oil still life on panel of multiple jungle and rainforest insects fishes amphibians birds flowers shells and fossils Underneath the collection of species a pale pink silk tablecloth is visible
    Isabella Kirkland
    Collection, 2002
    oil and alkyd on polyester over panel
    36 x 48 in
    91.4 x 121.9 cm
  • Jay DeFeo, Summer Image #2 (for My Mother), 1983-85
    Jay DeFeo
    Summer Image #2 (for My Mother), 1983-85
    oil, acrylic, enamel and collage on paper mounted on canvas
    67 x 43 1/2 in
    170.2 x 110.5 cm

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A pencil drawing on white paper of a somber woman with a large fringed collar and a skull above her head.
    Jean Conner
    UNTITLED (YOUNG WOMAN AND SKULL), 1963
    graphite on paper
    23 3/4 x 17 5/8 in
    60.3 x 44.8 cm
  • Prison Isle, framed
    Jess (Collins)
    Prison Isle, 1954
    oil on canvas on board in artist's frame
    frame 13 x 17 in / 33 x 43.2 cm
  • Jim Campbell, Motion Color Study #1, 2024
    Jim Campbell
    Motion Color Study #1, 2024
    custom electronics, 768 LEDs, treated plexiglass
    23 1/2 x 31 x 4 1/2 in
    59.7 x 78.7 x 11.4 cm
  • Judith Belzer, HalfEmptyHalfFull #15, 2018
    Judith Belzer
    HalfEmptyHalfFull #15, 2018
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Several silkscreen layers of multi-colored acrylic paint overlap to display several patterns on white paper The symbols depict indigenous stereotypes, luxury brand icons, and vegetal motifs
    Julie W. Chang
    J is for jump & T is for teepee, 2015
    acrylic on paper
    2 works, each 40 x 30 inches
  • Jutta Haeckel, Biophilia 3, 2024
    Jutta Haeckel
    Biophilia 3, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Digital duraflex photograph of a small pink bird figurine standing on a small brown stone. The bird is placed to the right of and is looking at a larger propped up photo of a white egg which is actually a popular Brancusi sculpture
    Liliana Porter
    Brancusi, 2008
    Duraflex photograph mounted on plexiglas
    11 x 15 1/4 inches/27.9 x 38.7 cm
  • Marco Maggi, Drop, 2017
    Marco Maggi
    Drop, 2017
    engraved plexiglass cube, plexiglass shelf
    12 x 12 x 7 inches/30.5 x 30.5 x 17.8 cm
    engraved plexi cube : 4 x 4 x 4 inches/10.6 x 10.6 x 10.6 cm
  • Rough hasty thick black brush stroke travels the length of the circular cut canvas with areas of less paint The center of the canvas is cut out to form a small donut-hole
    Max Gimblett
    Enso-afterJuin, 2008
    acrylic and vinyl polymers on canvas
    80 x 80 inches
    203.2 x 203.2 cm
  • Thin horizontal lines are painted in gradient hues from light orange to red and back to light orange again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1061212, 2012
    watercolor on paper
    15 x 15 in
    38.1 x 38.1 cm
  • Rina Banerjee, Lucy and Billy broke the rope punished by winter's curls and prickly girls spring arrived., 2024
    Rina Banerjee
    Lucy and Billy broke the rope punished by winter's curls and prickly girls spring arrived., 2024
    acrylic, ink and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, Oasis, 2023
    Tim Hawkinson
    Oasis, 2023
    oil on panel
    11 x 6 in
    27.9 x 15.2 cm
  • Alexandre Kyungu Mwilambwe, Autoportrait, 2016
    Alexandre Kyungu Mwilambwe
    Autoportrait, 2016
    acrylic on incised found wooden door
    59 x 20 x 2 in
    149.9 x 50.8 x 5.1 cm
  • Heavily layered and vibrant multicolored paint on canvas and panel create two separate unique woven patterns On the left gray green and red overlap to create a woven look inspired by the novel The Picture of Dorian Gray by Oscar Wilde Likewise the panel to the right which displays a green and gold vegetal pattern framed by a meander is inspired by the china Dorian owned
    Andrea Higgins
    Dorian, 2008
    oil on canvas, oil on panel
    28 x 36 inches/71.1 x 91.4 cm
  • White, yellow and blue non-uniform dots create abstract, loose, cloudy patterns against a red canvas. On the left side of the canvas, the white dots are most prominent. On the left side of the canvas, the yellow dots are most prominent.
    Angelina Pwerle
    Bush plum (29-209), 2009
    acrylic on linen
    59 1/2 x 59 7/8 inches/151.1 x 152.1 cm
  • Anoka Faruqee, 2012P-49, 2012
    Anoka Faruqee
    2012P-49, 2012
    acrylic on linen on panel
    34 x 31 x 1 3/8 inches
  • Anoka Faruqee & David Driscoll, 2024P-21, 2024
    Anoka Faruqee & David Driscoll
    2024P-21, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • 15 small rectangular panels arranged in a grid of three rows and five columns. Each panel has a distinct abstract or landscape scene. Panels on the left are mostly orange and yellow and panels on the right are dark gray. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Constellation, 2016
    acrylic and oil on canvas (15)
    overall 51 1/8 x 111 3/4 inches/129.9 x 283.8 cm
  • Birgit Jensen, TOTO I, 2023
    Birgit Jensen
    TOTO I, 2023
    acrylic on linen
    18 7/8 x 14 5/8 in
    48 x 37 cm
  • Digital panoramic landscape photograph of a field of antenna with the arctic mountainscape of Svalbard in the background
    Christian Houge
    Antenna Forest 2, 2010
    digital c-print
    39 3/8 x 118 1/8 inches/100 x 300 cm
  • Cornelius Völker, Blüte (Bloom), 2025
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    47 1/4 x 31 1/2 in
    120 x 80 cm
  • Mixed media marbled mountainous blue toned landscape with a valley filled with silver metallic pointillism clouds. Towards the bottom right of the piece a red moon floats and illuminates the clouds around it with a faint pink
    Crystal Liu
    I always meant to love you, 'with one embrace'', 2017
    gouache, watercolour, ink and collage on paper
    38 x 38 inches/96.5 x 96.5 cm
  • Blurry blue landscape seen through through a black diamond wire fence which has a large hole torn at the lower right of the painting
    Driss Ouadahi
    Fences hole 2, 2011
    oil on linen
    66 7/8 x 70 7/8 in
    170 x 180 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    phosphor bronze on brass plate
    30 1/2 x 8 x 8 in
    77.5 x 20.3 x 20.3 cm
    Rod layout: 14 x 14; 13 x 13 (365 total rods)
  • Preserved yellow birds on their backs in shallow cardboard box. They have long curved bills and identification tags on their feet
    Isabella Kirkland
    Akialoa Hemingnathus, 2011
    oil on wood panel
    15 3/4 x 19 3/4 in
    40 x 50.2 cm
  • Jay DeFeo, Three Mile Island, #3 (One O'clock Jump Series), 1978
    Jay DeFeo
    Three Mile Island, #3 (One O'clock Jump Series), 1978
    acrylic, charcoal and acrylic medium on paper
    40 x 30 in
    101.6 x 76.2 cm
  • Still image of rectangular piece with multiple LEDs behind blurred photographic image mounted on Plexiglass that displays a scene of people moving about in Grand Central Terminal in New York City
    Jim Campbell
    Fundamental Interval (Commuters), 2010
    duratrans on plexiglas, 1728 LEDs, custom electronics
    33 x 44 x 2 inches/83.8 x 111.8 x 5.1 cm
  • An image of medium large gray boulders with a light yellow sky background.
    Judith Belzer
    All That Is Solid #19, 2020
    oil on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Jutta Haeckel, Biophilia 5, 2024
    Jutta Haeckel
    Biophilia 5, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Print of hand holding folded piece of paper with same piece of paper.
    Liliana Porter
    Untitled (hand with paper), 1973
    photo etching and collage on paper
    plate 11 3/4 x 12 inches/29.8 x 30.5 cm
    sheet 26 x 24 inches/66 x 61 cm
  • Marco Maggi, RED means NET in Spanish, Translation Series, 2018
    Marco Maggi
    RED means NET in Spanish, Translation Series, 2018
    cut paper on dibond
    24 x 18 in
    61 x 45.7 cm
  • Hasty circular black ink brush stroke painted towards the bottom of the piece on top of twenty two carat gold leaf
    Max Gimblett
    Golden Enso, 2021
    sumi ink, aqua size and 22kt gold leaf on Arches paper
    30 x 22 in
    76.2 x 55.9 cm
  • Gray rays shoot out from a small white circle, creating an outer gray ring. The rays are darker close to the inner circle and become lighter as they stretch out towards the white background.
    Nicole Phungrasamee Fein
    1010815, 2015
    watercolor on heavyweight paper
    image 16 x 16 inches
    sheet 22 x 22 inches
  • Large circular ballpoint pen drawing with washes of blue and orange watercolor create a night time landscape with a large shooting star soaring across the sky at the upper center At the bottom of the piece various thoughts are written down in all caps and fill the entirety of the orange mountainous landscape
    Russell Crotty
    Blue Kachina Star Over High Desert Boulders, 2006
    ink and watercolor on paper
    20 x 20 inches
    50.8 x 50.8 cms
  • Tim Hawkinson, Wake ll, 2023
    Tim Hawkinson
    Wake ll, 2023
    oil on panel
    11 x 7 in
    27.9 x 17.8 cm
  • Alexandre Kyungu Mwilambwe, Homme Universel, 2016
    Alexandre Kyungu Mwilambwe
    Homme Universel, 2016
    acrylic and collage on incised found doors
    70 3/4 x 31 1/2 x 1 1/2 in
    179.7 x 80 x 3.8 cm
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