• 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene mostly in shades of gray, light blue, beige and black. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Block J, 2016
    acrylic and oil on canvas
    51 1/8 x 135 7/8 inches/345 x 130 cm
  • Birgit Jensen, KINOH I, 2019
    Birgit Jensen
    KINOH I, 2019
    acrylic on linen
    74 3/4 x 118 1/8 in
    190 x 300 cm
  • Bruce Conner, UNTITLED, 1967
    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    5 x 3 in
    12.7 x 7.6 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day
    Christian Houge
    Untitled 5, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
  • Cornelius Völker, Zwei Kerzen (Two Candles), 2025
    Cornelius Völker
    Zwei Kerzen (Two Candles), 2025
    oil on canvas
    63 x 70 7/8 in
    160 x 180 cm
  • Mixed media triptych of golden pointillism clouds and floating golden contours of chrysanthemums against washes of deep royal blue
    Crystal Liu
    the lake, 'looking back', 2016
    gouache and watercolor on paper
    44 x 30 inches/111.8 x 76.2 cm
  • Red and white Cessna plane flies to the right against blue sky and exposed canvas background.
    Gideon Rubin
    Red Cessna, 2021
    oil on linen
    59 1/8 x 49 1/8 in
    150 x 125 cm
  • Harry Bertoia, Untitled, 1960
    Harry Bertoia
    Untitled, 1960
    welded and patinated phosphor bronze
    11 1/2 x 16 x 13 1/2 in
    29.2 x 40.6 x 34.3 cm
  • Highly detailed and realistic oil painting on panel of the four white sheep clones made from the first true clone a sheep named Dolly The four sheep are standing on a sunny fenced plot of green grassy land with a meadow of white flowers behind them
    Isabella Kirkland
    Dolly's Perfectly Healthy Co-clones, 2018
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Jay DeFeo, Moja, 1987
    Jay DeFeo
    Moja, 1987
    oil on rag board
    13 1/4 x 16 in
    33.7 x 40.6 cm
    Estate no. E1094

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • Paper collage of various cut outs from nineteen eighties magazines create a surreal scene of a giant blue and purple crystal hand rising up from the bottom left of the piece to touch several white birds flying in a blue sky
    Jean Conner
    FROZEN HAND, 1983
    paper collage
    10 3/4 x 8 in
    27.1 x 20.3 cm
  • Jess (Collins), One of the Norns Is Dead, 1955/71
    Jess (Collins)
    One of the Norns Is Dead, 1955/71
    oil on canvas in artist's frame
    33 1/4 x 47 1/4 in
    84.5 x 120 cm
  • Jim Campbell, Motion Color Study #5, 2024
    Jim Campbell
    Motion Color Study #5, 2024
    custom electronics, 1,152 LEDs, treated plexiglass
    23 1/2 x 45 x 5 1/4 in
    59.7 x 114.3 x 13.3 cm
  • An image of a scenery of a road.
    Judith Belzer
    HalfEmptyHalfFull #16, 2018
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Multi-colored symbols from a variety of different cultures and ethnicities are layered on top of each other and create a three D illusion
    Julie W. Chang
    Untitled, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 2, 2024
    Jutta Haeckel
    Fermented Rainbow 2, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Beige paper is peeled back to reveal the face of a white and light brown cheetah with black spots. A tiny human figurine dressed in black is mounted at the lower right of the peeled back paper and lowers its head to gaze at the cheetah below the surface
    Liliana Porter
    To Get Acquainted, 2011
    figurine and collage on paper
    15 1/4 x 11 1/2 inches/38.7 x 29.2 cm
  • Marco Maggi, Waiting to Surface (white on black), 2019
    Marco Maggi
    Waiting to Surface (white on black), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Smoothed rosanoble gold leaf layered on quatrefoil cut panel
    Max Gimblett
    Gold in Grace, 2022
    gesso, resin and Rosanoble gold leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • Three horizontal color fields are created from tiny dots – the top is light blue, the middle (widest section) is royal blue, and the bottom is navy blue.
    Nicole Phungrasamee Fein
    21.03.06.01 Ultramarine Light Sodalight Genuine, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Sculpture of squatting anthropomorphic creature with human skin, webbed feet, rodent-like teeth and voluminous hair. Creature rests its head on its hand and gazes into the distance. From its groin area emerges an oversized, hairy tongue.
    Patricia Piccinini
    The Builder, 2018
    silicone, fiberglass, hair
    21 1/4 x 15 3/8 x 28 3/8 in
    54 x 39.1 x 72.1 cm
  • Panoramic drawing of a mountain range and starry sky.
    Russell Crotty
    An Astronomy of Dreams, 2022
    color pencil, gouache and ink on museum board (2)
    16 x 80 in
    40.6 x 203.2 cm
  • Tim Hawkinson, Uhrmach, 2024
    Tim Hawkinson
    Uhrmach, 2024
    oil on panel
    13 1/8 x 9 in
    33.3 x 22.9 cm
  • Wayne Thiebaud, Palm Ridge (Study), 1979
    Wayne Thiebaud
    Palm Ridge (Study), 1979
    colored pencil and graphite on paper
    5 5/8 x 4 1/8 in
    14.3 x 10.5 cm

    ⓒ Estate of Wayne Thiebaud/Licensed by VAGA at Artists Rights Society (ARS) NY
  • William T. Wiley, So My Country Is It Thee, 2002
    William T. Wiley
    So My Country Is It Thee, 2002
    acrylic on canvas
    32 1/2 x 38 in
    82.5 x 96.5 cm
  • Alexandre Kyungu Mwilambwe, The Scar of the Earth V, 2022
    Alexandre Kyungu Mwilambwe
    The Scar of the Earth V, 2022
    cut rubber (car tire inner tube)
    74 3/4 x 62 5/8 x 1 5/8 in
    190 x 159 x 4 cm
  • Heavily layered and vibrant red green purple and orange oil paint on linen create two separate unique woven patterns inspired by the silk described in Japanese courtesan Lady Nijo’s autobiography The different red hues in the piece to the left create a criss crossing pattern while on the right green and orange underneath a textured purple create a woven image of a many leaved purple plant
    Andrea Higgins
    Lady Nijo, 2018
    oil on linen
    diptych, overall 24 x 44 1/2 inches/61 x 113 cm
  • Tiny white dots and splotches of paint create an abstract cloudy pattern against a bright red canvas.
    Angelina Pwerle
    Bush plum (3-511), 2010
    acrylic on paper
    39 3/8 x 27 3/4 in
    100 x 70.5 cm
  • Dark painting with asterisk shaped forms in shades of dark green morphing against each other in seemingly moving pattern.
    Anoka Faruqee
    Green C-Curve P-05, 2008
    acrylic on linen
    78 3/4 x 71 3/4 in
    200 x 182.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-26, 2024
    Anoka Faruqee & David Driscoll
    2024P-26, 2024
    acrylic on linen on panel
    60 x 60 in
    152.4 x 152.4 cm
  • Multicolored background with predominant colors being yellow, red and blue. White textured brushstrokes and other colors overlaid on top.
    Bernard Lokai
    Beta, 2015
    acrylic on canvas
    39 3/8 x 63 inches/100 x 160 cm
  • Birgit Jensen, AFTERNOON GLOW, 2020
    Birgit Jensen
    AFTERNOON GLOW, 2020
    acrylic on linen
    18 1/8 x 13 3/4 in
    46 x 35 cm
  • Bruce Conner, UNTITLED, 1972
    Bruce Conner
    UNTITLED, 1972
    felt-tip pen on paper
    1 7/8 x 1 7/8 in
    4.8 x 4.8 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day with cloudy mountain peaks in the background. The tarps are completely shaded
    Christian Houge
    Untitled 13, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
  • Cornelius Völker, Bonbons (Sweets), 2025
    Cornelius Völker
    Bonbons (Sweets), 2025
    oil on canvas
    78 3/4 x 118 1/8 in
    200 x 300 cm
  • Mixed media triptych landscape of a black and white marbled mountain range A gigantic gold metallic moon peeks out from behind the mountains while multiple thin streams of gold and silver pointillism clouds line the tops of the mountains and hover above
    Crystal Liu
    the moon and the tides, 'please be gentle', 2016
    collage, gouache, ink and watercolor on paper
    triptych. each panel: 44 x 30 inches/111.8 x 76.2 cm
  • Colorful abstract landscape alludes to garden space with several high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Anticipated Distancing 1, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
  • Blonde woman in blue shirt pointing to the left with her left hand. Woman’s head and lower body are cropped out of the composition.
    Gideon Rubin
    Untitled, 2021
    oil on linen
    12 1/8 x 14 in
    30.5 x 35.5 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    88 1/2 x 13 7/8 x 13 7/8 in
    224.8 x 35.2 x 35.2 cm
    Rod layout: 6 x 6 (36 total rods)
  • Several multicolored preserved butterflies in four shallow paper boxes.
    Isabella Kirkland
    Uraniids, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Jay DeFeo, Untitled, 1973
    Jay DeFeo
    Untitled, 1973
    gelatin silver print
    7 1/4 x 6 inches
    18.4 x 15.2 cm
    Estate no. P0358

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • Jean Conner, MARBLES MAY 27, 2023, 2023
    Jean Conner
    MARBLES MAY 27, 2023, 2023
    paper collage
    10 1/4 x 8 3/4 in
    26 x 22.2 cm
  • Framed abstract painting with pastel color palette
    Jess (Collins)
    Sea Cove, 1952
    oil on canvas in artist's velvet wrapped frame
    frame 19 1/2 x 25 1/2 in / 49.5 x 64.8 cm
  • Jim Campbell, Motion Color Study #3, 2024
    Jim Campbell
    Motion Color Study #3, 2024
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 4 1/2 in
    86.4 x 114.3 x 11.4 cm
  • Judith Belzer, Untitled, What Goes Up series, 2024
    Judith Belzer
    Untitled, What Goes Up series, 2024
    gouache and masking fluid on paper
    42 x 105 in
    106.7 x 266.7 cm
  • Layers of icons in different colors. Recognizable icons: Hamsas, Om symbols, Asian characters, lotus flowers, and swords.
    Julie W. Chang
    Lotusaumswords, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 1, 2024
    Jutta Haeckel
    Fermented Rainbow 1, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Marco Maggi, Dating Data, 2018
    Marco Maggi
    Dating Data, 2018
    cut paper on museum board
    60 x 40 in
    152.4 x 101.6 cm
  • Dark multi-colored dyed silver leaf on quatrefoil cut panel
    Max Gimblett
    The Perfect Wisdom, 2022
    gesso, resin and Northern Lights dyed silver leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • White horizontal and vertical grid lines lines separate squares of bright rainbow colors, creating grid of twelve by twelve squares.
    Nicole Phungrasamee Fein
    Untitled (1081807), 2007
    watercolor on paper
    18 1/2 x 18 1/2 in
    46.8 x 46.8 cm
  • Braided yellow and black plant-like shape that has long roots and three branches At the end of each branch there is a small tan and black lobe with a red hood. The plant is outlined by bright blue and red thick lines.
    Patricia Piccinini
    Metaflora (three lobes), 2014
    ink and gouache on paper
    22 1/2 x 30 1/4 in
    57.1 x 76.8 cm
  • Rina Banerjee, Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    Rina Banerjee
    Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    acrylic, ink and collage on paper
    22 x 15 in
    55.9 x 38.1 cm
  • A hanging sphere shows a starry sky over a mountain range with a milky-white band vertically in the center
    Russell Crotty
    Milky Way Over Ojai Ridges, 2022
    ink and gouache on paper on fiberglass sphere
    36 x 36 x 36 in
    91.4 x 91.4 x 91.4 cm
  • Tim Hawkinson, Fig Pic, 2024
    Tim Hawkinson
    Fig Pic, 2024
    oil on panel
    11 1/2 x 8 3/4 in
    29.2 x 22.2 cm
  • Wayne Thiebaud, Untitled (Chocolate Meringue Pie), 1961
    Wayne Thiebaud
    Untitled (Chocolate Meringue Pie), 1961
    oil on canvas
    7 x 9 in
    17.8 x 22.9 cm

    ⓒ Estate of Wayne Thiebaud/Licensed by VAGA at Artists Rights Society (ARS) NY
  • An image of graphite drawing of a map with a colorful hanging piece
    William T. Wiley
    Agent Orange, 1983
    acrylic, graphite, ink and mixed media on canvas
    91 x 128 in
    231.1 x 325.1 cm
  • Alexandre Kyungu Mwilambwe, Look It In, 2016
    Alexandre Kyungu Mwilambwe
    Look It In, 2016
    engraving, incision and acrylic on wood door (both sides pictured)
    79 1/8 x 24 in
    201 x 61 cm
  • Heavily layered and textured vibrant purple and white oil paint on linen creates a zoomed in portrait of the woven fabrics of the purple ribbon component of the Purple Heart military medal
    Andrea Higgins
    Purple Heart (Self Portrait), 2018
    oil on linen
    27 x 72 inches/68.6 x 182.9 cm
  • Against a black background, an abstract cloudy pattern is created from clusters of yellow non-uniform dots.
    Angelina Pwerle
    Bush plum (2-616), 2016
    acrylic on canvas
    31 1/2 x 23 5/8 inches/80 x 60 cm
  • Anoka Faruqee & David Driscoll, 2024P-25, 2024
    Anoka Faruqee & David Driscoll
    2024P-25, 2024
    acrylic on linen on panel
    45 x 45 in
    114.3 x 114.3 cm
  • Multiple silkscreen layers of black blue pink and yellow form a constructed landscape of a burry and heavily pixelated distant riverbank with two black silhouettes of thin trees that branch out as they approach the top of the piece. In the upper center of the work is a small light gray circle alluding to a full moon
    Birgit Jensen
    KAGAMI RU, 2017
    acrylic on canvas
    27 3/8 x 20 1/2 in
    69.5 x 52.1 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day The majority of the tarps are darkened and shaded especially in the valleys of the ridges
    Christian Houge
    Untitled 17, 2017
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    47 1/4 x 51 1/8 in
    120 x 130 cm
  • Mixed media landscape with gold and silver pointillism streams pouring down from the top and crashing against the black and white marbled mountain tops at the bottom of the piece. Multiple light pink watercolor washed peonies hang down from the top while a gold metallic moon floats off center and towards the right of the piece
    Crystal Liu
    the fog, "through thick and thin", 2020
    gouache, watercolor, collage and ink on paper
    50 x 40 inches/127 x 101.6 cm
  • Colorful abstract landscape alludes to several high white rise buildings amongst garden space with a purple night sky A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Anticipated Distancing 2, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
  • Stacked mixed media blocks which fit together showing their textured and multi-colored sides Each layer can be removed and stand alone to reveal the intricacies of their surfaces
    Emil Lukas
    44 islands on the Swiss Marin border, 2007
    mixed media on plaster, canvas, paper
    61 1/2 x 11 1/2 x 15 1/4 inches/156.2 x 29.2 x 38.7 cm
  • Gideon Rubin, Bubbles, 2018
    Gideon Rubin
    Bubbles, 2018
    oil on linen
    39 3/8 x 33 1/2 inches/100 x 85 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    12 1/2 x 25 in
    31.8 x 63.5 cm
  • Highly detailed and realistic oil painting on panel of a lush flowering meadow of the region in the Sierra Nevada peaks called Palisades The landscape depicts multiple native flowers and plants along with several creatures such as butterflies and snakes
    Isabella Kirkland
    Palisades, 2012
    oil and alkyd on polyester over panel
    48 x 36 in
    121.9 x 91.4 cm
  • Jay DeFeo, Trial by Fire, 1983
    Jay DeFeo
    Trial by Fire, 1983
    oil, oil stick and collage on canvas
    96 x 72 1/4 in
    243.8 x 183.5 cm
    Estate no. E2750

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A man wears goggles and layers of circuit boards in the shape of a gas mask and looms above a group of men rolling a cylinder.
    Jean Conner
    POWER, 1980
    paper collage
    18 x 10 3/8 in
    45.7 x 26.4 cm
  • Jim Campbell, Motion Color Study #2, 2024
    Jim Campbell
    Motion Color Study #2, 2024
    custom electronics, 768 LEDs, treated plexiglass
    23 1/2 x 31 x 4 1/2 in
    59.7 x 78.7 x 11.4 cm
  • Judith Belzer, Not If #6, 2022
    Judith Belzer
    Not If #6, 2022
    oil on canvas
    36 x 80 in
    91.4 x 203.2 cm
  • Jutta Haeckel, Mater 4, 2024
    Jutta Haeckel
    Mater 4, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Print of black square with black string that went through press but has been moved, showing white outline of string.
    Liliana Porter
    Black (string with knot), 1971
    aquatint and string on paper, unique
    plate 17 3/4 x 13 inches/45.1 x 33 cm
    sheet 29 1/4 x 22 1/2 inches/74.3 x 57.1 cm
  • Marco Maggi, Flat Pencil, 2014
    Marco Maggi
    Flat Pencil, 2014
    engraved graphite plate, plexiglass frame
    14x11 inches/35.6 x27.9 cm
  • Max Gimblett, The Golden Bay, 2022
    Max Gimblett
    The Golden Bay, 2022
    gesso, resin, 23.75kt Rosanoble gold leaf on wood panel
    25 x 25 x 2 in
    63.5 x 63.5 x 5.1 cm
  • Flower-like orb created from the layered overlapping of eight circles, each in a different color. All circles are created from tiny dots but from afar appear to be solid colors.
    Nicole Phungrasamee Fein
    21.08.26.01 Cobalt Blue Hue Aussie Red Gold Cadmium Yellow Deep Hue Quinacridone Violet Diopside Genuine Cadmium Orange Hue Alizarin Crimson Pyrrol Red Nickel Azo Yellow, Serpentine Genuine, 2021
    watercolor on paper
    10 x 10 in
    25.4 x 25.4 cm
  • Rina Banerjee, Her GPS disobeyed her commitments, her afternoon pool dates, even her poker games but not her gambling debts so she flew like strong bird a yellow lady finch, not house finch in clever stripes of one hundred marks., 2024
    Rina Banerjee
    Her GPS disobeyed her commitments, her afternoon pool dates, even her poker games but not her gambling debts so she flew like strong bird a yellow lady finch, not house finch in clever stripes of one hundred marks., 2024
    acrylic, ink, collage and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, Leaving Hawaii, 2023
    Tim Hawkinson
    Leaving Hawaii, 2023
    oil on panel
    11 3/4 x 11 in
    29.8 x 27.9 cm
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