Artworks

  • Judith Belzer, Untitled, What Goes Up series, 2024
    Judith Belzer
    Untitled, What Goes Up series, 2024
    gouache and masking fluid on paper
    42 x 105 in
    106.7 x 266.7 cm
  • Layers of icons in different colors. Recognizable icons: Hamsas, Om symbols, Asian characters, lotus flowers, and swords.
    Julie W. Chang
    Lotusaumswords, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 1, 2024
    Jutta Haeckel
    Fermented Rainbow 1, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Marco Maggi, Dating Data, 2018
    Marco Maggi
    Dating Data, 2018
    cut paper on museum board
    60 x 40 in
    152.4 x 101.6 cm
  • Dark multi-colored dyed silver leaf on quatrefoil cut panel
    Max Gimblett
    The Perfect Wisdom, 2022
    gesso, resin and Northern Lights dyed silver leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • White horizontal and vertical grid lines lines separate squares of bright rainbow colors, creating grid of twelve by twelve squares.
    Nicole Phungrasamee Fein
    Untitled (1081807), 2007
    watercolor on paper
    18 1/2 x 18 1/2 in
    46.8 x 46.8 cm
  • Braided yellow and black plant-like shape that has long roots and three branches At the end of each branch there is a small tan and black lobe with a red hood. The plant is outlined by bright blue and red thick lines.
    Patricia Piccinini
    Metaflora (three lobes), 2014
    ink and gouache on paper
    22 1/2 x 30 1/4 in
    57.1 x 76.8 cm
  • Rina Banerjee, Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    Rina Banerjee
    Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    acrylic, ink and collage on paper
    22 x 15 in
    55.9 x 38.1 cm
  • A hanging sphere shows a starry sky over a mountain range with a milky-white band vertically in the center
    Russell Crotty
    Milky Way Over Ojai Ridges, 2022
    ink and gouache on paper on fiberglass sphere
    36 x 36 x 36 in
    91.4 x 91.4 x 91.4 cm
  • Tim Hawkinson, Fig Pic, 2024
    Tim Hawkinson
    Fig Pic, 2024
    oil on panel
    11 1/2 x 8 3/4 in
    29.2 x 22.2 cm
  • Wayne Thiebaud, Untitled (Chocolate Meringue Pie), 1961
    Wayne Thiebaud
    Untitled (Chocolate Meringue Pie), 1961
    oil on canvas
    7 x 9 in
    17.8 x 22.9 cm

    ⓒ Estate of Wayne Thiebaud/Licensed by VAGA at Artists Rights Society (ARS) NY
  • An image of graphite drawing of a map with a colorful hanging piece
    William T. Wiley
    Agent Orange, 1983
    acrylic, graphite, ink and mixed media on canvas
    91 x 128 in
    231.1 x 325.1 cm
  • Alexandre Kyungu Mwilambwe, Look It In, 2016
    Alexandre Kyungu Mwilambwe
    Look It In, 2016
    engraving, incision and acrylic on wood door (both sides pictured)
    79 1/8 x 24 in
    201 x 61 cm
  • Heavily layered and textured vibrant purple and white oil paint on linen creates a zoomed in portrait of the woven fabrics of the purple ribbon component of the Purple Heart military medal
    Andrea Higgins
    Purple Heart (Self Portrait), 2018
    oil on linen
    27 x 72 inches/68.6 x 182.9 cm
  • Against a black background, an abstract cloudy pattern is created from clusters of yellow non-uniform dots.
    Angelina Pwerle
    Bush plum (2-616), 2016
    acrylic on canvas
    31 1/2 x 23 5/8 inches/80 x 60 cm
  • Anoka Faruqee & David Driscoll, 2024P-25, 2024
    Anoka Faruqee & David Driscoll
    2024P-25, 2024
    acrylic on linen on panel
    45 x 45 in
    114.3 x 114.3 cm
  • Multiple silkscreen layers of black blue pink and yellow form a constructed landscape of a burry and heavily pixelated distant riverbank with two black silhouettes of thin trees that branch out as they approach the top of the piece. In the upper center of the work is a small light gray circle alluding to a full moon
    Birgit Jensen
    KAGAMI RU, 2017
    acrylic on canvas
    27 3/8 x 20 1/2 in
    69.5 x 52.1 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day The majority of the tarps are darkened and shaded especially in the valleys of the ridges
    Christian Houge
    Untitled 17, 2017
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    47 1/4 x 51 1/8 in
    120 x 130 cm
  • Mixed media landscape with gold and silver pointillism streams pouring down from the top and crashing against the black and white marbled mountain tops at the bottom of the piece. Multiple light pink watercolor washed peonies hang down from the top while a gold metallic moon floats off center and towards the right of the piece
    Crystal Liu
    the fog, "through thick and thin", 2020
    gouache, watercolor, collage and ink on paper
    50 x 40 inches/127 x 101.6 cm
  • Colorful abstract landscape alludes to several high white rise buildings amongst garden space with a purple night sky A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Anticipated Distancing 2, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
  • Emil Lukas, in 2369, 2025
    Emil Lukas
    in 2369, 2025
    thread, wood, paint, nails
    46 1/2 x 40 1/2 x 3 1/2 in
    118.1 x 102.9 x 8.9 cm
  • Gideon Rubin, Bubbles, 2018
    Gideon Rubin
    Bubbles, 2018
    oil on linen
    39 3/8 x 33 1/2 inches/100 x 85 cm
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    12 1/2 x 25 in
    31.8 x 63.5 cm
  • Jay DeFeo, Trial by Fire, 1983
    Jay DeFeo
    Trial by Fire, 1983
    oil, oil stick and collage on canvas
    96 x 72 1/4 in
    243.8 x 183.5 cm
    Estate no. E2750

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A man wears goggles and layers of circuit boards in the shape of a gas mask and looms above a group of men rolling a cylinder.
    Jean Conner
    POWER, 1980
    paper collage
    18 x 10 3/8 in
    45.7 x 26.4 cm
  • Jim Campbell, Motion Color Study #2, 2024
    Jim Campbell
    Motion Color Study #2, 2024
    custom electronics, 768 LEDs, treated plexiglass
    23 1/2 x 31 x 4 1/2 in
    59.7 x 78.7 x 11.4 cm
  • Judith Belzer, Not If #6, 2022
    Judith Belzer
    Not If #6, 2022
    oil on canvas
    36 x 80 in
    91.4 x 203.2 cm
  • Jutta Haeckel, Mater 4, 2024
    Jutta Haeckel
    Mater 4, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Print of black square with black string that went through press but has been moved, showing white outline of string.
    Liliana Porter
    Black (string with knot), 1971
    aquatint and string on paper, unique
    plate 17 3/4 x 13 inches/45.1 x 33 cm
    sheet 29 1/4 x 22 1/2 inches/74.3 x 57.1 cm
  • Marco Maggi, Flat Pencil, 2014
    Marco Maggi
    Flat Pencil, 2014
    engraved graphite plate, plexiglass frame
    14x11 inches/35.6 x27.9 cm
  • Max Gimblett, The Golden Bay, 2022
    Max Gimblett
    The Golden Bay, 2022
    gesso, resin, 23.75kt Rosanoble gold leaf on wood panel
    25 x 25 x 2 in
    63.5 x 63.5 x 5.1 cm
  • Flower-like orb created from the layered overlapping of eight circles, each in a different color. All circles are created from tiny dots but from afar appear to be solid colors.
    Nicole Phungrasamee Fein
    21.08.26.01 Cobalt Blue Hue Aussie Red Gold Cadmium Yellow Deep Hue Quinacridone Violet Diopside Genuine Cadmium Orange Hue Alizarin Crimson Pyrrol Red Nickel Azo Yellow, Serpentine Genuine, 2021
    watercolor on paper
    10 x 10 in
    25.4 x 25.4 cm
  • Rina Banerjee, Her GPS disobeyed her commitments, her afternoon pool dates, even her poker games but not her gambling debts so she flew like strong bird a yellow lady finch, not house finch in clever stripes of one hundred marks., 2024
    Rina Banerjee
    Her GPS disobeyed her commitments, her afternoon pool dates, even her poker games but not her gambling debts so she flew like strong bird a yellow lady finch, not house finch in clever stripes of one hundred marks., 2024
    acrylic, ink, collage and copper leaf on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Tim Hawkinson, Leaving Hawaii, 2023
    Tim Hawkinson
    Leaving Hawaii, 2023
    oil on panel
    11 3/4 x 11 in
    29.8 x 27.9 cm
  • William T. Wiley, Hear in Silence, 2009
    William T. Wiley
    Hear in Silence, 2009
    acrylic and charcoal on canvas
    84 x 60 in
    213.4 x 152.4 cm
  • Alexandre Kyungu Mwilambwe, Nzoloko Map, 2018
    Alexandre Kyungu Mwilambwe
    Nzoloko Map, 2018
    acrylic, collage, wood dust and glue on incised wood
    12 x 12 in
    30.5 x 30.5 cm
  • Green brown red and orange asterisk shaped forms morphing against each other
    Anoka Faruqee
    Freehand Asterisk Painting (getting smaller) #2, 2006
    flashe on linen on panel
    50 5/8 x 46 1/8 in
    128.6 x 117.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-23, 2024
    Anoka Faruqee & David Driscoll
    2024P-23, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Weathered stone sculpture with open hole in center and sloped edge topper.
    Anonymous
    Yose-Oki Lantern, Edo Period, 1603-1868
    stone
    16 x 22 x 15 inches
    40.6 x 55.9 x 38.1 cm
  • Body of woman is depicted lying in bathtub. Woman’s face is cropped out of the composition.
    Ben McLaughlin
    01:55, 2013
    oil on panel
    4 x 5 3/4 inches/10.2 x 14.6 cm
  • Birgit Jensen, PARADISE BEACH, 2024
    Birgit Jensen
    PARADISE BEACH, 2024
    acrylic on linen
    76 3/4 x 90 1/2 in
    195 x 230 cm
  • Bruce Conner, UNTITLED, 1967
    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    9 x 6 in
    22.9 x 15.2 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day In some areas the tarp has been shredded and reveals the icy glacier which it is protecting underneath
    Christian Houge
    Untitled 2, 2019
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Blüte (Bloom), 2025
    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    23 5/8 x 35 3/8 in
    60 x 90 cm
  • Mixed media mountainous nighttime landscape. Vibrant multicolored pointillism clusters form drooping leaves and hang from dark gray branches in front of triangular mountain tops to the right of the piece. A pattern of light blue waves against a light green allude to a lake or ocean at the bottom
    Crystal Liu
    "this must be the place 'I'll take you there' ", 2012
    gouache, watercolor, ink and gold leaf on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Emil Lukas, essential condition #2308, 2025
    Emil Lukas
    essential condition #2308, 2025
    thread, wood, plaster, paint, nails
    47 1/2 x 47 1/2 x 5 in
    120.7 x 120.7 x 12.7 cm
  • Harry Bertoia, Untitled, 1960
    Harry Bertoia
    Untitled, 1960
    welded and patinated bronze
    6 x 12 1/2 x 7 3/4 in
    15.2 x 31.8 x 19.7 cm
  • Vertical rows of two varieties of one butterfly species. Half are grey, blue and red and half are orange and black.
    Isabella Kirkland
    Seasonal Dimorphism: Precis octavia, 2020
    oil on wood panel
    12 x 16 in
    30.5 x 40.6 cm
  • Jay DeFeo, Untitled (Architecture series), 1983
    Jay DeFeo
    Untitled (Architecture series), 1983
    graphite, acrylic and tape on paper
    17 x 14 in
    43.2 x 35.6 cm
    Estate no. E1512

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A collage of someone swimming upward in dark blue water as a sea monster looms below.
    Jean Conner
    PEARL DIVER, 1982
    paper collage
    10 x 6 3/4 in
    25.4 x 17.1 cm
  • Jim Campbell, Motion Color Study #4, 2024
    Jim Campbell
    Motion Color Study #4, 2024
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 4 1/2 in
    86.4 x 114.3 x 11.4 cm
  • Judith Belzer, Not If #16, 2023
    Judith Belzer
    Not If #16, 2023
    oil on canvas
    72 x 48 in
    182.9 x 121.9 cm
  • Dark green white and blue asian motifs and vegetal patterns overlap on a navy painted panel The dark green pattern uses an icon of a martial artist to create an abstract four sided image
    Julie W. Chang
    I Know Karate, 2012
    acrylic on panel
    28 x 22 x 3 in
    71.1 x 55.9 x 7.6 cm
  • Jutta Haeckel, Mater 5, 2024
    Jutta Haeckel
    Mater 5, 2024
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • White sheet with doll figurine looking into tiny mirror reflecting face.
    Liliana Porter
    Blue Eyes, 2000
    cibachrome print
    32 x 22 in
    81.3 x 55.9 cm
  • Marco Maggi, Independent Red, 2014
    Marco Maggi
    Independent Red, 2014
    cuts and folds on red, blue and yellow papers in slide mounts
    12 x 9 1/2 x 1 inches/30.5 x 24.1 x 2.5 cm
  • Hasty black ink brush stroke centrally painted on top of variegated blue metal leaf which creates an organic gold turquoise and copper pattern
    Max Gimblett
    Chariot, 2021
    sumi ink, aqua size, variegated blue metal leaf on Fabriano mai tai cocktail paper
    27 1/2 x 19 1/2 in
    69.8 x 49.5 cm
  • Against a white background, green square is created from tiny dots with a perimeter of square of orange, green, turquoise and purple on each side. The corners of the square are entirely different colors created from the overlapping of the perimeter colors.
    Nicole Phungrasamee Fein
    21.08.13.01 Rose of Ultramarine Cadmium Orange Hue Cadmium Yellow Deep Hue Hooker’s Green Sleeping Beauty Turquoise Genuine Cerulean Blue Chromium Cadmium Red Purple Serpentine Genuine, 2021
    watercolor on paper
    10 x 10 in
    25.4 x 25.4 cm
  • A hanging sphere covered in a drawing of a light blue body of water, a blue and white mountainous landscape, a yellow band and a purple-grey starry sky
    Russell Crotty
    Far North, 2011-21
    ink, acrylic and gouache on paper mounted on fiberglass sphere
    24 x 24 x 24 in
    61 x 61 x 61 cm
  • Tim Hawkinson, Empty Nesters, 2023
    Tim Hawkinson
    Empty Nesters, 2023
    oil on panel
    15 7/8 x 8 3/8 in
    40.3 x 21.3 cm
  • William T. Wiley, Sluggo and Matisse #2, 1999
    William T. Wiley
    Sluggo and Matisse #2, 1999
    mixed media on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Alexandre Kyungu Mwilambwe, The Scar of the Earth II, 2022
    Alexandre Kyungu Mwilambwe
    The Scar of the Earth II, 2022
    cut rubber (car tire inner tube)
    69 3/4 x 47 1/4 x 3/4 in
    177 x 120 x 2 cm
  • Heavily layered and vibrant green yellow and purple oil paint on linen create two separate unique woven patterns inspired by the silk described in Japanese courtesan Lady Nijo’s autobiography Go-Fukakusa was the emperor the courtesan served The different green and yellow hues in the left piece create a criss crossing pattern as the multiple textured layers create the impression of a large embroidered spindling plant On the right different purple hues create a separate woven pattern with texture creating the impression of two embroidered flowers at the top right and bottom left corner
    Andrea Higgins
    GoFukakusa, 2009
    oil on linen
    diptych, overall 43 x 40 inches/109.2 x 101.6 cm
  • Against dark gray background, non-uniform white, red and forest green dots create abstract cloudy pattern.
    Angelina Pwerle
    Bush Plum (5-518), 2018
    acrylic on linen
    47 1/4 x 35 3/8 inches/120 x 90 cm
  • Anoka Faruqee, 2012P-50, 2012
    Anoka Faruqee
    2012P-50, 2012
    acrylic on linen on panel
    34 x 31 x 1 3/8 inches
  • Anoka Faruqee & David Driscoll, 2024P-22, 2024
    Anoka Faruqee & David Driscoll
    2024P-22, 2024
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm
  • Leaves with fine ink blotting. One large vertical leaf on beige scroll with a horizontal leaf below the scroll. Several smaller vertical leaves line the scroll.
    Anonymous
    LEAVES, OCTOBER 5, 2001, 2001
    ink and collage
    36 1/4 x 17 inches/92.1 x 43.2 cm
  • Warm yellow light emits from the interior of a house through its bay window. Plants out front barely graze the bottom of the window.
    Ben McLaughlin
    A Foot on Three Daisies, 2021
    oil on panel
    10 1/4 x 7 3/4 in
    26 x 19.7 cm
  • 9 small rectangular panels arranged in a grid of three rows and three columns. Each panel has a distinct abstract scene with stripes and shapes in gray, green, and light pink over a light gray background. The panels create a singular piece of art when seen together.
    Bernard Lokai
    Bright, 2019
    acrylic on canvas (9)
    overall 51 1/8 x 63 3/4 inches/130 x 162 cm
  • Birgit Jensen, SEARCHING FOR MUSHROOMS V, 2023
    Birgit Jensen
    SEARCHING FOR MUSHROOMS V, 2023
    acrylic on linen
    28 x 23 5/8 in
    71 x 60 cm
  • Blue toned digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier with rocky mountain terrain in the background
    Christian Houge
    Untitled 12, 2016
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    59 x 39 3/8 in
    150 x 100 cm
  • Zoomed in digital photograph of a frozen, purple delphinium with multiple tiny air bubbles
    Crystal Liu
    give us our dream: part two, 'delphinium', 2010
    digital C-print
    29 x 29 inches/73.7 x 73.7 cm
  • Light blue abstract landscape alludes to several high rise buildings A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Between Light and Shadow, 2020
    oil on canvas
    13 3/4 x 17 3/4 in
    35 x 45 cm
  • Emil Lukas, cut the engines #2319, 2025
    Emil Lukas
    cut the engines #2319, 2025
    acrylic on canvas over wood panel
  • Harry Bertoia, Untitled, 1950s
    Harry Bertoia
    Untitled, 1950s
    ink on Japanese paper
    25 x 12 1/2 in
    63.5 x 31.8 cm
  • Jay DeFeo, Summer Image #2 (for My Mother), 1983-85
    Jay DeFeo
    Summer Image #2 (for My Mother), 1983-85
    oil, acrylic, enamel and collage on paper mounted on canvas
    67 x 43 1/2 in
    170.2 x 110.5 cm

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
  • A pencil drawing on white paper of a somber woman with a large fringed collar and a skull above her head.
    Jean Conner
    UNTITLED (YOUNG WOMAN AND SKULL), 1963
    graphite on paper
    23 3/4 x 17 5/8 in
    60.3 x 44.8 cm
  • Prison Isle, framed
    Jess (Collins)
    Prison Isle, 1954
    oil on canvas on board in artist's frame
    frame 13 x 17 in / 33 x 43.2 cm
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