Artworks

  • 96 video frames arranged in an eight-by-twelve grid. In each frame, Surabhi Saraf is seated on a white couch folding three large sheets (one white, one patterned and pink, one red). The video plays on the frames in a coordinated manner to create patterns of movement within the grid.
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    Surabhi Saraf
    FOLD, 2010
    QuickTime 1080p high definition video
    7 minutes 36 seconds
  • Tyrell Collins, Backlit Sphere on White (2), 2025
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    Tyrell Collins
    Backlit Sphere on White (2), 2025
    graphite on paper
    18 x 18 in
    45.7 x 45.7 cm
    Inquire
  • Alexandre Kyungu Mwilambwe, La frontière trouée (The Hole in the Border), 2023
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    Alexandre Kyungu Mwilambwe
    La frontière trouée (The Hole in the Border), 2023
    cut rubber (car tire inner tube), triptych
    81 1/8 x 105 1/8 x 7 7/8 in
    206 x 267 x 20 cm
    Inquire
  • Heavily layered and textured paint on canvas creates a woven pattern of four yellow and white flower buds with thin red stems against a navy background The pattern is inspired by a dress worn by Michelle Obama in twenty sixteen
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    Andrea Higgins
    Michelle (Wu), 2021
    oil on linen
    30 x 21 in
    76.2 x 53.3 cm
  • Non-uniform white dots create an abstract cloudy pattern against dark gray background.
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    Angelina Pwerle
    Bush Plum (1-719), 2019
    acrylic on linen
    35 7/8 x 59 1/8 in
    91 x 150 cm
  • Vibrant pink tinted painting with red pink green and blue asterisk shaped forms morphing and moving in waves against each other
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    Anoka Faruqee
    Pink S-Curve, 2010
    acrylic on linen
    78 3/4 x 71 3/4 in
    200 x 182.2 cm
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  • Anoka Faruqee & David Driscoll, 2023P-03, 2023
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    Anoka Faruqee & David Driscoll
    2023P-03, 2023
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
    Inquire
  • Japanese stone sculpture with two cubes as base and pointed/angular top.
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    Anonymous
    Hokyointo, 1522, dated 2nd year of Daiei Era (1521-1528)
    Shuzan-Kitayama stone
    38 x 18 x 17 1/2 inches
    96.5 x 45.7 x 44.5 cm
  • Camping tent illuminated with warm orange light is surrounded by a grassy field and a forest of trees.
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    Ben McLaughlin
    Wednesday February 23 2011: An Irish Journalist Has Tried To Make A Citizen's Arrest On The Israeli Foreign Minister At The E.U. Israel Association In Brussels, 2010-2011
    oil on linen
    16 x 24 inches/40.6 x 61 cm
  • Birgit Jensen, KINOH II, 2020
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    Birgit Jensen
    KINOH II, 2020
    acrylic on linen
    76 3/4 x 145 5/8 in
    195 x 370 cm
    Inquire
  • Black ink on beige paper; living room scene with armchair, rug and end table, with pattered wall behind. Shapes are formed by erratic and heavy line work.
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    Bruce Conner
    STILL LIFE WICHITA, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
    Inquire
  • Digital panoramic landscape photograph of bright white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day
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    Christian Houge
    Untitled 14, 2018
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
    Inquire
  • Installation view of Vase.
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    Cornelius Völker
    Vase (Vase), 2021
    oil on canvas
    86 5/8 x 43 1/4 in
    220 x 110 cm
  • Abstract urban architectural watercolor landscape with several black thin straight lines that overlap and intersect the structures Multiple dark purple and light blue splotches cover the paper
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    Driss Ouadahi
    Climb, 2015
    watercolor on paper
    22 x 30 in
    55.9 x 76.2 cm
    Inquire
  • Emil Lukas, Knockamixon Merge #2395, 2026
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    Emil Lukas
    Knockamixon Merge #2395, 2026
    acrylic on canvas over wood panel
    48 x 48 x 2 3/4 in
    121.9 x 121.9 x 7 cm
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  • Two palm trees on the left side of the composition with blue sky background.
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    Gideon Rubin
    Palm Trees, 2021
    oil on canvas
    14 1/8 x 18 1/8 in
    36 x 46 cm
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  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
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    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper and aluminum on brass plate
    38 x 12 1/8 x 12 1/8 in
    96.5 x 30.8 x 30.8 cm
    Tops: 2 1/8 x 2 in
    Rod layout: 4 x 4 (16 total rods)
  • Highly detailed and realistic oil painting on panel of a six by seven grid depicting a variety of insects collectively called Membracidae but more commonly known as treehoppers and thorn bugs Each bug while enlarged is painted proportionally against a loosely painted grassy background
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    Isabella Kirkland
    Membracidae, 2021
    oil on polyester over wood panel
    48 x 36 in
    121.9 x 91.4 cm
    Inquire
  • Jay DeFeo, Untitled (Samurai series), 1986
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    Jay DeFeo
    Untitled (Samurai series), 1986
    acrylic on paper
    49 7/8 x 38 in
    126.7 x 96.5 cm
    Estate no. E2678

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
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  • Jess (Collins), The Visitation (II), 1955
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    Jess (Collins)
    The Visitation (II), 1955
    oil on canvas in the artist's frame
    26 x 24 in
    86.4 x 55.9 cm
    Inquire
  • Jim Campbell, Memory Composite (Giverny), 2024
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    Jim Campbell
    Memory Composite (Giverny), 2024
    custom electronics, 1,152 LEDs, treated plexiglass
    23 1/2 x 45 x 4 1/2 in
    59.7 x 114.3 x 11.4 cm
    Inquire
  • Jutta Haeckel, Skies, 2024
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    Jutta Haeckel
    Skies, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Still image of a video. In the still two tall figurines are placed in the center. The figurine of the left is a porcelain white bride while the figurine to the right is of a shiny metallic silver rabbit with blue jeans. A light out of shot shines down on the figurines and causes the objects to cast a dramatic shadow on the white background beneath them
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    Liliana Porter
    The Riddle / La Charada, 2019
    digital video with sound
    duration: 8:40 minutes
    Inquire
  • Marco Maggi, Turner Box, Complete Coverage on SFMOMA Zone, 2018
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    Marco Maggi
    Turner Box, Complete Coverage on SFMOMA Zone, 2018
    cut paper, plexiglass box
    11 1/2 x 9 x 2 1/2 inches/29.2 x 22.9 x 6.3 cm
    overall with shelf 13 3/4 x 12 x 9 inches
    Inquire
  • Max Gimblett, Paradise, 2022
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    Max Gimblett
    Paradise, 2022
    gesso, resin and red variegated dyed silver leaf on wood panel
    50 x 50 x 2 in
    127 x 127 x 5.1 cm
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  • Thin horizontal lines are painted in gradient hues from white to gray-blue and back to white again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
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    Nicole Phungrasamee Fein
    1072414, 2014
    watercolor on paper
    22 1/8 x 22 1/8 in
    55.9 x 55.9 cm
  • Rina Banerjee, Morning dove, morning love., 2024
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    Rina Banerjee
    Morning dove, morning love., 2024
    acrylic, ink, collage and copper leaf on paper
    18 x 24 in
    45.7 x 61 cm
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  • Panorama view of mountain scape with moon in purple night sky. The purple sky has words written into it.
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    Russell Crotty
    Illuminations at Piedra Blanca, 2021
    ink, color pencil and gouache on museum board
    16 x 80 in
    40.6 x 203.2 cms
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  • Tim Hawkinson, Drinking in the Museum, 2024
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    Tim Hawkinson
    Drinking in the Museum, 2024
    oil on panel
    6 3/4 x 9 in
    17.1 x 22.9 cm
  • Wayne Thiebaud, Delicatessen, 1964/2010
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    Wayne Thiebaud
    Delicatessen, 1964/2010
    watercolor over sugar-lift etching on paper
    image 4 7/8 x 4 7/8 in/12.4 x 12.4 cm
    sheet 14 7/8 x 11 in/37.8 x 27.9 cm

    ⓒ Estate of Wayne Thiebaud/Licensed by VAGA at Artists Rights Society (ARS) NY
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  • William T. Wiley, Animal Looking to the Future, 1995
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    William T. Wiley
    Animal Looking to the Future, 1995
    acrylic on canvas
    69 x 80 in
    175.3 x 203.2 cm
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  • Alexandre Kyungu Mwilambwe, Nzoloko of Northwest Germany, 2020
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    Alexandre Kyungu Mwilambwe
    Nzoloko of Northwest Germany, 2020
    wood dust and glue on found paper
    13 x 11 in
    33 x 28 cm
  • Heavily layered and textured green and white oil paint on linen creates a vertical ombre pattern in which the white on the left fades into a deeper green as it approaches the right The pattern is inspired by a quote from the historical novel Tale of Murasaki written by Liza Dalby in which the protagonist recalls the spring silk patterning worn by courtesans also called Willow
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    Andrea Higgins
    Willow, 2018
    oil on linen
    30 x 21 in
    76.2 x 53.3 cm
  • White and green non-uniform dots create dense cloudy patterns against a dark green canvas.
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    Angelina Pwerle
    Bush Plum (1-911), 2011
    acrylic on canvas
    47 5/8 x 35 7/8 inches/121 x 91.1 cm
  • Watercolor of various grasshoppers in different shapes, sizes and colors. They are spread out on the page.
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    Anonymous
    Bugs, mid 1800s
    ink and watercolor on paper
    12 1/2 x 11 1/2 inches
    31.8 x 29.2 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene mostly in shades of gray, light blue, beige and black. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
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    Bernard Lokai
    Block J, 2016
    acrylic and oil on canvas
    51 1/8 x 135 7/8 inches/345 x 130 cm
    Inquire
  • Birgit Jensen, KINOH I, 2019
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    Birgit Jensen
    KINOH I, 2019
    acrylic on linen
    74 3/4 x 118 1/8 in
    190 x 300 cm
    Inquire
  • Bruce Conner, UNTITLED, 1967
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    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    5 x 3 in
    12.7 x 7.6 cm
    Inquire
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day
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    Christian Houge
    Untitled 5, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
    Inquire
  • Cornelius Völker, Zwei Kerzen (Two Candles), 2025
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    Cornelius Völker
    Zwei Kerzen (Two Candles), 2025
    oil on canvas
    63 x 70 7/8 in
    160 x 180 cm
  • Mixed media triptych of golden pointillism clouds and floating golden contours of chrysanthemums against washes of deep royal blue
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    Crystal Liu
    the lake, 'looking back', 2016
    gouache and watercolor on paper
    44 x 30 inches/111.8 x 76.2 cm
  • Emil Lukas, chandelier hallucination #2385, 2026
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    Emil Lukas
    chandelier hallucination #2385, 2026
    thread, wood, paint, nails
    31 1/2 x 31 1/2 x 3 in
    80 x 80 x 7.6 cm
  • Red and white Cessna plane flies to the right against blue sky and exposed canvas background.
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    Gideon Rubin
    Red Cessna, 2021
    oil on linen
    59 1/8 x 49 1/8 in
    150 x 125 cm
    Inquire
  • Harry Bertoia, Untitled, 1960
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    Harry Bertoia
    Untitled, 1960
    welded and patinated phosphor bronze
    11 1/2 x 16 x 13 1/2 in
    29.2 x 40.6 x 34.3 cm
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  • Highly detailed and realistic oil painting on panel of the four white sheep clones made from the first true clone a sheep named Dolly The four sheep are standing on a sunny fenced plot of green grassy land with a meadow of white flowers behind them
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    Isabella Kirkland
    Dolly's Perfectly Healthy Co-clones, 2018
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Jay DeFeo, Moja, 1987
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    Jay DeFeo
    Moja, 1987
    oil on rag board
    13 1/4 x 16 in
    33.7 x 40.6 cm
    Estate no. E1094

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
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  • Paper collage of various cut outs from nineteen eighties magazines create a surreal scene of a giant blue and purple crystal hand rising up from the bottom left of the piece to touch several white birds flying in a blue sky
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    Jean Conner
    FROZEN HAND, 1983
    paper collage
    10 3/4 x 8 in
    27.1 x 20.3 cm
    Inquire
  • Jess (Collins), One of the Norns Is Dead, 1955/71
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    Jess (Collins)
    One of the Norns Is Dead, 1955/71
    oil on canvas in artist's frame
    33 1/4 x 47 1/4 in
    84.5 x 120 cm
  • Jim Campbell, Motion Color Study #5, 2024
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    Jim Campbell
    Motion Color Study #5, 2024
    custom electronics, 1,152 LEDs, treated plexiglass
    23 1/2 x 45 x 5 1/4 in
    59.7 x 114.3 x 13.3 cm
    Inquire
  • Multi-colored symbols from a variety of different cultures and ethnicities are layered on top of each other and create a three D illusion
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    Julie W. Chang
    Untitled, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 2, 2024
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    Jutta Haeckel
    Fermented Rainbow 2, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Beige paper is peeled back to reveal the face of a white and light brown cheetah with black spots. A tiny human figurine dressed in black is mounted at the lower right of the peeled back paper and lowers its head to gaze at the cheetah below the surface
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    Liliana Porter
    To Get Acquainted, 2011
    figurine and collage on paper
    15 1/4 x 11 1/2 inches/38.7 x 29.2 cm
  • Marco Maggi, Waiting to Surface (white on black), 2019
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    Marco Maggi
    Waiting to Surface (white on black), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Smoothed rosanoble gold leaf layered on quatrefoil cut panel
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    Max Gimblett
    Gold in Grace, 2022
    gesso, resin and Rosanoble gold leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
    Inquire
  • Three horizontal color fields are created from tiny dots – the top is light blue, the middle (widest section) is royal blue, and the bottom is navy blue.
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    Nicole Phungrasamee Fein
    21.03.06.01 Ultramarine Light Sodalight Genuine, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Sculpture of squatting anthropomorphic creature with human skin, webbed feet, rodent-like teeth and voluminous hair. Creature rests its head on its hand and gazes into the distance. From its groin area emerges an oversized, hairy tongue.
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    Patricia Piccinini
    The Builder, 2018
    silicone, fiberglass, hair
    21 1/4 x 15 3/8 x 28 3/8 in
    54 x 39.1 x 72.1 cm
  • Panoramic drawing of a mountain range and starry sky.
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    Russell Crotty
    An Astronomy of Dreams, 2022
    color pencil, gouache and ink on museum board (2)
    16 x 80 in
    40.6 x 203.2 cm
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  • Tim Hawkinson, Uhrmach, 2024
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    Tim Hawkinson
    Uhrmach, 2024
    oil on panel
    13 1/8 x 9 in
    33.3 x 22.9 cm
    Inquire
  • Wayne Thiebaud, Palm Ridge (Study), 1979
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    Wayne Thiebaud
    Palm Ridge (Study), 1979
    colored pencil and graphite on paper
    5 5/8 x 4 1/8 in
    14.3 x 10.5 cm

    ⓒ Estate of Wayne Thiebaud/Licensed by VAGA at Artists Rights Society (ARS) NY
  • William T. Wiley, So My Country Is It Thee, 2002
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    William T. Wiley
    So My Country Is It Thee, 2002
    acrylic on canvas
    32 1/2 x 38 in
    82.5 x 96.5 cm
    Inquire
  • Alexandre Kyungu Mwilambwe, The Scar of the Earth V, 2022
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    Alexandre Kyungu Mwilambwe
    The Scar of the Earth V, 2022
    cut rubber (car tire inner tube)
    74 3/4 x 62 5/8 x 1 5/8 in
    190 x 159 x 4 cm
    Inquire
  • Heavily layered and vibrant red green purple and orange oil paint on linen create two separate unique woven patterns inspired by the silk described in Japanese courtesan Lady Nijo’s autobiography The different red hues in the piece to the left create a criss crossing pattern while on the right green and orange underneath a textured purple create a woven image of a many leaved purple plant
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    Andrea Higgins
    Lady Nijo, 2018
    oil on linen
    diptych, overall 24 x 44 1/2 inches/61 x 113 cm
  • Tiny white dots and splotches of paint create an abstract cloudy pattern against a bright red canvas.
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    Angelina Pwerle
    Bush plum (3-511), 2010
    acrylic on paper
    39 3/8 x 27 3/4 in
    100 x 70.5 cm
    Inquire
  • Dark painting with asterisk shaped forms in shades of dark green morphing against each other in seemingly moving pattern.
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    Anoka Faruqee
    Green C-Curve P-05, 2008
    acrylic on linen
    78 3/4 x 71 3/4 in
    200 x 182.2 cm
    Inquire
  • Anoka Faruqee & David Driscoll, 2024P-26, 2024
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    Anoka Faruqee & David Driscoll
    2024P-26, 2024
    acrylic on linen on panel
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
  • Multicolored background with predominant colors being yellow, red and blue. White textured brushstrokes and other colors overlaid on top.
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    Bernard Lokai
    Beta, 2015
    acrylic on canvas
    39 3/8 x 63 inches/100 x 160 cm
  • Birgit Jensen, AFTERNOON GLOW, 2020
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    Birgit Jensen
    AFTERNOON GLOW, 2020
    acrylic on linen
    18 1/8 x 13 3/4 in
    46 x 35 cm
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  • Bruce Conner, UNTITLED, 1972
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    Bruce Conner
    UNTITLED, 1972
    felt-tip pen on paper
    1 7/8 x 1 7/8 in
    4.8 x 4.8 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day with cloudy mountain peaks in the background. The tarps are completely shaded
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    Christian Houge
    Untitled 13, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
    Inquire
  • Cornelius Völker, Bonbons (Sweets), 2025
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    Cornelius Völker
    Bonbons (Sweets), 2025
    oil on canvas
    78 3/4 x 118 1/8 in
    200 x 300 cm
  • Mixed media triptych landscape of a black and white marbled mountain range A gigantic gold metallic moon peeks out from behind the mountains while multiple thin streams of gold and silver pointillism clouds line the tops of the mountains and hover above
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    Crystal Liu
    the moon and the tides, 'please be gentle', 2016
    collage, gouache, ink and watercolor on paper
    triptych. each panel: 44 x 30 inches/111.8 x 76.2 cm
  • Colorful abstract landscape alludes to garden space with several high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
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    Driss Ouadahi
    Anticipated Distancing 1, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
    Inquire
  • Emil Lukas, ultra marine #2252, 2024
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    Emil Lukas
    ultra marine #2252, 2024
    thread, aluminum, wood, plaster, paint, nails
    27 x 27 x 3 1/2 in
    68.6 x 68.6 x 8.9 cm
  • Blonde woman in blue shirt pointing to the left with her left hand. Woman’s head and lower body are cropped out of the composition.
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    Gideon Rubin
    Untitled, 2021
    oil on linen
    12 1/8 x 14 in
    30.5 x 35.5 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
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    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    88 1/2 x 13 7/8 x 13 7/8 in
    224.8 x 35.2 x 35.2 cm
    Rod layout: 6 x 6 (36 total rods)
    Inquire
  • Several multicolored preserved butterflies in four shallow paper boxes.
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    Isabella Kirkland
    Uraniids, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Jay DeFeo, Untitled, 1973
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    Jay DeFeo
    Untitled, 1973
    gelatin silver print
    7 1/4 x 6 inches
    18.4 x 15.2 cm
    Estate no. P0358

    ⓒ The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
    Inquire
  • Jean Conner, MARBLES MAY 27, 2023, 2023
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    Jean Conner
    MARBLES MAY 27, 2023, 2023
    paper collage
    10 1/4 x 8 3/4 in
    26 x 22.2 cm
    Inquire
  • Framed abstract painting with pastel color palette
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    Jess (Collins)
    Sea Cove, 1952
    oil on canvas in artist's velvet wrapped frame
    frame 19 1/2 x 25 1/2 in / 49.5 x 64.8 cm
  • Jim Campbell, Motion Color Study #3, 2024
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    Jim Campbell
    Motion Color Study #3, 2024
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 4 1/2 in
    86.4 x 114.3 x 11.4 cm
    Inquire
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