Artworks

  • Thin horizontal lines are painted in gradient hues from light yellow to dark yellow to chartreuse, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1050812, 2012
    watercolor on paper
    14 x 14 inches/35.6 x 35.6 cm
  • Nicole Phungrasamee Fein, 1092612, 2012
    Nicole Phungrasamee Fein
    1092612, 2012
    watercolor on paper
    12 x 12 inches paper
    6 x 6 inches image
  • Nicole Phungrasamee Fein, 1101912, 2012
    Nicole Phungrasamee Fein
    1101912, 2012
    watercolor on paper
    14 x 13 3/4 inches/35.6 x 34.9 cm
  • Nicole Phungrasamee Fein, 1110712, 2012
    Nicole Phungrasamee Fein
    1110712, 2012
    watercolor on paper
    14 x 13 3/4 inches/35.6 x 34.9 cm
  • Against white background, thin dark brown horizontal lines cut across green square-shaped color field.
    Nicole Phungrasamee Fein
    1050710, 2010
    watercolor on paper
    15 x 15 inches
    38.1 x 38.1 cms
  • Several horizontal lines in two shades (tan and dark brown) cut across brown square-shaped color field.
    Nicole Phungrasamee Fein
    1101110, 2010
    watercolor on paper
    15 x 15 inches
    38.1 x 38.1 cms
  • Against white background, thin beige horizontal lines cut across green square-shaped color field.
    Nicole Phungrasamee Fein
    1102309, 2009
    watercolor on paper
    15 x 15 inches
    38.1 x 38.1 cms
  • Nicole Phungrasamee Fein, 1091208, 2008
    Nicole Phungrasamee Fein
    1091208, 2008
    watercolor on paper
    9 x 9 inches
    15 x 15 inches paper
  • Nicole Phungrasamee Fein, 1100108, 2008
    Nicole Phungrasamee Fein
    1100108, 2008
    watercolor on paper
    9 x 9 inches
    15 x 15 inches paper
  • Nicole Phungrasamee Fein, 1102707, 2008
    Nicole Phungrasamee Fein
    1102707, 2008
    watercolor on paper
    9 x 9 inches
    15 x 15 inches paper
  • Four separate four-by-four grids arranged in a square shape are set against a white background. Each grid is created from horizontal and vertical lines of many colors that overlap and bleed into each other.
    Nicole Phungrasamee Fein
    1060307, 2007
    watercolor on paper
    18 1/2 x 18 1/2in
    47 x 47 cm
  • Nicole Phungrasamee Fein, Untitled (1052007), 2007
    Nicole Phungrasamee Fein
    Untitled (1052007), 2007
    watercolor on paper
    18 3/8 x 18 3/8 inches/46.5 x 46.5 cm
  • On top of square-shaped tan color field, white and blue horizontal and vertical lines create a ten by 10 grid.
    Nicole Phungrasamee Fein
    Untitled (1070507), 2007
    watercolor on paper
    12.625 x 12.5 inches
    image 6x6
  • A series of many stacked colorful horizontal lines create a square against a white background.
    Nicole Phungrasamee Fein
    Untitled (1071607), 2007
    watercolor on paper
    12.625 x 12.5 inches
    image 6x6
  • Thin bright multicolored horizontal lines against white negative space background. Sets of horizontal lines are broken into three columns, separated by two vertical white lines.
    Nicole Phungrasamee Fein
    Untitled (1081107), 2007
    watercolor on paper
    22 x 22 inches/55.9 x 55.9 cm
  • Horizontal blue lines and brown vertical lines divide a green square-shaped colorfield into a seven by seven grid.
    Nicole Phungrasamee Fein
    Untitled (1081507), 2007
    watercolor on paper
    12.625 x 12.5 inches
    image 6x6
  • A series of fourteen horizontal lines in shades of green separated by thin white lines against a white background. Each line has a thin brown line running horizontally through its center.
    Nicole Phungrasamee Fein
    Untitled (1081607), 2007
    watercolor on paper
    12.625 x 12.5 inches
    image 6x6
  • A series of seven colored horizontal lines separated by thin white lines against a white background. The lines are the following colors, from top to bottom: green, chartreuse, brown, purple, blue, beige, tan.
    Nicole Phungrasamee Fein
    Untitled (1081707), 2007
    watercolor on paper
    12.625 x 12.5 inches
    image 6x6
  • Thin bright multicolored horizontal lines against white negative space background. Sets of horizontal lines are broken into two columns, separated by one vertical white line.
    Nicole Phungrasamee Fein
    Untitled (2052007), 2007
    watercolor on paper
    17.626 x 17.625 inches paper
    11 5/8 x 11 5/8 image
  • Four separate grids arranged in a square shape are set against a white background. Each grid is created from many horizontal and vertical lines of rainbow colors that overlap and bleed into each other.
    Nicole Phungrasamee Fein
    Untitled (2060307), 2007
    watercolor on paper
    17 5/8 x 17 5/8 inches/44.8 x 44.8 cm
  • Soft tan and light pink horizontal and vertical lines create an intricate grid in a square shape against a white background.
    Nicole Phungrasamee Fein
    Untitled (2070407), 2007
    watercolor on paper
    framed
    12.625 x 12.5 inches
    image 6x6
  • Nicole Phungrasamee Fein
    3091706, 2006
    watercolor on paper
    12.5 x 12.325 inches
    31.8 x 31.3 cms
  • Nicole Phungrasamee Fein, rw121805, 2006
    Nicole Phungrasamee Fein
    rw121805, 2006
    watercolor on paper
    22 1/4 x 22 1/4 inches/56.5 x 56.5 cm
  • Nicole Phungrasamee Fein
    Iteration 3063M1, 2003
    watercolor on paper
    13.125 x 12.875 inches
    33.3 x 32.7 cms
  • Nicole Phungrasamee Fein, 020421, 2002
    Nicole Phungrasamee Fein
    020421, 2002
    watercolor on paper
    14 3/4 x 14 1/2 in
    37.5 x 36.8 cm
  • Patricia Piccinini, Birds of Paradise (Blue Nest), 2026
    Patricia Piccinini
    Birds of Paradise (Blue Nest), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Birds of Paradise (Cowboy Smile), 2026
    Patricia Piccinini
    Birds of Paradise (Cowboy Smile), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Birds of Paradise (Energy Connection), 2026
    Patricia Piccinini
    Birds of Paradise (Energy Connection), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Birds of Paradise (Flow of Life), 2026
    Patricia Piccinini
    Birds of Paradise (Flow of Life), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Birds of Paradise (Intimate Circle), 2026
    Patricia Piccinini
    Birds of Paradise (Intimate Circle), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Birds of Paradise (Nurture Cycle), 2026
    Patricia Piccinini
    Birds of Paradise (Nurture Cycle), 2026
    gouache and ink on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, Centrifugal Love Landscape, 2026
    Patricia Piccinini
    Centrifugal Love Landscape, 2026
    synthetic hair, motors, fiberglass, chain
    dimensions vary
  • Patricia Piccinini, Helmed Spirit of Benevolence, 2026
    Patricia Piccinini
    Helmed Spirit of Benevolence, 2026
    glass, resin, brass, concrete
    15 x 12 x 12 1/2 in
    38.1 x 30.5 x 31.8 cm
  • Patricia Piccinini, Helmed Spirit of Insight, 2026
    Patricia Piccinini
    Helmed Spirit of Insight, 2026
    glass, resin, brass, concrete
    16 x 11 x 11 1/2 in
    40.6 x 27.9 x 29.2 cm
  • Patricia Piccinini, Helmed Spirit of Intensity, 2026
    Patricia Piccinini
    Helmed Spirit of Intensity, 2026
    glass, resin, brass, concrete
    18 x 10 1/2 x 10 in
    45.7 x 26.7 x 25.4 cm
  • Patricia Piccinini, The Stalwart, 2026
    Patricia Piccinini
    The Stalwart, 2026
    silicone, fiberglass, hair
    11 3/8 x 9 1/2 x 6 7/8 in
    29 x 24 x 17.5 cm
  • Patricia Piccinini, The Sage, 2025
    Patricia Piccinini
    The Sage, 2025
    silicone, resin
    19 3/4 x 13 3/8 x 13 5/8 in
    50 x 34 x 34.5 cm
  • Patricia Piccinini, Cloudgazer, 2024
    Patricia Piccinini
    Cloudgazer, 2024
    silicone, resin
    18 3/4 x 13 3/4 x 13 1/4 in
    47.5 x 35 x 33.5 cm
  • Patricia Piccinini, The Moment When One of Them Looks Away, 2023
    Patricia Piccinini
    The Moment When One of Them Looks Away, 2023
    graphite on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, The Moment When They Agree, 2023
    Patricia Piccinini
    The Moment When They Agree, 2023
    graphite on paper
    22 x 29 7/8 in
    56 x 76 cm
  • Patricia Piccinini, The Pacifist, 2023
    Patricia Piccinini
    The Pacifist, 2023
    silicone, resin, hair
    13 3/4 x 7 1/2 x 9 7/8 in
    35 x 19 x 25 cm
  • Patricia Piccinini, The Protégé, 2023
    Patricia Piccinini
    The Protégé, 2023
    silicone, resin, hair
    9 7/8 x 18 1/8 x 10 1/4 in
    25 x 46 x 26 cm
  • Sculpture of female hybrid rodent-human creature with a scaly, shell-like garment and red hair. Creature’s mouth is open, exposing sharp teeth. Her fingers feature claw-like nails are painted with bright red polish.
    Patricia Piccinini
    La Brava, 2021
    silicone, fiberglass, hair
    31 1/2 x 17 3/4 x 16 1/2 in
    80 x 45 x 42 cm
  • Patricia Piccinini, The Weaver's Suite (reversed pink yellow), 2019
    Patricia Piccinini
    The Weaver's Suite (reversed pink yellow), 2019
    relief etching and lithograph on paper
    image 17 3/8 x 25 1/4 inches/44 x 64 cm
  • Patricia Piccinini, The Weaver's Suite (reversed yellow green), 2019
    Patricia Piccinini
    The Weaver's Suite (reversed yellow green), 2019
    relief etching and lithograph on paper
    image 17 3/8 x 25 1/4 inches/44 x 64 cm
  • Patricia Piccinini, The Osculating Curve, 2016
    Patricia Piccinini
    The Osculating Curve, 2016
    silicone, fiberglass, human hair
    21 1/4 x 28 3/8 x 11 3/4 in
    54 x 72.1 x 29.8 cm
  • Pia Fries, bolt I, 2025
    Pia Fries
    bolt I, 2025
    oil and screenprint on wood
    41 3/8 x 30 1/4 in
    105 x 77 cm
  • Pia Fries, bolt II, 2025
    Pia Fries
    bolt II, 2025
    oil and screenprint on wood
    43 1/4 x 33 1/8 in
    110 x 84 cm
  • Pia Fries, binom, 2024
    Pia Fries
    binom, 2024
    oil and screenprint on wood
    66 7/8 x 86 5/8 in
    170 x 220 cm
  • Pia Fries, portein, 2024
    Pia Fries
    portein, 2024
    oil and screenprint on wood
    66 7/8 x 86 5/8 in
    170 x 220 cm
  • Abstract mixed media piece of a multicolored exploding mass of various layered and interconnecting geometric patterns, organic forms, and paint splotches against a white background
    Reed Danziger
    An Expression of the Frequency, 2021
    ink, graphite, gouache, acrylic, and watercolor on paper
    17 x 17 in
    43.2 x 43.2 cm
  • Abstract mixed media piece of a multicolored but predominantly blue green and black exploding mass of various layered and interconnecting geometric patterns, swirls, and paint splotches against a white background
    Reed Danziger
    In Greens and Blues, 2021
    ink, graphite, gouache, acrylic and watercolor on paper
    32 x 32 in
    81.3 x 81.3 cm
  • Abstract mixed media piece of a vibrant multicolored exploding mass of various layered and interconnecting geometric patterns, swirls, paint splotches and watercolor washes against a white background
    Reed Danziger
    Tilt and Fall, 2021
    ink, graphite, gouache, acrylic and watercolor on paper
    37 x 36 1/2 in
    94 x 92.7 cm
  • Abstract diptych mixed media piece of two multicolored but predominantly black and blue layered masses of various thin and thick lines, geometric patterns, paint splotches and watercolor washes. The layered forms are located at the center of their respective paper surrounded by white negative space
    Reed Danziger
    A Major/Minor Phase, 2019
    ink, graphite, gouache, acrylic, and watercolor on paper
    diptych
    overall 45 x 90 inches/114.3 x 228.6 cm
    each 45 x 45 inches/114.3 x 114.3 cm
  • Abstract diptych mixed media piece of two multicolored but predominantly black and yellow layered masses of various thin and thick lines, geometric patterns, paint splotches and watercolor washes. The layered forms are located at the center of their respective paper surrounded by white negative space
    Reed Danziger
    Increasing the In-Between, 2019
    ink, graphite, gouache, acrylic and watercolor on paper
    diptych
    overall 37 x 76 inches/94 x 193 cm
    each 37 x 38 inches/94 x 96.5 cm
  • Abstract mixed media piece of a vibrant multicolored exploding mass of various layered and interconnecting geometric patterns, dots, paint splotches and watercolor washes against a white background
    Reed Danziger
    The Invisible Shift, 2019
    ink, graphite, gouache, acrylic, and watercolor on paper
    48 x 45 in
    121.9 x 114.3 cm
  • Abstract mixed media piece of a multicolored exploding mass of various layered and interconnecting geometric patterns, swirls, paint splotches and watercolor washes centered on the paper and surrounded by white negative space
    Reed Danziger
    The Weight of Distance, 2019
    ink, graphite, gouache, acrylic and watercolor on paper
    47 1/2 x 46 in
    120.7 x 116.8 cm
  • Abstract mixed media piece of a vibrant multicolored exploding arching mass of various layered and interconnecting geometric patterns, organic forms, dots, paint splotches and watercolor washes against a white background
    Reed Danziger
    When Time Becomes Nervous, 2019
    ink, graphite, gouache, acrylic and watercolor on paper
    48 x 46 in
    121.9 x 116.8 cm
  • Abstract mixed media piece of a predominantly white exploding cloud form on a black background made out of various layered and interconnecting dots, thin lines, paint splotches, and patterns reminiscent of scientific molecular diagrams
    Reed Danziger
    After the Distant B, 2017
    mixed media on paper on panel
    18 x 18 in
    45.7 x 45.7 cm
  • Abstract mixed media piece of a large multicolored but predominantly black and blue exploding mass of various layered and interconnecting geometric patterns, swirls, paint splotches and drips and watercolor washes surrounded by white negative space
    Reed Danziger
    Expand/Disperse, 2016
    oil, watercolor, and graphite on paper mounted on wood panel
    32 x 34 in
    81.3 x 86.4 cm
  • Abstract diptych mixed media piece of a dominantly black blue and dark green horizontally stretched layered mass of various thin and thick lines, rectangular shapes, paint splotches and watercolor washes. The layered form is located at the center of the diptych surrounded by white negative space
    Reed Danziger
    expansion formation, 2015
    watercolor, ink, gouache and graphite on paper
    diptych
    35 x 46 3/4 inches each panel
    35 x 93 1/2 inches overall
  • Abstract mixed media piece of a predominantly black white and gray torus made out of layered and interconnecting organic forms, paint splotches, watercolor washes, and patterns reminiscent of scientific molecular diagrams against a white background
    Reed Danziger
    disinclination II (on the edge), 2014
    graphite, ink, watercolor and gouache on paper
    22 x 22 inches
    24 3/4 x 24 3/4 inches framed
  • Abstract mixed media piece of a predominantly black white and gray circular mass of layered and interconnecting organic forms, paint splotches, watercolor washes, and patterns reminiscent of scientific molecular diagrams against a white background
    Reed Danziger
    disinclination III (on the edge), 2014
    graphite, ink, watercolor and gouache on paper
    22 x 22 inches
    24 3/4 x 24 3/4 inches framed
  • Abstract mixed media piece of a circular mass of primarily black and white layered and interconnecting geometric patterns, paint splotches, watercolor washes, and constellations against a white background
    Reed Danziger
    out here in the now, 2014
    graphite, ink, watercolor and gouache on paper
    38 x 38 1/4 in
    96.5 x 97.2 cm
  • Abstract mixed media piece of a multicolored and black and white mass of various layered and interconnecting swirls loops and lines extending from the right side of the piece to the left
    Reed Danziger
    rotation refractions, 2014
    graphite, ink, watercolor and gouache on paper
    36 x 35 in
    91.4 x 88.9 cm
  • Abstract mixed media piece of a multicolored but predominantly black and white exploding mass of various layered and interconnecting geometric patterns, swirls, loops, paint splotches, and watercolor washes against a white background
    Reed Danziger
    strange attractor, 2014
    graphite, ink, watercolor and gouache on paper
    40 x 40.5 inches
  • Abstract mixed media piece of a central mass made up of layered and interconnecting multicolored several waves. The waves consist of multiple thin and thick lines, paint drips and white fine line loops. The mass is surrounded by white negative space
    Reed Danziger
    to a degree of which, 2014
    graphite, ink, watercolor and gouache on paper
    35 1/8 x 36 5/8 inches
  • Abstract mixed media piece of a multicolored but predominantly black blue and white exploding mass of various layered and interconnecting geometric patterns, swirls, loops, paint splotches, and watercolor washes against a white background
    Reed Danziger
    unexpected equation, 2014
    graphite, ink, watercolor and gouache on paper
    41 x 41 inches
  • Abstract mixed media piece of a multicolored mass of various layered and interconnecting swirls loops and paint splotches taking up the near entirety of the piece
    Reed Danziger
    Drift II, 2012
    oil, graphite, and silkscreen on paper on panel
    36 x 36 in
  • Abstract mixed media piece of layered and interconnecting multicolored geometric patterns, loops, waves, paint splotches, and patterns reminiscent of scientific molecular diagrams against a light yellow background
    Reed Danziger
    Untitled 91B, 2012
    oil, graphite, and silkscreen on paper on panel
    20 x 20 x 1 1/2 in
  • Reed Danziger, A Continuously Differentiable Function, 2011
    Reed Danziger
    A Continuously Differentiable Function, 2011
    oil, graphite, and silkscreen on paper on panel
    40 x 40 in
    101.6 x 101.6 cm
  • Abstract mixed media piece of layered and interconnecting multicolored geometric patterns, paint splotches, organic forms, loops, swirls, and patterns reminiscent of scientific molecular diagrams against a light beige background
    Reed Danziger
    A Vector Sum of Forces, 2011
    oil, graphite, and silkscreen on paper on panel
    31 x 33 in
    78.7 x 83.8 cm
  • Abstract multicolored mixed media piece against a light blue background of various layered and interconnecting paint splotches and drips, geometric and organic shapes and patterns reminiscent of scientific molecular diagrams taking up the upper portion of the piece
    Reed Danziger
    Semidefinite Motion #3, 2011
    oil, graphite, and silkscreen on paper on panel
    18 x 18 in
  • Abstract mixed media piece of a large multicolored exploding mass of various layered and interconnecting geometric and organic patterns, paint splotches watercolor washes and patterns reminiscent of scientific molecular diagrams against a light beige background
    Reed Danziger
    A Secret Distant Measurement, 2009
    mixed media on paper on wood
    48 x 44 in
    121.9 x 111.8 cm
  • Abstract mixed media piece of a large multicolored but predominantly black white and blue exploding mass of various layered and interconnecting geometric and organic patterns, swirls, paint splotches and watercolor washes and patterns reminiscent of scientific molecular diagrams against a light blue background
    Reed Danziger
    The Interpretation of Variation, 2009
    oil, pencil, pigment & shellac on paper on wood
    32 x 32 in
    81.3 x 81.3 cm
  • Abstract mixed media diptych of a dominantly black and earth toned cloud form made out of various organic shapes, dots and waves, paint splotches and drips, and patterns reminiscent of scientific molecular diagrams. The cloud form is located at the upper center of the piece and surrounded by white negative space
    Reed Danziger
    "an intermediate order 'an equation of motion' ", 2008
    watercolor, gouache, graphite and silkscreen on paper
    56.5 x 104 in
    143.5 x 264.2 cms
  • Ricki Dwyer, Bread and Roses
    Ricki Dwyer
    Bread and Roses
  • Russell Crotty, Auriga, Andromeda and Triangulum Setting Matilija Wilderness, 2024
    Russell Crotty
    Auriga, Andromeda and Triangulum Setting Matilija Wilderness, 2024
    ink and gouache on paper on fiberglass sphere
    24 x 24 x 24 in
    61 x 61 x 61 cm
  • Sarah M. Newton, Point San Quentin (elev. 10 ft), 2026
    Sarah M. Newton
    Point San Quentin (elev. 10 ft), 2026
    ink, gouache and chalk on grey paper
    22 1/2 x 17 in
    57.1 x 43.2 cm
  • Sarah M. Newton, Port Sonoma (elev. 4 ft), 2026
    Sarah M. Newton
    Port Sonoma (elev. 4 ft), 2026
    ink, gouache and chalk on tan paper
    22 1/4 x 17 in
    56.5 x 43.2 cm
Page
 6 
of 19