• Jutta Haeckel, Skies, 2024
    Jutta Haeckel
    Skies, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Still image of a video. In the still two tall figurines are placed in the center. The figurine of the left is a porcelain white bride while the figurine to the right is of a shiny metallic silver rabbit with blue jeans. A light out of shot shines down on the figurines and causes the objects to cast a dramatic shadow on the white background beneath them
    Liliana Porter
    The Riddle / La Charada, 2019
    digital video with sound
    duration: 8:40 minutes
  • Marco Maggi, Turner Box, Complete Coverage on SFMOMA Zone, 2018
    Marco Maggi
    Turner Box, Complete Coverage on SFMOMA Zone, 2018
    cut paper, plexiglass box
    11 1/2 x 9 x 2 1/2 inches/29.2 x 22.9 x 6.3 cm
    overall with shelf 13 3/4 x 12 x 9 inches
  • Max Gimblett, Paradise, 2022
    Max Gimblett
    Paradise, 2022
    gesso, resin and red variegated dyed silver leaf on wood panel
    50 x 50 x 2 in
    127 x 127 x 5.1 cm
  • Thin horizontal lines are painted in gradient hues from white to gray-blue and back to white again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1072414, 2014
    watercolor on paper
    22 1/8 x 22 1/8 in
    55.9 x 55.9 cm
  • From top: a pink, white, and blue sculpture with a pineapple-like top and tentacle-like bottom.
    Patricia Piccinini
    Shoeform (Angiosperm), 2020
    resin, automotive paint
    23 1/4 x 28 3/8 x 28 3/8 in
    59 x 72 x 72 cm
  • Rina Banerjee, Morning dove, morning love., 2024
    Rina Banerjee
    Morning dove, morning love., 2024
    acrylic, ink, collage and copper leaf on paper
    18 x 24 in
    45.7 x 61 cm
  • Panorama view of mountain scape with moon in purple night sky. The purple sky has words written into it.
    Russell Crotty
    Illuminations at Piedra Blanca, 2021
    ink, color pencil and gouache on museum board
    16 x 80 in
    40.6 x 203.2 cms
  • Tim Hawkinson, Drinking in the Museum, 2024
    Tim Hawkinson
    Drinking in the Museum, 2024
    oil on panel
    6 3/4 x 9 in
    17.1 x 22.9 cm
  • William T. Wiley, Animal Looking to the Future, 1995
    William T. Wiley
    Animal Looking to the Future, 1995
    acrylic on canvas
    69 x 80 in
    175.3 x 203.2 cm
  • Alexandre Kyungu Mwilambwe, Nzoloko of Northwest Germany, 2020
    Alexandre Kyungu Mwilambwe
    Nzoloko of Northwest Germany, 2020
    wood dust and glue on found paper
    13 x 11 in
    33 x 28 cm
  • Heavily layered and textured green and white oil paint on linen creates a vertical ombre pattern in which the white on the left fades into a deeper green as it approaches the right The pattern is inspired by a quote from the historical novel Tale of Murasaki written by Liza Dalby in which the protagonist recalls the spring silk patterning worn by courtesans also called Willow
    Andrea Higgins
    Willow, 2018
    oil on linen
    30 x 21 in
    76.2 x 53.3 cm
  • White and green non-uniform dots create dense cloudy patterns against a dark green canvas.
    Angelina Pwerle
    Bush Plum (1-911), 2011
    acrylic on canvas
    47 5/8 x 35 7/8 inches/121 x 91.1 cm
  • Dark painting with multi-hued green and blue asterisk shaped forms morphing and moving in waves against each other
    Anoka Faruqee
    The Rain in Maine, 2010
    oil on linen
    56 1/4 x 51 1/4 in
    142.9 x 130.2 cm
  • Multi-colored paint layered to create pink and copper circular moiré effects
    Anoka Faruqee & David Driscoll
    2021P-01, 2021
    acrylic on linen on panel
    32 x 32 in
    81.3 x 81.3 cm

    Photo by Liz Calvi @liz_calvi
  • Watercolor of various grasshoppers in different shapes, sizes and colors. They are spread out on the page.
    Anonymous
    Bugs, mid 1800s
    ink and watercolor on paper
    12 1/2 x 11 1/2 inches
    31.8 x 29.2 cm
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene mostly in shades of gray, light blue, beige and black. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Block J, 2016
    acrylic and oil on canvas
    51 1/8 x 135 7/8 inches/345 x 130 cm
  • Birgit Jensen, KINOH I, 2019
    Birgit Jensen
    KINOH I, 2019
    acrylic on linen
    74 3/4 x 118 1/8 in
    190 x 300 cm
  • Bruce Conner, UNTITLED, 1967
    Bruce Conner
    UNTITLED, 1967
    felt-tip pen on paper
    5 x 3 in
    12.7 x 7.6 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day
    Christian Houge
    Untitled 5, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
  • Cornelius Völker, Zwei Kerzen (Two Candles), 2025
    Cornelius Völker
    Zwei Kerzen (Two Candles), 2025
    oil on canvas
    63 x 70 7/8 in
    160 x 180 cm
  • Mixed media triptych of golden pointillism clouds and floating golden contours of chrysanthemums against washes of deep royal blue
    Crystal Liu
    the lake, 'looking back', 2016
    gouache and watercolor on paper
    44 x 30 inches/111.8 x 76.2 cm
  • Red and white Cessna plane flies to the right against blue sky and exposed canvas background.
    Gideon Rubin
    Red Cessna, 2021
    oil on linen
    59 1/8 x 49 1/8 in
    150 x 125 cm
  • Harry Bertoia, Untitled, 1960
    Harry Bertoia
    Untitled, 1960
    welded and patinated phosphor bronze
    11 1/2 x 16 x 13 1/2 in
    29.2 x 40.6 x 34.3 cm
  • Highly detailed and realistic oil painting on panel of the four white sheep clones made from the first true clone a sheep named Dolly The four sheep are standing on a sunny fenced plot of green grassy land with a meadow of white flowers behind them
    Isabella Kirkland
    Dolly's Perfectly Healthy Co-clones, 2018
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Paper collage of various cut outs from nineteen eighties magazines create a surreal scene of a giant blue and purple crystal hand rising up from the bottom left of the piece to touch several white birds flying in a blue sky
    Jean Conner
    FROZEN HAND, 1983
    paper collage
    10 3/4 x 8 in
    27.1 x 20.3 cm
  • Jess (Collins), One of the Norns Is Dead, 1955/71
    Jess (Collins)
    One of the Norns Is Dead, 1955/71
    oil on canvas in artist's frame
    33 1/4 x 47 1/4 in
    84.5 x 120 cm
  • Jim Campbell, Motion Color Study #5, 2024
    Jim Campbell
    Motion Color Study #5, 2024
    custom electronics, 1,152 LEDs, treated plexiglass
    23 1/2 x 45 x 5 1/4 in
    59.7 x 114.3 x 13.3 cm
  • An image of a scenery of a road.
    Judith Belzer
    HalfEmptyHalfFull #16, 2018
    oil on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Multi-colored symbols from a variety of different cultures and ethnicities are layered on top of each other and create a three D illusion
    Julie W. Chang
    Untitled, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 2, 2024
    Jutta Haeckel
    Fermented Rainbow 2, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Beige paper is peeled back to reveal the face of a white and light brown cheetah with black spots. A tiny human figurine dressed in black is mounted at the lower right of the peeled back paper and lowers its head to gaze at the cheetah below the surface
    Liliana Porter
    To Get Acquainted, 2011
    figurine and collage on paper
    15 1/4 x 11 1/2 inches/38.7 x 29.2 cm
  • Marco Maggi, Waiting to Surface (white on black), 2019
    Marco Maggi
    Waiting to Surface (white on black), 2019
    cut paper on Dibond
    24 x 18 inches/61 x 45.7 cm
  • Smoothed rosanoble gold leaf layered on quatrefoil cut panel
    Max Gimblett
    Gold in Grace, 2022
    gesso, resin and Rosanoble gold leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • Three horizontal color fields are created from tiny dots – the top is light blue, the middle (widest section) is royal blue, and the bottom is navy blue.
    Nicole Phungrasamee Fein
    21.03.06.01 Ultramarine Light Sodalight Genuine, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Sculpture of squatting anthropomorphic creature with human skin, webbed feet, rodent-like teeth and voluminous hair. Creature rests its head on its hand and gazes into the distance. From its groin area emerges an oversized, hairy tongue.
    Patricia Piccinini
    The Builder, 2018
    silicone, fiberglass, hair
    21 1/4 x 15 3/8 x 28 3/8 in
    54 x 39.1 x 72.1 cm
  • Rina Banerjee, Head Strong, in new skin, this bird she could walk strong going forward in bare feet, iron feet, ballsy and benevolent she wheeled freedom out and about like her sun's rays, 2024
    Rina Banerjee
    Head Strong, in new skin, this bird she could walk strong going forward in bare feet, iron feet, ballsy and benevolent she wheeled freedom out and about like her sun's rays, 2024
    upholstered head, brocade fabric, cobbler shoe forms, beads, shells, gilt wood bird, serving spoons, synthetic hair, tassels, light bulbs
    25 x 13 x 13 in
    63.5 x 33 x 33 cm
  • Panoramic drawing of a mountain range and starry sky.
    Russell Crotty
    An Astronomy of Dreams, 2022
    color pencil, gouache and ink on museum board (2)
    16 x 80 in
    40.6 x 203.2 cm
  • Tim Hawkinson, Uhrmach, 2024
    Tim Hawkinson
    Uhrmach, 2024
    oil on panel
    13 1/8 x 9 in
    33.3 x 22.9 cm
  • William T. Wiley, So My Country Is It Thee, 2002
    William T. Wiley
    So My Country Is It Thee, 2002
    acrylic on canvas
    32 1/2 x 38 in
    82.5 x 96.5 cm
  • Alexandre Kyungu Mwilambwe, The Scar of the Earth V, 2022
    Alexandre Kyungu Mwilambwe
    The Scar of the Earth V, 2022
    cut rubber (car tire inner tube)
    74 3/4 x 62 5/8 x 1 5/8 in
    190 x 159 x 4 cm
  • Heavily layered and vibrant red green purple and orange oil paint on linen create two separate unique woven patterns inspired by the silk described in Japanese courtesan Lady Nijo’s autobiography The different red hues in the piece to the left create a criss crossing pattern while on the right green and orange underneath a textured purple create a woven image of a many leaved purple plant
    Andrea Higgins
    Lady Nijo, 2018
    oil on linen
    diptych, overall 24 x 44 1/2 inches/61 x 113 cm
  • Tiny white dots and splotches of paint create an abstract cloudy pattern against a bright red canvas.
    Angelina Pwerle
    Bush plum (3-511), 2010
    acrylic on paper
    39 3/8 x 27 3/4 in
    100 x 70.5 cm
  • Dark painting with asterisk shaped forms in shades of dark green morphing against each other in seemingly moving pattern.
    Anoka Faruqee
    Green C-Curve P-05, 2008
    acrylic on linen
    78 3/4 x 71 3/4 in
    200 x 182.2 cm
  • Anoka Faruqee & David Driscoll, 2024P-26, 2024
    Anoka Faruqee & David Driscoll
    2024P-26, 2024
    acrylic on linen on panel
    60 x 60 in
    152.4 x 152.4 cm
  • Multicolored background with predominant colors being yellow, red and blue. White textured brushstrokes and other colors overlaid on top.
    Bernard Lokai
    Beta, 2015
    acrylic on canvas
    39 3/8 x 63 inches/100 x 160 cm
  • Birgit Jensen, AFTERNOON GLOW, 2020
    Birgit Jensen
    AFTERNOON GLOW, 2020
    acrylic on linen
    18 1/8 x 13 3/4 in
    46 x 35 cm
  • Bruce Conner, UNTITLED, 1972
    Bruce Conner
    UNTITLED, 1972
    felt-tip pen on paper
    1 7/8 x 1 7/8 in
    4.8 x 4.8 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day with cloudy mountain peaks in the background. The tarps are completely shaded
    Christian Houge
    Untitled 13, 2019
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
  • Cornelius Völker, Bonbons (Sweets), 2025
    Cornelius Völker
    Bonbons (Sweets), 2025
    oil on canvas
    78 3/4 x 118 1/8 in
    200 x 300 cm
  • Mixed media triptych landscape of a black and white marbled mountain range A gigantic gold metallic moon peeks out from behind the mountains while multiple thin streams of gold and silver pointillism clouds line the tops of the mountains and hover above
    Crystal Liu
    the moon and the tides, 'please be gentle', 2016
    collage, gouache, ink and watercolor on paper
    triptych. each panel: 44 x 30 inches/111.8 x 76.2 cm
  • Colorful abstract landscape alludes to garden space with several high rise buildings in the background A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Anticipated Distancing 1, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
  • Blonde woman in blue shirt pointing to the left with her left hand. Woman’s head and lower body are cropped out of the composition.
    Gideon Rubin
    Untitled, 2021
    oil on linen
    12 1/8 x 14 in
    30.5 x 35.5 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    88 1/2 x 13 7/8 x 13 7/8 in
    224.8 x 35.2 x 35.2 cm
    Rod layout: 6 x 6 (36 total rods)
  • Several multicolored preserved butterflies in four shallow paper boxes.
    Isabella Kirkland
    Uraniids, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Jean Conner, MARBLES MAY 27, 2023, 2023
    Jean Conner
    MARBLES MAY 27, 2023, 2023
    paper collage
    10 1/4 x 8 3/4 in
    26 x 22.2 cm
  • Framed abstract painting with pastel color palette
    Jess (Collins)
    Sea Cove, 1952
    oil on canvas in artist's velvet wrapped frame
    frame 19 1/2 x 25 1/2 in / 49.5 x 64.8 cm
  • Jim Campbell, Motion Color Study #3, 2024
    Jim Campbell
    Motion Color Study #3, 2024
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 4 1/2 in
    86.4 x 114.3 x 11.4 cm
  • Judith Belzer, Untitled, What Goes Up series, 2024
    Judith Belzer
    Untitled, What Goes Up series, 2024
    gouache and masking fluid on paper
    42 x 105 in
    106.7 x 266.7 cm
  • Layers of icons in different colors. Recognizable icons: Hamsas, Om symbols, Asian characters, lotus flowers, and swords.
    Julie W. Chang
    Lotusaumswords, 2021
    acrylic and resin on panel
    11 3/4 x 11 3/4 x 1 1/2 in
    29.8 x 29.8 x 3.8 cm
  • Jutta Haeckel, Fermented Rainbow 1, 2024
    Jutta Haeckel
    Fermented Rainbow 1, 2024
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Marco Maggi, Dating Data, 2018
    Marco Maggi
    Dating Data, 2018
    cut paper on museum board
    60 x 40 in
    152.4 x 101.6 cm
  • Dark multi-colored dyed silver leaf on quatrefoil cut panel
    Max Gimblett
    The Perfect Wisdom, 2022
    gesso, resin and Northern Lights dyed silver leaf on wood panel
    15 x 15 x 2 in
    38.1 x 38.1 x 5.1 cm
  • White horizontal and vertical grid lines lines separate squares of bright rainbow colors, creating grid of twelve by twelve squares.
    Nicole Phungrasamee Fein
    Untitled (1081807), 2007
    watercolor on paper
    18 1/2 x 18 1/2 in
    46.8 x 46.8 cm
  • Braided yellow and black plant-like shape that has long roots and three branches At the end of each branch there is a small tan and black lobe with a red hood. The plant is outlined by bright blue and red thick lines.
    Patricia Piccinini
    Metaflora (three lobes), 2014
    ink and gouache on paper
    22 1/2 x 30 1/4 in
    57.1 x 76.8 cm
  • Rina Banerjee, Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    Rina Banerjee
    Affinity and intimacy, no excess of miracles could explain my elephant my self as one., 2024
    acrylic, ink and collage on paper
    22 x 15 in
    55.9 x 38.1 cm
  • A hanging sphere shows a starry sky over a mountain range with a milky-white band vertically in the center
    Russell Crotty
    Milky Way Over Ojai Ridges, 2022
    ink and gouache on paper on fiberglass sphere
    36 x 36 x 36 in
    91.4 x 91.4 x 91.4 cm
  • Tim Hawkinson, Fig Pic, 2024
    Tim Hawkinson
    Fig Pic, 2024
    oil on panel
    11 1/2 x 8 3/4 in
    29.2 x 22.2 cm
  • An image of graphite drawing of a map with a colorful hanging piece
    William T. Wiley
    Agent Orange, 1983
    acrylic, graphite, ink and mixed media on canvas
    91 x 128 in
    231.1 x 325.1 cm
  • Alexandre Kyungu Mwilambwe, Look It In, 2016
    Alexandre Kyungu Mwilambwe
    Look It In, 2016
    engraving, incision and acrylic on wood door (both sides pictured)
    79 1/8 x 24 in
    201 x 61 cm
  • Heavily layered and textured vibrant purple and white oil paint on linen creates a zoomed in portrait of the woven fabrics of the purple ribbon component of the Purple Heart military medal
    Andrea Higgins
    Purple Heart (Self Portrait), 2018
    oil on linen
    27 x 72 inches/68.6 x 182.9 cm
  • Against a black background, an abstract cloudy pattern is created from clusters of yellow non-uniform dots.
    Angelina Pwerle
    Bush plum (2-616), 2016
    acrylic on canvas
    31 1/2 x 23 5/8 inches/80 x 60 cm
  • Vibrant pink tinted painting with pink purple and light blue asterisk shaped forms morphing and moving in waves against each other which then fade into a hot pink as they move to the right side of the piece
    Anoka Faruqee
    Freehand Fade to Magenta Ground, 2007
    flashe vinyl on linen on panel
    56.66 x 46.18 inches
    143.8 x 117.2 cms
  • Anoka Faruqee & David Driscoll, 2024P-25, 2024
    Anoka Faruqee & David Driscoll
    2024P-25, 2024
    acrylic on linen on panel
    45 x 45 in
    114.3 x 114.3 cm
  • Multiple silkscreen layers of black blue pink and yellow form a constructed landscape of a burry and heavily pixelated distant riverbank with two black silhouettes of thin trees that branch out as they approach the top of the piece. In the upper center of the work is a small light gray circle alluding to a full moon
    Birgit Jensen
    KAGAMI RU, 2017
    acrylic on canvas
    27 3/8 x 20 1/2 in
    69.5 x 52.1 cm
  • Digital panoramic landscape photograph of dirty white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day The majority of the tarps are darkened and shaded especially in the valleys of the ridges
    Christian Houge
    Untitled 17, 2017
    archival pigment print
    26 x 78 3/4 in
    66 x 200 cm
  • Cornelius Völker, Vase, 2025
    Cornelius Völker
    Vase, 2025
    oil on canvas
    47 1/4 x 51 1/8 in
    120 x 130 cm
  • Mixed media landscape with gold and silver pointillism streams pouring down from the top and crashing against the black and white marbled mountain tops at the bottom of the piece. Multiple light pink watercolor washed peonies hang down from the top while a gold metallic moon floats off center and towards the right of the piece
    Crystal Liu
    the fog, "through thick and thin", 2020
    gouache, watercolor, collage and ink on paper
    50 x 40 inches/127 x 101.6 cm
  • Colorful abstract landscape alludes to several high white rise buildings amongst garden space with a purple night sky A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Anticipated Distancing 2, 2020
    oil on canvas
    15 3/4 x 18 1/2 in
    40 x 47 cm
  • Stacked mixed media blocks which fit together showing their textured and multi-colored sides Each layer can be removed and stand alone to reveal the intricacies of their surfaces
    Emil Lukas
    44 islands on the Swiss Marin border, 2007
    mixed media on plaster, canvas, paper
    61 1/2 x 11 1/2 x 15 1/4 inches/156.2 x 29.2 x 38.7 cm
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