Artworks

  • Mansur Nurullah, Yellow River, 2015-16
    Mansur Nurullah
    Yellow River, 2015-16
    found textiles, thread
    38 x 49 in
    96.5 x 124.5 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    10 x 18 in
    25.4 x 45.7 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    13 x 20 in
    33 x 50.8 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    12 x 22 1/2 in
    30.5 x 57.1 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    9 3/4 x 10 in
    24.8 x 25.4 cm
  • Marco Maggi, ECONOMY OF ATTENTION (black), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (black), 2024
    cut paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Marco Maggi, ECONOMY OF ATTENTION (blue), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (blue), 2024
    cut paper on Dibond
    12 x 12 in
    30.5 x 30.5 cm
  • Marco Maggi, ECONOMY OF ATTENTION (white), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (white), 2024
    cut paper on Dibond
    12 x 12 in
    30.5 x 30.5 cm
  • Marco Maggi, ECONOMY OF ATTENTION (yellow), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (yellow), 2024
    cut paper on paper on Dibond
    36 x 24 in
    91.4 x 61 cm
  • Front view of a 5x8 grid of rectangular foil slides, each with unique raised linear designs, in white mounts.
    Marco Maggi
    Blind Slides, 2022
    drypoint on foil in forty 35mm slide mounts
    24 x 18 in
    61 x 45.7 cm
  • A clear convex disk with etchings set on a dark grey background.
    Marco Maggi
    Crystalline (left), 2022
    engraving on magnifying glass
    20 x 20 x 4 in
    50.8 x 50.8 x 10.2 cm
  • Front view of a 16x22 grid of gold rectangles on a white background.
    Marco Maggi
    Gold Slides, 2022
    cuts and folds on paper in 35mm slide mounts
    48 x 36 in
    121.9 x 91.4 cm
  • Top angled view of a metal-handled paint roller on a black background. Variety of white, blue, red, and yellow 1D cutouts attached to black roller head.
    Marco Maggi
    Rolling Quotes, 2022
    cut paper on paper on roller
    6 x 4 in
    15.2 x 10.2 cm
  • 16x22 grid of silver rectangles on a white background in a white frame.
    Marco Maggi
    SILVER SLIDES, 2022
    cuts and folds on paper in 35mm slide mounts
    48 x 36 in
    121.9 x 91.4 cm
  • Millions of minuscule white dots make a vertical rectangle on a bright blue background.
    Marco Maggi
    Tiny Tyrannies (blue), 2022
    cut paper on blue Dibond
    48 x 36 in
    121.9 x 91.4 cm
  • Millions of white, blue, red, and yellow 1D and 3D cutouts on a white background.
    Marco Maggi
    Tiny Tyrannies (grey), 2022
    cut paper on paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Hundreds of minuscule 1D white cutouts on a white background with scattered 3D white flaps.
    Marco Maggi
    Tiny Tyrannies (grey), 2022
    cut paper on paper on Dibond
    36 x 24 in
    91.4 x 61 cm
  • Millions of black, white, yellow, and red 1D and 3D cutouts on a white background.
    Marco Maggi
    Tiny Tyrannies (white), 2022
    cut paper on paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Miniature light grey icons scattered across a white background.
    Marco Maggi
    Abstract & Title, 2021
    pencil on clay
    20 x 16 in
    50.8 x 40.6 cm
  • Plexiglass box with a grid of 9 clear windows. Border colors: White, upper left third; Black, upper right two-thirds; Neon yellow, bottom half.
    Marco Maggi
    Complete Coverage on Ellsworth Kelly, 2021
    cut paper, plexiglass box
    8 x 8 x 2 in
    20.3 x 20.3 x 5.1 cm
  • Marco Maggi & Jim Campbell, Almost Indecipherable 2, 2024
    Marco Maggi & Jim Campbell
    Almost Indecipherable 2, 2024
    custom electronics, LEDs, acrylic, resin block
    16 x 23 x 5 in
    40.6 x 58.4 x 12.7 cm
  • Max Gimblett, Honor, 2025-26
    Max Gimblett
    Honor, 2025-26
    acrylic, water-based size, platinum leaf on wood panel
    15 x 15 in
    38.1 x 38.1 cm
  • Max Gimblett, Valor, 2025-26
    Max Gimblett
    Valor, 2025-26
    acrylic, water-based size, Rosanoble gold leaf on wood panel
    15 x 15 in
    38.1 x 38.1 cm
  • Max Gimblett, Goldfield, 2025
    Max Gimblett
    Goldfield, 2025
    acrylic, water-based size, Rosanoble gold leaf on canvas, diptych
    each panel 36 x 36 in/91.4 x 91.4 cm
    overall 36 x 72 in/91.4 x 182.9 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade cotton rag paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Ring Around the Rosie, 2025
    Max Gimblett
    Ring Around the Rosie, 2025
    acrylic, water-based size, platinum leaf on canvas
    24 x 18 in
    61 x 45.7 cm
  • Max Gimblett, The Edge of Night, 2024
    Max Gimblett
    The Edge of Night, 2024
    acrylic, aquasize, and Chinese pewter leaf on canvas
    80 x 80 x 2 in
    203.2 x 203.2 x 5.1 cm
  • Max Gimblett, Untitled, 2006
    Max Gimblett
    Untitled, 2006
    pencil and ink on Indian Khadi paper
    22 x 29 in
    55.9 x 73.7 cm
  • Max Gimblett, Untitled, 2006
    Max Gimblett
    Untitled, 2006
    pencil and ink on Arches cold press watercolor paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    22 x 30 in
    55.9 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    22 x 30 in
    55.9 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Primitive - After Delacroix, 2001
    Max Gimblett
    Primitive - After Delacroix, 2001
    ink, Swiss gold, moon gold and blue variegated leaf on Indian jute paper
    30 3/4 x 21 3/4 in
    78.1 x 55.2 cm
  • Max Gimblett, Untitled, 2001
    Max Gimblett
    Untitled, 2001
    ink and pencil on paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Untitled, 2001
    Max Gimblett
    Untitled, 2001
    pencil and ink on Arches cold press watercolor paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Vessel - 1,2,3,4,5,6, 2001
    Max Gimblett
    Vessel - 1,2,3,4,5,6, 2001
    ink, copper, moon gold and Swiss gold on Indian jute paper
    30 1/2 x 21 1/2 in
    77.5 x 54.6 cm
  • Max Gimblett, Her Visit, 2000
    Max Gimblett
    Her Visit, 2000
    ink and Swiss gold on Indian jute paper
    31 x 21 1/2 in
    78.7 x 54.6 cm
  • Max Gimblett, 2 - Sided, 1998
    Max Gimblett
    2 - Sided, 1998
    acrylic polymer and pencil on Arches watercolor paper
    30 x 22 in
    76.2 x 55.9 cm
  • Max Gimblett, Study for Ying-Yang - 2, 1997
    Max Gimblett
    Study for Ying-Yang - 2, 1997
    acrylic polymer, gold leaf and pen on handmade paper
    17 x 21 1/2 in
    43.2 x 54.6 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Nicole Phungrasamee Fein, Daydream 11, 2025
    Nicole Phungrasamee Fein
    Daydream 11, 2025
    pigment ink on paper
    sheet
    18 x 15 in
    45.7 x 38.1 cm
  • Nicole Phungrasamee Fein, Daydream 2, 2024
    Nicole Phungrasamee Fein
    Daydream 2, 2024
    pigment ink on paper
    sheet
    15 x 12 in
    38.1 x 30.5 cm
  • Nicole Phungrasamee Fein, Sky, 2023
    Nicole Phungrasamee Fein
    Sky, 2023
    pigmented felt-tip pen and archival ink jet on rag paper
    49 1/2 x 36 in
    125.7 x 91.4 cm
  • Nicole Phungrasamee Fein, Weather, 2023
    Nicole Phungrasamee Fein
    Weather, 2023
    pigmented felt tip pen and archival ink jet on rag paper
    42 x 38 in
    106.7 x 96.5 cm
  • Nicole Phungrasamee Fein, 22.03.29.01 French Ultramarine Sodalite Genuine, 2022
    Nicole Phungrasamee Fein
    22.03.29.01 French Ultramarine Sodalite Genuine, 2022
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Nicole Phungrasamee Fein, 22.03.30.01 French Ultramarine Phthalo Blue Red Shade Sodalite Genuine, 2022
    Nicole Phungrasamee Fein
    22.03.30.01 French Ultramarine Phthalo Blue Red Shade Sodalite Genuine, 2022
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Against a white background, brown square is created from tiny dots with a perimeter of yellow, green, purple and red on each side. The corners of the square are entirely different colors created from the overlapping of the perimeter colors.
    Nicole Phungrasamee Fein
    21.08.12.01 Cadmium Yellow Deep Hue Serpentine Genuine Sleeping Beauty Turquoise Genuine Cerulean Blue Chromium Hooker’s Green Rose of Ultramarine Quinacridone Rose Cadmium Orange Hue Cadmium Red Purple, 2021
    watercolor on paper
    10 x 10 in
    25.4 x 25.4 cm
  • Against a white background, blue and brown scalloped orb is made of tiny dots. Towards the center of the circle, dots become smaller and denser, creating the appearance of a solid blue color.
    Nicole Phungrasamee Fein
    21.08.19.01 Lunar Blue Mayan Dark Blue Phthalo Blue (Red Shade) Marine Blue, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Around the perimeter of a rust colored square made of tiny dots, lines in blue and red overlap with yellow to create orange and green offset lines, set against white background.
    Nicole Phungrasamee Fein
    21.08.22.01 Cobalt Blue Cadmium Yellow Deep Hue Pyrrol Red, 2021
    watercolor on paper
    18 x 18 in
    45.7 x 45.7 cm
  • Around the perimeter of brown circle, layered triangles in blue, yellow and red create an overlapping, geometric, flower-like pattern against white background. The overlapping of the triangles also creates orange, purple and green sections of the flowered pattern.
    Nicole Phungrasamee Fein
    21.08.31.01 Cobalt Blue Hue Cadmium Yellow Deep Hue Pyrrol Red, 2021
    watercolor on paper
    18 x 18 in
    45.7 x 45.7 cm
  • Around the perimeter of a burnt yellow circle, layered bright yellow triangles create an overlapping, geometric, flower-like pattern against white background.
    Nicole Phungrasamee Fein
    21.09.01.01 Nickel Azo Yellow, 2021
    watercolor on paper
    18 x 18 in
    45.7 x 45.7 cm
  • Nine colorfields create a square shape against a white background. The color field around the square’s perimeter are yellow, orange, pink, purple, gray, blue, turquoise, green, and they all overlap to create the central brown colorfield.
    Nicole Phungrasamee Fein
    21.10.03.01 Aussie Red Gold Quinacridone Rose Blue Apatite Genuine Jadeite Genuine Sodalite Genuine, 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Nicole Phungrasamee Fein, 21.10.18.01 Cobalt Blue Pyrrol Red Cadmium Yellow Deep Hue, 21.10.09.01 Cadmium Yellow Deep Hue Cobalt Blue Pyrrol Red, 21.08.24.01 Pyrrol Red Cadmium Yellow Deep Hue Cobalt Blue, 2021
    Nicole Phungrasamee Fein
    21.10.18.01 Cobalt Blue Pyrrol Red Cadmium Yellow Deep Hue, 21.10.09.01 Cadmium Yellow Deep Hue Cobalt Blue Pyrrol Red, 21.08.24.01 Pyrrol Red Cadmium Yellow Deep Hue Cobalt Blue, 2021
    watercolor on paper (triptych)
    each
    18 x 18 in
    45.7 x 45.7 cm
    overall framed: 18 1/4 x 54 3/4 in
  • Twenty-two horizontal blue lines made of tiny dots are set against a plain white background.
    Nicole Phungrasamee Fein
    21.10.26.01 Phthalo Blue (Red Shade), 2021
    watercolor on paper
    8 x 8 in
    20.3 x 20.3 cm
  • Against a white background, several circles made of tiny dots of a single pastel color that overlap to form a flower-like pattern in colors created from the layering.
    Nicole Phungrasamee Fein
    21.10.27.01 Phthalo Blue (Red Shade) Serpentine Genuine Cadmium Orange Hue Marine Blue Quinacridone Rose Scarlet Lake Hooker's Green Cadmium Yellow Deep Hue, 2021
    watercolor on paper
    8 x 8 in
    20.3 x 20.3 cm
  • Against a white background, blue and black circle is made of tiny dots. Towards the center of the circle, dots become smaller and denser, creating the appearance of a solid blue color.
    Nicole Phungrasamee Fein
    21.11.02.01 Lunar Black Phthalo Blue (Red Shade), 2021
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Against white background, a scalloped black ring surrounds white center and becomes dark gray towards its outer perimeter.
    Nicole Phungrasamee Fein
    1010115, 2015
    watercolor on heavyweight paper
    image 5 x 5 inches
    paper 8 x 8 inches
    framed 8 1/4 x 8 1/4
  • Nicole Phungrasamee Fein, 1121914, 2015
    Nicole Phungrasamee Fein
    1121914, 2015
    watercolor on heavyweight paper
    image 5 x 5 inches
    paper 8 x 8 inches
    framed 8 1/4 x 8 1/4
  • Thin scalloped black ring white center against white background.
    Nicole Phungrasamee Fein
    1122314, 2015
    watercolor on heavyweight paper
    image 5 x 5 inches
    paper 8 x 8 inches
    framed 8 1/4 x 8 1/4
  • Nicole Phungrasamee Fein, 1111414, 2014
    Nicole Phungrasamee Fein
    1111414, 2014
    watercolor on heavyweight paper
    image 16 x 16 inches
    paper 22 x 22 inches
    framed 22 3/8 x 22 3/8 inches
  • Thin horizontal lines are painted in gradient hues from light gray to dark gray and back to light gray again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1111714, 2014
    watercolor on paper
    8 x 8 in
    20.3 x 20.3 cm
  • Thin horizontal lines are painted in gradient hues from white to dark gray, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1121614, 2014
    watercolor on heavyweight paper
    image: 5 x 5 inches
    framed: 8 1/4 x 8 1/4 inches
  • Thin horizontal lines are painted in gradient hues from light pink to red and back to light pink again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1012913, 2013
    watercolor on paper
    22 x 22 in
    55.9 x 55.9 cm
  • Nicole Phungrasamee Fein, 1073113, 2013
    Nicole Phungrasamee Fein
    1073113, 2013
    watercolor on paper
    12 x 12 in
    30.5 x 30.5 cm
  • Thin horizontal lines are painted in gradient hues from light blue to royal blue and back to light blue again, creating a square color field. The gradient effect is created from the overlapping of the horizontal lines.
    Nicole Phungrasamee Fein
    1111613, 2013
    watercolor on paper
    22 x 22 in
    55.9 x 55.9 cm
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