• Abstract mixed media piece of a predominantly white exploding cloud form on a black background made out of various layered and interconnecting dots, thin lines, paint splotches, and patterns reminiscent of scientific molecular diagrams
    Reed Danziger
    After the Distant B, 2017
    mixed media on paper on panel
    18 x 18 in
    45.7 x 45.7 cm
  • Abstract mixed media piece of a large multicolored but predominantly black and blue exploding mass of various layered and interconnecting geometric patterns, swirls, paint splotches and drips and watercolor washes surrounded by white negative space
    Reed Danziger
    Expand/Disperse, 2016
    oil, watercolor, and graphite on paper mounted on wood panel
    32 x 34 in
    81.3 x 86.4 cm
  • Abstract diptych mixed media piece of a dominantly black blue and dark green horizontally stretched layered mass of various thin and thick lines, rectangular shapes, paint splotches and watercolor washes. The layered form is located at the center of the diptych surrounded by white negative space
    Reed Danziger
    expansion formation, 2015
    watercolor, ink, gouache and graphite on paper
    diptych
    35 x 46 3/4 inches each panel
    35 x 93 1/2 inches overall
  • Abstract mixed media piece of a predominantly black white and gray torus made out of layered and interconnecting organic forms, paint splotches, watercolor washes, and patterns reminiscent of scientific molecular diagrams against a white background
    Reed Danziger
    disinclination II (on the edge), 2014
    graphite, ink, watercolor and gouache on paper
    22 x 22 inches
    24 3/4 x 24 3/4 inches framed
  • Abstract mixed media piece of a predominantly black white and gray circular mass of layered and interconnecting organic forms, paint splotches, watercolor washes, and patterns reminiscent of scientific molecular diagrams against a white background
    Reed Danziger
    disinclination III (on the edge), 2014
    graphite, ink, watercolor and gouache on paper
    22 x 22 inches
    24 3/4 x 24 3/4 inches framed
  • Abstract mixed media piece of a circular mass of primarily black and white layered and interconnecting geometric patterns, paint splotches, watercolor washes, and constellations against a white background
    Reed Danziger
    out here in the now, 2014
    graphite, ink, watercolor and gouache on paper
    38 x 38 1/4 in
    96.5 x 97.2 cm
  • Abstract mixed media piece of a multicolored and black and white mass of various layered and interconnecting swirls loops and lines extending from the right side of the piece to the left
    Reed Danziger
    rotation refractions, 2014
    graphite, ink, watercolor and gouache on paper
    36 x 35 in
    91.4 x 88.9 cm
  • Abstract mixed media piece of a multicolored but predominantly black and white exploding mass of various layered and interconnecting geometric patterns, swirls, loops, paint splotches, and watercolor washes against a white background
    Reed Danziger
    strange attractor, 2014
    graphite, ink, watercolor and gouache on paper
    40 x 40.5 inches
  • Abstract mixed media piece of a central mass made up of layered and interconnecting multicolored several waves. The waves consist of multiple thin and thick lines, paint drips and white fine line loops. The mass is surrounded by white negative space
    Reed Danziger
    to a degree of which, 2014
    graphite, ink, watercolor and gouache on paper
    35 1/8 x 36 5/8 inches
  • Abstract mixed media piece of a multicolored but predominantly black blue and white exploding mass of various layered and interconnecting geometric patterns, swirls, loops, paint splotches, and watercolor washes against a white background
    Reed Danziger
    unexpected equation, 2014
    graphite, ink, watercolor and gouache on paper
    41 x 41 inches
  • Abstract mixed media piece of a multicolored mass of various layered and interconnecting swirls loops and paint splotches taking up the near entirety of the piece
    Reed Danziger
    Drift II, 2012
    oil, graphite, and silkscreen on paper on panel
    36 x 36 in
  • Abstract mixed media piece of layered and interconnecting multicolored geometric patterns, loops, waves, paint splotches, and patterns reminiscent of scientific molecular diagrams against a light yellow background
    Reed Danziger
    Untitled 91B, 2012
    oil, graphite, and silkscreen on paper on panel
    20 x 20 x 1 1/2 in
  • Reed Danziger, A Continuously Differentiable Function, 2011
    Reed Danziger
    A Continuously Differentiable Function, 2011
    oil, graphite, and silkscreen on paper on panel
    40 x 40 in
    101.6 x 101.6 cm
  • Abstract mixed media piece of layered and interconnecting multicolored geometric patterns, paint splotches, organic forms, loops, swirls, and patterns reminiscent of scientific molecular diagrams against a light beige background
    Reed Danziger
    A Vector Sum of Forces, 2011
    oil, graphite, and silkscreen on paper on panel
    31 x 33 in
    78.7 x 83.8 cm
  • Abstract multicolored mixed media piece against a light blue background of various layered and interconnecting paint splotches and drips, geometric and organic shapes and patterns reminiscent of scientific molecular diagrams taking up the upper portion of the piece
    Reed Danziger
    Semidefinite Motion #3, 2011
    oil, graphite, and silkscreen on paper on panel
    18 x 18 in
  • Abstract mixed media piece of a large multicolored exploding mass of various layered and interconnecting geometric and organic patterns, paint splotches watercolor washes and patterns reminiscent of scientific molecular diagrams against a light beige background
    Reed Danziger
    A Secret Distant Measurement, 2009
    mixed media on paper on wood
    48 x 44 in
    121.9 x 111.8 cm
  • Abstract mixed media piece of a large multicolored but predominantly black white and blue exploding mass of various layered and interconnecting geometric and organic patterns, swirls, paint splotches and watercolor washes and patterns reminiscent of scientific molecular diagrams against a light blue background
    Reed Danziger
    The Interpretation of Variation, 2009
    oil, pencil, pigment & shellac on paper on wood
    32 x 32 in
    81.3 x 81.3 cm
  • Abstract mixed media diptych of a dominantly black and earth toned cloud form made out of various organic shapes, dots and waves, paint splotches and drips, and patterns reminiscent of scientific molecular diagrams. The cloud form is located at the upper center of the piece and surrounded by white negative space
    Reed Danziger
    "an intermediate order 'an equation of motion' ", 2008
    watercolor, gouache, graphite and silkscreen on paper
    56.5 x 104 in
    143.5 x 264.2 cms
  • Russell Crotty, Auriga, Andromeda and Triangulum Setting Matilija Wilderness, 2024
    Russell Crotty
    Auriga, Andromeda and Triangulum Setting Matilija Wilderness, 2024
    ink and gouache on paper on fiberglass sphere
    24 x 24 x 24 in
    61 x 61 x 61 cm
  • Stefan Kürten, Badlands, 2025
    Stefan Kürten
    Badlands, 2025
    acrylic and ink on carved wood
    27 1/2 x 19 3/4 in
    70 x 50 cm
  • Stefan Kürten, Pallid Reflection, 2024
    Stefan Kürten
    Pallid Reflection, 2024
    acrylic, ink and mother of pearl on linen
    31 1/2 x 39 3/8 in
    80 x 100 cm
  • Stefan Kürten, Silenced, 2024
    Stefan Kürten
    Silenced, 2024
    acrylic, ink and mother-of-pearl on paper on wood panel
    13 x 19 in
    33 x 48 cm
  • Stefan Kürten, Sunsets and Beautiful Endings, 2023
    Stefan Kürten
    Sunsets and Beautiful Endings, 2023
    acrylic and ink on linen
    39 x 31 1/2 in
    99.1 x 80 cm
  • Mid Century modern house and patio in front of a cluster of barren trees. House reflects in pool. Scene is painted in sepia tones with metallic undertones.
    Stefan Kürten
    A Hazy Shade of Winter, 2019
    acrylic and ink on paper
    23 1/2 x 33 in
    59.7 x 83.8 cm
  • Against orange sky and palm trees, scene is of Mid Century modern house, patio with colorful lounge chairs and pool (with house’s reflection). Scene is painted in sepia tones.
    Stefan Kürten
    Casting Shadows, 2019
    acrylic and ink on paper
    23 1/2 x 33 in
    59.7 x 83.8 cm
  • Set against palm trees and orange and blue sky, scene is of Mid Century modern house, patio and pool. Scene is painted in sepia tones with metallic undertones.
    Stefan Kürten
    Once Upon a Time, 2019
    acrylic and ink on paper
    23 1/2 x 33 in
    59.7 x 83.8 cm
  • Single-story home with large pool is set in front of dark yellow sky. Small daisy flowers float in front of domestic setting and sky.
    Stefan Kürten
    Silent, 2019
    acrylic and ink on paper
    11 3/4 x 8 1/4 inches/29.8 x 21 cm
  • Orange and white mansion reflects into pool with patio. Dark trees encroach on night sky. Bottom right corner of canvas features an oversized black mobile.
    Stefan Kürten
    Everything Counts, 2018
    acrylic and ink on paper
    23 1/2 x 33 in
    59.7 x 83.8 cm
  • Against a blue sky, modern house with brick and glass exterior is set in front of patio with pool and many sculptures. Tree branch with leaves droops in the foreground.
    Stefan Kürten
    Medication, 2018
    acrylic and ink on paper
    11 3/4 x 8 1/4 in
    29.8 x 21 cm
  • Stefan Kürten, Sound of the Suburbs, 2018
    Stefan Kürten
    Sound of the Suburbs, 2018
    acrylic and ink on paper
    24 x 33 in
    61 x 83.8 cm
  • Single-story Mid Century modern house with patio and large pool. House is surrounded by a palm tree and other foliage against a patterned sky. Scene is painted in sepia tones.
    Stefan Kürten
    Wish You Were Here, 2018
    acrylic and ink on linen
    59 1/8 x 47 in
    150.2 x 119.4 cm
  • Foliage encroaches on symmetrical house with brick walkway leading to two brick circular pools that reflect the house. Scene is painted in sepia and metallic tones with gold background.
    Stefan Kürten
    Before Dark, 2017
    acrylic and ink on paper
    23 5/8 x 33 1/8 inches/60 x 84 cm
  • Dark trees outstretch into golden sky. Modern glass home and outdoor patio reflect into pool out front.
    Stefan Kürten
    Illusions, 2017
    acrylic and ink on paper
    23 5/8 x 33 1/8 inches/60 x 84 cm
  • Single-story modern home with glass walls, large wooden awnings and brick fireplace is depicted from a side view. Bright lounge chairs are on patio with decaying lawn out front.
    Stefan Kürten
    The Evening Star, 2017
    acrylic and ink on paper
    23 5/8 x 33 1/8 inches/60 x 84 cm
  • In sepia tones, stone sculpture stands in front of modern house with large glass windows that reveal domestic setting inside house. Behind house are several skeleton-like trees and blue and yellow sky.
    Stefan Kürten
    Through the Haze, 2017
    acrylic and ink on paper
    23 5/8 x 33 1/8 in
    60 x 84 cm
  • Stefan Kürten, Withdrawnness, 2017
    Stefan Kürten
    Withdrawnness, 2017
    acrylic and ink on paper
    33 x 24 in
    83.8 x 61 cm
  • Superimposed over cloudy gold and green background is dense web of vines with leaves and flowers. Interwoven with vines are small recognizable symbols and motifs from daily life as well as small written words.
    Stefan Kürten
    Perfect World, 2016/2017
    oil on canvas
    110 1/4 x 145 5/8 inches/280 x 370 cm
  • Expansive single-story modern home with large glass windows reflects into pool out front. Tree branches hang over house, partially obscuring golden sky.
    Stefan Kürten
    Deep Insight, 2016
    acrylic and ink on paper
    23 5/8 x 33 1/8 in
    60 x 84.1 cm
  • In dark tones, modern house reflects into pool out front. Domestic settings illuminated by yellow lamps can be seen through large windows. Glowing tree hangs menacingly over sky.
    Stefan Kürten
    Insight, 2016
    acrylic and ink on paper
    11 3/4 x 8 1/4 inches/29.7 x 21 cm
  • Against a dark blue sky, trees overhang a single-story house with a patio, lawn chairs and a pool that contains the building’s reflection.
    Stefan Kürten
    Blue Clouds, 2015
    acrylic and ink on paper
    23 5/8 x 33 1/8 inches/60 x 84 cm
  • Stefan Kürten, Heile Welt (Perfect World), 2015
    Stefan Kürten
    Heile Welt (Perfect World), 2015
    acrylic and ink on paper
    24 x 33 in
    61 x 83.8 cm
  • Single story Mid Century modern home with patio, small man-made pond and yellowing front lawn. Trees, bright glow from sun, and golden sky are all visible from behind house. Scene is painted in golden sepia tones.
    Stefan Kürten
    Don't let the Sun go down, 2014
    acrylic and ink on linen
    59 1/8 x 47 1/4 inches/150.2 x 120 cm
  • Mid Century modern wood paneled home features series of glass windows that reflect foliage and nature scene from the outside. Beneath house are fallen tree trunks, large rocks and small growing trees. Scene is painted in warm sepia tones.
    Stefan Kürten
    Waking Light, 2014
    acrylic and ink on linen
    59 1/8 x 47 1/4 inches/150.2 x 120 cm
  • Beneath dark turquoise and golden sky, oversized shrub towers over single-story brick house with thatched roof. Pool with lawn chairs in foreground.
    Stefan Kürten
    Arbor Vitae, 2013
    ink and acrylic on primed paper
    11 3/4 x 8 1/4 inches/29.8 x 21 cm
  • Stefan Kürten, Ashes Everywhere, 2013
    Stefan Kürten
    Ashes Everywhere, 2013
    acrylic and ink on linen
    59 1/8 x 47 1/4 in
    150.2 x 120 cm
  • Spiral staircase in fancy commercial building stands underneath tiled ceiling. Scene is painted mostly in shades of black and gold with multi-colored tiled ceiling.
    Stefan Kürten
    Spiral, 2013
    ink and acrylic on primed paper
    11 3/4 x 8 1/4 inches/29.8 x 21 cm
  • Stefan Kürten, Everybody Hurts, 2009
    Stefan Kürten
    Everybody Hurts, 2009
    acrylic and ink on linen
    75 x 106 in
    190.5 x 269.2 cm
  • Interior of domed wooden building features white stars on the ceiling and walls. Large circular light fixtures hang down over commercial area.
    Stefan Kürten
    Once in a lifetime, 2008/2009
    oil and pigmented gesso on linen
    39 1/2 x 31 1/2 inches/100.3 x 80 cm
  • Stefan Kürten, Haus der Luege, 2008
    Stefan Kürten
    Haus der Luege, 2008
    oil on linen
    59 x 47 in
    149.9 x 119.4 cm
  • Stefan Kürten, In My Head, 2008
    Stefan Kürten
    In My Head, 2008
    acrylic and ink on linen
    23 1/2 x 19 in
    60 x 48.3 cm
  • Layered urban scenes render an indistinguishable collage of patterns including brick and different types of fences. Scene is depicted in reddish tones.
    Stefan Kürten
    There's No Home for You Here, 2008
    oil on linen
    74 3/4 x 57 1/8 in
    190 x 145 cm
  • Stefan Kürten, Trains and Boats and Planes, 2008
    Stefan Kürten
    Trains and Boats and Planes, 2008
    acrylic on canvas
    87 x 118 in
    221 x 299.7 cm
  • Corner view of brick four-story building with buildings on each side. There are three cars parked on sidewalk and a pile of construction rubble. Splotchy sky in yellow and blue tones.
    Stefan Kürten
    Blow Wind Blow, 2004
    oil and gold/bronze on canvas
    46 x 58 inches/116.8 x 147.3 cm
  • Chrome colored boulder with two screens mounted on top. The screens show stills from the videos of a fluid chrome shape metamorphosing into other shapes.
    Surabhi Saraf
    Awoke, 2018, 2018
    two BrightSign players, iridescent acrylic and molded foam
    62 3/8 x 38 x 21 in
    158.4 x 96.5 x 53.3 cm
  • Still from video performance. Background is glowing purple. On the left side of the image, two hands extend toward a television screen. On the right side of the screen, a girl with braids faces a second television screen that backs up to the first TV in the middle of the image.
    Surabhi Saraf
    The Awokened, 2018
    Single channel HD video
    duration: 1:37 min
  • Still from large video installation. In video, two people are wearing red or blue polo shirts, black pants and blue latex gloves. They are dancing in a stiff, mechanical fashion.
    Surabhi Saraf
    Capsules, 2014
    2-channel video with sound
    3:53 minutes
  • Still from video installation. Tall black box with four screens mounted near the top of each side. The screens show rows of red pills pointed horizontally.
    Surabhi Saraf
    Red & Blue Alu-Alu, 2014
    4-channel video box sculpture
    1:13 minutes
  • Still from video installation. In video, people standing on scratched red floor is are dancing in a stiff and mechanical manner.
    Surabhi Saraf
    Tablets, 2014
    single-channel HD video with 4-channel sound
    4 minutes
  • 96 video frames arranged in an eight-by-twelve grid. In each frame, Surabhi Saraf is seated on a white couch folding green laundry. The video plays on the frames in a coordinated manner to create patterns of movement within the grid.
    Surabhi Saraf
    FOLD, 2010
    video
    duration: 7:36 mins
  • 96 video frames arranged in an eight-by-twelve grid. In each frame, Surabhi Saraf is seated on a white couch folding three large sheets (one white, one patterned and pink, one red). The video plays on the frames in a coordinated manner to create patterns of movement within the grid.
    Surabhi Saraf
    FOLD, 2010
    QuickTime 1080p high definition video
    7 minutes 36 seconds
  • Tyrell Collins, Backlit Sphere on White (2), 2025
    Tyrell Collins
    Backlit Sphere on White (2), 2025
    graphite on paper
    18 x 18 in
    45.7 x 45.7 cm
  • Alexandre Kyungu Mwilambwe, La frontière trouée (The Hole in the Border), 2023
    Alexandre Kyungu Mwilambwe
    La frontière trouée (The Hole in the Border), 2023
    cut rubber (car tire inner tube), triptych
    81 1/8 x 105 1/8 x 7 7/8 in
    206 x 267 x 20 cm
  • Heavily layered and textured paint on canvas creates a woven pattern of four yellow and white flower buds with thin red stems against a navy background The pattern is inspired by a dress worn by Michelle Obama in twenty sixteen
    Andrea Higgins
    Michelle (Wu), 2021
    oil on linen
    30 x 21 in
    76.2 x 53.3 cm
  • Non-uniform white dots create an abstract cloudy pattern against dark gray background.
    Angelina Pwerle
    Bush Plum (1-719), 2019
    acrylic on linen
    35 7/8 x 59 1/8 in
    91 x 150 cm
  • Vibrant pink tinted painting with red pink green and blue asterisk shaped forms morphing and moving in waves against each other
    Anoka Faruqee
    Pink S-Curve, 2010
    acrylic on linen
    78 3/4 x 71 3/4 in
    200 x 182.2 cm
  • Anoka Faruqee & David Driscoll, 2023P-03, 2023
    Anoka Faruqee & David Driscoll
    2023P-03, 2023
    acrylic on linen on panel
    23 x 23 in
    58.4 x 58.4 cm
  • Japanese stone sculpture with two cubes as base and pointed/angular top.
    Anonymous
    Hokyointo, 1522, dated 2nd year of Daiei Era (1521-1528)
    Shuzan-Kitayama stone
    38 x 18 x 17 1/2 inches
    96.5 x 45.7 x 44.5 cm
  • Camping tent illuminated with warm orange light is surrounded by a grassy field and a forest of trees.
    Ben McLaughlin
    Wednesday February 23 2011: An Irish Journalist Has Tried To Make A Citizen's Arrest On The Israeli Foreign Minister At The E.U. Israel Association In Brussels, 2010-2011
    oil on linen
    16 x 24 inches/40.6 x 61 cm
  • Birgit Jensen, KINOH II, 2020
    Birgit Jensen
    KINOH II, 2020
    acrylic on linen
    76 3/4 x 145 5/8 in
    195 x 370 cm
  • Black ink on beige paper; living room scene with armchair, rug and end table, with pattered wall behind. Shapes are formed by erratic and heavy line work.
    Bruce Conner
    STILL LIFE WICHITA, 1963
    felt-tip pen on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Digital panoramic landscape photograph of bright white tarps blanketing the rough multiple ridged surface of the Swiss Rhône Glacier during the day
    Christian Houge
    Untitled 14, 2018
    archival pigment print
    39 3/8 x 118 1/8 in
    100 x 300 cm
  • Installation view of Vase.
    Cornelius Völker
    Vase (Vase), 2021
    oil on canvas
    86 5/8 x 43 1/4 in
    220 x 110 cm
  • Abstract urban architectural watercolor landscape with several black thin straight lines that overlap and intersect the structures Multiple dark purple and light blue splotches cover the paper
    Driss Ouadahi
    Climb, 2015
    watercolor on paper
    22 x 30 in
    55.9 x 76.2 cm
  • Layers of multi-colored threads strung across a rectangular wooden and plaster panel create the effect of a large bright glowing light blue center that is enclosed by a thin dark brown border
    Emil Lukas
    Bright Silence #1057, 2011
    thread over wood frame with paint and nails
    64 x 52 x 3 1/2 inches/162.6 x 132.1 x 8.9 cm
  • Two palm trees on the left side of the composition with blue sky background.
    Gideon Rubin
    Palm Trees, 2021
    oil on canvas
    14 1/8 x 18 1/8 in
    36 x 46 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper and aluminum on brass plate
    38 x 12 1/8 x 12 1/8 in
    96.5 x 30.8 x 30.8 cm
    Tops: 2 1/8 x 2 in
    Rod layout: 4 x 4 (16 total rods)
  • Highly detailed and realistic oil painting on panel of a six by seven grid depicting a variety of insects collectively called Membracidae but more commonly known as treehoppers and thorn bugs Each bug while enlarged is painted proportionally against a loosely painted grassy background
    Isabella Kirkland
    Membracidae, 2021
    oil on polyester over wood panel
    48 x 36 in
    121.9 x 91.4 cm
  • Jess (Collins), The Visitation (II), 1955
    Jess (Collins)
    The Visitation (II), 1955
    oil on canvas in the artist's frame
    26 x 24 in
    86.4 x 55.9 cm
  • Jim Campbell, Memory Composite (Giverny), 2024
    Jim Campbell
    Memory Composite (Giverny), 2024
    custom electronics, 1,152 LEDs, treated plexiglass
    23 1/2 x 45 x 4 1/2 in
    59.7 x 114.3 x 11.4 cm
  • Judith Belzer, All That Is Solid #29, 2022
    Judith Belzer
    All That Is Solid #29, 2022
    oil on canvas
    60 x 80 in
    152.4 x 203.2 cm
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