• Multiple vertical lines with small gray circles create alternating sections of light and deep pink within each line In the background large thick lines of light and navy blue horizontally alternate
    Lordy Rodriguez
    Untitled #878, 2016
    ink on paper
    10 x 14 in
    25.4 x 35.6 cm
  • A thin long winding yellow trail with multiple small blue circles snakes across the rectangular paper and forks off to form a small city-like grid towards the bottom right corner In the background is a pattern of vertical yellow orange red and white lines that evenly grow and shrink in thickness
    Lordy Rodriguez
    Untitled #879, 2016
    ink on paper
    10 x 14 in
    25.4 x 35.6 cm
  • Multi-colored zig-zag lines and a large irregular shape in the center of the piece which is filled with small blue circles come together to form an abstract map of Lake Tahoe. In the upper center of the piece in a dark red color reads the words Lake Tahoe and in the colorful zig-zag areas there are several smaller names of nearby towns and familiar brands associated with the region
    Lordy Rodriguez
    Lake Tahoe, 2014
    ink on paper
    98 x 146 1/2 in
    248.9 x 372.1 cm
  • Silhouette of a geographical land mass is split into several multi-colored and patterned factions and is surrounded by a bright blue background At the top center of the piece the word Chinatown is written in yellow and outlined in red Throughout the piece several Mandarin names streets and business are scattered about
    Lordy Rodriguez
    San Francisco Neighborhood - Chinatown, 2013
    ink on paper
    32 x 21 in
    81.3 x 53.3 cm
  • Silhouette of the geographical San Francisco primarily Italian neighborhood North Beach are split into several multi-colored and patterned factions and are surrounded by a bright blue background In the top center of the piece the words North Beach are outlined in red and green and throughout the piece several other Italian names streets and business are scattered about
    Lordy Rodriguez
    San Francisco Neighborhood - North Beach, 2013
    ink on paper
    32 x 21 in
    81.3 x 53.3 cm
  • A deep yellow cursive line snakes across the rectangular surface of the paper in a manner that alludes to a ribbon flowing in the air In the background a pattern of multi-hued blue vertical zig-zags cascade down the paper
    Lordy Rodriguez
    Untitled 803 (Amish Reality), 2012
    ink on paper
    36 x 22 in
    91.4 x 55.9 cm
  • Various earth-toned shapes and thin red lines together form a geographically inaccurate map of the United States of America which is surrounded by a blue grid at the left and right and multi-hued purples at the top and bottom With maroon writing the names fifty states are scattered across the piece and at the bottom center the words United States of America can be read
    Lordy Rodriguez
    United States Map I (The Untied States of America), 2010
    ink on paper
    56 x 46 in
    142.2 x 116.8 cm
  • Multi-colored, map of the multiple native North American tribes with a title at the top reading in big black bold letters United States of Tribal Sovereignties Each color used on the land map corresponds to an individual native nation and each nation is labeled in multiple columns along the bottom of the piece
    Lordy Rodriguez
    United States Map IV (Tribal Sovereignties), 2010
    ink on paper
    70 x 40 in
    177.8 x 101.6 cm
  • A large light salmon pink irregular circle is partially seen from the bottom center of the piece Multiple purple lines branch out from the circle and reach out into the light green background that surrounds the shape
    Lordy Rodriguez
    Untitled #585, 2010
    ink on paper
    10 x 14 in
    25.4 x 35.6 cm
  • LOT-EK, #6 3D Circle Side+Top "K" + Letter "C" Table/Bench, 2023
    LOT-EK
    #6 3D Circle Side+Top "K" + Letter "C" Table/Bench, 2023
    steel, paint, wood
    18 x 86 x 54 in
    45.7 x 218.4 x 137.2 cm
  • LED strips in curvilinear shapes inside a steel rim on the floor
    LOT-EK
    Spacer Light 1, 2023
    steel, rubber, LED strip light
    20 x 20 x 4 in
    50.8 x 50.8 x 10.2 cm
  • Mansur Nurullah, Untitled, 2023
    Mansur Nurullah
    Untitled, 2023
    found textiles, polyester felt, thread, grommets
    13 x 9 1/2 in
    33 x 24.1 cm
  • Mansur Nurullah, Untitled No. 23, 2023
    Mansur Nurullah
    Untitled No. 23, 2023
    found textiles, found rope, speaker wire, polyester, thread
    9 1/2 x 11 1/2 x 1 1/4 in
    24.1 x 29.2 x 3.2 cm
  • Mansur Nurullah, Youth Guidance, 2023
    Mansur Nurullah
    Youth Guidance, 2023
    found textiles, polyester felt, thread
    13 1/2 x 21 3/4 in
    34.3 x 55.2 cm
  • Mansur Nurullah, Hunter's Point Power Plant, 2021-23
    Mansur Nurullah
    Hunter's Point Power Plant, 2021-23
    found textiles, polyester felt, polyester thread, grommets
    30 x 52 x 3 in
    76.2 x 132.1 x 7.6 cm
  • Mansur Nurullah, Friendships, 2021-22
    Mansur Nurullah
    Friendships, 2021-22
    found textiles, polyester, thread, grommets
    60 x 62 in
    152.4 x 157.5 cm
  • Mansur Nurullah, It's in the Air (1929-2006), 2021
    Mansur Nurullah
    It's in the Air (1929-2006), 2021
    found textiles, polyester, thread, grommets
    48 x 68 in
    121.9 x 172.7 cm
  • Mansur Nurullah, Covid, George, Allies and Distance, 2020
    Mansur Nurullah
    Covid, George, Allies and Distance, 2020
    found textiles, polyester felt, found herbs, thread, grommets
    48 x 94 in
    121.9 x 238.8 cm
  • Mansur Nurullah, Study No. 1 (Amnon, Freeway), 2020
    Mansur Nurullah
    Study No. 1 (Amnon, Freeway), 2020
    found textiles, thread
    29 x 51 x 12 in
    73.7 x 129.5 x 30.5 cm
  • Mansur Nurullah, Untitled No. 19, 2020
    Mansur Nurullah
    Untitled No. 19, 2020
    found textiles, found rope, fake fur, speaker wire, bike tire, polyester, thread
    16 x 21 x 5 in
    40.6 x 53.3 x 12.7 cm
  • Mansur Nurullah, Aphasia, 2019
    Mansur Nurullah
    Aphasia, 2019
    found textiles, found rope, speaker wire, polyester, thread, grommets
    18 x 24 x 5 in
    45.7 x 61 x 12.7 cm
  • Mansur Nurullah, Untitled No. 17, 2019
    Mansur Nurullah
    Untitled No. 17, 2019
    found textiles, found rope, bike tire, speaker wire, polyester, thread
    28 x 27 x 9 1/2 in
    71.1 x 68.6 x 24.1 cm
  • Mansur Nurullah, Ida B Wells 1979, 2018
    Mansur Nurullah
    Ida B Wells 1979, 2018
    found textiles, polyester, thread, grommets
    80 x 84 in
    203.2 x 213.4 cm
  • Mansur Nurullah, Avoiding Triangulation, 2016
    Mansur Nurullah
    Avoiding Triangulation, 2016
    discarded outdoor fabric, salvaged truck tarp, batting, thread
    53 x 124 in
    134.6 x 315 cm
  • Mansur Nurullah, Blue with Yellow Jetty, 2016
    Mansur Nurullah
    Blue with Yellow Jetty, 2016
    outdoor fabric scraps, truck tarp, thread, batting, grommets
    29 x 45 in
    73.7 x 114.3 cm
  • Mansur Nurullah, Yellow River, 2015-16
    Mansur Nurullah
    Yellow River, 2015-16
    found textiles, thread
    38 x 49 in
    96.5 x 124.5 cm
  • Mansur Nurullah, Green, 2014-15
    Mansur Nurullah
    Green, 2014-15
    found textiles, polyester, thread, grommets
    44 x 75 in
    111.8 x 190.5 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    10 x 18 in
    25.4 x 45.7 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    13 x 20 in
    33 x 50.8 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    12 x 22 1/2 in
    30.5 x 57.1 cm
  • Mansur Nurullah, Untitled, 2008-09
    Mansur Nurullah
    Untitled, 2008-09
    found textile, nylon thread
    9 3/4 x 10 in
    24.8 x 25.4 cm
  • Marco Maggi, ECONOMY OF ATTENTION (black), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (black), 2024
    cut paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Marco Maggi, ECONOMY OF ATTENTION (blue), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (blue), 2024
    cut paper on Dibond
    12 x 12 in
    30.5 x 30.5 cm
  • Marco Maggi, ECONOMY OF ATTENTION (white), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (white), 2024
    cut paper on Dibond
    12 x 12 in
    30.5 x 30.5 cm
  • Marco Maggi, ECONOMY OF ATTENTION (yellow), 2024
    Marco Maggi
    ECONOMY OF ATTENTION (yellow), 2024
    cut paper on paper on Dibond
    36 x 24 in
    91.4 x 61 cm
  • Front view of a 5x8 grid of rectangular foil slides, each with unique raised linear designs, in white mounts.
    Marco Maggi
    Blind Slides, 2022
    drypoint on foil in forty 35mm slide mounts
    24 x 18 in
    61 x 45.7 cm
  • A clear convex disk with etchings set on a dark grey background.
    Marco Maggi
    Crystalline (left), 2022
    engraving on magnifying glass
    20 x 20 x 4 in
    50.8 x 50.8 x 10.2 cm
  • Front view of a 16x22 grid of gold rectangles on a white background.
    Marco Maggi
    Gold Slides, 2022
    cuts and folds on paper in 35mm slide mounts
    48 x 36 in
    121.9 x 91.4 cm
  • Top angled view of a metal-handled paint roller on a black background. Variety of white, blue, red, and yellow 1D cutouts attached to black roller head.
    Marco Maggi
    Rolling Quotes, 2022
    cut paper on paper on roller
    6 x 4 in
    15.2 x 10.2 cm
  • 16x22 grid of silver rectangles on a white background in a white frame.
    Marco Maggi
    SILVER SLIDES, 2022
    cuts and folds on paper in 35mm slide mounts
    48 x 36 in
    121.9 x 91.4 cm
  • Millions of minuscule white dots make a vertical rectangle on a bright blue background.
    Marco Maggi
    Tiny Tyrannies (blue), 2022
    cut paper on blue Dibond
    48 x 36 in
    121.9 x 91.4 cm
  • Millions of white, blue, red, and yellow 1D and 3D cutouts on a white background.
    Marco Maggi
    Tiny Tyrannies (grey), 2022
    cut paper on paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Hundreds of minuscule 1D white cutouts on a white background with scattered 3D white flaps.
    Marco Maggi
    Tiny Tyrannies (grey), 2022
    cut paper on paper on Dibond
    36 x 24 in
    91.4 x 61 cm
  • Millions of black, white, yellow, and red 1D and 3D cutouts on a white background.
    Marco Maggi
    Tiny Tyrannies (white), 2022
    cut paper on paper on Dibond
    24 x 18 in
    61 x 45.7 cm
  • Miniature light grey icons scattered across a white background.
    Marco Maggi
    Abstract & Title, 2021
    pencil on clay
    20 x 16 in
    50.8 x 40.6 cm
  • Plexiglass box with a grid of 9 clear windows. Border colors: White, upper left third; Black, upper right two-thirds; Neon yellow, bottom half.
    Marco Maggi
    Complete Coverage on Ellsworth Kelly, 2021
    cut paper, plexiglass box
    8 x 8 x 2 in
    20.3 x 20.3 x 5.1 cm
  • Marco Maggi & Jim Campbell, Almost Indecipherable 2, 2024
    Marco Maggi & Jim Campbell
    Almost Indecipherable 2, 2024
    custom electronics, LEDs, acrylic, resin block
    16 x 23 x 5 in
    40.6 x 58.4 x 12.7 cm
  • Max Gimblett, Honor, 2025-26
    Max Gimblett
    Honor, 2025-26
    acrylic, water-based size, platinum leaf on wood panel
    15 x 15 in
    38.1 x 38.1 cm
  • Max Gimblett, Valor, 2025-26
    Max Gimblett
    Valor, 2025-26
    acrylic, water-based size, Rosanoble gold leaf on wood panel
    15 x 15 in
    38.1 x 38.1 cm
  • Max Gimblett, Goldfield, 2025
    Max Gimblett
    Goldfield, 2025
    acrylic, water-based size, Rosanoble gold leaf on canvas, diptych
    each panel 36 x 36 in/91.4 x 91.4 cm
    overall 36 x 72 in/91.4 x 182.9 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade cotton rag paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper with gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2025
    Max Gimblett
    Quatrefoil Book, 2025
    ink on die cut pages of Khadi handmade paper, sewn with a coptic binding into hand cut covers wrapped in decorative paper
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Ring Around the Rosie, 2025
    Max Gimblett
    Ring Around the Rosie, 2025
    acrylic, water-based size, platinum leaf on canvas
    24 x 18 in
    61 x 45.7 cm
  • Max Gimblett, The Edge of Night, 2024
    Max Gimblett
    The Edge of Night, 2024
    acrylic, aquasize, and Chinese pewter leaf on canvas
    80 x 80 x 2 in
    203.2 x 203.2 x 5.1 cm
  • Max Gimblett, Untitled, 2006
    Max Gimblett
    Untitled, 2006
    pencil and ink on Indian Khadi paper
    22 x 29 in
    55.9 x 73.7 cm
  • Max Gimblett, Untitled, 2006
    Max Gimblett
    Untitled, 2006
    pencil and ink on Arches cold press watercolor paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    22 x 30 in
    55.9 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    22 x 30 in
    55.9 x 76.2 cm
  • Max Gimblett, Untitled, 2002
    Max Gimblett
    Untitled, 2002
    ink and pencil on Lanaquarelle handmade paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Primitive - After Delacroix, 2001
    Max Gimblett
    Primitive - After Delacroix, 2001
    ink, Swiss gold, moon gold and blue variegated leaf on Indian jute paper
    30 3/4 x 21 3/4 in
    78.1 x 55.2 cm
  • Max Gimblett, Untitled, 2001
    Max Gimblett
    Untitled, 2001
    ink and pencil on paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Untitled, 2001
    Max Gimblett
    Untitled, 2001
    pencil and ink on Arches cold press watercolor paper
    23 x 30 in
    58.4 x 76.2 cm
  • Max Gimblett, Vessel - 1,2,3,4,5,6, 2001
    Max Gimblett
    Vessel - 1,2,3,4,5,6, 2001
    ink, copper, moon gold and Swiss gold on Indian jute paper
    30 1/2 x 21 1/2 in
    77.5 x 54.6 cm
  • Max Gimblett, Her Visit, 2000
    Max Gimblett
    Her Visit, 2000
    ink and Swiss gold on Indian jute paper
    31 x 21 1/2 in
    78.7 x 54.6 cm
  • Max Gimblett, 2 - Sided, 1998
    Max Gimblett
    2 - Sided, 1998
    acrylic polymer and pencil on Arches watercolor paper
    30 x 22 in
    76.2 x 55.9 cm
  • Max Gimblett, Study for Ying-Yang - 2, 1997
    Max Gimblett
    Study for Ying-Yang - 2, 1997
    acrylic polymer, gold leaf and pen on handmade paper
    17 x 21 1/2 in
    43.2 x 54.6 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
  • Max Gimblett, Quatrefoil Book, 2023
    Max Gimblett
    Quatrefoil Book, 2023
    ink on die cut pages of Fabriano paper, sewn with a coptic binding into hand cut covers wrapped in fabric with ink and gilding
    closed 20 1/4 x 10 1/4 in/51.4 x 26 cm
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