• Photograph of muscular male torso with another person’s hands touching its hips is layered with a silhouette of a man in profile, a loose sketch of a man with a top hat, and a beige background.
    John O'Reilly
    A Shadow 7-1-10, 2010
    halftone montage
    9 x 5 7/8 in
    22.9 x 14.9 cm
    14 x 18 inches framed
  • John O'Reilly, Seated Dancer 8-8-10, 2010
    John O'Reilly
    Seated Dancer 8-8-10, 2010
    halftone montage
    6 1/2 x 8 7/8 inches
  • John O'Reilly, Joseph 3-29-09, 2009
    John O'Reilly
    Joseph 3-29-09, 2009
    montage: color couper, silver gelatin, polaroid, halftone
    11 1/4 x 20 1/8 inches
  • John O'Reilly, Mark 3-12-09, 2009
    John O'Reilly
    Mark 3-12-09, 2009
    halftone, silver print, color coupler montage
    11 x 17 1/4 inches
  • John O'Reilly, Studio Landscape Album 6-24-08, 2008
    John O'Reilly
    Studio Landscape Album 6-24-08, 2008
    polaroid and color coupier montage
    9 3/8 x 13 3/4 inches
  • John O'Reilly, Epithalamion - G.M. Hopkins 10-20-07, 2007
    John O'Reilly
    Epithalamion - G.M. Hopkins 10-20-07, 2007
    polaroid montage
    16 3/8 x 19 3/8 inches
  • John O'Reilly, Nocturne #3, 2006
    John O'Reilly
    Nocturne #3, 2006
    polaroid montage
    11 x 24 3/8 inches
  • John O'Reilly, Heros Series: Achilles 12-30-05, 2005
    John O'Reilly
    Heros Series: Achilles 12-30-05, 2005
    polaroid montage
    10 5/ 8 x 16 3/4 inches
  • John O'Reilly, Brayler, 1995
    John O'Reilly
    Brayler, 1995
    polaroid montage
    6 3/8 x 4 5/8 inches
  • John O'Reilly, Nijinsky-95, 1995
    John O'Reilly
    Nijinsky-95, 1995
    polaroid collage
    7 1/4 x 6 13/16 inches
  • Collage dStone figure of an archer wearing armor with a purple moon for its head prepares to shoot an “arrow” (a crescent moon) towards a small man standing on a planet. Scene occurs in a collage of photographs of the night sky.epicting roman soldier with wings; one an arm angles the wrong way and one being a galaxy. The soldier is kneeling and positioned to pull the string of a bow composed of a crescent moon with small naked men contorting in various forms as its shot at the full moon in the distance.
    John O'Reilly
    The Archer, 1966
    paper montage and casein
    32 x 39 1/2 in
    81.3 x 100.3 cms
  • Judith Belzer, Weather Report #17, 2026
    Judith Belzer
    Weather Report #17, 2026
    acrylic gouache and flashe on canvas
    72 x 86 in
    182.9 x 218.4 cm
  • Judith Belzer, Weather Report #1, 2025
    Judith Belzer
    Weather Report #1, 2025
    acrylic gouache, flashe and masking fluid on canvas
    72 x 86 in
    182.9 x 218.4 cm
  • Judith Belzer, Weather Report #13, 2025
    Judith Belzer
    Weather Report #13, 2025
    acrylic gouache, flashe and masking fluid on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Judith Belzer, Weather Report #14, 2025
    Judith Belzer
    Weather Report #14, 2025
    acrylic gouache, flashe and masking fluid on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Judith Belzer, Weather Report #15, 2025
    Judith Belzer
    Weather Report #15, 2025
    acrylic gouache and flashe on canvas
    68 x 120 in
    172.7 x 304.8 cm
  • Judith Belzer, Weather Report #16, 2025
    Judith Belzer
    Weather Report #16, 2025
    acrylic gouache and flashe on canvas
    50 x 50 in
    127 x 127 cm
  • Judith Belzer, Weather Report #2, 2025
    Judith Belzer
    Weather Report #2, 2025
    acrylic gouache, flashe and masking fluid on canvas
    72 x 86 in
    182.9 x 218.4 cm
  • Judith Belzer, Weather Report #3, 2025
    Judith Belzer
    Weather Report #3, 2025
    acrylic gouache, flashe and graphite on canvas
    72 x 102 in
    182.9 x 259.1 cm
  • Judith Belzer, Weather Report #4, 2025
    Judith Belzer
    Weather Report #4, 2025
    acrylic gouache and flashe on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Judith Belzer, Weather Report #5, 2025
    Judith Belzer
    Weather Report #5, 2025
    acrylic gouache and flashe on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Judith Belzer, Weather Report #7, 2025
    Judith Belzer
    Weather Report #7, 2025
    acrylic gouache and flashe on canvas
    24 x 30 in
    61 x 76.2 cm
  • Judith Belzer, Weather Report #8, 2025
    Judith Belzer
    Weather Report #8, 2025
    acrylic gouache and flashe on canvas
    24 x 30 in
    61 x 76.2 cm
  • Jutta Haeckel, Fermented Rainbow III, 2025
    Jutta Haeckel
    Fermented Rainbow III, 2025
    acrylic on jute (6)
    overall
    78 3/4 x 94 1/2 in
    200 x 240 cm
  • Jutta Haeckel, Ikaros, 2025
    Jutta Haeckel
    Ikaros, 2025
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
  • Jutta Haeckel, Prism I, 2025
    Jutta Haeckel
    Prism I, 2025
    acrylic on jute
    35 3/8 x 27 1/2 in
    90 x 70 cm
  • Jutta Haeckel, Prism II, 2025
    Jutta Haeckel
    Prism II, 2025
    acrylic on jute
    35 3/8 x 27 1/2 in
    90 x 70 cm
  • Jutta Haeckel, The Far Side of the Moon I, 2025
    Jutta Haeckel
    The Far Side of the Moon I, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon II, 2025
    Jutta Haeckel
    The Far Side of the Moon II, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon III, 2025
    Jutta Haeckel
    The Far Side of the Moon III, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon IV, 2025
    Jutta Haeckel
    The Far Side of the Moon IV, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Liliana Porter, Blue Scribble, 2025
    Liliana Porter
    Blue Scribble, 2025
    assemblage and colored pencil on paper
    11 3/4 x 9 in
    29.8 x 22.9 cm
  • Liliana Porter, To Try Again, 2025
    Liliana Porter
    To Try Again, 2025
    assemblage and graphite on paper
    14 x 11 in
    35.6 x 27.9 cm
  • Figurine draws comparatively massive infinity sign on lined notebook paper, black ink streaks on bottom of paper
    Liliana Porter
    Infinite, 2022
    assemblage, acrylic, ink and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • Figurine in process of drawing comparatively massive graphite hat on graph paper.
    Liliana Porter
    Man Drawing a Hat, 2022
    assemblage and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • A small teddy bear figurine sits on a ledge next to a framed photo of its shattered body
    Liliana Porter
    Reconstruction (Bear Salt Shaker), 2022
    framed archival pigment print, painted wood shelf and porcelain figurine
    14 x 18 x 4 1/2 in
    35.6 x 45.7 x 11.4 cm
  • Liliana Porter, The Clock Keeper, 2022
    Liliana Porter
    The Clock Keeper, 2022
    broken clock and figurine
    5 x 4 1/2 x 2 3/4 in
    12.7 x 11.4 x 7 cm
  • A wood die with the number two on the face towards the viewer that appears to have pulled away from its lined-paper mount, as though it may fall.
    Liliana Porter
    The Dangerous Game, 2022
    assemblage on paper
    9 1/4 x 7 1/4 in
    23.5 x 18.4 cm
  • A female figurine swings on a metal wire extending from a square mechanism with exposed gears and wires
    Liliana Porter
    The Dangerous Game, 2022
    broken clock and figurine
    5 1/2 x 3 1/2 x 3 in
    14 x 8.9 x 7.6 cm
  • Liliana Porter, The Greatest Find, 2022
    Liliana Porter
    The Greatest Find, 2022
    metal figurine on wood base
    1 5/8 x 2 5/8 x 1 1/8 in
    4.1 x 6.7 x 2.9 cm
  • Small metal wall sculpture with many gears and wires, and a small figurine standing atop it
    Liliana Porter
    The Technician, 2022
    broken clock and figurine
    7 x 7 x 4 in
    17.8 x 17.8 x 10.2 cm
  • Figurine attempts to clean comparatively massive smudges of graphite on lined paper
    Liliana Porter
    To Clean Up (woman with green dress), 2022
    assemblage and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • Liliana Porter, To Pull the String, 2022
    Liliana Porter
    To Pull the String, 2022
    assemblage on paper
    12 x 9 1/4 in
    30.5 x 23.5 cm
  • Liliana Porter, To Spill Blue, 2022
    Liliana Porter
    To Spill Blue, 2022
    assemblage, graphite, and acrylic on paper
    8 x 8 in
    20.3 x 20.3 cm
  • Framed cibachrome print of a digital photograph which depicts a shattered white black and blue pig figurine. At the lower right side of the framed photo a white painted wooden shelf provides a platform for the same pig figurine however this figurine is whole and unbroken
    Liliana Porter
    Reconstruction with White Pig, 2021
    framed archival pigment print, painted wood shelf and porcelain figurine
    11 1/4 x 14 1/4 x 4 1/2 in
    28.6 x 36.2 x 11.4 cm
  • Figurine draws comparatively massive infinity sign in pencil on lined paper, below a similarly sized infinity sign in black ink
    Liliana Porter
    The Copy (infinite), 2021
    assemblage, ink and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • Two tiny figurines carrying a red bundle between them mounted on a sheet of writing paper with scattered red paint.
    Liliana Porter
    The Suspects, 2021
    assemblage, graphite and acrylic on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • Liliana Porter, To Draw It (man with blue sweater), 2021
    Liliana Porter
    To Draw It (man with blue sweater), 2021
    figurine, ink and graphite on paper
    8 1/8 x 6 1/4 in
    20.6 x 15.9 cm
  • Silver plate on spoon figurines in center of white canvas
    Liliana Porter
    Untitled (alone with spoon), 2021
    acrylic, small metal plate and spoon on canvas
    5 x 7 in
    12.7 x 17.8 cm
  • Figurine of man in all-white outfit holds tennis racquet against comparatively massive wooden sphere
    Liliana Porter
    Tennis Player - Man, 2020
    wood sphere and figurine
    1 3/4 x 1 3/4 x 1 1/2 in
    4.4 x 4.4 x 3.8 cm
  • A small figurine stands inside of a crushed and rusted baby pink clock
    Liliana Porter
    To Fix It: Pink Clock, 2020
    broken table clock and figurine
    4 x 5 1/4 x 2 1/2 in
    10.2 x 13.3 x 6.3 cm
  • Liliana Porter, To Fix It: Rosler Alarm, 2020
    Liliana Porter
    To Fix It: Rosler Alarm, 2020
    broken table clock and figurine
    4 x 3 x 1 1/2 inches/10.2 x 7.6 x 3.8 cm
  • Large white rectangle with ledge with figurine of small man in white clothes and hat with large nest of tangled thread all around him. He holds one thread as if he is trying to untangle mess.
    Liliana Porter
    To Untangle, 2020
    acrylic and assemblage on canvas
    25 x 48 in
    63.5 x 121.9 cm
  • Liliana Porter, To Unravel (green thread), 2019
    Liliana Porter
    To Unravel (green thread), 2019
    figurine and thread spool on white shelf
    4 x 22 x 5 inches/10.2 x 55.9 x 12.7 cm
  • A photograph with dollhouse furniture clustered at the center on a white background
    Liliana Porter
    For Sale V, 2016
    Fuji-flex c-print on paper
    22 1/2 x 16 1/2 in
    57.1 x 41.9 cm
  • Lordy Rodriguez, California Denmark, 2025
    Lordy Rodriguez
    California Denmark, 2025
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Texas Germany, 2025
    Lordy Rodriguez
    Texas Germany, 2025
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Texas India, 2025
    Lordy Rodriguez
    Texas India, 2025
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Texas Nigeria, 2025
    Lordy Rodriguez
    Texas Nigeria, 2025
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Florida Cuba, 2024
    Lordy Rodriguez
    Florida Cuba, 2024
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Lake Tai China, 2024
    Lordy Rodriguez
    Lake Tai China, 2024
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.5 cm
  • Lordy Rodriguez, London River Thames with One Inch Sea Level Rise, 2024
    Lordy Rodriguez
    London River Thames with One Inch Sea Level Rise, 2024
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.5 cm
  • Lordy Rodriguez, Pangea 13; Sea Monsters, Countries with the Highest Rates of Emigration, Source: World Migration Report 2020, 2024
    Lordy Rodriguez
    Pangea 13; Sea Monsters, Countries with the Highest Rates of Emigration, Source: World Migration Report 2020, 2024
    ink on paper
    60 x 42 1/2 in
    152.4 x 108 cm
  • Lordy Rodriguez, Texas Vietnam, 2024
    Lordy Rodriguez
    Texas Vietnam, 2024
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.5 cm
  • Multicolored grid drawing with white space. Each square filled with a wind symbol
    Lordy Rodriguez
    California Inland Sea, 2023
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Lordy Rodriguez, Pangea Five; Most Air Polluted Countries, Source: World Population Review, 2023
    Lordy Rodriguez
    Pangea Five; Most Air Polluted Countries, Source: World Population Review, 2023
    ink on paper
    60 x 42 1/2 in
    152.4 x 108 cm
  • Lordy Rodriguez, Pangea Nine; 2nd World Countries as of the Signing of the Warsaw Pact of 1955, Source: World Population Review, 2023
    Lordy Rodriguez
    Pangea Nine; 2nd World Countries as of the Signing of the Warsaw Pact of 1955, Source: World Population Review, 2023
    ink on paper
    42 1/2 x 60 in
    108 x 152.4 cm
  • An imaginary continent with a radiating dark grey border filled with multicolored neon dots on a white background
    Lordy Rodriguez
    Pangea Ten; Countries with the Least CO2 Emissions, Source: Wikipedia, 2023
    ink on paper
    60 x 42 1/2 in
    152.4 x 108 cm
  • Multicolored grid drawing with large, irregular shaped white space in the middle. Multicolored squares create a radiating effect away from the white space
    Lordy Rodriguez
    Siling Lake Tibet, 2023
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • A multicolored grid of Chicago, IL, with white space to represent the Chicago River.
    Lordy Rodriguez
    Chicago River, 2022
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Multicolored grid drawing with large white space in the middle
    Lordy Rodriguez
    The Ogallala, 2022
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • A multicolored grid representing the Venice, Italy with white space to represent the waterways.
    Lordy Rodriguez
    Venice, 2022
    ink on paper
    30 x 21 1/2 in
    76.2 x 54.6 cm
  • Map depicting only bodies of water in Louisiana's 2nd congressional district. The bodies of water are depicted in white with multicolored tiles surrounding them.
    Lordy Rodriguez
    Louisiana's 2nd, 2021
    ink on paper
    38 x 56 in
    96.5 x 142.2 cm
  • Light and dark multi-colored squares surround a thick dark gray line that represents a Hong Kong protest route A thinner gray line above mirrors the geographical border between mainland China and Hong Kong
    Lordy Rodriguez
    Hong Kong Protests, 2020
    ink on paper
    36 x 64 in
    91.4 x 162.6 cm
  • Multi-colored squares take up the majority of the paper while a thin black line cuts through to echo the border of Illinois’s fourth voting district
    Lordy Rodriguez
    Illinois 4th, 2020
    ink on paper
    24 x 34 in
    61 x 86.4 cm
  • Colorful circles connected by a rainbow of lines sit on top of a background of multi-colored squares to represent the mapped route of Gandhi’s 1930 Salt March The white negative space which echos the geographic shape of the Gulf of Khambha starts in the lower left corner and then stretches across the paper
    Lordy Rodriguez
    Salt March, 2020
    ink on paper
    78 x 34 in
    198.1 x 86.4 cm
  • A grid of multi-colored squares surround a curved line of yellow dots that represent the mapped route of the protest march from Selma to Montgomery, Alabama
    Lordy Rodriguez
    Selma to Montgomery, 2020
    ink on paper
    26 x 52 in
    66 x 132.1 cm
  • Various gray-scale squares surround the geographic silhouette of Texas’s thirty third voting district which is highlighted by a bright green border and filled with smaller earth toned squares Thin bright orange trails cut through these squares and thicken as they enter the gray area
    Lordy Rodriguez
    Texas 33rd, 2020
    ink on paper
    35 x 60 in
    88.9 x 152.4 cm
  • Multi-colored squares zig-zag across the paper to surround the white negative geographic shape of Texas’s thirty fifth voting district The wider border of the paper consists of lighter faded squares that are connected by a thin black trail
    Lordy Rodriguez
    Texas 35th, 2020
    ink on paper
    44 x 26 in
    111.8 x 66 cm
  • Large light blue squares surround the dark green geographic silhouette of Florida’s fifth voting district Thin yellow lines cut through the green while thin orange trails enter and exit the defined area
    Lordy Rodriguez
    Florida's 5th (Older), 2019
    ink on paper
    40 x 20 in
    101.6 x 50.8 cm
Page
 4 
of 19