Artworks

  • Emil Lukas, infinite edge blue #2283, 2024
    Emil Lukas
    infinite edge blue #2283, 2024
    thread, aluminum, wood, plaster, paint, nails
    47 1/4 x 47 1/4 x 6 in
    120 x 120 x 15.2 cm
  • Emil Lukas, locked endurance #2265, 2024
    Emil Lukas
    locked endurance #2265, 2024
    ink, graphite and charcoal on glass and paper in painted wood frame
    25 x 21 x 2 in
    63.5 x 53.3 x 5.1 cm
  • Emil Lukas, red rain #2199, 2024
    Emil Lukas
    red rain #2199, 2024
    thread, wood, paint, nails
    55 x 79 x 3 1/2 in
    139.7 x 200.7 x 8.9 cm
  • Emil Lukas, Weddell Sea #2254, 2024
    Emil Lukas
    Weddell Sea #2254, 2024
    ink, graphite and charcoal on glass and paper in painted wood frame
    15 x 12 x 2 in
    38.1 x 30.5 x 5.1 cm
  • Emil Lukas, #2170, 2023
    Emil Lukas
    #2170, 2023
    thread, wood, plaster, paint, nails
    41 1/2 x 41 1/2 x 4 3/4 in
    105.4 x 105.4 x 12.1 cm
  • Emil Lukas, #2179, 2023
    Emil Lukas
    #2179, 2023
    thread, wood, plaster, paint, nails
    27 1/4 x 27 1/4 x 3 1/2 in
    69.2 x 69.2 x 8.9 cm
  • installation view of #2185
    Emil Lukas
    #2185, 2023
    thread, wood, plaster, paint, nails
    30 x 30 x 3 1/2 in
    76.2 x 76.2 x 8.9 cm
  • installation view of 173 miles #2173
    Emil Lukas
    173 miles #2173, 2023
    thread, wood, plaster, paint, nails
    30 x 30 x 3 1/2 in
    76.2 x 76.2 x 8.9 cm
  • circular thread painting, dark brown on edges with large white center
    Emil Lukas
    atmospheric exchange #2161, 2023
    thread, wood, plaster, paint, nails
    47 1/2 x 47 1/2 x 3 1/2 in
    120.7 x 120.7 x 8.9 cm
  • installation view of core #2174
    Emil Lukas
    core #2174, 2023
    thread, wood, plaster, paint, nails
    47 1/2 x 47 1/2 x 3 1/2 in
    120.7 x 120.7 x 8.9 cm
  • side view of equatorial bulge #2131
    Emil Lukas
    equatorial bulge #2131, 2023
    paint, plaster, aluminum
    20 1/2 x 23 1/2 x 3 1/2 in
    52.1 x 59.7 x 8.9 cm
  • Emil Lukas, horizontal #2095, 2023
    Emil Lukas
    horizontal #2095, 2023
    thread, wood, paint, nails
    27 1/2 x 31 1/4 x 3 in
    69.8 x 79.4 x 7.6 cm
  • installation view of in pool #2162
    Emil Lukas
    in pool #2162, 2023
    thread, wood, plaster, nails
    39 x 39 x 3 in
    99.1 x 99.1 x 7.6 cm
  • Emil Lukas, link #2163, 2023
    Emil Lukas
    link #2163, 2023
    thread, wood, plaster, nails
    39 x 39 x 3 1/2 in
    99.1 x 99.1 x 8.9 cm
  • Emil Lukas, liquid interior #2139, 2023
    Emil Lukas
    liquid interior #2139, 2023
    thread, wood, plaster, paint, nails
    33 x 33 x 3 1/2 in
    83.8 x 83.8 x 8.9 cm
  • installation view of momentary point #2160
    Emil Lukas
    momentary points #2160, 2023
    thread, wood, paint, nails
    42 x 42 x 3 in
    106.7 x 106.7 x 7.6 cm
  • Emil Lukas, points in #2166, 2023
    Emil Lukas
    points in #2166, 2023
    thread, wood, paint, nails
    27 1/2 x 31 1/2 x 3 1/2 in
    69.8 x 80 x 8.9 cm
  • Emil Lukas, shallows #2165, 2023
    Emil Lukas
    shallows #2165, 2023
    thread, wood, plaster, paint, nails
    30 x 30 x 3 1/2 in
    76.2 x 76.2 x 8.9 cm
  • Emil Lukas, slowing constant #2183, 2023
    Emil Lukas
    slowing constant #2183, 2023
    thread, plaster, paint, wood, nails
    41 3/4 x 41 3/4 x 3 3/4 in
    106 x 106 x 9.5 cm
  • install shot of unfolding #2159
    Emil Lukas
    unfolding #2159, 2023
    thread, wood, paint, nails
    42 x 42 x 3 in
    106.7 x 106.7 x 7.6 cm
  • installation view of vibration #2157
    Emil Lukas
    vibration #2157, 2023
    thread, wood, paint, nails
    42 x 42 x 3 in
    106.7 x 106.7 x 7.6 cm
  • Emil Lukas, #1943, 2022
    Emil Lukas
    #1943, 2022
    thread, wood, plaster, nails
    11 1/4 x 11 1/4 x 2 1/4 in
    28.6 x 28.6 x 5.7 cm
  • Emil Lukas, anatomy of tone #2097, 2022
    Emil Lukas
    anatomy of tone #2097, 2022
    thread, wood, paint, nails
    31 1/4 x 27 1/4 x 3 in
    79.4 x 69.2 x 7.6 cm
  • installation view of audible event of leaves #2147
    Emil Lukas
    audible event of leaves #2147, 2022
    thread, paint, wood, nails
    42 x 42 x 3 in
    106.7 x 106.7 x 7.6 cm
  • install of fleck survey #2128
    Emil Lukas
    fleck survey #2128, 2022
    thread, aluminum, wood, plaster, paint, nails
    59 1/2 x 59 1/2 x 7 1/2 in
    151.1 x 151.1 x 19.1 cm
  • Closer hallway view of a blue ombre circle, fading from dark blue to white from the center.
    Emil Lukas
    liquid event #2100, 2022
    thread, wood, plaster, paint, nails
    42 x 42 x 5 in
    106.7 x 106.7 x 12.7 cm
  • installation view of outer rim #2096
    Emil Lukas
    outer rim #2096, 2022
    thread, wood, paint, nails
    31 1/4 x 27 1/4 x 3 in
    79.4 x 69.2 x 7.6 cm
  • horizontal rectangular bubble painting with pastel and white color palette
    Emil Lukas
    through steamed glass #2115, 2022
    plaster, paint, aluminum
    12 x 15 x 2 in
    30.5 x 38.1 x 5.1 cm
  • horizontal rectangular bubble painting, off-white cells with black honeycomb
    Emil Lukas
    white points #2111, 2022
    plaster, paint, aluminum
    12 x 15 x 2 in
    30.5 x 38.1 x 5.1 cm
  • Emil Lukas, expanse with remainder #2025, 2021
    Emil Lukas
    expanse with remainder #2025, 2021
    thread, wood, paint, nails
    42 1/2 x 34 3/4 x 3 in
    108 x 88.3 x 7.6 cm
  • Emil Lukas, hum #2090, 2021
    Emil Lukas
    hum #2090, 2021
    thread, wood, paint, nails
    31 x 21 in
    78.7 x 53.3 cm
  • Emil Lukas, jiggling #2073, 2021
    Emil Lukas
    jiggling #2073, 2021
    plaster, aluminum, acrylic
    46 x 46 x 6 in
    116.8 x 116.8 x 15.2 cm
  • Emil Lukas, center right #1674, 2019
    Emil Lukas
    center right #1674, 2019
    thread, plaster, paint, wood, nails
    12 3/4 x 12 3/4 x 2 in
    32.4 x 32.4 x 5.1 cm
  • installation view of spaced rings #2144
    Emil Lukas
    spaced rings #2144
    thread, wood, plaster, paint, nails
    16 3/4 x 16 3/4 x 2 1/2 in
    42.5 x 42.5 x 6.3 cm
  • Emily Feather, INKBLOT DRAWING 2005, 2005
    Emily Feather
    INKBLOT DRAWING 2005, 2005
    ink on paper
    11 1/2 x 6 3/4 in
    29.2 x 17.1 cm
  • Blue ink on paper which was folded in evenly spaced columns to create intricate mirrored abstract organic forms
    Emily Feather
    INKBLOT DRAWING APRIL 22, 2005, 2005
    ink on paper
    8 3/8 x 7 3/8 in
    21.3 x 18.7 cm
  • Blue ink on paper which was folded in evenly spaced columns to create varying length stacks of intricate mirrored abstract organic forms
    Emily Feather
    INKBLOT DRAWING MAY 4, 2005, 2005
    ink on paper
    11 1/2 x 14 1/2 in
    29.2 x 36.8 cm
  • Delicate inkblot drawings in blue ink.
    Emily Feather
    INKBLOT DRAWING NOVEMBER 24, 2005, 2005
    ink on paper
    5 3/4 x 6 1/2 inches/14.6 x 16.5 cm
  • Black ink on paper which was folded in evenly spaced columns to create intricate mirrored abstract organic forms
    Emily Feather
    INKBLOT DRAWING JANUARY 4, 2003, 2003
    ink on paper
    5 1/4 x 4 5/8 in
    13.3 x 11.7 cm
  • Emily Feather (Bruce Conner), INKBLOT DRAWING APRIL 18, 2005, 2005
    Emily Feather (Bruce Conner)
    INKBLOT DRAWING APRIL 18, 2005, 2005
    ink on paper
    8 1/2 x 7 1/2 in
    21.6 x 19.1 cm
  • Gideon Rubin, Untitled, 2025
    Gideon Rubin
    Untitled, 2025
    oil on linen on board
    15 3/4 x 11 3/4 x 1 3/4 in
    40 x 30 x 4.5 cm
  • Gideon Rubin, White T-shirt, 2025
    Gideon Rubin
    White T-shirt, 2025
    oil on linen
    12 x 10 in
    30.5 x 25.5 cm
  • Harry Bertoia, Untitled, early to mid 1940s
    Harry Bertoia
    Untitled, early to mid 1940s
    ink on Japanese paper
    20 1/2 x 14 1/2 in
    52.1 x 36.8 cm
  • Harry Bertoia, Untitled, early 1940s
    Harry Bertoia
    Untitled, early 1940s
    ink on Japanese paper
    21 x 16 1/2 in
    53.3 x 41.9 cm
  • Harry Bertoia, Untitled, c. 1950s
    Harry Bertoia
    Untitled, c. 1950s
    ink on paper
    20 1/2 x 14 in
    52.1 x 35.6 cm
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    beryllium copper on brass plate
    65 1/4 x 13 7/8 x 7 in
    165.7 x 35.2 x 17.8 cm
    Tops: 9 in
    Rod layout: 2 x 9 (18 total rods)
  • Harry Bertoia, Untitled (from the Sonambient Barn Collection), 1970s
    Harry Bertoia
    Untitled (from the Sonambient Barn Collection), 1970s
    Monel on brass plate
    41 x 10 1/4 x 10 1/8 in
    104.1 x 26 x 25.7 cm
    Tops: 9 3/4 in
    Rod layout: 6 x 6; 5 x 5 (61 total rods)
  • Harry Bertoia, Artist-made Prototype for the Asymmetric Chaise Lounge, 1951/1952
    Harry Bertoia
    Artist-made Prototype for the Asymmetric Chaise Lounge, 1951/1952
    brazed steel on chrome-plated steel base
    37 x 53 x 32 1/2 in
    94 x 134.6 x 82.5 cm
  • Harry Bertoia, Untitled, 1940s
    Harry Bertoia
    Untitled, 1940s
    ink on Japanese paper
    16 1/2 x 21 1/4 in
    41.9 x 54 cm
  • Isabella Kirkland, David's Shells 1, 2023
    Isabella Kirkland
    David's Shells 1, 2023
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Isabella Kirkland, David's Shells 2, 2023
    Isabella Kirkland
    David's Shells 2, 2023
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Isabella Kirkland, Nantahala, 2023
    Isabella Kirkland
    Nantahala, 2023
    oil and alkyd on polyester over panel
    36 x 48 in
    91.4 x 121.9 cm
  • Isabella Kirkland, Appendages II, 2022
    Isabella Kirkland
    Appendages II, 2022
    oil and alkyd on wood panel
    10 x 10 in
    25.4 x 25.4 cm
  • Highly detailed and realistic oil painting on panel of multiple animals at both their infant and adult stages The species depicted are those of which the fathers play a larger role in their upbringing The animals are surrounded by yellowing grass and a full green shrub
    Isabella Kirkland
    Father Time, 2022
    oil and alkyd on polyester over panel
    60 x 48 in
    152.4 x 121.9 cm
  • Isabella Kirkland, Phasmid Eggs II, 2022
    Isabella Kirkland
    Phasmid Eggs II, 2022
    oil on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Painting of clusters of brittle sea stars and some sea urchins settles on a reef.
    Isabella Kirkland
    Brittle Star Aggregation, 2021
    oil on polyester over panel
    36 x 36 in
    91.4 x 91.4 cm
  • Isabella Kirkland, Squat Lobsters (every ocean, every depth), 2021
    Isabella Kirkland
    Squat Lobsters (every ocean, every depth), 2021
    oil and alkyd on wood panel
    20 x 20 inches
    50.8 x 50.8 cms
  • Isabella Kirkland, Super Green II: Taraxippus perezgelaberti, sp. nov.,, 2021
    Isabella Kirkland
    Super Green II: Taraxippus perezgelaberti, sp. nov.,, 2021
    oil on panel
    18 x 24 in
    45.7 x 61 cm
  • Isabella Kirkland, Countdown 7, 2020
    Isabella Kirkland
    Countdown 7, 2020
    oil and collaged organic material on panel
    4 x 4 inches/10.2 x 10.2 cm
  • Several variations of blue butterfly species preserved.
    Isabella Kirkland
    Kalima jacksoni, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Clusters of several variations of orange butterflies preserved on white sheet.
    Isabella Kirkland
    Pseudacraea boisduvali, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Long and skinny and brown Phasmid insect crawling on tree covered in lichen.
    Isabella Kirkland
    Walking Stick, Mpala, 2020
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Brown stone with green lichen and one large round lichen in shadow.
    Isabella Kirkland
    Graveyard Lichens IX, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Light colored granite stone with orange lichens.
    Isabella Kirkland
    Graveyard Lichens VII, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Light colored stone covered in orange lichens with clusters of light green lichen.
    Isabella Kirkland
    Graveyard Lichens VIII, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Very light colored green, nearly white redwood sprout amongst brown tree debris.
    Isabella Kirkland
    Leucistic Redwood, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Highly detailed and realistic oil painting on panel of multiple different African swallowtail butterflies pinned inside an opened beige box The yellow brown and white butterflies either show evidence of being gynandromorphs, meaning that they have both male and female physical characteristics, or are mutants in their own way
    Isabella Kirkland
    Papilio dardanas: Mutants & Gynandromorphs, 2019
    oil on wood
    12 x 12 inches/30.5 x 30.5 cm
  • Highly detailed and realistic oil painting on panel of a three by four grid of Papilio zalmoxis or giant blue swallowtail butterflies pinned inside an opened beige box The majority of the butterflies painted show their interior blue or green wings while the last three in the far right column display the brown orange and white patterning of the exterior side of their wings
    Isabella Kirkland
    Papilio zalmoxis, 2019
    oil on wood
    16 x 20 inches/40.6 x 50.8 cm
  • Isabella Kirkland, Spring Rain, 2019
    Isabella Kirkland
    Spring Rain, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Yellow, black, and white birds on their backs in shallow cardboard box with identification tags.
    Isabella Kirkland
    Extinct Warblers (vermivora bachman again), 2018
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Jess (Collins), Stillbourne, c. 1951
    Jess (Collins)
    Stillbourne, c. 1951
    oil on canvas with artist's velvet trim at edges
    51 x 39 1/2 in
    129.5 x 100.3 cm
  • Jess (Collins), Game's Up, 1981
    Jess (Collins)
    Game's Up, 1981
    jigsaw collage
    28 1/2 x 33 1/2 in
    72.4 x 85.1 cm
  • Jess (Collins), Translated detail for "Salvages III", 1972
    Jess (Collins)
    Translated detail for "Salvages III", 1972
    pencil on paper in the artist's frame
    5 1/2 x 6 1/2 in
    14 x 16.5 cm
  • Jess (Collins), Net Maker, 1960
    Jess (Collins)
    Net Maker, 1960
    paste-up
    31 x 22 1/4 in
    78.7 x 56.5 cm
  • Jess (Collins), One of the Norns Is Dead, 1955/71
    Jess (Collins)
    One of the Norns Is Dead, 1955/71
    oil on canvas in artist's frame
    33 1/4 x 47 1/4 in
    84.5 x 120 cm
  • Jess (Collins), Untitled, 1955-56
    Jess (Collins)
    Untitled, 1955-56
    acrylic on primed canvas (double-sided)
    84 x 73 in
    213.4 x 185.4 cm
  • Jess (Collins), French Sentiment, 1955
    Jess (Collins)
    French Sentiment, 1955
    oil on canvas
    15 1/8 x 18 in
    38.4 x 45.7 cm
  • Untitled (Suited Man Holding Key), framed
    Jess (Collins)
    Untitled (Suited Man Holding Key), 1955
    pasteup in artist's frame
    frame 13 1/2 x 10 3/4 in / 34.3 x 27.3 cm
  • Jim Campbell, North Shore, 2026
    Jim Campbell
    North Shore, 2026
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 5 in
    86.4 x 114.3 cm
  • Jim Campbell, Topography Reconstruction (Wave), 2014
    Jim Campbell
    Topography Reconstruction (Wave), 2014
    1,064 LEDs, custom electronics, carved resin
    18 1/2 x 23 3/4 x 4 1/2 in
    47 x 60.3 x 11.4 cm
Page
 3 
of 19