Artworks

  • Isabella Kirkland, Nature of Painting II, 2025
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    Isabella Kirkland
    Nature of Painting II, 2025
    oil and alkyd on polyester over panel
    36 x 48 in
    91.4 x 121.9 cm
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  • Isabella Kirkland, Unidentified species 2 (possibly Xanthoria parietina), 2025
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    Isabella Kirkland
    Unidentified species 2 (possibly Xanthoria parietina), 2025
    oil and alkyd on panel
    8 x 10 in
    20.3 x 25.4 cm
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  • Isabella Kirkland, Ascia sp. Chrysalises, 2023
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    Isabella Kirkland
    Ascia sp. Chrysalises, 2023
    oil and alkyd on panel
    12 x 12 in
    30.5 x 30.5 cm
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  • Isabella Kirkland, David's Shells 1, 2023
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    Isabella Kirkland
    David's Shells 1, 2023
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Isabella Kirkland, David's Shells 2, 2023
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    Isabella Kirkland
    David's Shells 2, 2023
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
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  • Isabella Kirkland, Mixed Chrysalises, 2023
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    Isabella Kirkland
    Mixed Chrysalises, 2023
    oil and alkyd on panel
    12 x 12 in
    30.5 x 30.5 cm
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  • Isabella Kirkland, Morpho Chrysalises, 2023
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    Isabella Kirkland
    Morpho Chrysalises, 2023
    oil and alkyd on panel
    12 x 12 in
    30.5 x 30.5 cm
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  • Isabella Kirkland, Nantahala, 2023
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    Isabella Kirkland
    Nantahala, 2023
    oil and alkyd on polyester over panel
    36 x 48 in
    91.4 x 121.9 cm
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  • Isabella Kirkland, Appendages II, 2022
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    Isabella Kirkland
    Appendages II, 2022
    oil and alkyd on wood panel
    10 x 10 in
    25.4 x 25.4 cm
  • Highly detailed and realistic oil painting on panel of multiple animals at both their infant and adult stages The species depicted are those of which the fathers play a larger role in their upbringing The animals are surrounded by yellowing grass and a full green shrub
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    Isabella Kirkland
    Father Time, 2022
    oil and alkyd on polyester over panel
    60 x 48 in
    152.4 x 121.9 cm
  • Isabella Kirkland, Phasmid Eggs II, 2022
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    Isabella Kirkland
    Phasmid Eggs II, 2022
    oil on polyester over wood panel
    48 x 60 in
    121.9 x 152.4 cm
  • Painting of clusters of brittle sea stars and some sea urchins settles on a reef.
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    Isabella Kirkland
    Brittle Star Aggregation, 2021
    oil on polyester over panel
    36 x 36 in
    91.4 x 91.4 cm
  • Isabella Kirkland, Squat Lobsters (every ocean, every depth), 2021
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    Isabella Kirkland
    Squat Lobsters (every ocean, every depth), 2021
    oil and alkyd on wood panel
    20 x 20 inches
    50.8 x 50.8 cms
  • Isabella Kirkland, Super Green II: Taraxippus perezgelaberti, sp. nov.,, 2021
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    Isabella Kirkland
    Super Green II: Taraxippus perezgelaberti, sp. nov.,, 2021
    oil on panel
    18 x 24 in
    45.7 x 61 cm
  • Isabella Kirkland, Countdown 7, 2020
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    Isabella Kirkland
    Countdown 7, 2020
    oil and collaged organic material on panel
    4 x 4 inches/10.2 x 10.2 cm
  • Several variations of blue butterfly species preserved.
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    Isabella Kirkland
    Kalima jacksoni, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
  • Clusters of several variations of orange butterflies preserved on white sheet.
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    Isabella Kirkland
    Pseudacraea boisduvali, 2020
    oil on wood panel
    16 x 20 in
    40.6 x 50.8 cm
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  • Black butterfly with blue lower wing with orange spots nestled in green leaves.
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    Isabella Kirkland
    Super Green I: Pipevine swallowtail, 2020
    oil on panel
    24 x 18 in
    61 x 45.7 cm
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  • Long and skinny and brown Phasmid insect crawling on tree covered in lichen.
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    Isabella Kirkland
    Walking Stick, Mpala, 2020
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Brown stone with green lichen and one large round lichen in shadow.
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    Isabella Kirkland
    Graveyard Lichens IX, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Light colored granite stone with orange lichens.
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    Isabella Kirkland
    Graveyard Lichens VII, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Light colored stone covered in orange lichens with clusters of light green lichen.
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    Isabella Kirkland
    Graveyard Lichens VIII, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Very light colored green, nearly white redwood sprout amongst brown tree debris.
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    Isabella Kirkland
    Leucistic Redwood, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Highly detailed and realistic oil painting on panel of multiple different African swallowtail butterflies pinned inside an opened beige box The yellow brown and white butterflies either show evidence of being gynandromorphs, meaning that they have both male and female physical characteristics, or are mutants in their own way
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    Isabella Kirkland
    Papilio dardanas: Mutants & Gynandromorphs, 2019
    oil on wood
    12 x 12 inches/30.5 x 30.5 cm
  • Highly detailed and realistic oil painting on panel of a three by four grid of Papilio zalmoxis or giant blue swallowtail butterflies pinned inside an opened beige box The majority of the butterflies painted show their interior blue or green wings while the last three in the far right column display the brown orange and white patterning of the exterior side of their wings
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    Isabella Kirkland
    Papilio zalmoxis, 2019
    oil on wood
    16 x 20 inches/40.6 x 50.8 cm
  • Isabella Kirkland, Spring Rain, 2019
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    Isabella Kirkland
    Spring Rain, 2019
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Yellow, black, and white birds on their backs in shallow cardboard box with identification tags.
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    Isabella Kirkland
    Extinct Warblers (vermivora bachman again), 2018
    oil on panel
    8 x 8 in
    20.3 x 20.3 cm
  • Jess (Collins), Stillbourne, c. 1951
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    Jess (Collins)
    Stillbourne, c. 1951
    oil on canvas with artist's velvet trim at edges
    51 x 39 1/2 in
    129.5 x 100.3 cm
  • Jess (Collins), Game's Up, 1981
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    Jess (Collins)
    Game's Up, 1981
    jigsaw collage
    28 1/2 x 33 1/2 in
    72.4 x 85.1 cm
  • Jess (Collins), Translated detail for "Salvages III", 1972
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    Jess (Collins)
    Translated detail for "Salvages III", 1972
    pencil on paper in the artist's frame
    5 1/2 x 6 1/2 in
    14 x 16.5 cm
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  • Jess (Collins), Net Maker, 1960
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    Jess (Collins)
    Net Maker, 1960
    paste-up
    31 x 22 1/4 in
    78.7 x 56.5 cm
  • Jess (Collins), One of the Norns Is Dead, 1955/71
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    Jess (Collins)
    One of the Norns Is Dead, 1955/71
    oil on canvas in artist's frame
    33 1/4 x 47 1/4 in
    84.5 x 120 cm
  • Jess (Collins), Untitled, 1955-56
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    Jess (Collins)
    Untitled, 1955-56
    acrylic on primed canvas (double-sided)
    84 x 73 in
    213.4 x 185.4 cm
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  • Jess (Collins), French Sentiment, 1955
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    Jess (Collins)
    French Sentiment, 1955
    oil on canvas
    15 1/8 x 18 in
    38.4 x 45.7 cm
  • Untitled (Suited Man Holding Key), framed
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    Jess (Collins)
    Untitled (Suited Man Holding Key), 1955
    pasteup in artist's frame
    frame 13 1/2 x 10 3/4 in / 34.3 x 27.3 cm
  • Jim Campbell, North Shore, 2026
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    Jim Campbell
    North Shore, 2026
    custom electronics, 1,728 LEDs, treated plexiglass
    34 x 45 x 5 in
    86.4 x 114.3 cm
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  • Jim Campbell, Topography Reconstruction (Wave), 2014
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    Jim Campbell
    Topography Reconstruction (Wave), 2014
    1,064 LEDs, custom electronics, carved resin
    18 1/2 x 23 3/4 x 4 1/2 in
    47 x 60.3 x 11.4 cm
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  • Photograph of muscular male torso with another person’s hands touching its hips is layered with a silhouette of a man in profile, a loose sketch of a man with a top hat, and a beige background.
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    John O'Reilly
    A Shadow 7-1-10, 2010
    halftone montage
    9 x 5 7/8 in
    22.9 x 14.9 cm
    14 x 18 inches framed
  • John O'Reilly, Seated Dancer 8-8-10, 2010
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    John O'Reilly
    Seated Dancer 8-8-10, 2010
    halftone montage
    6 1/2 x 8 7/8 inches
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  • John O'Reilly, Joseph 3-29-09, 2009
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    John O'Reilly
    Joseph 3-29-09, 2009
    montage: color couper, silver gelatin, polaroid, halftone
    11 1/4 x 20 1/8 inches
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  • John O'Reilly, Mark 3-12-09, 2009
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    John O'Reilly
    Mark 3-12-09, 2009
    halftone, silver print, color coupler montage
    11 x 17 1/4 inches
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  • John O'Reilly, Studio Landscape Album 6-24-08, 2008
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    John O'Reilly
    Studio Landscape Album 6-24-08, 2008
    polaroid and color coupier montage
    9 3/8 x 13 3/4 inches
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  • John O'Reilly, Epithalamion - G.M. Hopkins 10-20-07, 2007
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    John O'Reilly
    Epithalamion - G.M. Hopkins 10-20-07, 2007
    polaroid montage
    16 3/8 x 19 3/8 inches
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  • John O'Reilly, Nocturne #3, 2006
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    John O'Reilly
    Nocturne #3, 2006
    polaroid montage
    11 x 24 3/8 inches
  • John O'Reilly, Heros Series: Achilles 12-30-05, 2005
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    John O'Reilly
    Heros Series: Achilles 12-30-05, 2005
    polaroid montage
    10 5/ 8 x 16 3/4 inches
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  • John O'Reilly, Brayler, 1995
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    John O'Reilly
    Brayler, 1995
    polaroid montage
    6 3/8 x 4 5/8 inches
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  • John O'Reilly, Nijinsky-95, 1995
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    John O'Reilly
    Nijinsky-95, 1995
    polaroid collage
    7 1/4 x 6 13/16 inches
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  • Collage dStone figure of an archer wearing armor with a purple moon for its head prepares to shoot an “arrow” (a crescent moon) towards a small man standing on a planet. Scene occurs in a collage of photographs of the night sky.epicting roman soldier with wings; one an arm angles the wrong way and one being a galaxy. The soldier is kneeling and positioned to pull the string of a bow composed of a crescent moon with small naked men contorting in various forms as its shot at the full moon in the distance.
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    John O'Reilly
    The Archer, 1966
    paper montage and casein
    32 x 39 1/2 in
    81.3 x 100.3 cms
  • Judith Belzer, Weather Report #17, 2026
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    Judith Belzer
    Weather Report #17, 2026
    acrylic gouache and flashe on canvas
    72 x 86 in
    182.9 x 218.4 cm
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  • Judith Belzer, Weather Report #1, 2025
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    Judith Belzer
    Weather Report #1, 2025
    acrylic gouache, flashe and masking fluid on canvas
    72 x 86 in
    182.9 x 218.4 cm
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  • Judith Belzer, Weather Report #13, 2025
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    Judith Belzer
    Weather Report #13, 2025
    acrylic gouache, flashe and masking fluid on canvas
    30 x 30 in
    76.2 x 76.2 cm
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  • Judith Belzer, Weather Report #14, 2025
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    Judith Belzer
    Weather Report #14, 2025
    acrylic gouache, flashe and masking fluid on canvas
    30 x 30 in
    76.2 x 76.2 cm
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  • Judith Belzer, Weather Report #15, 2025
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    Judith Belzer
    Weather Report #15, 2025
    acrylic gouache and flashe on canvas
    68 x 120 in
    172.7 x 304.8 cm
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  • Judith Belzer, Weather Report #16, 2025
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    Judith Belzer
    Weather Report #16, 2025
    acrylic gouache and flashe on canvas
    50 x 50 in
    127 x 127 cm
  • Judith Belzer, Weather Report #2, 2025
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    Judith Belzer
    Weather Report #2, 2025
    acrylic gouache, flashe and masking fluid on canvas
    72 x 86 in
    182.9 x 218.4 cm
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  • Judith Belzer, Weather Report #3, 2025
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    Judith Belzer
    Weather Report #3, 2025
    acrylic gouache, flashe and graphite on canvas
    72 x 102 in
    182.9 x 259.1 cm
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  • Judith Belzer, Weather Report #4, 2025
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    Judith Belzer
    Weather Report #4, 2025
    acrylic gouache and flashe on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Judith Belzer, Weather Report #5, 2025
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    Judith Belzer
    Weather Report #5, 2025
    acrylic gouache and flashe on canvas
    60 x 60 in
    152.4 x 152.4 cm
  • Judith Belzer, Weather Report #7, 2025
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    Judith Belzer
    Weather Report #7, 2025
    acrylic gouache and flashe on canvas
    24 x 30 in
    61 x 76.2 cm
  • Judith Belzer, Weather Report #8, 2025
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    Judith Belzer
    Weather Report #8, 2025
    acrylic gouache and flashe on canvas
    24 x 30 in
    61 x 76.2 cm
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  • Jutta Haeckel, Fermented Rainbow III, 2025
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    Jutta Haeckel
    Fermented Rainbow III, 2025
    acrylic on jute (6)
    overall
    94 1/2 x 78 3/4 in
    240 x 200 cm
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  • Jutta Haeckel, Ikaros, 2025
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    Jutta Haeckel
    Ikaros, 2025
    acrylic on jute
    70 7/8 x 55 1/8 in
    180 x 140 cm
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  • Jutta Haeckel, Prism I, 2025
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    Jutta Haeckel
    Prism I, 2025
    acrylic on jute
    35 3/8 x 27 1/2 in
    90 x 70 cm
  • Jutta Haeckel, The Far Side of the Moon I, 2025
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    Jutta Haeckel
    The Far Side of the Moon I, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon II, 2025
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    Jutta Haeckel
    The Far Side of the Moon II, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon III, 2025
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    Jutta Haeckel
    The Far Side of the Moon III, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
  • Jutta Haeckel, The Far Side of the Moon IV, 2025
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    Jutta Haeckel
    The Far Side of the Moon IV, 2025
    acrylic on jute
    15 3/4 x 11 3/4 in
    40 x 30 cm
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  • Liliana Porter, Blue Scribble, 2025
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    Liliana Porter
    Blue Scribble, 2025
    assemblage and colored pencil on paper
    11 3/4 x 9 in
    29.8 x 22.9 cm
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  • Liliana Porter, To Try Again, 2025
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    Liliana Porter
    To Try Again, 2025
    assemblage and graphite on paper
    14 x 11 in
    35.6 x 27.9 cm
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  • Figurine draws comparatively massive infinity sign on lined notebook paper, black ink streaks on bottom of paper
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    Liliana Porter
    Infinite, 2022
    assemblage, acrylic, ink and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • Figurine in process of drawing comparatively massive graphite hat on graph paper.
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    Liliana Porter
    Man Drawing a Hat, 2022
    assemblage and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
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  • A small teddy bear figurine sits on a ledge next to a framed photo of its shattered body
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    Liliana Porter
    Reconstruction (Bear Salt Shaker), 2022
    framed archival pigment print, painted wood shelf and porcelain figurine
    14 x 18 x 4 1/2 in
    35.6 x 45.7 x 11.4 cm
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  • Liliana Porter, The Clock Keeper, 2022
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    Liliana Porter
    The Clock Keeper, 2022
    broken clock and figurine
    5 x 4 1/2 x 2 3/4 in
    12.7 x 11.4 x 7 cm
  • A wood die with the number two on the face towards the viewer that appears to have pulled away from its lined-paper mount, as though it may fall.
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    Liliana Porter
    The Dangerous Game, 2022
    assemblage on paper
    9 1/4 x 7 1/4 in
    23.5 x 18.4 cm
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  • A female figurine swings on a metal wire extending from a square mechanism with exposed gears and wires
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    Liliana Porter
    The Dangerous Game, 2022
    broken clock and figurine
    5 1/2 x 3 1/2 x 3 in
    14 x 8.9 x 7.6 cm
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  • Liliana Porter, The Greatest Find, 2022
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    Liliana Porter
    The Greatest Find, 2022
    metal figurine on wood base
    1 5/8 x 2 5/8 x 1 1/8 in
    4.1 x 6.7 x 2.9 cm
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  • Small metal wall sculpture with many gears and wires, and a small figurine standing atop it
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    Liliana Porter
    The Technician, 2022
    broken clock and figurine
    7 x 7 x 4 in
    17.8 x 17.8 x 10.2 cm
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  • Figurine attempts to clean comparatively massive smudges of graphite on lined paper
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    Liliana Porter
    To Clean Up (woman with green dress), 2022
    assemblage and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
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  • Liliana Porter, To Pull the String, 2022
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    Liliana Porter
    To Pull the String, 2022
    assemblage on paper
    12 x 9 1/4 in
    30.5 x 23.5 cm
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  • Liliana Porter, To Spill Blue, 2022
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    Liliana Porter
    To Spill Blue, 2022
    assemblage, graphite, and acrylic on paper
    8 x 8 in
    20.3 x 20.3 cm
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