Holding It Together: Collage, Montage, Assemblage
RINA BANERJEE, JAY DEFEO, TIM HAWKINSON, EMIL LUKAS, JOHN O'REILLY, PATRICIA PICCININI, LILIANA PORTER, ALAN RATH, ANDREW SCHOULTZ, WILLIAM T. WILEY, BRUCE CONNER, JEAN CONNER, JOHN ASHBERY, JOE BRAINARD, SARAH CAIN, NICK CAVE, MATHEW HALE, JESS, MATT LIP
This group exhibition highlights artists whose practice involves combining disparate elements to create a coherent object that takes on a completely different meaning than the sum of its parts. Though collage, montage and assemblage can be used to create abstract work, this exhibition focuses on representation, particularly that dealing with the human body or psychology.
The title, Holding It Together, most obviously refers to the adhesive used to make an assemblage or collage, but also alludes to the concepts that unify the diverse images or objects into a discrete entity. Colloquially, the title refers to maintaining your sanity or keeping your cool through physical or emotional difficulty.
An assemblage is a sculptural object made by grouping together found or unrelated objects, and a collage is a two-dimensional version of this practice, layering found or original images and text onto a single flat surface. Montage refers to the process of piecing together fragments of pictures and text to form a seamless, continuous whole.
More than fifty objects made from the 1950s to 2014 explore identity, sexuality, the subconscious and the subliminal. Artists include:
John Ashbery, Rina Banerjee, Joe Brainard, Sarah Cain, Nick Cave, Bruce Conner, Jean Conner, Jay DeFeo, Mathew Hale, Tim Hawkinson, Jess, Matt Lipps, Emil Lukas, Ruth Marten, Vik Muniz, Wangechi Mutu, John O’Reilly, Patricia Piccinini, Liliana Porter, Alan Rath, Ed Ruscha, Raymond Saunders, Andrew Schoultz and William T. Wiley.
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Jean ConnerTHE KISS, SEPTEMBER 2010, 2010paper collage10 13/16 x 8 3/16 in
27.5 x 20.8 cm -
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Liliana PorterTo Be With You IV, 03-12-2013, 2013collage on paper15 x 11 inches
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Rina Banerjeeflourish me different in wind and drift and breezes set sale always in motion and mindful adaptation, in not yet settled in fertile selection, in open folds and ceaseless creases, in remote reaches this was wrinkled and snagged touched stopped with what , 2014steel structure, textiles, beads, feathers, thread, bulbs36 x 40 x 20 in
91.4 x 101.6 x 50.8 cm -
Rina BanerjeeI am all that could stretch, 2014Acrylic and ink and sari cloth silk with gold thread embroidery12 x 9 inches
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Emil LukasH 1-4, 2014ink, thread, paint and used motor oil on paper under glass in wood frame4 panels, each 18 5/8 x 13 3/4 x 1 1/4 inches
overall 18 5/8 x 55 x 1 1/4 in/47.3 x 139.7 x 3.2 cm -
Emil LukasI 1-4, 2014ink, thread, paint and used motor oil on paper under glass in wood frame4 panels, each 18 5/8 x 13 3/4 x 1 1/4 inches
overall 18 5/8 x 55 x 1 1/4 in/47.3 x 139.7 x 3.2 cm -
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William T. WileyDevils in the Details, 2009mixed media60 x 30 x 6 inches/152.4 x 76.2 x 15.2 cm
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