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Frankenstein’s Birthday Party

Archive exhibition
Jun 23 - Aug 11, 2018
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Overview
Frankenstein’s Birthday Party

2018 is the bicentennial of Mary Wollstonecraft Shelley’s novel, Frankenstein; or, The Modern Prometheus.  Why does a 200-year-old ghost story continue to feel so relevant? It’s important to remember that the Frankenstein of Hollywood and pop culture – Boris Karloff, The Munsters or Rocky Horror Picture Show – is quite different from the novel. Beyond the fact that the tale has captured popular imagination, the novel’s lasting impact is grounded in the fact that it is a parable about human nature.  And the most important question it asks is who is the real monster?

 

The exhibition begins, as it must, with contemporary artists looking at the body and our attempts to conquer death; advances in science and technology; the animation of objects or machines and artificial intelligence. Thence comes an examination of ambition that outstrips the ability to understand or control what we’ve created and finally, what happens when we don’t take responsibility for the consequences of our actions.

 

Central to both the novel and the curatorial stance of this exhibition is the failure to feel empathy for the ostensibly unlovable — the other.  Who is to blame for the rage born of feelings of rejection and how do we expect that anger to play out in society?

 

Artists include Janine Antoni, Rina Banerjee, Louise Bourgeois, Julian Charrière, Edmund Clark, Bruce Conner, Russell Crotty, Tim Hawkinson, Isabella Kirkland, Barbara Kruger, Michael Light, John O’Reilly, Patricia Piccinini, Alan Rath, Kiki Smith, Surabhi Saraf and Cornelius Völker.

 

A performance by Surabhi Saraf – Awoke.ai : The Ritual –  took place during the opening reception.

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Works
  • Edmund Clark Autopsy Table, Naval Base Mortuary, Guantanamo, 2009 chromogenic print 48 1/8 x 59 7/8 in 122.2 x 152.1 cm
    Edmund Clark
    Autopsy Table, Naval Base Mortuary, Guantanamo, 2009
    chromogenic print
    48 1/8 x 59 7/8 in
    122.2 x 152.1 cm
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    %3Cdiv%20class%3D%22artist%22%3EEdmund%20Clark%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAutopsy%20Table%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ENaval%20Base%20Mortuary%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGuantanamo%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2009%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Echromogenic%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%201/8%20x%2059%207/8%20in%3Cbr/%3E%0A122.2%20x%20152.1%20cm%3C/div%3E
  • Janine Antoni to return, 2015 polyurethane resin 37 x 17 x 17 in 94 x 43.2 x 43.2 cm
    Janine Antoni
    to return, 2015
    polyurethane resin
    37 x 17 x 17 in
    94 x 43.2 x 43.2 cm
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  • Rina Banerjee, Native, migrant naturally, 2018
    Rina Banerjee, Native, migrant naturally, 2018
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  • Sculpture of egg with human skin and many phallic protrusions with long blonde hair and belly button.
    Patricia Piccinini
    Egg/Head, 2016
    silicone, human hair
    17 3/4 x 11 3/4 x 11 3/4 in
    45.1 x 29.8 x 29.8 cm
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  • Sculpture of a torso made from a brown paper bag filled with urethane foam. Covering the paper bag is a white shopping bag cut up in a way to mimic a spaghetti strap top and thong underwear. The text on the shopping bag reads Rockler Woodworking and Hardware
    Tim Hawkinson
    Torso, 2018
    shopping bags, urethane foam
    20 x 12 x 8 in
    50.8 x 30.5 x 20.3 cm
  • John O'Reilly, To Patrick (1975-1997) #16, 1998
    John O'Reilly, To Patrick (1975-1997) #16, 1998
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ETo%20Patrick%20%281975-1997%29%20%2316%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1998%3C/span%3E
  • John O'Reilly, Circean Study #2, 1998
    John O'Reilly, Circean Study #2, 1998
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ECircean%20Study%20%232%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1998%3C/span%3E
  • John O'Reilly, Mused 2.09.91, 1991
    John O'Reilly, Mused 2.09.91, 1991
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EMused%202.09.91%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1991%3C/span%3E
  • Kiki Smith Rosary, 1994 white bronze and silicon bronze approx. 86 inches in length/472.4 cm
    Kiki Smith
    Rosary, 1994
    white bronze and silicon bronze
    approx. 86 inches in length/472.4 cm
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    %3Cdiv%20class%3D%22artist%22%3EKiki%20Smith%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ERosary%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1994%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ewhite%20bronze%20and%20silicon%20bronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Eapprox.%2086%20inches%20in%20length/472.4%20cm%3C/div%3E
  • Highly detailed and realistic oil painting on panel of the four white sheep clones made from the first true clone a sheep named Dolly The four sheep are standing on a sunny fenced plot of green grassy land with a meadow of white flowers behind them
    Isabella Kirkland
    Dolly's Perfectly Healthy Co-clones, 2018
    oil and alkyd on panel
    16 x 20 in
    40.6 x 50.8 cm
  • Highly detailed and realistic oil painting on panel of three green glowing mice in a strawberry patch underneath a starry night sky The scene was inspired by actual glowing mice created by Stanford engineers who inserted bioluminescent jellyfish DNA into the rodents
    Isabella Kirkland
    Transgenic Mice, 2018
    oil, alkyd, and phosphorescent pigment on panel
    12 x 16 in
    30.5 x 40.6 cm
  • Sculpture of shiny red motorcycle-like vehicle with many mirrors forming antlers. Yellow sculpture that is part-animal with webbed hands and part-motorcycle appears to be leaping on the back of the red motorcycle.
    Patricia Piccinini
    The Struggle, 2017
    fiberglass, auto paint, leather, steel, scooter parts
    78 3/4 x 94 1/2 x 47 1/4 in
    200 x 240 x 120 cm
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    %3Cdiv%20class%3D%22artist%22%3EPatricia%20Piccinini%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20Struggle%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Efiberglass%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eauto%20paint%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eleather%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esteel%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Escooter%20parts%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E78%203/4%20x%2094%201/2%20x%2047%201/4%20in%3Cbr/%3E%0A200%20x%20240%20x%20120%20cm%3C/div%3E
  • Small red cylinder with three red wires and three round monitors displaying blinking eyes in different colors.
    Alan Rath
    Eyeris IX, 2017
    birch plywood, acrylic, polyethylene, aluminum, custom electronics, LCDs
    87 x 60 x 10 in
    221 x 152.4 x 25.4 cm
  • Kiki Smith Answer, 1996 porcelain and wire 2 1/2 x 12 1/2 x 2 7/8 in 6.3 x 31.8 x 7.3 cm
    Kiki Smith
    Answer, 1996
    porcelain and wire
    2 1/2 x 12 1/2 x 2 7/8 in
    6.3 x 31.8 x 7.3 cm
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    %3Cdiv%20class%3D%22artist%22%3EKiki%20Smith%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAnswer%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1996%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eporcelain%20and%20wire%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E2%201/2%20x%2012%201/2%20x%202%207/8%20in%3Cbr/%3E%0A6.3%20x%2031.8%20x%207.3%20cm%3C/div%3E
  • John O'Reilly, Dada Kindergraphs, 1993
    John O'Reilly, Dada Kindergraphs, 1993
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EDada%20Kindergraphs%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1993%3C/span%3E
  • John O'Reilly, Double in Marble, 1988
    John O'Reilly, Double in Marble, 1988
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EDouble%20in%20Marble%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1988%3C/span%3E
  • John O'Reilly, French Self-Portrait, 1991
    John O'Reilly, French Self-Portrait, 1991
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20O%27Reilly%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EFrench%20Self-Portrait%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1991%3C/span%3E
  • Janine Antoni to twine, 2015 polyurethane resin 18 x 48 1/2 x 72 in 45.7 x 123.2 x 182.9 cm
    Janine Antoni
    to twine, 2015
    polyurethane resin
    18 x 48 1/2 x 72 in
    45.7 x 123.2 x 182.9 cm
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    %3Cdiv%20class%3D%22artist%22%3EJanine%20Antoni%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3Eto%20twine%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Epolyurethane%20resin%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E18%20x%2048%201/2%20x%2072%20in%3Cbr/%3E%0A45.7%20x%20123.2%20x%20182.9%20cm%3C/div%3E
  • Tim Hawkinson, Pink Bike, 2010
    Tim Hawkinson, Pink Bike, 2010
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ETim%20Hawkinson%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EPink%20Bike%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2010%3C/span%3E
  • Russell Crotty, The Moon is My Friend, 2018
    Russell Crotty, The Moon is My Friend, 2018
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    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERussell%20Crotty%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EThe%20Moon%20is%20My%20Friend%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2018%3C/span%3E
  • Alan Rath Creature II, 2012 aluminum, FR-4, Delrin, custom electronics, motor, feather, LCD 25 x 13 x 44 in 63.5 x 33 x 111.8 cm
    Alan Rath
    Creature II, 2012
    aluminum, FR-4, Delrin, custom electronics, motor, feather, LCD
    25 x 13 x 44 in
    63.5 x 33 x 111.8 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EAlan%20Rath%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECreature%20II%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2012%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ealuminum%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EFR-4%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EDelrin%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecustom%20electronics%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Emotor%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Efeather%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3ELCD%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E25%20x%2013%20x%2044%20in%3Cbr/%3E%0A63.5%20x%2033%20x%20111.8%20cm%3C/div%3E
  • Edmund Clark Camp 6, Mobile Force-feeding Chair, Guantanamo, 2009 chromogenic print 59 7/8 x 48 1/8 in 152.1 x 122.2 cm
    Edmund Clark
    Camp 6, Mobile Force-feeding Chair, Guantanamo, 2009
    chromogenic print
    59 7/8 x 48 1/8 in
    152.1 x 122.2 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EEdmund%20Clark%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECamp%206%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EMobile%20Force-feeding%20Chair%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGuantanamo%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2009%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Echromogenic%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E59%207/8%20x%2048%201/8%20in%3Cbr/%3E%0A152.1%20x%20122.2%20cm%3C/div%3E
  • William T. Wiley Cartoon for the Dreamer, 1986 pencil and crayon on paper 64 x 59 1/4 in 162.6 x 150.5 cm
    William T. Wiley
    Cartoon for the Dreamer, 1986
    pencil and crayon on paper
    64 x 59 1/4 in
    162.6 x 150.5 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EWilliam%20T.%20Wiley%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECartoon%20for%20the%20Dreamer%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1986%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Epencil%20and%20crayon%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E64%20x%2059%201/4%20in%3Cbr/%3E%0A162.6%20x%20150.5%20cm%3C/div%3E
  • Chrome colored boulder with two screens mounted on top. The screens show stills from the videos of a fluid chrome shape metamorphosing into other shapes.
    Surabhi Saraf
    Awoke, 2018, 2018
    two BrightSign players, iridescent acrylic and molded foam
    62 3/8 x 38 x 21 in
    158.4 x 96.5 x 53.3 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ESurabhi%20Saraf%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAwoke%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2018%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2018%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Etwo%20BrightSign%20players%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eiridescent%20acrylic%20and%20molded%20foam%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E62%203/8%20x%2038%20x%2021%20in%3Cbr/%3E%0A158.4%20x%2096.5%20x%2053.3%20cm%3C/div%3E
  • Julian Charrière An Invitation to Disappear - Sorong, 2018 pigment print 59 1/8 x 73 7/8 in 150.2 x 187.6 cm
    Julian Charrière
    An Invitation to Disappear - Sorong, 2018
    pigment print
    59 1/8 x 73 7/8 in
    150.2 x 187.6 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EJulian%20Charri%C3%A8re%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAn%20Invitation%20to%20Disappear%20-%20Sorong%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2018%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Epigment%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E59%201/8%20x%2073%207/8%20in%3Cbr/%3E%0A150.2%20x%20187.6%20cm%3C/div%3E
  • Michael Light 100 SUNS: 037 ZUCCHINI, 2003 pigment print mounted on aluminum 16 x 19 3/4 in 40.6 x 50.2 cm
    Michael Light
    100 SUNS: 037 ZUCCHINI, 2003
    pigment print mounted on aluminum
    16 x 19 3/4 in
    40.6 x 50.2 cm
    Inquire
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  • Michael Light 100 SUNS: 098 APACHE, 2003 pigment print mounted on aluminum 32 x 40 in 81.3 x 101.6 cm
    Michael Light
    100 SUNS: 098 APACHE, 2003
    pigment print mounted on aluminum
    32 x 40 in
    81.3 x 101.6 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EMichael%20Light%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E100%20SUNS%3A%20098%20APACHE%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2003%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Epigment%20print%20mounted%20on%20aluminum%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E32%20x%2040%20in%3Cbr/%3E%0A81.3%20x%20101.6%20cm%3C/div%3E
  • Michael Light 100 SUNS: 091 APACHE, 2003 pigment print mounted on aluminum 24 x 30 in 61 x 76.2 cm
    Michael Light
    100 SUNS: 091 APACHE, 2003
    pigment print mounted on aluminum
    24 x 30 in
    61 x 76.2 cm
    Inquire
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  • Michael Light 100 SUNS: 063 KING, 2003 pigment print mounted on aluminum 16 x 20 in 40.6 x 50.8 cm
    Michael Light
    100 SUNS: 063 KING, 2003
    pigment print mounted on aluminum
    16 x 20 in
    40.6 x 50.8 cm
    Inquire
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  • Michael Light 100 SUNS: 035 PRISCILLA, 2003 pigment print mounted on aluminum 12 1/4 x 16 in 31.1 x 40.6 cm
    Michael Light
    100 SUNS: 035 PRISCILLA, 2003
    pigment print mounted on aluminum
    12 1/4 x 16 in
    31.1 x 40.6 cm
    Inquire
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  • Patricia Piccinini, The Comforter, 2010
    Patricia Piccinini, The Comforter, 2010
    Inquire
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  • Edmund Clark The Mountains of Majeed 5, 2014 chromogenic print 44 7/8 x 59 7/8 in 114 x 152.1 cm
    Edmund Clark
    The Mountains of Majeed 5, 2014
    chromogenic print
    44 7/8 x 59 7/8 in
    114 x 152.1 cm
    Inquire
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  • Print from an original collage of black and white photos creates the image of a uniformed military member whose head has been replaced with the cloud of a large nuclear explosion In the background is a sky full of clouds
    Bruce Conner
    BOMBHEAD, 2002/1989
    pigment and acrylic on paper
    a printer's proof aside from the edition of 20
    38 3/8 x 31 1/8 in
    97.5 x 79.1 cm
  • Heckler & Koch USP pistol lying on its side on green/beige surface.
    Cornelius Völker
    Heckler & Koch USP, 2014
    oil on canvas
    39 3/8 x 41 3/8 in
    100 x 105.1 cm
  • Michael Light 100 SUNS: 054 ERIE, 2003 pigment print mounted on aluminum 12 1/4 x 16 in 31.1 x 40.6 cm
    Michael Light
    100 SUNS: 054 ERIE, 2003
    pigment print mounted on aluminum
    12 1/4 x 16 in
    31.1 x 40.6 cm
    Inquire
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Installation Views
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Press
  • "Frankenstein’s Birthday Party," 2018, installation view

    Best of 2018

    David M. Roth, Squarecylinder, Dec 22, 2018
  • "Frankenstein’s Birthday Party," 2018, installation view

    Frankenstein’s Birthday Party @ Hosfelt

    Justin Manley, Squarecylinder, Jul 20, 2018
  • Rina Banerjee, "Native, migrant naturally," 2018, installation view

    Summer exhibition at Hosfelt Gallery a monstrous affair

    Charles Desmarais, San Francisco Chronicle, Jul 6, 2018

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Back to exhibitions
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Th: 11am–7pm
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