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EINFLUSS: 8 from Düsseldorf
Haeckel, Jensen, Kürten, Lokai, Ouadahi, Völker, Ettlinger, Fineisen, 18 December 2010 - 5 February 2011
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EINFLUSS: 8 from Düsseldorf: Haeckel, Jensen, Kürten, Lokai, Ouadahi, Völker, Ettlinger, Fineisen

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Overview
EINFLUSS: 8 from Düsseldorf, Haeckel, Jensen, Kürten, Lokai, Ouadahi, Völker, Ettlinger, Fineisen

Introducing the Next Wave from Germany Part 2: San Francisco Panel discussion moderated by Laura Janku: Saturday 18 December, 2:30 pm

 

Düsseldorf is the center of European art making because of its Kunstakademie — the most influential training ground for artists in the world. This autumn, Hosfelt Gallery will introduce a group of eight artists associated with Düsseldorf and its art academy in exhibitions, first in New York and then in San Francisco.

 

Some of the artists associated with the Kunstakademie Düsseldorf (est. 1762) — either as students, or as teachers — include Gerhard Richter, Joseph Beuys, Bernd and Hilla Becher, Nam June Paik, Blinky Palermo, Yoshitomo Nara, Rosemarie Trockel, Andreas Gursky, Thomas Ruff, Thomas Struth, Thomas Demand, Tony Cragg, Katharina Fritsch, Thomas Schütte, Anselm Kiefer and Sigmar Polke. Every contemporary artist in the world has been influenced by this community of artists.

 

Düsseldorf is an exceptional breeding ground for art due to a unique confluence: the unsurpassed significance of the Kunstakademie, a dynamic ‘artist’s club’ (salon), visionary galleries, a long history of sophisticated and voracious private collecting, beautiful city-subsidized studio spaces, publicly-funded museums with a tradition of collecting contemporary art, and a host of kunsthalles throughout the country that exhibit and collect contemporary work that isn’t necessarily fashionable.

 

Developing within this fertile environment, the artists included in EINFLUSS are making mature work at an exceptionally high level. Their practice is characterized by a full awareness of the history of art-making and the dialogue about its relevance. Several of the artists included in this show have been widely exhibited in Europe, but never in the United States.

 

Cornelius Völker, who studied under A.R.Penck and Dieter Krieg, paints the same type of object over and over. The objects are the things ‘no one else would want to paint,’ for example, the drain in his sink. This practice, this meditation upon an object, is an exploration of its essence. Yet in representing the object, the artist has self-consciously inserted himself between the thing and the viewer. Questioning the meaning of an experience, he is interested in how that ‘reality’ shifts when the experience is mediated.

 

Jutta Haeckel’s brushstrokes do not define objects but instead describe the space between them. She makes representational paintings by representing void. Things that appear solid are nonexistent, challenging a viewer to consider the role of perception and raising questions of presence versus absence, the mundane versus the incomprehensible, fact versus faith.

 

Luka Fineisen makes sculpture, often at a heroic scale, from liquids, bubbles, even fragrance. While utilizing the familiar tools of sculptors — space, scale, texture and light — she subverts convention.

 

An Algerian of Berber descent who immigrated to study at the Kunstakademie, Driss Ouadahi, makes paintings about modern architecture’s failure to deliver on its promise to improve the human condition. His images of public housing projects, high-rise buildings, chain-link fencing and tiled passageways are signifiers of separation. They are symbols of the politics of class, ethnicity and ‘otherness’ as well as the lack of mobility in a supposedly global community.

 

Another student of Richter, Bernard Lokai, suggests landscape through grids of small abstract oil paintings. Like several of the artists in this exhibition, he explores the relationship between abstraction and representation, as well as the most fundamental question an artist can ask: what does it mean to paint an image?

 

Stefan Kürten’s prosaic subject matter — public gardens, shopping malls, and suburban architecture — are de-populated scenes of the 1970s. They are images that engender a feeling of familiarity through the unavoidable associations with one’s past. They are about memory and its loss. In some of the paintings, wallpaper patterns of interior spaces intertwine with foliage of the exterior world. This merging of inside/outside, nature/artifice parallels the unreliability and decay of memory – the disappearance of self, the confusion between real/present and memory/past.

 

Stefan Ettlinger’s paintings juxtapose seemingly unrelated images within a single picture plane. Looking at them is a bit like channel-surfing or the way disparate stories/images become correlated through proximity in a newspaper. The relationships are in fact not accidental and are akin to mixing music, Ettlinger’s other form of art-making.

 

The subjects of Birgit Jensen’s recent works are iconic places to which she’s never been — Mount Everest, the Great Wall, Giza. To make them, she appropriates an image, manipulates the pixels forming the image into patterns, then makes a shimmering, low-resolution painting. From a distance, the subjects are discernible, but up close, they come apart into textile-like structures. Like the artist, most of us know these places through images rather than first-hand, yet they are recognizable. Her work is about extreme mediation.The viewer is asked to de-code a painting of a photograph that has been digitally manipulated by an artist who’s never seen the place. It’s a bit like the children’s game ‘telephone’ – and raises the issue of the veracity of art making.

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Works
  • Yellow canvas with one jagged section of purple brushstrokes emerging from the bottom of the canvas.
    Bernard Lokai
    Ohne Titel, 2010
    oil on linen
    55 x 79 inches/139.7 x 200.7 cm
  • Big swaths of color in black, yellow, white and fuschia create the basis for an abstract design that primarily features textured brushstrokes in black.
    Bernard Lokai
    o.T.
    oil on linen
    47.28 x 70.92 inches/180 x 120 cms
  • 18 small rectangular panels arranged in a grid of three rows and six columns. Each panel has a distinct abstract or landscape scene. The panels are mostly in brown and green tones with one bright blue panel and some with purple and orange. Together the panels make a singular abstract landscape composed of sky on the top row, horizon in the middle, and earth on the bottom row.
    Bernard Lokai
    Landschaftsblock S (Landscape Block S), 2010
    oil on canvas
    51 1/8 x 135 7/8 inches/130 x 345 cm
  • On a pastel background, dark multicolored lines create an intricate and disorganized grid. Black branches creep into the canvas from the bottom right.
    Jutta Haeckel
    Network, 2010
    oil on canvas
    58.98 x 47.28 inches
    149.7 x 120 cms
    Inquire
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  • Against a brown and white background, yellow lines criss-cross the canvas creating a cacophony of lines and shapes.
    Jutta Haeckel
    Alliance, 2010
    oil on canvas
    59.02 x 47.28 inches
    149.8 x 120 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EJutta%20Haeckel%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAlliance%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E59.02%20x%2047.28%20inches%3Cbr/%3E149.8%20x%20120%20cms%3C/div%3E
  • Multi-colored abstract urban landscape with several high rise buildings and empty streets A grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    Vis à vis, 2010
    oil on linen
    35.46 x 39.4 inches
    90 x 100 cms
  • Abstract urban landscape with several high rise buildings streets and a few outdoor green spaces towards the bottom left of the painting A multi-colored grid of alternating thin and thick horizontal and vertical lines form the illusion of foreground scaffolding
    Driss Ouadahi
    le tag, 2008
    oil on linen
    66.98 x 78.8 inches
    170 x 200 cms
  • Blurry purple blue and yellow landscape seen through through a black diamond wire fence which has a large hole torn at the lower right of the painting
    Driss Ouadahi
    Fences hole, 2010
    oil on linen
    78.8 x 70.92 inches
    200 x 180 cms
  • Multiple silkscreen layers of red and white paint construct a blurry and highly pixelated abstract rocky landscape
    Birgit Jensen
    Dipamkara, 2010
    acrylic on linen
    78.8 x 66.98 inches
    200 x 170 cms
  • Luka Fineisen Group of Bubbles 1, 2010 PET plastic 12 bubbles, highest 39 cm, lowest 7 cm
    Luka Fineisen
    Group of Bubbles 1, 2010
    PET plastic
    12 bubbles, highest 39 cm, lowest 7 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ELuka%20Fineisen%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EGroup%20of%20Bubbles%201%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPET%20plastic%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E12%20bubbles%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehighest%2039%20cm%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Elowest%207%20cm%3C/div%3E
  • Luka Fineisen Melange I, 2010 plexiglas, resin 41.37 x 35.46 x 1.97 inches 105 x 90 x 5 cms
    Luka Fineisen
    Melange I, 2010
    plexiglas, resin
    41.37 x 35.46 x 1.97 inches
    105 x 90 x 5 cms
  • Close-up of metal drain encircled by purple rim within light blue sink.
    Cornelius Völker
    Sink - 1, 2008
    oil on canvas
    31.5 x 23.6 inches
    80 x 59.9 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ECornelius%20V%C3%B6lker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESink%20-%201%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2008%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E31.5%20x%2023.6%20inches%3Cbr/%3E80%20x%2059.9%20cms%3C/div%3E
  • Against green background, guinea pig with white and gray fur and pink snout and feet stands facing the viewer.
    Cornelius Völker
    Meerschweinchen #49, 2003
    oil on linen
    15 3/4 x 19 3/4 inches/40 x 50 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ECornelius%20V%C3%B6lker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMeerschweinchen%20%2349%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2003%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20linen%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E15%203/4%20x%2019%203/4%20inches/40%20x%2050%20cm%3C/div%3E
  • Abstracted guinea pig viewed in profile against light blue background.
    Cornelius Völker
    Meerschweinchen #69, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
  • Timid white guinea pig sits diagonally across brown background.
    Cornelius Völker
    Meerschweinchen #81, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ECornelius%20V%C3%B6lker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMeerschweinchen%20%2381%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2003%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20linen%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E15.76%20x%2019.7%20inches%3Cbr/%3E40%20x%2050%20cms%3C/div%3E
  • Against light blue background, brown guinea pig viewed in profile has splotchy abstracted fur.
    Cornelius Völker
    Meerschweinchen #115, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
  • Abstract small furry animal (guinea pig) against red background.
    Cornelius Völker
    Meerschweinchen #74, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
  • Against gradient blue background, abstracted white and brown guinea pig sits facing the viewer with chin raised as if howling.
    Cornelius Völker
    Meerschweinchen #71, 2003
    oil on linen
    15 3/4 x 19 3/4 inches/40 x 50 cm
  • Against gradient bright green background, brown guinea pig viewed in profile has splotchy abstracted fur.
    Cornelius Völker
    Meerschweinchen #93, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
  • Against fuschia background, guinea pig standing in profile has long flowy white and gray hair.
    Cornelius Völker
    Meerschweinchen #131, 2003
    oil on linen
    15.76 x 19.7 inches
    40 x 50 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ECornelius%20V%C3%B6lker%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMeerschweinchen%20%23131%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2003%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20linen%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E15.76%20x%2019.7%20inches%3Cbr/%3E40%20x%2050%20cms%3C/div%3E
  • In a visually dense scene, curved grid pattern, stone sculptures, pond, two-story home, and dense foliage create a layered collage in dark sepia tones.
    Stefan Kürten
    Aberglaube (Malkasten), 2010
    acrylic and ink on linen
    74 x 106 inches
    188 x 269.2 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EStefan%20K%C3%BCrten%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAberglaube%20%28Malkasten%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%20and%20ink%20on%20linen%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E74%20x%20106%20inches%3Cbr/%3E188%20x%20269.2%20cms%3C/div%3E
  • In a pink hue, tall and thin trees are planted in front of two-story home with large glass windows and patio. Yellow glowing animal skeletons float over the scene.
    Stefan Kürten
    Secret, 2010
    oil on canvas
    31 1/2 x 39 1/2 inches/80 x 100.3 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EStefan%20K%C3%BCrten%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESecret%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E31%201/2%20x%2039%201/2%20inches/80%20x%20100.3%20cm%3C/div%3E
  • Stefan Ettlinger Neun (Nine), 2010 egg tempera and oil on canvas 59.1 x 78.8 inches 150 x 200 cms
    Stefan Ettlinger
    Neun (Nine), 2010
    egg tempera and oil on canvas
    59.1 x 78.8 inches
    150 x 200 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EStefan%20Ettlinger%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENeun%20%28Nine%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eegg%20tempera%20and%20oil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E59.1%20x%2078.8%20inches%3Cbr/%3E150%20x%20200%20cms%3C/div%3E
  • Stefan Ettlinger Zehn (Ten), 2010 egg tempera and oil on canvas 59.1 x 78.8 inches 150 x 200 cms
    Stefan Ettlinger
    Zehn (Ten), 2010
    egg tempera and oil on canvas
    59.1 x 78.8 inches
    150 x 200 cms
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EStefan%20Ettlinger%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EZehn%20%28Ten%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2010%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eegg%20tempera%20and%20oil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E59.1%20x%2078.8%20inches%3Cbr/%3E150%20x%20200%20cms%3C/div%3E
  • Stefan Ettlinger Fünfundzwanzig. Sechsundzwanzig. (Twenty-Five. Twenty-Six. ), 2009 egg tempera and oil on canvas 66.98 x 43.34 inches 170 x 110 cms
    Stefan Ettlinger
    Fünfundzwanzig. Sechsundzwanzig. (Twenty-Five. Twenty-Six. ), 2009
    egg tempera and oil on canvas
    66.98 x 43.34 inches
    170 x 110 cms
Installation Views
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Press
  • Bernard Lokai, "Landschaftsblock S (Landscape Block S)," 2010, oil on canvas, 130 x 345 cm

    EINFLUSS: 8 from Düsseldorf

    MARA HOBERMAN, ARTFORUM, December 16, 2010

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  • The image features a graphic, digital composition with a blend of natural and abstract elements. In the foreground, the silhouette of a leafless branch intersects the scene, creating a stark contrast with the geometric and linear components in the backgro

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  • The image depicts a serene scene of a mid-century modern house with a swimming pool in the foreground. The pool's water reflects a patterned, golden light, suggesting it's either sunrise or sunset. Palm trees and shrubbery are visible around the house, an

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