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Patricia Piccinini
The Awakening, 1 May - 12 July 2021
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Patricia Piccinini: The Awakening

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Overview
Patricia Piccinini, The Awakening

Patricia Piccinini creates some of the most surprising,  provocative and pertinent artworks of our time. Famous for her life-like, chimeric creatures, anthropomorphic sculptures made of fiberglass and extraordinarily elaborate auto body paint jobs, and sculptural hot air balloons, Piccinini raises questions about how we define “human” and how we resolve the complex bio-ethical issues of our rapidly changing world.

 

In September of this year (2021) Hosfelt Gallery will host Piccinini’s most recent sculptures in an immersive installation. In May, as a foretaste of that exhibition, Hosfelt is screening Piccinini’s new 9-minute digital animation, The Awakening — its premiere in the Americas.

 

The Awakening is about something both quintessentially common and inordinately miraculous — birth. It is mesmerizing, beautiful and frightening.  

 

Based in Melbourne, Patricia Piccinini (b. 1965, Freetown, Sierra Leone) represented Australia in the 2003 Venice Biennale. Her sculpture, video, drawing and installations have been exhibited extensively internationally, including most recently in solo museum exhibitions in Sweden, Denmark, Finland, Slovenia, Spain, Taiwan, Brazil, and throughout Australia.  

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Works
  • Sculpture depicting mini auto mobile in res and peach colors with tiny black wheels and windows. The wheels are in a group of four near the bottom with enlarged head at top. The piece is supposed to resemble a baby.
    Patricia Piccinini
    Embryo, 2016
    fiberglass, polyurethane, auto paint
    29 1/8 x 44 7/8 x 48 7/8 in
    74 x 114 x 124.1 cm
  • Phallic shaped curved leather seat with motorcycle body head and two small pipes coming out of bottom. the piece is mostly blue with white detailing.
    Patricia Piccinini
    Trident, 2007
    fiberglass, auto paint, leather, steel
    15 3/4 x 43 1/4 x 19 3/4 in
    40 x 109.9 x 50.2 cm
  • Reclining torso figure with no head and one arm. The figure has an engorged belly with five small fleshy heads with only mouths on the figure's chest. The figure has long brown hair descending from the top down and over the heads on chest.
    Patricia Piccinini
    The Osculating Curve, 2016
    silicone, fiberglass, human hair
    21 1/4 x 28 3/8 x 11 3/4 in
    54 x 72.1 x 29.8 cm
  • Fleshy surface with wrinkles, folds, and hooded holes.
    Patricia Piccinini
    The Awakening, 2020
    video
    duration: 9 minutes
Press
  • The Awakening, 2021, installation view

    Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

    Variable West, July 20, 2021
News
  • Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

    Going Through the Motions: Speculations on Birth in Patricia Piccinini’s The Awakening

    Read more
  • HG Magazine Issue no. 30

    HG Magazine Issue no. 30

    Celebrating William T. Wiley; plus African Butterfly Research Institute, THE SMALL MATTER exhibition review, bug brownie recipe Read more
  • HG Magazine Issue no. 29

    HG Magazine Issue no. 29

    Isabella Kirkland: THE SMALL MATTER & Patricia Piccinini: The Awakening open; plus Rina Banerjee on 8-Bridges, Cornelius Völker, biscuit recipe Read more
  • HG Magazine Issue no. 28

    HG Magazine Issue no. 28

    Studio Visit with Birgit Jensen; plus Liliana Porter, Ben McLaughlin, Isabella Kirkland, Patricia Piccinini, Cornelius Völker Read more

Related artist

  • Patricia Piccinini

    Patricia Piccinini

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