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Haeckel’s subversive artworks invert the act and purpose of painting — both materially and subjectively. By fraying the surface of her canvas she exposes the grid that is the basis...
Haeckel’s subversive artworks invert the act and purpose of painting — both materially and subjectively. By fraying the surface of her canvas she exposes the grid that is the basis for most painting. Haeckel extrudes paint from back to front through the openings in the jute, thus physically merging paint, image and structure. The grid of the painting becomes not a barrier, but a membrane or place of transformation.