• Sculpture of two small hybrid creatures holding each other close. Their faces are like baby monkeys but they have the hands of humans, blonde hair and speckled human-like skin. Their bodies are wrinkled and their backs are like soles of boots.
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    Patricia Piccinini
    The Loafers, 2018
    fiberglass, silicone, hair
    10 5/8 x 10 3/8 x 9 7/8 in/27 x 26.5 x 25 cm
    Inquire
  • William T. Wiley, Punball: Only One Earth, 2008
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    William T. Wiley
    Punball: Only One Earth, 2008
    rebuilt and restored pinball machine with original artwork
    70 x 26 x 53 in
    177.8 x 66 x 134.6 cm
    Inquire
  • Multiple silkscreen layers of black blue and green paint form a constructed landscape of a blurry and highly pixelated lake shore with two black silhouettes of thin trees in the foreground. In the upper portion of the piece to the left a small light green circle alluding to a full moon floats in the sky while another much larger circle lies towards the bottom of the piece alluding to the moon’s reflection in the water
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    Birgit Jensen
    KAGAMI IX, 2018
    acrylic on canvas
    78 3/4 x 66 7/8 in
    200 x 170 cm
    Inquire
  • Cornelius Völker, Blüte (Bloom), 2025
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    Cornelius Völker
    Blüte (Bloom), 2025
    oil on canvas
    27 1/2 x 19 3/4 in
    70 x 50 cm
  • Seated woman in blue coat and white skirt faces away from viewer in front of plain white background.
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    Gideon Rubin
    Untitled, 2018
    oil on canvas
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • On top of pastel background, dark red and tan paint seeps onto canvas from sides and top. Dark turquoise shapes are also layered on top of pastel background.
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    Jutta Haeckel
    Glacier, 2018
    acrylic and acrylic paste on jute
    92 1/2 x 70 7/8 inches/235 x 180 cm
  • Max Gimblett, Sorcery, 2022
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    Max Gimblett
    Sorcery, 2022
    gesso, acrylic, resin, water-based size and copper leaf on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Sculpture of two zoomorphic motorcycles cuddling. The orange one nestles into the red one with smaller antler-like mirrors.
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    Patricia Piccinini
    The Lovers, 2011
    fiberglass, auto paint, leather, scooter parts
    79 1/2 x 80 3/4 x 51 1/8 inches/201.9 x 205.1 x 129.9 cm
  • William T. Wiley, This Is Not Blackwater, 2007
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    William T. Wiley
    This Is Not Blackwater, 2007
    charcoal and acrylic on canvas
    40 1/2 x 34 in
    102.9 x 86.4 cm
  • Multiple silkscreen layers of black blue and salmon paint form a constructed landscape of a burry and heavily pixelated distant riverbank with a black silhouette of a tree in the foreground. The tree obscures the view of the large salmon circle or moon in the upper center of the piece as well as its watery reflection down at the bottom center of the piece
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    Birgit Jensen
    KAGAMI OR II, 2017
    acrylic on canvas
    28 x 23 5/8 in
    71.1 x 60 cm
  • Fine and delicate ink blot drawings in vertical lines featuring extremely intricate details.
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    Bruce Conner
    INKBLOT DRAWING JUNE 3, 1998, 1998
    ink on paper
    8 1/2 x 4 3/4 in
    21.6 x 11.9 cm
  • Young faceless boy viewed from the back wields pitchfork in field of hay.
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    Gideon Rubin
    Untitled (In the Field), 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Busy composition is created with colorful diamonds and circles of many sizes. Colors are separated by white paint branching throughout entire canvas.
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    Jutta Haeckel
    White Noise, 2009
    acrylic and oil on canvas
    74 3/4 x 106 1/4 inches/190 x 270 cm
  • A thick, gold, dripping brushstroke atop a luminous emerald blue background.
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    Max Gimblett
    Script, 2022
    gesso, acrylic, resin, water-based size and Rosanoble gold leaf on canvas
    70 x 50 in
    177.8 x 127 cm
    Inquire
  • William T. Wiley, Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
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    William T. Wiley
    Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
    acrylic and charcoal on canvas
    62 x 69 3/4 in
    157.5 x 177.2 cm
    Inquire
  • Multiple silkscreen layers of black blue gray and green paint form a constructed landscape of a blurry and highly pixelated winding riverbank with several silhouettes of hanging branches extending from the left and right of the piece. In the upper center of the work a small light gray circle alluding to a full moon floats above the bank while another circle in light blue alludes to ts reflection
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    Birgit Jensen
    KAGAMI VII, 2017
    acrylic on canvas
    78 3/4 x 66 7/8 in
    200 x 170 cm
    Inquire
  • Black ink illustrations on nine separate sheets of square paper form a three by three grid of abstract landscapes
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    Bruce Conner
    SNAPSHOTS AUGUST 8, 1975, 1975
    ink on nine sheets of paper
    14 1/2 x 18 in
    36.8 x 45.7 cm
  • Young faceless boy wearing long socks, shorts and blue shorts bikes towards the viewer on forest path.
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    Gideon Rubin
    Untitled (Bike Ride), 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Tan and black stripes create a fingerprint-like pattern across canvas. Layered on top are shards of light pastel paint outlined in white.
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    Jutta Haeckel
    Ghost Rider, 2017
    acrylic and watercolor on jute
    59 1/8 x 47 1/4 in
    150 x 120 cm
    Inquire
  • Candy pink quatrefoil with red and platinum brushstrokes
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    Max Gimblett
    Coral, 2021
    gesso, acrylic, resin, water-based size and palladium leaf on burlap
    40 x 40 in
    101.6 x 101.6 cm
    Inquire
  • William T. Wiley, Momma's Cross with Jesus, 1995
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    William T. Wiley
    Momma's Cross with Jesus, 1995
    found objects, playing cards, beads, feather, printed paper, plastic on paper, rubber, thumbtack, oil and ink on wood
    24 1/2 x 14 x 5 1/4 in
    62.2 x 35.6 x 13.3 cm
    Inquire
  • Multiple silkscreen layers of multi-colored paint construct a blurry and highly pixelated abstract landscape of the Preseli Hills in Wales
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    Birgit Jensen
    Preseli I, 2012
    acrylic on canvas
    15 x 19 3/4 in
    38.1 x 50.2 cm
  • Black and white photograph of a punk rock group performing at a concert In the scene a member of the group is on stage caught in a midair jump holding a microphone and surrounded by light and sound equipment
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    Bruce Conner
    OINTMENT, MARCH 9, 1978, 27 PUNK PHOTOS, #13, 1978
    gelatin silver print
    image 13 1/16 x 8 inches/33.1 x 20.3 cm
    sheet 14 x 11 inches/35.6 x 27.9 cm
  • Faceless woman wearing white dress sits on chair in forest, gazing at her hands.
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    Gideon Rubin
    Untitled, 2018
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • Camouflage-shaped vertical stripes of paint in shades of black and brown gradually become lighter from left to right on top of a background of multicolored, pastel lines.
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    Jutta Haeckel
    Closer, 2017
    acrylic and oil on jute
    78 3/4 x 59 1/8 inches/200 x 150 cm
  • Max Gimblett, Highway—After Bill deKooning, 2022, 2022
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    Max Gimblett
    Highway—After Bill deKooning, 2022, 2022
    gesso, acrylic, resin, water-based size and French Pale 22kt gold leaf on canvas
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Multiple silkscreen layers of blue and black form a constructed landscape of a dark river bank jutting out from the center right of the piece At the top center a faded light gray circle alludes to a full moon floating in the sky above multiple black silhouettes of trees
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    Birgit Jensen
    KONIN II, 2019
    acrylic on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Black and white photograph of punk rock group The Avengers performing at a concert In the scene lead singer Penelope Houston sings on stage on the stage while surrounded by sound and light equipment along with rowdy members of the audience
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    Bruce Conner
    PLEASURE AND PAIN: THE AVENGERS, JANUARY 28, 1978, 27 PUNK PHOTOS, #1, 1978
    gelatin silver print
    image 8 3/4 x 13 inches/22.2 x 33 cm
    sheet 11 x 14 inches/27.9 x 35.6 cm
    Inquire
  • Faceless woman in blue slip sits with legs dipped into a pool and holds glass of water in front of foliage in the background.
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    Gideon Rubin
    Pond, 2016
    oil on linen
    78 3/4 x 59 1/8 in
    200 x 150 cm
    Inquire
  • A light orange background is visible through layered light blue, gray, pink and black swaths of paint. The burlap material and white paint create texture throughout the paint layers.
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    Jutta Haeckel
    Echo Chamber, 2017
    acrylic and oil on jute
    31 1/2 x 39 3/8 in
    80 x 100 cm
  • Max Gimblett, The Door to Paradise, 2022
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    Max Gimblett
    The Door to Paradise, 2022
    gesso, resin and platinum leaf on wood panel
    40 x 40 x 2 in
    101.6 x 101.6 x 5.1 cm
    Inquire
  • William T. Wiley, On the Left... We? Attempt a New Sign for the Palate. On the Right, Gold Man Sacks the World, 2010
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    William T. Wiley
    On the Left... We? Attempt a New Sign for the Palate. On the Right, Gold Man Sacks the World, 2010
    watercolor and ink on paper
    22 x 30 in
    55.9 x 76.2 cm
    Inquire
  • Multiple silkscreen layers of gray blue green and pink paint form a constructed landscape of a blurred and heavily pixelated river bank with two ducks in the water. In the midground and at the center of the piece a large pink and green circle covers and brings attention to several trees and the two ducks in the water
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    Birgit Jensen
    KONIN III, 2020
    acrylic on linen
    47 1/4 x 39 3/8 in
    120 x 100 cm
  • Black ink on paper which was folded horizontally in variously spaced rows creates thick abstract blob forms
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    Bruce Conner
    UNTITLED, 1987
    ink on paper
    5 15/16 x 3 3/8 in
    15.1 x 8.6 cm
  • Child in bathing suit stands knee-deep in reflective water and hunches over to look at something in the water.
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    Gideon Rubin
    Girl in the Water, 2011
    oil on canvas
    48 1/8 x 40 1/8 inches/122 x 102 cm
  • Textured swaths of light blue, pink and dark green paint move across the tan background in a diagonal fashion from bottom right to top left. Next to these swaths are smaller glops of paint in light blue and dark yellow.
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    Jutta Haeckel
    Violently Happy, 2017
    acrylic and oil on jute
    70 7/8 x 94 1/2 in
    180 x 240 cm
  • Black white and caplain gold leaf hasty brush strokes on red painted quatrefoil cut canvas
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    Max Gimblett
    Birth-Death-Rebirth, 2021
    Caplain gold leaf, water-based size, epoxy, acrylic and gesso on canvas
    25 x 25 inches
    63.5 x 63.5 cms
    Inquire
  • William T. Wiley, Extreme Position, 2010
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    William T. Wiley
    Extreme Position, 2010
    watercolor, ink and graphite on paper
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Multiple silkscreen layers of black blue green purple and white paint form a constructed landscape of a burry and heavily pixelated riverbank with tall grass. At the top center of the piece a white circle alluding to a full moon hangs in a navy sky while a distorted white circle at the bottom center represents its watery reflection
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    Birgit Jensen
    KAGAMI VS, 2017
    acrylic on canvas
    28 x 23 5/8 in
    71.1 x 60 cm
  • Collage made from nineteenth century engravings The collage depicts a distant seaside town with a large three framed folded screen and a severed hand on thin planks in the center
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    Bruce Conner
    UNTITLED JANUARY 29, 1986, 1986
    engraving collage
    9 1/2 x 7 1/2 in
    24.1 x 19.1 cm
  • Woman standing in front of tiled black and white background faces away from the viewer and gazes towards the right. Her hair is pulled into a low bun, she is wearing a black sleeveless shirt and her lower body is cropped out of the composition.
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    Gideon Rubin
    Untitled, 2017
    oil on linen
    40 1/8 x 35 3/8 in
    102 x 90 cm
  • Dark lines create a fishnet pattern visible through exposed tan burlap. Some of the gaps created by the fishnet pattern are filled in with blue, green or purple paint and others are left with the natural tan color of the burlap.
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    Jutta Haeckel
    Silence, 2017
    acrylic on jute
    19 3/4 x 15 3/4 inches/50.2 x 40 cm
  • Dark green mint green and lemon gold leaf hasty brush strokes on mint green painted quatrefoil cut panel
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    Max Gimblett
    Island Treasure, 2021
    lemon gold leaf, water-based size, epoxy, acrylic and gesso on panel
    25 x 25 in
    63.5 x 63.5 cm
    Inquire
  • William T. Wiley, &…So…Ampersand in Backwards Land, 2011
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    William T. Wiley
    &…So…Ampersand in Backwards Land, 2011
    watercolor and ink on paper
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Multiple silkscreen layers of multi-colored paint form a constructed landscape of a blurry and highly pixelated distant river bank. In the upper center of the piece a large faded orange circle which alludes to a rising full moon floats above the treed bank while a larger circle in pink rests at the bottom of the piece and alludes to the moon's reflection in the water
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    Birgit Jensen
    YASU I, 2018
    acrylic on linen
    28 x 23 5/8 in
    71 x 60 cm
  • Figure wrapped in toga like robes and sandals standing behind large flower and in front of mandala detailed wall. The figure is headless with florals emerging from top.
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    Bruce Conner
    UNTITLED JUNE 9, 1990, 1990
    engraving collage on paper
    8 3/8 x 6 in
    21.3 x 15.2 cm
  • In front of an orange and exposed canvas background, faceless woman pulls on white shirt over exposed breasts. Her body beneath the chest is cropped out of the composition.
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    Gideon Rubin
    Untitled, 2017
    oil on linen
    9 7/8 x 7 7/8 in
    25.1 x 20 cm
  • Iceberg-like chunks of paint in white and light blue are layered against gray and blue background, creating sense of texture, depth and three-dimensionality.
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    Jutta Haeckel
    Snow, 2016-2017
    acrylic and oil on jute
    59 1/8 x 47 1/4 in
    150.2 x 120 cm
  • William T. Wiley, 9/11/2001 #1, 2001
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    William T. Wiley
    9/11/2001 #1, 2001
    acrylic and charcoal on canvas
    38 x 29 inches/96.5 x 73.7 cm
  • Multiple silkscreen layers of black and white paint construct a blurry and highly pixelated abstract landscape
    Add to wishlist
    Birgit Jensen
    ZVA IV, 2005
    Acrylic on linen
    55.16 x 78.8 inches
    140 x 200 cms
  • Black felt ink pen creates thick hatching and cross hatching lines on paper to form abstract patterning The diagonal bottom half of the piece has been left with negative space
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    Bruce Conner
    UNTITLED, 1967
    ink on paper
    8 1/2 x 5 5/8 in
    21.6 x 14.1 cm
  • Faceless and shirtless young man holds up fists in boxing formation in front of gray background.
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    Gideon Rubin
    Boxer, 2015
    oil on linen
    20 1/8 x 22 1/8 in
    51.1 x 56.2 cm
  • Iceberg-like chunks of paint in olive green, brown and red are layered against gray background, creating sense of layers and depth.
    Add to wishlist
    Jutta Haeckel
    Graininess, 2017
    acrylic and oil on jute
    47 1/4 x 59 1/8 in
    120 x 150.2 cm
  • Black board with wooden frame. Blackboard has art historical references.
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    William T. Wiley
    D.E & the Black Board Boys, 2008
    acrylic and charcoal on canvas
    59 1/2 x 61 1/4 in
    151.1 x 155.6 cm
  • Multiple silkscreen layers of black blue and green paint form a constructed landscape of a blurry and heavily pixelated riverbank which is obstructed by multiple silhouettes of tree branches. In the upper center of the piece a large periwinkle circle alluding to a full moon floats in the sky while a blurred circle at the bottom represents its reflection in the water
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    Birgit Jensen
    KAGAMI OSU, 2018
    acrylic on canvas
    39 3/8 x 29 1/2 in
    100 x 75 cm
  • Black felt ink pen creates a series of several abstract patterns on paper Throughout the piece negative space is left to create other abstract lines and shapes
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    Bruce Conner
    UNTITLED D-7 MAY 8, 1968, 1968
    ink on paper
    26 3/4 x 20 3/4 inches mount
    67.9 x 52.7 cm mount
  • Faceless woman with arms outstretched overhead gazes to her left as hair falls over exposed breasts. Her body beneath the chest is cropped out of the composition.
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    Gideon Rubin
    Topless, 2015
    oil on canvas
    12 x 10 in
    30.5 x 25.4 cm
  • Sharp lines in dark gray criss-cross the light gray canvas. On top, splashes of red, blue, brown and white paint decorate the top of the canvas creating a layered effect.
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    Jutta Haeckel
    Paradise and Paradox, 2016
    oil on linen
    59 1/8 x 47 1/4 in
    150.2 x 120 cm
  • William T. Wiley, & So the Universe, 2008
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    William T. Wiley
    & So the Universe, 2008
    acrylic and charcoal on canvas
    62 1/2 x 44 in
    158.8 x 111.8 cm
    Inquire
  • Multiple silkscreen layers of blue black and gray paint form a constructed landscape of a blurry and highly pixelated distant river bank with several ducks floating in the water. In the background a large light gray circle which alludes to a rising full moon is mostly covered by a thick translucent stripe of vertical blue
    Add to wishlist
    Birgit Jensen
    HAFU II, 2019
    acrylic on linen
    66 7/8 x 55 1/8 in
    170 x 140 cm
    Inquire
  • Collage made from nineteenth century engravings The collage depicts a cepia mountainous seascape with a rectangle in the middle framing more mountains but in black and white In the center of the collage three triangles of various sizes are visible and a small plate with a reflection of a face is seen at the bottom
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    Bruce Conner
    UNTITLED MAY 15, 2008, 2008
    engraving collage
    9 1/2 x 7 1/2 in
    24.1 x 19.1 cm
  • Faceless woman sits on tree branch overhanging open water in front of a forest in the background.
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    Gideon Rubin
    Untitled (above water), 2013
    oil on linen
    59 1/8 x 49 1/4 in
    150.2 x 125.1 cm
  • William T. Wiley, Sluggo and Matisse #1, 1999
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    William T. Wiley
    Sluggo and Matisse #1, 1999
    mixed media on paper
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
  • Black felt ink on paper thinly illustrates surreal figures composed of several mouths sizes and icons
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    Bruce Conner
    UNTITLED WICHITA, 1963
    ink on paper
    23 3/4 x 17 3/4 in
    60.3 x 45.1 cm
  • Reclined faceless woman is splayed out on bed with open blue nightgown exposing her body. She gazes towards the viewer with one hand on the bed and the other on her chin.
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    Gideon Rubin
    Blue Nightgown, 2013
    oil on linen
    49 1/4 x 59 1/8 in
    125.1 x 150.2 cm
  • A central white orb with brown rays pointing towards the bottom left corner of the canvas and dripping paint is layered over a rippled water background rendered in shades of brown and gray.
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    Jutta Haeckel
    Convergence, 2015
    oil on linen
    39 3/8 x 31 1/2 inches/100 x 80 cm
  • Gideon Rubin, On the Chairlift, 2013
    Add to wishlist
    Gideon Rubin
    On the Chairlift, 2013
    oil on canvas
    49 1/4 x 59 1/8 in
    125.1 x 150.2 cm
  • A gold colored spiked shape dominates the composition with spikes radiating to all edges of the canvas. Beneath the spiked shape, there’s a chaotic background of criss-crossing white and gray lines.
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    Jutta Haeckel
    Univers Revers 1, 2014
    oil on linen
    23 5/8 x 19 3/4 inches/60 x 50.2 cm
  • Pool scene with colorful lawn chairs and slide and trees in the background.
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    Gideon Rubin
    Pool Reflection, 2013
    oil on canvas
    28 x 29 7/8 in
    71.1 x 75.9 cm
  • Cloudy white lines and dots and spiked shapes in navy and gray cover a navy background.
    Add to wishlist
    Jutta Haeckel
    Partial Real, 2014
    oil on linen
    23 5/8 x 19 3/4 inches/60 x 50.2 cm
    Inquire
  • Rippled water is rendered in brown and white paint. A large splash dominates the canvas from the bottom left corner extending out to the sides of the canvas.
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    Jutta Haeckel
    Constant Dripping, 2013
    oil on linen
    59 1/8 x 78 3/4 inches/150.2 x 200 cm
  • Cloudy brown lines and splashes of red and green paint decorate a white background in a chaotic manner. Pattern becomes more cloudy at the bottom of the canvas and more clear at the top.
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    Jutta Haeckel
    Flawy, 2014
    oil on linen
    70 7/8 x 86 5/8 inches/180 x 220 cm
  • A multicolored abstract painting with mostly vertical line work.
    Add to wishlist
    Jutta Haeckel
    Smoke, 2022
    acrylic on jute
    39 3/8 x 31 1/2 in
    100 x 80 cm
    Inquire
  • Abstract white, yellow, gray and black branches criss-cross in a web-like fashion across the canvas.
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    Jutta Haeckel
    "Remoteness", 2011
    Acrylic and oil on linen
    70 7/8 x 94 1/2 inches/180 x 240 cm
  • A multicolored, brightly colored abstract painting.
    Add to wishlist
    Jutta Haeckel
    Undala I, 2022
    acrylic on jute
    39 3/8 x 31 1/2 in
    100 x 80 cm
  • A multicolored, brightly colored abstract painting.
    Add to wishlist
    Jutta Haeckel
    Golden Thread II, 2022
    acrylic on jute
    74 3/4 x 59 in
    190 x 150 cm
  • A multicolored, brightly colored abstract painting.
    Add to wishlist
    Jutta Haeckel
    Golden Thread I, 2022
    acrylic on jute
    74 3/4 x 59 in
    190 x 150 cm
  • A multicolored abstract painting with florescent semi-circles from top to bottom.
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    Jutta Haeckel
    Mist, 2022
    acrylic on jute
    39 3/8 x 31 1/2 in
    100 x 80 cm
  • Front view of a multicolored abstract painting.
    Add to wishlist
    Jutta Haeckel
    Nebula, 2022
    acrylic on jute
    39 3/8 x 31 1/2 in
    100 x 80 cm
  • Jutta Haeckel, Contemplation I, 2022
    Add to wishlist
    Jutta Haeckel
    Contemplation I, 2022
    acrylic on jute
    47 1/4 x 59 1/8 in
    150 x 120 cm
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