Faruqee and Driscoll have led me through color theory and aided my research on how Black cultural producers write and sing and talk about yellows and oranges and blues. In their paintings, patterned lines, circles, and waves move together, tied up with harmonizing and repeated colors. The lines and hues move as we move—the waves change as we reorient ourselves in relation to the image. Faruqee and Driscoll generate optic tethering.
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