Forms of Exchange: Rina Banerjee Interviewed by Tausif Noor

Tausif Noor, Bomb Magazine, July 29, 2019

$Rina Banerjee, Her captivity was once someone’s treasure and even pleasure but she blew and flew away took root which grew, we knew this was like no other feather, a third kind of bird that perched on vine intertwined was neither native nor her queens daughters, a peculiar other., 2011. Anglo-Indian pedestal (1860), Victorian birdcage, shells, feathers, gourds, grape wine, coral fractured charlotte doll heads, steel knitted mesh with glass beads, Kenyan tourist sculptures, and apple gourds. 84 × 84 × 72 inches. Courtesy of the San José Museum of Art.$

Rina Banerjee, Her captivity was once someone’s treasure and even pleasure but she blew and flew away took root which grew, we knew this was like no other feather, a third kind of bird that perched on vine intertwined was neither native nor her queens daughters, a peculiar other., 2011. Anglo-Indian pedestal (1860), Victorian birdcage, shells, feathers, gourds, grape wine, coral fractured charlotte doll heads, steel knitted mesh with glass beads, Kenyan tourist sculptures, and apple gourds. 84 × 84 × 72 inches. Courtesy of the San José Museum of Art.