Art and technology at the Venice Biennale

Lianne McTavish, CMAJ: Canadian Medical Association Journal, August 19, 2003

Another striking installation inspired by contemporary technology appeared in the Australian pavilion. Artist Patricia Piccinini drew on medical science to explore the potential of genetic engineering. Her hyper-real sculptures represent hybrid creatures and cloned children, complete with shiny silicone flesh and real human hair.

 
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