Suburban high-rises are an unavoidable sight in cities across the world, their dominance both a statement of affluence and hubris. Algerian artist Driss Ouadahi paints these structures in works that explore the failed legacy of Modernism and the displacement of peoples from countryside to city and from country to country. In this conversation with Ibraaz's Contributing Editor Rachida Triki, Ouadahi discusses a body of work dealing with suburban architecture, and recent paintings depicting chain-link fencing and tiled passageways – in short, the everyday urban language of restriction and control.