Ever since Todd Hosfelt first exhibited the Algerian painter Driss Ouadahi’s work in a Hosfelt Gallery solo exhibition in 2007, he has been captivated by the repetitive geometry of Ouadahi’s urban imagery — his anonymous gridded cityscapes and seemingly endless labyrinthine subway tunnels.
Driss Ouadahi takes on fences in latest exhibit
Jessica Zack, San Francisco Chronicle, July 13, 2016