In his exhibition "Schall & Rauch", Cornelius Völker encounters the monumentality of the St. Georgen Church and its stone-built manifestation of ecclesiastical faith in paintings that thematise motifs of transience, transience and dissolution: falling flowers on reflecting, blurring grounds; Clouds of color that diffuse into almost formless, as well as burnt books, of which little more than soot and ashes remain.
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