Andrew Schoultz may be tempering his more extravagant theatrical impulses, but his desire for wide-angle views of the human condition remains intact. Yonder, his latest effort, shows the one-time graffiti tagger cooling his jets, but only a little. Where his prior exhibition in this space featured an elaborate set piece (Cathedral, 2018-20) festooned with his own works, the artist, operating more modestly, fills the Hosfelt Gallery with mural-sized paintings interspersed with small- to medium-sized canvases and works on paper — all to the same riveting effect. Read full article.
David Roth on Andrew Schoultz
July 13, 2022