Hosfelt Gallery company logo
Hosfelt Gallery
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • about
  • Fairs
  • Events
  • Press
  • News
  • Climate Action
  • Magazine
Wishlist
0

Favorites

This artwork has been saved in your favorites list. You can either review your list and make an inquiry, or continue to browse and find other artworks.
View favorites
Continue browsing
Menu
  • Current
  • Upcoming
  • Archive

Rina Banerjee: Human Likeness

Archive exhibition
Jan 28 - Mar 4, 2017
  • Overview
  • Works
  • Installation Views
  • Press
Overview
Rina Banerjee, Human Likeness

Kolkata-born and New York-based, Rina Banerjee fills the entire gallery with her fantastical, immoderate sculptures and delicately swirling paintings in an exhibition that seeks to describe the human experience in an era of unprecedented migration and interconnectedness.

 

Banerjee’s sculptures are shamanistic assemblages of textiles, feathers, sparkling glass and tinkling bells.  Beaded, embroidered and sensuously monstrous, they wantonly conjoin the exotic and rare with the cheap and mass-produced — rejecting conventional hierarchies of material and culture.  In her paintings, chimeric female forms dance and float through vibrant, bountiful landscapes in states of hybrid transformation.

 

In a post-colonial, global world, identity — racial, cultural or gender — is no longer easily defined.  In this exhibition, Banerjee offers up the optimistic possibility of a world freed from the constraints of conventional standards of beauty, worth, social pecking order and what is “proper.”  We live in a moment of singular opportunity, Banerjee posits, a moment when it is possible for individuals to define themselves in a way that is truly authentic.

 

Rina Banerjee (b. 1963, Kolkata, India) received a BS in Polymer Engineering and worked as a research chemist before completing her MFA at Yale in 1995.  Recent solo museum exhibitions include the Smithsonian Museum’s Sackler Galleries (Washington DC) and the Musée Guimet (Paris).  Her work was included in the 2000 Whitney Biennial, the 2005 and 2015 Greater New York Shows at PS1/MOMA, the 2013 Venice Biennale’s White Light/White Heat at the Glasstress Museum, the 2015 Asian Art Biennial at the National Taiwan Museum of Fine Arts (Taichung) and the 2016 Busan Biennial, South Korea.  Her work will be included in this year’s Prospect 4 New Orleans Biennial.  Her work is in the collections of the Devi Art Foundation (New Delhi), Kiran Nadar Museum (New Delhi), Centre Georges Pompidou (Paris), the Whitney Museum of American Art (New York), The Brooklyn Museum (New York), Berkeley Art Museum (Berkeley, CA), San Francisco Museum of Modern Art, Hammer Museum (Los Angeles), and many others.

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Works
  • Rina Banerjee, Preternatural passage came from wet whiteness and mercantile madness, paid for circular migrations, she went thirty six directions that is all the more different, where empire threw her new born and heritage claimed as well, this lady bug was not scarlet her wound was rather shaped like garlic seemed colored, a bit more of sulfuric, could eat what was fungus her cloth punctuated by tender greenness she seemed to be again pregnant, 2011
    Rina Banerjee, Preternatural passage came from wet whiteness and mercantile madness, paid for circular migrations, she went thirty six directions that is all the more different, where empire threw her new born and heritage claimed as well, this lady bug was not scarlet her wound was rather shaped like garlic seemed colored, a bit more of sulfuric, could eat what was fungus her cloth punctuated by tender greenness she seemed to be again pregnant, 2011
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EPreternatural%20passage%20came%20from%20wet%20whiteness%20and%20mercantile%20madness%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Epaid%20for%20circular%20migrations%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eshe%20went%20thirty%20six%20directions%20that%20is%20all%20the%20more%20different%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewhere%20empire%20threw%20her%20new%20born%20and%20heritage%20claimed%20as%20well%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ethis%20lady%20bug%20was%20not%20scarlet%20%20her%20wound%20was%20rather%20shaped%20like%20garlic%20seemed%20colored%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ea%20bit%20more%20%20of%20sulfuric%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecould%20eat%20what%20was%20fungus%20her%20cloth%20punctuated%20by%20tender%20greenness%20she%20seemed%20to%20be%20again%20pregnant%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2011%3C/span%3E
  • Rina Banerjee, Where I came from was water and salt and this is where I will go with bangles to tackle my human opponents and tangles of hair that snaked out of air her tongue and yours will know when to play with water, mountain and or air this no human laws shall come to rule, 2015
    Rina Banerjee, Where I came from was water and salt and this is where I will go with bangles to tackle my human opponents and tangles of hair that snaked out of air her tongue and yours will know when to play with water, mountain and or air this no human laws shall come to rule, 2015
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EWhere%20I%20came%20from%20was%20water%20and%20salt%20and%20this%20is%20where%20I%20will%20go%20with%20bangles%20to%20tackle%20my%20human%20opponents%20and%20tangles%20of%20hair%20that%20snaked%20out%20of%20air%20her%20tongue%20and%20yours%20will%20know%20when%20to%20play%20with%20water%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Emountain%20and%20or%20air%20this%20no%20human%20laws%20shall%20come%20to%20rule%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2015%3C/span%3E
  • An image of "In green, iridescent girls, girls in bathing suits..."
    Rina Banerjee
    In green, iridescent girls, girls in bathing suits like beetles upon roses, petal to petal and then bush. Girls fell upon beaches girls and mothers why not sisters too with boys and men and why not this too. She was faulted at 7 years of age showing flesh, 2015
    ink, acrylic & 23kt gold on paper
    14 x 10 inches
    20 1/4 x 16 1/2 inches framed
  • Rina Banerjee, Unthinkable skirt, 2015
    Rina Banerjee, Unthinkable skirt, 2015
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EUnthinkable%20skirt%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2015%3C/span%3E
  • Rina Banerjee, Hanuman's flight is evolution's climb, 2012-17
    Rina Banerjee, Hanuman's flight is evolution's climb, 2012-17
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EHanuman%27s%20flight%20is%20evolution%27s%20climb%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2012-17%3C/span%3E
  • An image of "In transparent soil she spoke..."
    Rina Banerjee
    In transparent soil she spoke to welcome her other more mouthy voice , sliced open tunnel, mountain and air, tugged, tumbled even tackled to rise lighter, higher more quicker knocking who?, 2015
    ink, acrylic and copper on paper
    66 x 45 3/4 inches
    69 x 48 inches framed
  • Rina Banerjee, Sex-bait, in likeness to fish bait to catch her as disloyalty in likeness to Eve, to arouse her fear, to create racial panic of black jewels like honey to stir and stir poisonous passions, minted money out lynching funny, 2017
    Rina Banerjee, Sex-bait, in likeness to fish bait to catch her as disloyalty in likeness to Eve, to arouse her fear, to create racial panic of black jewels like honey to stir and stir poisonous passions, minted money out lynching funny, 2017
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ESex-bait%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ein%20likeness%20to%20fish%20bait%20to%20catch%20her%20as%20disloyalty%20in%20likeness%20to%20Eve%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20arouse%20her%20fear%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20create%20racial%20panic%20of%20black%20jewels%20like%20honey%20to%20stir%20and%20stir%20poisonous%20passions%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eminted%20money%20out%20lynching%20funny%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2017%3C/span%3E
  • Rina Banerjee, The Sap of earth n’ blood, leaky, which adaptation may deliver one baby, to a clear ethnicity and transparent gender in centre and in likeness of parents, baby by wife, baby by husband from side to side, upon smiling country and unnatural culture appeals to no science or hidden DNA this that may collect to throttle all these other extreme parts swallow to swallow until silence., 2017
    Rina Banerjee, The Sap of earth n’ blood, leaky, which adaptation may deliver one baby, to a clear ethnicity and transparent gender in centre and in likeness of parents, baby by wife, baby by husband from side to side, upon smiling country and unnatural culture appeals to no science or hidden DNA this that may collect to throttle all these other extreme parts swallow to swallow until silence., 2017
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EThe%20Sap%20of%20earth%20n%26%238217%3B%20blood%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eleaky%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewhich%20adaptation%20may%20deliver%20one%20baby%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20a%20clear%20ethnicity%20and%20transparent%20gender%20in%20centre%20and%20%20in%20likeness%20of%20parents%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebaby%20by%20wife%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebaby%20by%20husband%20from%20side%20to%20side%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eupon%20smiling%20country%20and%20unnatural%20culture%20appeals%20to%20no%20science%20or%20hidden%20DNA%20this%20that%20may%20collect%20to%20throttle%20all%20these%20other%20extreme%20parts%20swallow%20to%20swallow%20until%20silence.%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2017%3C/span%3E
  • Rina Banerjee, Jack Fruit Johnny she was a diasporic Devi changed her name to honey changed her faith to sunny, changed this sex to something funny, changed her city to new York City -all for reason to be far far away from misery and war for money, 2015
    Rina Banerjee, Jack Fruit Johnny she was a diasporic Devi changed her name to honey changed her faith to sunny, changed this sex to something funny, changed her city to new York City -all for reason to be far far away from misery and war for money, 2015
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EJack%20Fruit%20Johnny%20she%20was%20a%20diasporic%20Devi%20changed%20her%20name%20to%20honey%20changed%20her%20faith%20to%20sunny%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Echanged%20this%20sex%20to%20something%20funny%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Echanged%20her%20city%20to%20new%20York%20City%20-all%20for%20reason%20to%20be%20far%20far%20away%20from%20misery%20and%20war%20for%20money%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2015%3C/span%3E
  • Rina Banerjee Friendly Fire, 2015 steel structure, textiles, beads, feathers, thread, bulbs 58 x 48 x 32 in 147.3 x 121.9 x 81.3 cm
    Rina Banerjee
    Friendly Fire, 2015
    steel structure, textiles, beads, feathers, thread, bulbs
    58 x 48 x 32 in
    147.3 x 121.9 x 81.3 cm
  • Rina Banerjee, Ugly boy. I saw him-he was thick in parts and sort of too short, with skin, light in color, yellowish tone, but spotted like dirty mushrooms, he snored at school and growled upon waking and his nose always ran, his brows were scraggly, he had a beard that never really grew, he had a head of hair both thick, short and curly long and limp, his hair was often oily and so dirty-so, so nasty, he was disgusting!, 2014
    Rina Banerjee, Ugly boy. I saw him-he was thick in parts and sort of too short, with skin, light in color, yellowish tone, but spotted like dirty mushrooms, he snored at school and growled upon waking and his nose always ran, his brows were scraggly, he had a beard that never really grew, he had a head of hair both thick, short and curly long and limp, his hair was often oily and so dirty-so, so nasty, he was disgusting!, 2014
    Inquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ERina%20Banerjee%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EUgly%20boy.%20I%20saw%20him-he%20was%20thick%20in%20parts%20and%20sort%20of%20too%20short%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewith%20skin%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Elight%20in%20color%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eyellowish%20tone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20spotted%20like%20dirty%20mushrooms%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20snored%20at%20school%20and%20growled%20upon%20waking%20and%20his%20nose%20always%20ran%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehis%20brows%20were%20scraggly%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20had%20a%20beard%20that%20never%20really%20grew%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20had%20a%20head%20of%20hair%20both%20thick%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eshort%20and%20curly%20long%20and%20limp%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehis%20hair%20was%20often%20oily%20and%20so%20dirty-so%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eso%20nasty%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20was%20disgusting%21%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2014%3C/span%3E
Installation Views
Open a larger version of the following image in a popup: Screen Shot 2020 11 17 At 11 03 35 Am
Open a larger version of the following image in a popup: Banerjee Rina 2017Hosfelt 07
Open a larger version of the following image in a popup: R26
Open a larger version of the following image in a popup: R22
Open a larger version of the following image in a popup: R12
Press
  • Rina Banerjee "Pass me the mustard, hide your self like a blemish unseen. Where ever you may be, quiet yourself, play confused, pretend, be absent because the scent of females like mustard sting. Pass me not the mustard but Durga turmeric, saffron and sun.," 2019, acrylic and false eyelashes on paper, 22 x 30 inches

    Kochi-Muziris Biennale in India Reveals Partial Artist List for 2018 Edition

    Alex Greenberger, ARTnews, Jun 12, 2018
  • Rina Banerjee, "Viola, from New Orleans-ah, an African Woman, was the 19th century’s rescue worker, a global business goods raker, combed, tilled the land of Commerce, giving America a certain extra extra excess culture, to cultivate it, making home for aliens not registered, made business the finer, finer, had occupations, darning thread not leisure with reason and with luster, in “peek a boo” racial disguises preoccupied in circulating commerce, entertaining white folks, pulling and punching holes in barriers, place that where was once barren, without them, white banks made of mustard and made friendly folks feel home, welcomed and married immigrants from far noted how they been also starved, fled from servitude and colonial dangers, ships like dungeons, posing coal in termite wholes, churning fire, but always learning, folding, washing, welcomed as aliens. She wandering, hosting, raising children, connected to new mobilities and most unusual these movements in Treme’, New Orleans was a incubating, enmeshed embedded in this silken cocoon when she land, she’s came to be parachute mender, landed those black immigrant peddlers from Hoogali network of new comers," 2017, Murano glass horns, Indian rakes, seed beads, steel, Yoruba African mask, oyster shells, cowrie shells, Charlotte dolls, polyester horse hair trim, Korean silks, Indian silks, vintage Kashmir shawls, French wire ferris wheel, Congolese elbow bangles, colonial mirror sconces, Japanese seed glass beads, sequins, threads, dimensions variable

    Pleasant Surprises in the Swamp at Prospect, the New Orleans Triennial

    Paddy Johnson, Hyperallergic, Nov 22, 2017
  • Rina Banerjee, 2018

    Le materie vive di Rina Banerjee

    Rai News, Jun 12, 2017
  • Rina Banerjee, 2017

    Avant garde techniques at Venice biennale

    Agencies, Millennium Post, May 20, 2017
  • Rina Banerjee, Human Likeness, 2017, installation view

    Rina Banerjee ‘Human Likeness’ at Hosfelt Gallery

    Maddie Klett, Daily Serving, Mar 3, 2017
  • Rina Banerjee, "Ugly boy. I saw him-he was thick in parts and sort of too short, with skin, light in color, yellowish tone, but spotted like dirty mushrooms, he snored at school and growled upon waking and his nose always ran, his brows were scraggly, he had a beard that never really grew, he had a head of hair both thick, short and curly long and limp, his hair was often oily and so dirty-so, so nasty, he was disgusting!," 2014 (detail), acrylic & ink on watercolor paper, 30 x 22 inches

    Rina Banerjee: reshaping reality into an alternative

    Charles Desmarais, San Francisco Chronicle, Feb 17, 2017
  • Rina Banerjee at Hosfelt Gallery, California. Image courtesy Hosfelt Gallery.

    The India Art Fair 2016 scorecard: spotlighting India’s great artists

    Brittney, Art Radar, Mar 2, 2016
  • Rina Banerjee, "if lotion and potion could heal--for certain her oils... one place and one face," 2006, ink, acrylic and collage on paper, 38 3/8 x 49 3/4 inches

    Vivacity

    Arjita Mishra, The Daily Pioneer, Jan 29, 2016
  • Rina Banerjee, "In transparent soil she spoke to welcome her other more mouthy voice , sliced open tunnel, mountain and air, tugged, tumbled even tackled to rise lighter, higher more quicker knocking who?," 2015 (detail), ink, acrylic and copper on paper, 66 x 45 3/4 inches

    Here’s what to look out for at the 8th edition of India Art Fair

    Gargi Gupta, DNA India, Jan 24, 2016

Related artist

  • Rina Banerjee

    Rina Banerjee

Back to exhibitions
Location

260 Utah Street

San Francisco, CA 94103

Gallery Hours

Tu, W, F & Sa: 10am–5:30pm

Th: 11am–7pm
Closed Sun & Mon

Contact

(415) 495-5454

General Inquiries

Sales Inquiries

We do not accept artist submissions.

Instagram, opens in a new tab.
LinkedIn, opens in a new tab.
Artnet, opens in a new tab.
Send an email
Manage cookies
Copyright © 2026 Hosfelt Gallery

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences

Your shopping bag

This purchase may be subject to local rates of import, sales and use taxes for which the purchaser is 100% liable.
No items found
Total
$
Checkout now
Close

Your Favorites

Create a list of works then send us an inquiry.
No items found
Items in list
Send us an inquiry
Share with a friend