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Rina Banerjee
Human Likeness, 28 January - 4 March 2017
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Rina Banerjee: Human Likeness

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Overview
Rina Banerjee, Human Likeness

Kolkata-born and New York-based, Rina Banerjee fills the entire gallery with her fantastical, immoderate sculptures and delicately swirling paintings in an exhibition that seeks to describe the human experience in an era of unprecedented migration and interconnectedness.

 

Banerjee’s sculptures are shamanistic assemblages of textiles, feathers, sparkling glass and tinkling bells.  Beaded, embroidered and sensuously monstrous, they wantonly conjoin the exotic and rare with the cheap and mass-produced — rejecting conventional hierarchies of material and culture.  In her paintings, chimeric female forms dance and float through vibrant, bountiful landscapes in states of hybrid transformation.

 

In a post-colonial, global world, identity — racial, cultural or gender — is no longer easily defined.  In this exhibition, Banerjee offers up the optimistic possibility of a world freed from the constraints of conventional standards of beauty, worth, social pecking order and what is “proper.”  We live in a moment of singular opportunity, Banerjee posits, a moment when it is possible for individuals to define themselves in a way that is truly authentic.

 

Rina Banerjee (b. 1963, Kolkata, India) received a BS in Polymer Engineering and worked as a research chemist before completing her MFA at Yale in 1995.  Recent solo museum exhibitions include the Smithsonian Museum’s Sackler Galleries (Washington DC) and the Musée Guimet (Paris).  Her work was included in the 2000 Whitney Biennial, the 2005 and 2015 Greater New York Shows at PS1/MOMA, the 2013 Venice Biennale’s White Light/White Heat at the Glasstress Museum, the 2015 Asian Art Biennial at the National Taiwan Museum of Fine Arts (Taichung) and the 2016 Busan Biennial, South Korea.  Her work will be included in this year’s Prospect 4 New Orleans Biennial.  Her work is in the collections of the Devi Art Foundation (New Delhi), Kiran Nadar Museum (New Delhi), Centre Georges Pompidou (Paris), the Whitney Museum of American Art (New York), The Brooklyn Museum (New York), Berkeley Art Museum (Berkeley, CA), San Francisco Museum of Modern Art, Hammer Museum (Los Angeles), and many others.

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Works
  • An image of a steel armature with porcelain doll head and mixed media materials to form a dress and hat.
    Rina Banerjee
    Preternatural passage came from wet whiteness and mercantile madness, paid for circular migrations, she went thirty six directions that is all the more different, where empire threw her new born and heritage claimed as well, this lady bug was not scarlet , 2011
    Steel armature, vintage porcelain baby doll head, wooden spindle, cowrie shells, red thread, vintage birch wood shoe form (size 9-10), Bengali saree, feathers, horns, costume wedding jewelry
    36 inches tall x 60 inches in diameter
    Inquire
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  • An image of painting of a woman sitting surrounded by colors shaped into circle.
    Rina Banerjee
    Where I came from was water and salt and this is where I will go with bangles to tackle my human opponents and tangles of hair that snaked out of air her tongue and yours will know when to play with water, mountain and or air this no human laws shall come, 2015
    ink, acrylic & 23 kt gold & copper on paper
    14 x 10 in
    35.6 x 25.4 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWhere%20I%20came%20from%20was%20water%20and%20salt%20and%20this%20is%20where%20I%20will%20go%20with%20bangles%20to%20tackle%20my%20human%20opponents%20and%20tangles%20of%20hair%20that%20snaked%20out%20of%20air%20her%20tongue%20and%20yours%20will%20know%20when%20to%20play%20with%20water%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Emountain%20and%20or%20air%20this%20no%20human%20laws%20shall%20come%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eink%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eacrylic%20%26%2023%20kt%20gold%20%26%20copper%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14%20x%2010%20in%3Cbr/%3E%0A35.6%20x%2025.4%20cm%3C/div%3E
  • An image of "In green, iridescent girls, girls in bathing suits..."
    Rina Banerjee
    In green, iridescent girls, girls in bathing suits like beetles upon roses, petal to petal and then bush. Girls fell upon beaches girls and mothers why not sisters too with boys and men and why not this too. She was faulted at 7 years of age showing flesh, 2015
    ink, acrylic & 23kt gold on paper
    14 x 10 inches
    20 1/4 x 16 1/2 inches framed
  • An image of painting wuth a womanly figure and flpwers.
    Rina Banerjee
    Unthinkable skirt, 2015
    ink, acrylic, 23kt gold & copper on paper
    14 x 10 in
    35.6 x 25.4 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUnthinkable%20skirt%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eink%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eacrylic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E23kt%20gold%20%26%20copper%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E14%20x%2010%20in%3Cbr/%3E%0A35.6%20x%2025.4%20cm%3C/div%3E
  • An image of two reddish sculpture pieces used out of silk, velvet, glass beads, gold threads, silk threads, iron wire, glass, shells and Victorian doll eyes.
    Rina Banerjee
    Hanuman's flight is evolution's climb, 2012-17
    silk, velvet, glass beads, gold threads, silk threads, iron wire, glass, shells and Victorian doll eyes
    55 x 55 x 27 in
    139.7 x 139.7 x 68.6 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EHanuman%27s%20flight%20is%20evolution%27s%20climb%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2012-17%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Esilk%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Evelvet%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eglass%20beads%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Egold%20threads%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esilk%20threads%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eiron%20wire%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eglass%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eshells%20and%20Victorian%20doll%20eyes%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E55%20x%2055%20x%2027%20in%3Cbr/%3E%0A139.7%20x%20139.7%20x%2068.6%20cm%3C/div%3E
  • An image of "In transparent soil she spoke..."
    Rina Banerjee
    In transparent soil she spoke to welcome her other more mouthy voice , sliced open tunnel, mountain and air, tugged, tumbled even tackled to rise lighter, higher more quicker knocking who?, 2015
    ink, acrylic and copper on paper
    66 x 45 3/4 inches
    69 x 48 inches framed
  • An image of a sculpture piece with feathers, beads, marbles.
    Rina Banerjee
    Sex-bait, in likeness to fish bait to catch her as disloyalty in likeness to Eve, to arouse her fear, to create racial panic of black jewels like honey to stir and stir poisonous passions, minted money out lynching funny, 2017
    ceramic vintage negro head, Victorian brown bitters bottle, red silk tassels, Murano glass in opaque black, and steel armature
    34 x 23 x 13 in
    86.4 x 58.4 x 33 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESex-bait%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ein%20likeness%20to%20fish%20bait%20to%20catch%20her%20as%20disloyalty%20in%20likeness%20to%20Eve%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20arouse%20her%20fear%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20create%20racial%20panic%20of%20black%20jewels%20like%20honey%20to%20stir%20and%20stir%20poisonous%20passions%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eminted%20money%20out%20lynching%20funny%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eceramic%20vintage%20negro%20head%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EVictorian%20brown%20bitters%20bottle%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ered%20silk%20tassels%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EMurano%20glass%20in%20opaque%20black%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20steel%20armature%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E34%20x%2023%20x%2013%20in%3Cbr/%3E%0A86.4%20x%2058.4%20x%2033%20cm%3C/div%3E
  • An image of a teardrop shaped steel sculpture with a framed baby crib made out of wood, glass, silver leaf, cowrie shells, sea shells, taxidermy eyes, vintage saris
    Rina Banerjee
    The Sap of earth n’ blood, leaky, which adaptation may deliver one baby, to a clear ethnicity and transparent gender in centre and in likeness of parents, baby by wife, baby by husband from side to side, upon smiling country and unnatural culture appeals, 2017
    steel, wood, glass, silver leaf, cowrie shells, sea shells, taxidermy eyes, vintage saris
    145 x 100 x 100 in
    368.3 x 254 x 254 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20Sap%20of%20earth%20n%E2%80%99%20blood%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eleaky%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewhich%20adaptation%20may%20deliver%20one%20baby%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eto%20a%20clear%20ethnicity%20and%20transparent%20gender%20in%20centre%20and%20%20in%20likeness%20of%20parents%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebaby%20by%20wife%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebaby%20by%20husband%20from%20side%20to%20side%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eupon%20smiling%20country%20and%20unnatural%20culture%20appeals%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Esteel%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewood%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eglass%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esilver%20leaf%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecowrie%20shells%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esea%20shells%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Etaxidermy%20eyes%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Evintage%20saris%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E145%20x%20100%20x%20100%20in%3Cbr/%3E%0A368.3%20x%20254%20x%20254%20cm%3C/div%3E
  • An image of a vintage porcelain doll head with cotton thread, paper mache vessel base, silk fabric with printing, porcupine needles, silver blue leaf, plastic trim on a steel stand.
    Rina Banerjee
    Jack Fruit Johnny she was a diasporic Devi changed her name to honey changed her faith to sunny, changed this sex to something funny, changed her city to new York City -all for reason to be far far away from misery and war for money, 2015
    Cotton thread, paper mache vessel base, steel stand, vintage porcelain doll head, silk fabric with printing, porcupine needles, silver blue leaf, plastic trim
    60 x 18 x 20 in
    152.4 x 45.7 x 50.8 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EJack%20Fruit%20Johnny%20she%20was%20a%20diasporic%20Devi%20changed%20her%20name%20to%20honey%20changed%20her%20faith%20to%20sunny%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Echanged%20this%20sex%20to%20something%20funny%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Echanged%20her%20city%20to%20new%20York%20City%20-all%20for%20reason%20to%20be%20far%20far%20away%20from%20misery%20and%20war%20for%20money%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECotton%20thread%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Epaper%20mache%20vessel%20base%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esteel%20stand%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Evintage%20porcelain%20doll%20head%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esilk%20fabric%20with%20printing%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eporcupine%20needles%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esilver%20blue%20leaf%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eplastic%20trim%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E60%20x%2018%20x%2020%20in%3Cbr/%3E%0A152.4%20x%2045.7%20x%2050.8%20cm%3C/div%3E
  • Rina Banerjee Friendly Fire, 2015 steel structure, textiles, beads, feathers, thread, bulbs 58 x 48 x 32 in 147.3 x 121.9 x 81.3 cm
    Rina Banerjee
    Friendly Fire, 2015
    steel structure, textiles, beads, feathers, thread, bulbs
    58 x 48 x 32 in
    147.3 x 121.9 x 81.3 cm
  • An image of a boy, who has a beard and is grouchy and dirty at school.
    Rina Banerjee
    Ugly boy. I saw him-he was thick in parts and sort of too short, with skin, light in color, yellowish tone, but spotted like dirty mushrooms, he snored at school and growled upon waking and his nose always ran, his brows were scraggly, he had a beard that, 2014
    acrylic & ink on watercolor paper
    30 x 22 in
    76.2 x 55.9 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ERina%20Banerjee%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUgly%20boy.%20I%20saw%20him-he%20was%20thick%20in%20parts%20and%20sort%20of%20too%20short%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewith%20skin%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Elight%20in%20color%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eyellowish%20tone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebut%20spotted%20like%20dirty%20mushrooms%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20snored%20at%20school%20and%20growled%20upon%20waking%20and%20his%20nose%20always%20ran%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehis%20brows%20were%20scraggly%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehe%20had%20a%20beard%20that%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2014%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%20%26%20ink%20on%20watercolor%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20in%3Cbr/%3E%0A76.2%20x%2055.9%20cm%3C/div%3E
Installation Views
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Press
  • Rina Banerjee "Pass me the mustard, hide your self like a blemish unseen. Where ever you may be, quiet yourself, play confused, pretend, be absent because the scent of females like mustard sting. Pass me not the mustard but Durga turmeric, saffron and sun.," 2019, acrylic and false eyelashes on paper, 22 x 30 inches

    Kochi-Muziris Biennale in India Reveals Partial Artist List for 2018 Edition

    Alex Greenberger, ARTnews, June 12, 2018
  • Rina Banerjee, "Viola, from New Orleans-ah, an African Woman, was the 19th century’s rescue worker, a global business goods raker, combed, tilled the land of Commerce, giving America a certain extra extra excess culture, to cultivate it, making home for aliens not registered, made business the finer, finer, had occupations, darning thread not leisure with reason and with luster, in “peek a boo” racial disguises preoccupied in circulating commerce, entertaining white folks, pulling and punching holes in barriers, place that where was once barren, without them, white banks made of mustard and made friendly folks feel home, welcomed and married immigrants from far noted how they been also starved, fled from servitude and colonial dangers, ships like dungeons, posing coal in termite wholes, churning fire, but always learning, folding, washing, welcomed as aliens. She wandering, hosting, raising children, connected to new mobilities and most unusual these movements in Treme’, New Orleans was a incubating, enmeshed embedded in this silken cocoon when she land, she’s came to be parachute mender, landed those black immigrant peddlers from Hoogali network of new comers," 2017, Murano glass horns, Indian rakes, seed beads, steel, Yoruba African mask, oyster shells, cowrie shells, Charlotte dolls, polyester horse hair trim, Korean silks, Indian silks, vintage Kashmir shawls, French wire ferris wheel, Congolese elbow bangles, colonial mirror sconces, Japanese seed glass beads, sequins, threads, dimensions variable

    Pleasant Surprises in the Swamp at Prospect, the New Orleans Triennial

    Paddy Johnson, Hyperallergic, November 22, 2017
  • Rina Banerjee, 2018

    Le materie vive di Rina Banerjee

    Rai News, June 12, 2017
  • Rina Banerjee, 2017

    Avant garde techniques at Venice biennale

    Agencies, Millennium Post, May 20, 2017
  • Rina Banerjee, Human Likeness, 2017, installation view

    Rina Banerjee ‘Human Likeness’ at Hosfelt Gallery

    Maddie Klett, Daily Serving, March 3, 2017
  • Rina Banerjee, "Ugly boy. I saw him-he was thick in parts and sort of too short, with skin, light in color, yellowish tone, but spotted like dirty mushrooms, he snored at school and growled upon waking and his nose always ran, his brows were scraggly, he had a beard that never really grew, he had a head of hair both thick, short and curly long and limp, his hair was often oily and so dirty-so, so nasty, he was disgusting!," 2014 (detail), acrylic & ink on watercolor paper, 30 x 22 inches

    Rina Banerjee: reshaping reality into an alternative

    Charles Desmarais, San Francisco Chronicle, February 17, 2017
  • Rina Banerjee at Hosfelt Gallery, California. Image courtesy Hosfelt Gallery.

    The India Art Fair 2016 scorecard: spotlighting India’s great artists

    Brittney, Art Radar, March 2, 2016
  • Rina Banerjee, "if lotion and potion could heal--for certain her oils... one place and one face," 2006, ink, acrylic and collage on paper, 38 3/8 x 49 3/4 inches

    Vivacity

    Arjita Mishra, The Daily Pioneer, January 29, 2016
  • Rina Banerjee, "In transparent soil she spoke to welcome her other more mouthy voice , sliced open tunnel, mountain and air, tugged, tumbled even tackled to rise lighter, higher more quicker knocking who?," 2015 (detail), ink, acrylic and copper on paper, 66 x 45 3/4 inches

    Here’s what to look out for at the 8th edition of India Art Fair

    Gargi Gupta, DNA India, January 24, 2016

Related artist

  • Rina Banerjee

    Rina Banerjee

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