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Max Gimblett
The Beginning of Time, 11 February - 1 April 2023
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Max Gimblett: The Beginning of Time

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Overview
Max Gimblett, Lightning Strikes Twice, 2022
Max Gimblett, Lightning Strikes Twice, 2022

Opening reception: Saturday February 11, 3-5 pm

 

In the spirit of impermanence — one of the core precepts of Buddhism—artworks in this solo show of the work of the 87-year-old Rinzai Zen monk Max Gimblett will rotate in and out of the galleries throughout the run of the exhibition. Viewers, if they visit the gallery repeatedly, will find a completely different installation of new work each time they return.

 

Gimblett’s paintings are a unique and mindful hybrid of the New York school of abstract expressionism with traditions of manuscript illumination and icon painting, Asian calligraphy, kintsugi, and lacquerware. Masterful brushwork, an eccentric and sophisticated color sense, and sensuously glossy surfaces are punctuated with precious metals. Some of the sculptural panels – tondos, ovals, and his signature four-lobed quatrefoil – are completely and idiosyncratically gilded in various types of gold or platinum, referring to the universality of devotional objects. With these very contemporary works, his intention is the marriage of Modernism with mysticism. Every work in this exhibition is an altarpiece; each is an offering.

 

Born in Auckland, New Zealand in 1935, Gimblett trained at the San Francisco Art Institute in the 1960s and has since lived, studied, traveled, taught, and exhibited extensively across the globe. His work is included in major museum collections worldwide, including the Guggenheim Museum, the Museum of Modern Art, the Whitney Museum of American Art, the National Gallery of Art (Washington, DC), the San Francisco Museum of Modern Art, the Museum of New Zealand Te Papa Tongarewa, and the Auckland Art Gallery Toi O Tamaki. In 2022, The Getty Research Institute’s internationally renowned Artist’s Book Collection acquired the entire archive of Gimblett’s artist’s books, consisting of more than 250 unique sketchbooks and journals.

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Works
  • Red paint blotch in upper right portion of the black and gray paint stripped quatrefoil cut canvas
    Max Gimblett
    The Tempest, 2021
    acrylic on canvas
    70 x 70 in
    177.8 x 177.8 cm
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  • Max Gimblett, At Every Step the Pure Wind Rises, 2022
    Max Gimblett, At Every Step the Pure Wind Rises, 2022
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  • Twenty three point Seventy-five carat rosanoble gold leaf layered and smoothed on the right side of the quatrefoil cut panel while on black and white hasty brush strokes dive and dip across the red painted left side of the panel
    Max Gimblett
    Birth, Death and Marriage, 2021
    acrylic on canvas and 23.75kt Rosanoble gold on panel
    50 x 50 inches
    127 x 127 cms
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  • Max Gimblett The Library of Alexandria, 2022 acrylic, resin, water-based size and Rosanoble gold leaf on poly-cotton canvas 80 x 65 in 203.2 x 165.1 cm
    Max Gimblett
    The Library of Alexandria, 2022
    acrylic, resin, water-based size and Rosanoble gold leaf on poly-cotton canvas
    80 x 65 in
    203.2 x 165.1 cm
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  • Max Gimblett, Sunrise - For Fra Angelico, 2022
    Max Gimblett, Sunrise - For Fra Angelico, 2022
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  • A thick, gold, dripping brushstroke atop a luminous emerald blue background.
    Max Gimblett
    Script, 2022
    gesso, acrylic, resin, water-based size and Rosanoble gold leaf on canvas
    70 x 50 in
    177.8 x 127 cm
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  • Candy pink quatrefoil with red and platinum brushstrokes
    Max Gimblett
    Coral, 2021
    gesso, acrylic, resin, water-based size and palladium leaf on burlap
    40 x 40 in
    101.6 x 101.6 cm
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  • Hasty dripping platinum leaf brush stroke horizontally painted across the center of the canvas In the background are two unevenly horizontally divided sections of blue taking up the top of the piece and black on the bottom
    Max Gimblett
    Vigil, 2020
    acrylic, water-based size and platinum leaf on canvas
    70 x 70 in
    177.8 x 177.8 cm
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  • Large quatrefoil shaped painting with large swaths of orange, purple , and grey with large brushstrokes of silver and blue.
    Max Gimblett
    In the Air, 2021
    aluminum leaf, water-based size, epoxy, acrylic and gesso on panel
    70 x 70 in
    177.8 x 177.8 cm
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  • Quatrefoil painting with dark green background, thick yellow-green brushstrokes and dark gold brushstrokes.
    Max Gimblett
    All That Came Before, 2022
    acrylic, resin, water-based size and Rosanoble gold leaf on canvas
    40 x 40 in
    101.6 x 101.6 cm
    Inquire
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  • Max Gimblett Karma, 2022 acrylic, resin, oil size and Chinese pewter leaf on canvas and panel 60 x 60 in 152.4 x 152.4 cm
    Max Gimblett
    Karma, 2022
    acrylic, resin, oil size and Chinese pewter leaf on canvas and panel
    60 x 60 in
    152.4 x 152.4 cm
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    %3Cdiv%20class%3D%22artist%22%3EMax%20Gimblett%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKarma%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eresin%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eoil%20size%20and%20Chinese%20pewter%20leaf%20on%20canvas%20and%20panel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E60%20x%2060%20in%3Cbr/%3E%0A152.4%20x%20152.4%20cm%3C/div%3E
  • Large square painting with large brushstrokes of black, blue, white, and silver.
    Max Gimblett
    Moon Beam, 2020
    champagne gold leaf, water-based size, acrylic and gesso on canvas
    50 x 50 in
    127 x 127 cm
  • Max Gimblett The Door to Paradise, 2022 gesso, resin and platinum leaf on wood panel 40 x 40 x 2 in 101.6 x 101.6 x 5.1 cm
    Max Gimblett
    The Door to Paradise, 2022
    gesso, resin and platinum leaf on wood panel
    40 x 40 x 2 in
    101.6 x 101.6 x 5.1 cm
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  • Light beige and champagne rose gold leaf hasty brush strokes on brown and gray painted quatrefoil cut canvas The brown and gray background are unevenly split vertically down the center of the canvas
    Max Gimblett
    The Other Side, 2021
    champagne rose gold leaf, water-based size, epoxy, acrylic and gesso on canvas
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
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  • Max Gimblett In the Winds, 2022 acrylic, water-based size and 18kt lemon gold leaf on poly-cotton canvas 65 x 80 in 165.1 x 203.2 cm
    Max Gimblett
    In the Winds, 2022
    acrylic, water-based size and 18kt lemon gold leaf on poly-cotton canvas
    65 x 80 in
    165.1 x 203.2 cm
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    %3Cdiv%20class%3D%22artist%22%3EMax%20Gimblett%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EIn%20the%20Winds%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ewater-based%20size%20and%2018kt%20lemon%20gold%20leaf%20on%20poly-cotton%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E65%20x%2080%20in%3Cbr/%3E%0A165.1%20x%20203.2%20cm%3C/div%3E
  • Twenty three point seventy-five carat rosanoble gold leaf layered on top of quatrefoil cut panel and smoothed to create a reflective surface
    Max Gimblett
    In Praise of the Master, 2020
    gesso, resin, and 23.75kt Rosanoble gold leaf on wood panel
    30 x 30 in
    76.2 x 76.2 cm
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  • Max Gimblett Delphi, 2022 acrylic on canvas 70 x 50 in 177.8 x 127 cm
    Max Gimblett
    Delphi, 2022
    acrylic on canvas
    70 x 50 in
    177.8 x 127 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EMax%20Gimblett%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDelphi%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E70%20x%2050%20in%3Cbr/%3E%0A177.8%20x%20127%20cm%3C/div%3E
  • Max Gimblett Leave No Traces, 2022 acrylic on poly-cotton canvas 60 x 60 in 152.4 x 152.4 cm
    Max Gimblett
    Leave No Traces, 2022
    acrylic on poly-cotton canvas
    60 x 60 in
    152.4 x 152.4 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EMax%20Gimblett%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELeave%20No%20Traces%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eacrylic%20on%20poly-cotton%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E60%20x%2060%20in%3Cbr/%3E%0A152.4%20x%20152.4%20cm%3C/div%3E
  • Max Gimblett Paradise After Tintoretto, 2014 gesso, acrylic and vinyl polymers, Ex-74 resin, water-based size and silver leaf on canvas 50 x 40 in 127 x 101.6 cm
    Max Gimblett
    Paradise After Tintoretto, 2014
    gesso, acrylic and vinyl polymers, Ex-74 resin, water-based size and silver leaf on canvas
    50 x 40 in
    127 x 101.6 cm
    Inquire
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Press
  • Hasty dripping palladium leaf brushstrokes that create an X in the center of a blue and black painted hexafoil cut canvas The has two uneven sections with a majority blue painted surface and a black painted top

    Max Gimblett's Calligraphic Wonders

    Mark Van Proyen, Squarecylinder.com, March 16, 2023
  • Hot pink quatrefoil painting with thick red and silver brushstrokes.

    NZEDGE on Max Gimblett

    NZEDGE.com, March 1, 2023

Related artist

  • The image features an abstract painting with a bold, black brushstroke meandering down the canvas, creating a stark contrast against a backdrop of vertical pink and grey streaks that resemble rain. The black stroke is thick and expressive, with drips and

    Max Gimblett

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Location

260 Utah Street

San Francisco, CA 94103

 

Gallery Hours

Tu, W, F & Sa: 10am–5:30pm

Th: 11am–7pm
Closed Sun & Mon

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(415) 495-5454

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