Catherine McCarthy: Mother Tongue
Boston-based artist Catherine McCarthy shows new paintings dealing with man’s struggle for dominance over nature and other cultures, history and how we learn it, and the search for “home.” Her paintings bring together a diverse array of imagery and styles, taken from such sources as mid-20th century children’s textbooks, the 19th century seascape paintings of Martin Johnson Heade, Japanese wood block prints, nautical manuals, history books, and contemporary fashion magazines.
Mother tongue is one’s native language, or a language from which another language derives. In this body of work the pictorial rather than the written language takes precedence. The paintings combine imagery that is ancient and contemporary, from Eastern, Western, and Native American sources. Tight, technical sketches share space with loose, childlike drawings. Geishas travel in boats, early explorers examine the sky to understand the solar system and our place in the cosmos. Everything seems to coalesce into a search for the common ground, the original source, the universal home.
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CATHERINE MCCARTHYCountry Western, 2002acrylic and mixed media on linen40 x 30 inches
101.6 x 76.2 cms -
CATHERINE MCCARTHYDon't Call Them Eskimos, 2001acrylic and oil on canvas53 x 35 inches
134.62 x 88.9 cms -
CATHERINE MCCARTHYA Little Solitude Among the Sums (a painting made to tell and not to prove), 2001pencil, ink, acrylic and oil on canvas53 x 35 inches
134.62 x 88.9 cms -
CATHERINE MCCARTHYAfterword, 2002acrylic and oil on canvas80 x 60 inches
203.2 x 152.4 cms