TIME FLIES: Jim Campbell, Julie W Chang, Anoka Faruqee, Andrea Higgins, Stefan Kürten, Michael Light, Crystal Liu, Marco Maggi, John O'Reilly, Liliana Porter, Gideon Rubin, John Andrews, Nelleke Beltjens, Jonathan Brand, Anthony Discenza, Alfredo Jar
Celebrating the artists and exhibitions of the past 12 years at our San Francisco location, Time Flies explores permutations of the experience of time, including memory and nostalgia; disruptions and inconsistencies in our perception of time; alternate means of measuring and recording time; and time as an integral component to the finished work, whether it be video-based, sequential, narrative, or an intensely time-consuming process. Artists include: John Andrews, Nelleke Beltjens, Jonathan Brand, Jim Campbell, Julie Chang, Anthony Discenza, Anoka Faruqee, Andrea Higgins, Alfredo Jaar, Baseera Khan, Byron Kim, Stefan Kurten, Michael Light, Crystal Liu, Marco Maggi, John O’Reilly, Liliana Porter, Gideon Rubin, and Shahzia Sikander.
The notion that time is an even, progressive flow contradicts not only our occasional experience of reality, but also recent research into time perception. We’ve all experienced deja vu or the sense that time speeds up as we grow older. Just like vision, time perception is a construction of the mind. Different types of sensory information (hearing, seeing, touch, etc) are processed at different speeds by different neural architectures within the brain. It may be that the brain must wait for the slowest information to arrive to construct the most accurate ‘story’ of what’s happening in the outside world. Once all the information has been gathered and processed, it sends us the interpretation as though it were a smooth and seamless experience of the present. But, if this is true, then awareness is actually ‘postdictive’ – incorporating data from a window of time after an event and delivering a retrospective interpretation of what happened. In other words, what we perceive as the present is really the past, and what we perceive as an undisrupted flow is actually disjointed information that has been reassembled by our brains.
Time Flies represents the penultimate exhibition at our 430 Clementina Street location. In light of these new insights into the complexities of our experience of time, and in anticipation of our future transition, Time Flies presents an opportunity to reflect on the past 12 years in grateful recognition of all of the artists who have activated our unique space with exceptional and memorable artworks and installations. We will close our doors at the end of October and reopen in a new San Francisco location in early 2012.
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Shahzia SikanderUntitled, 1997gouache, watercolor, and acrylic on clay coated paper28 x 22 inches/71.1 x 55.9 cm
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Shahzia SikanderPlush Blush 3 (a&b), 2003gouache and ink on hand clay-coated paper2 panels, each 15 x 11.5 inches
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Shahzia SikanderAn Integrated Cup of Tea, 2009graphite, ink and gouache on paper14 x 11 in
35.6 x 27.9 cm -
Marco MaggiTimes Table, II, 1999pencil on paper14 x 11 inches
(16x20 framed) -
Marco MaggiGraphite Clock, 2009graphite powder on plexi shelf supported by graphite leads2 x 7 x 5 inches
6.4 x 17.8 x 12.7 cms -
John Andrews08-5, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
John Andrews08-4, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
John Andrews08-10, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
John Andrews08-9, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
John Andrews08-3, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
John Andrews08-6, 2008alkyd on aluminum18.25 x 18.25 x .5 inches
46.4 x 46.4 x 1.3 cms -
Baseera KhanLooking With Your Eyes Closed, 2009dvd. stop action animation. 1 min 15 secvariable
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Gideon RubinGirl Wearing a Gas Mask, 2009oil on linen48.07 x 39.79 inches
122 x 101 cms -
Jim CampbellPolitical Protest New York 2004 (I), 2005light box with color transparency48 x 72 x 5 inches/121.9 x 182.9 x 12.7 cm
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Jim CampbellHome Movies (640-1), 2006custom electronics, LED lights120 x 192 inches
304.8 x 487.7 cms -
Michael LightLos Angeles 07.27.05, 200512 archival pigment prints (made in-studio), archival adhesive, custom artist boxbox: 36.5 x 23 inches (92.7 x 58.4 cm)
prints: 36 x 22 inches (91.44 x 55.88 cm) -
Jim CampbellUntitled (for the sun), 1999/2003custom electronics, numeric LED display, light sensor6 x 18 x 2 inches
15.24 x 45.72 x 5.08 cms -
Jim CampbellDynamism of an Observer (in the Weeds), 2002rear lit transparency in artist's frame19 x 25 x 3 1/2 in
48.3 x 63.5 x 8.9 cm -
Liliana PorterTwo Candles (Diptych), 2004archival digital print on paperdiptych, 13 x 10 inches each print
framed: 16 1/2 x 13 1/2 inches each
installed: 16 1/2 x 28 inches -
Liliana PorterStriptease with Nazi (Triptych), 2004archival digital print13.5 x 10.25 inches (image)
17 x 34.75 inches (framed)
edition of 5 -
Michael Light100 SUNS: 033, 034 PRISCILLA (diptych), 2003pigment print mounted on aluminum, framed with non-reflective glass16.5 x 34 inches
41.91 x 86.36 cms -
Baseera KhanDear Ordinary Had Healed, 2009acrylic ink front, latex back on paper25 x 25 inches
63.5 x 63.5 cms -
Nelleke BeltjensIncomplete Completion #7, 2007ink on paper45 x 60 inches
114.3 x 152.4 cms -
Anoka FaruqeeLongest Day of the Year, 2010acrylic on linen78 3/4 x 71 3/4 inches/200 x 182.2 cm
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Julie W. ChangDesign for the Well-Lived Life: Piano Trim, 2007inkjet and silkscreen on paperheight variable x 17 inches
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Julie W. ChangDesign for the Well-Lived Life: Pineapple Head, 2007inkjet and silkscreen on paperheight variable x 17 inches
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Julie W. ChangDesign for the Well-Lived Life: Gingko Guns, 2007inkjet and silkscreen on paperheight variable x 17 inches
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Julie W. ChangDesign for the Well-Lived Life: Ballerina Oilrigs, 2007inkjet and silkscreen on paperheight variable x 17 inches
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Alfredo JaarSeptember 11, 1973, 1974/2011digital print18 x 38 inches framed
from an edition of 6 -
Byron KimSunday Painting 12/13/2009, 2009acrylic and pen on canvas mounted on panel14 x 14 inches
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Byron KimSunday Painting 5/16/2010, 2010acrylic and pen on canvas mounted on panel14 x 14 inches
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Byron KimSunday Painting 11/28/2010, 2010acrylic and pen on canvas mounted on panel14 x 14 inches
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Byron KimSunday Painting 12/5/2010, 2010acrylic and pen on canvas mounted on panel14 x 14 inches
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Byron KimSunday Painting 6/14/2011, 2011acrylic and pen on canvas mounted on panel14 x 14 inches
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Alfredo JaarWaiting, 2011type C print mounted on plexi30 3/4 x 30 3/4 inches/78.1 x 78.1 cm
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Crystal Liugive us our dream: part one, 'anemone five', 2009digital C-print29 x 29 inches
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Jee Young SimAntelope Slope Drop, 2005ink, watercolor, acrylic and glitter on paper19 x 25 inches
48.26 x 63.5 cms -
John O'ReillyFour Sailors 1-6-05, 2004Polaroid Montage7.875 x 20.5 inches
20.0025 x 52.07 cms -
Stefan KürtenAberglaube (Superstition), 201074 x 106 inches
188 x 269.2 cms -
Anthony DiscenzaEcstatic Moment #2: Johnny & Larry in Hell, 2002digital video; color, stereo, continuous loop
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Jonathan BrandENDO 3, 2007silver point on prepared paper14 x 10.75 inches
35.6 x 27.3 cms -
Jonathan BrandENDO 8, 2007silver point on prepared paper14 x 10.75 inches
35.6 x 27.3 cms -
Crystal Liugive us our dream: part one, 'narcissus', 2009digital c-print29 x 29 inches/73.7 x 73.7 cms