• Electronic wall mounted sculpture of a rectangular LCD screen framed and encased by wooden boxes. The LCD screen displays the image of a neon green running human
    Alan Rath
    RM, 2018
    birch plywood, custom electronics, LCD
    29 x 23 x 6 in
    73.7 x 58.4 x 15.2 cm
  • Small red cylinder with three red wires and three round monitors displaying blinking eyes in different colors.
    Alan Rath
    Eyeris IX, 2017
    birch plywood, acrylic, polyethylene, aluminum, custom electronics, LCDs
    87 x 60 x 10 in
    221 x 152.4 x 25.4 cm
  • Moving images depicting two black robotic pieces that resemble arms that extend and swirl around each other in circular patterns.
    Alan Rath
    Yet Again, 2017
    birch plywood, FR4, aluminum, steel, UHMW, motors, custom electronics
    96 x 192 x 20 in
    243.8 x 487.7 x 50.8 cm
  • Still image of a changing electronic sculpture composed of a large clear tube that is supported by three metallic legs at its bottom. Inside the tube three oval LCD screens display a red green or blue colored image of an eye. Each of the eyes looks in a different direction
    Alan Rath
    Optical Cylinder V, 2016
    acrylic, aluminum, custom electronics, LCDs
    78 x 30 x 28 in
    198.1 x 76.2 x 71.1 cm
  • Clear cylinder with rectangular monitor displaying skeleton walking towards viewer. The cylinder sits on antique wooden carved base.
    Alan Rath
    Running Man On Chinese Stand II, 2015
    wood, acrylic, Delrin, Garolite, aluminum, polypropylene, custom electronics, LCD
    23 x 15 x 15 in
    58.4 x 38.1 x 38.1 cm
  • Still image of a moving mechanical sculpture installation. The installation is placed in a dimmed gallery space and consists of a tall central machine with a jointed arm that bends at ninety degrees and at its end holds a large pink feather. This central sculpture is surrounded by a large metallic circle
    Alan Rath
    Soon, 2015
    aluminum, FR-4, steel, custom electronics, motors, feather
    operates within an 11 x 16 x 16 ft volume; dimensions change continuously
  • Still image of a moving mechanical sculpture made out of a long black tripod, white ostrich feathers, and custom electronics. The feathers are slightly tilted upwards to the right and obscure the machine center of the sculpture
    Alan Rath
    Fa Fa Fa, 2013
    fiberglass, polypropylene, aluminum, custom electronics, motors, speaker, ostrich feathers
    73 x 80 x 54 in
    185.4 x 203.2 x 137.2 cm
  • Alan Rath, Roto II, 2013
    Alan Rath
    Roto II, 2013
    aluminum, fiberglass, custom electronics, motors, pheasant feathers
    56 x 104 x 6 in
    142.2 x 264.2 x 15.2 cm
  • Still image of a very tall moving mechanical sculpture installation. The installation is placed in an open white walled gallery space and consists of a tall central metal pole which umbrellas into multiple feathers at its top. The feathers are in different stages of movement swinging around the circumference of the sculpture
    Alan Rath
    Unknowable, 2013
    aluminum, steel, fiberglass, custom electronics, motors, pheasant feathers
    96 x 116 x 116 inches
    243.8 x 294.6 x 294.6 cm
  • Alan Rath, Creature II, 2012
    Alan Rath
    Creature II, 2012
    aluminum, FR-4, Delrin, custom electronics, motor, feather, LCD
    25 x 13 x 44 in
    63.5 x 33 x 111.8 cm
  • Tall silver pole with five large neon pink feathers on either side that move in all sorts of patterns. There are red and black cords wrapped around pole leading to two black poles at the base spread out for support.
    Alan Rath
    Positively, 2012
    aluminum, fiberglass, custom electronics, motors, ostrich feathers
    84 x 72 x 60 in
    213.4 x 182.9 x 152.4 cm
  • Electronic wall mounted sculpture made out of five different sized LCD screens, white wires, and custom electronics. On each of the LCD screens a red, yellow, or green colored hand holds up a different set of fingers or a fist in order to indicate a number
    Alan Rath
    6 O'Clock, 2011
    aluminum, FR-4, PVC, custom electronics, LCDs
    60 x 39 x 22 in
    152.4 x 99.1 x 55.9 cm
  • Small pink stand with square monitor depicting magenta eye under glass cloche.
    Alan Rath
    Looking Glass II, 2007
    nylon, polypropylene, glass, aluminum, G10, custom electronics, LCD
    19 x 11 x 11 in
    48.3 x 27.9 x 27.9 cm
  • Red screen displaying number counting with silver border and black coiled cord.
    Alan Rath
    Mini Million A Day, 2007
    aluminum, acrylic, custom electronics, LEDs
    10 x 26 x 2 in
    25.4 x 66 x 5.1 cm
  • Short clear cylinder with angeked rectangular monitor with rounded edges displaying yellow eye. monitor is connected to circuit board and metal box in cylinder. Cylinder sits atop three silver legs.
    Alan Rath
    Optical Cylinder III, 2007
    acrylic, aluminum, stainless steel, G10, Delrin, custom electronics, CRT
    30 x 16 x 16 in
    76.2 x 40.6 x 40.6 cm
  • Electronic wall mounted sculpture made out of three different sized LCD screens, red, yellow, and black coiled wires, and custom electronics. On each of the LCD screens an orange, yellow, or pink colored hand holds up a different set of fingers or a fist in order to indicate a number
    Alan Rath
    5 O'Clock, 2002
    aluminum, custom electronics, LCDs
    60 x 72 x 9 1/2 in
    152.4 x 182.9 x 24.1 cm
  • Still image of an electronic rover sculpture with two black wheels a metal boxed base custom electronics and a small elevated LCD screen. The screen displays a green colored eye
    Alan Rath
    Rover, 1998
    aluminum, steel, custom electronics, CRT (autonomous mobile sculpture)
    44 x 38 x 41 in
    111.8 x 96.5 x 104.1 cm
  • Electronic sculpture made out of a wooden tool box holds a speaker and several custom made electronics. A black tube covering several wires snakes out of the end of the tool box curves around to reveal the small LCD screen at its end. The LCD screen displays a blue tinted red lipped mouth with a tongue sticking out
    Alan Rath
    Fool Box, 1994
    wood tool box, aluminum, custom electronics, speaker, CRT
    dimensions variable; approximately 16 x 48 x 36 inches/40.6 x 121.9 x 91.4 cm
  • Moving image displaying monitor with mouth opening and closing and sticking tongue out. Monitor is connected to vertical silver box and another box behind it with three blue cylindrical batteries on top.
    Alan Rath
    Moist, 1994
    aluminum, custom electronics, CRT
    15 x 9 x 28 in
    38.1 x 22.9 x 71.1 cm
  • Still image of a digital counter. In this still the counter displays a series of red LED pixels that create the number two thousand four hundred sixty one. The counters green circuit boards are visible and encased by black plastics
    Alan Rath
    Twenty Month Counter, 1993
    display case, custom electronics, LEDs
    6 x 8 x 2 3/4 in
    15.2 x 20.3 x 7 cm
  • Metal bracket mounted to wall with carabiner clip holding monitor displaying moving mouth that hangs connected to two silver boxes and one black one. They're all connected by black and grey cords and carabiners.
    Alan Rath
    Tongue-Tied, 1992
    aluminum, steel, electronics, CRT
    64 x 17 x 17 in
    162.6 x 43.2 x 43.2 cm
  • Two small subwoofers connected to yellow wires and metal box.
    Alan Rath
    Bug-Eyed Breather, 1991
    aluminum, custom electronics, speakers
    9 x 10 x 12 in
    22.9 x 25.4 x 30.5 cm
  • Rounded rectangle monitor displaying yellow hand with curved metal tube curing upward to two metal cage like boxed opened like a book.
    Alan Rath
    Microwave, 1989
    aluminum, steel, custom electronics, CRT
    21 x 13 x 29 in
    53.3 x 33 x 73.7 cm
  • Electronic sculpture made out of custom made electronics that take the shape of two small boxes. From one of the boxes a black coiled tube covering several wires snakes out of the end and reveals the small LCD screen at its end. The LCD screen displays a blue tinted hand
    Alan Rath
    Waiting II, 1989
    aluminum, acrylic, custom electronics, CRT
    7 x 22 x 20 in
    17.8 x 55.9 x 50.8 cm
  • Alexandre Kyungu Mwilambwe, Scar Areas I, 2021
    Alexandre Kyungu Mwilambwe
    Scar Areas I, 2021
    acrylic, wood, metal, wood dust and glue on incised board
    21 5/8 x 19 1/4 in
    55 x 49 cm
  • Alexandre Kyungu Mwilambwe, Scar Areas II, 2021
    Alexandre Kyungu Mwilambwe
    Scar Areas II, 2021
    acrylic, wood, wood dust and glue on incised board
    14 3/8 x 19 1/4 in
    36.5 x 48.9 cm
  • Alexandre Kyungu Mwilambwe, Scar Areas III, 2021
    Alexandre Kyungu Mwilambwe
    Scar Areas III, 2021
    acrylic, wood, metal, wood dust and glue on incised board
    25 3/4 x 19 1/8 in
    65.4 x 48.6 cm
  • Alexandre Kyungu Mwilambwe, Nzoloko of Northern and Central Germany, 2020
    Alexandre Kyungu Mwilambwe
    Nzoloko of Northern and Central Germany, 2020
    wood dust and glue on found paper
    11 x 13 in
    28 x 33 cm
  • Alexandre Kyungu Mwilambwe, Untitled, 2020
    Alexandre Kyungu Mwilambwe
    Untitled, 2020
    wood dust and glue on found paper
    13 x 11 in
    33 x 28 cm
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace I, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace I, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace II, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace II, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Alexandre Kyungu Mwilambwe, Ebonga sit down, c’est notre espace V, 2017
    Alexandre Kyungu Mwilambwe
    Ebonga sit down, c’est notre espace V, 2017
    acrylic, wood dust and glue on incised wooden stool
    9 7/8 x 15 3/4 x 10 1/4 in
    25 x 40 x 26 cm
  • Alexandre Kyungu Mwilambwe, J'habite la terre, 2017
    Alexandre Kyungu Mwilambwe
    J'habite la terre, 2017
    acrylic on incised found wooden door
    67 1/4 x 21 1/4 x 1 1/8 in
    170.8 x 54 x 2.9 cm
  • Alexandre Kyungu Mwilambwe, Untitled, 2017
    Alexandre Kyungu Mwilambwe
    Untitled, 2017
    acrylic on incised found wooden door, metal handle
    67 1/4 x 21 1/4 x 2 1/2 in
    170.8 x 54 x 6.3 cm
  • An abstract painting mimicking fabric. From left to right: A large yellow column, a thin white column, a green ombre column from dark to light, a grey thin column.
    Andrea Higgins
    Flowering Calamondin, 2022
    oil on linen
    30 x 21 in
    76.2 x 53.3 cm
  • An orange and yellow semicircle (vertical, left) on a purple background.
    Andrea Higgins
    Michelle (Rodriguez), 2021
    oil on linen
    42 x 25 in
    106.7 x 63.5 cm
  • Andrew Schoultz, Electric Mountain in Grey Landscape (Two Owls), 2025
    Andrew Schoultz
    Electric Mountain in Grey Landscape (Two Owls), 2025
    acrylic, graphite and collage on canvas over panel
    60 x 60 in
    152.4 x 152.4 cm
  • Andrew Schoultz, Glowing Owls at the Center of the Earth (Mount Kailash), 2025
    Andrew Schoultz
    Glowing Owls at the Center of the Earth (Mount Kailash), 2025
    acrylic, graphite and collage on canvas
    72 x 60 in
    182.9 x 152.4 cm
  • Andrew Schoultz, Golden Owl at Golden Hour, 2025
    Andrew Schoultz
    Golden Owl at Golden Hour, 2025
    acrylic, graphite and collage on canvas
    24 x 24 in
    61 x 61 cm
  • Andrew Schoultz, Grey Owl (In Tree), 2025
    Andrew Schoultz
    Grey Owl (In Tree), 2025
    acrylic, graphite and collage on paper
    40 1/2 x 25 1/2 in
    102.9 x 64.8 cm
  • Andrew Schoultz, Hidden Serpent (Owl), 2025
    Andrew Schoultz
    Hidden Serpent (Owl), 2025
    acrylic, graphite and collage on canvas over panel
    40 x 36 in
    101.6 x 91.4 cm
  • Andrew Schoultz, In This Age, War Is Always Struggling to Stay Afloat, It Can Float for a While, but in Time, Nature Will Swallow It, 2025
    Andrew Schoultz
    In This Age, War Is Always Struggling to Stay Afloat, It Can Float for a While, but in Time, Nature Will Swallow It, 2025
    acrylic, graphite and collage on canvas over panel
    78 x 63 in
    198.1 x 160 cm
  • Andrew Schoultz, Majestic Bull with Two Owls, 2025
    Andrew Schoultz
    Majestic Bull with Two Owls, 2025
    acrylic, graphite and collage on canvas over panel
    78 x 63 in
    198.1 x 160 cm
  • Andrew Schoultz, Majestic View of Land Before Time (Owl and Orca), 2025
    Andrew Schoultz
    Majestic View of Land Before Time (Owl and Orca), 2025
    acrylic, graphite and collage on canvas
    56 x 46 in
    142.2 x 116.8 cm
  • Andrew Schoultz, Prehistoric Landscape View (Red Mountain and Serpent), 2025
    Andrew Schoultz
    Prehistoric Landscape View (Red Mountain and Serpent), 2025
    acrylic, graphite and collage on canvas over panel
    44 x 40 in
    111.8 x 101.6 cm
  • Andrew Schoultz, Psychic Paramount (Two Owls), 2025
    Andrew Schoultz
    Psychic Paramount (Two Owls), 2025
    acrylic, graphite and collage on canvas
    72 x 60 in
    182.9 x 152.4 cm
  • Andrew Schoultz, Rippled Sunset. There Is Beauty to Behold Out Yonder (Owl), 2025
    Andrew Schoultz
    Rippled Sunset. There Is Beauty to Behold Out Yonder (Owl), 2025
    acrylic and graphite on canvas over panel
    30 x 22 in
    76.2 x 55.9 cm
  • Andrew Schoultz, Sunset Serpent with Grey Owl Before Nightfall, 2025
    Andrew Schoultz
    Sunset Serpent with Grey Owl Before Nightfall, 2025
    acrylic, graphite and collage on canvas on panel
    78 x 63 in
    198.1 x 160 cm
  • Andrew Schoultz, The Body Is a Vessel, Within It, a Beast, That Wrestles with What Is Good and What Is Bad, 2025
    Andrew Schoultz
    The Body Is a Vessel, Within It, a Beast, That Wrestles with What Is Good and What Is Bad, 2025
    acrylic, graphite and collage on canvas over panel
    44 x 40 in
    111.8 x 101.6 cm
  • Andrew Schoultz, The Sunset Above Calm Waters...Life Is a Trip, 2025
    Andrew Schoultz
    The Sunset Above Calm Waters...Life Is a Trip, 2025
    acrylic, graphite and collage on canvas
    109 x 52 1/2 in
    276.9 x 133.3 cm
  • Andrew Schoultz, The Truth It Hides Before Our Very Eyes, 2025
    Andrew Schoultz
    The Truth It Hides Before Our Very Eyes, 2025
    acrylic, graphite and collage on canvas over panel
    40 x 36 in
    101.6 x 91.4 cm
  • Andrew Schoultz, The Vibrations of Untouched Nature (Two Owls), 2025
    Andrew Schoultz
    The Vibrations of Untouched Nature (Two Owls), 2025
    acrylic and graphite on canvas over panel
    78 x 63 in
    198.1 x 160 cm
  • Andrew Schoultz, Within the Vessel, Exists the Power to Grow, 2025
    Andrew Schoultz
    Within the Vessel, Exists the Power to Grow, 2025
    acrylic and graphite on canvas over panel
    30 x 20 in
    76.2 x 50.8 cm
  • Andrew Schoultz, Blue Vessel Out to Sail, 2024
    Andrew Schoultz
    Blue Vessel Out to Sail, 2024
    monoprint with collage and acrylic
    41 x 31 in
    104.1 x 78.7 cm
  • Blue vessel resting on red chevron lines on top of gray and multi-colored circles emanating from center of canvas, framed by navy and blue lines.
    Andrew Schoultz
    Blue Vessel And Window, 2022
    acrylic on paper
    26 1/4 x 21 1/4 in
    66.7 x 54 cm
  • Orange and yellow striped creature floating over background of curved black and white striped lines as blue birds fly across.
    Andrew Schoultz
    Floating Beast, 2022
    acrylic on paper
    22 x 30 1/4 in
    55.9 x 76.8 cm
  • Yellow X shape surrounded by red and orange background and layered with multi-colored rectangle shapes emanating from center of canvas.
    Andrew Schoultz
    Flow State (2), 2022
    acrylic on paper
    30 1/4 x 22 1/4 in
    76.8 x 56.5 cm
  • Framed by white and navy lines, patterned and multi-colored snake climbs on tree branches that stretch diagonally in front of a mountain with an orange and yellow striped background.
    Andrew Schoultz
    Holy Mountain, Gentle Serpent (Window), 2022
    acrylic on paper
    41 3/4 x 29 5/8 in
    106 x 75.4 cm
  • Blue birds flying over orange and black beast superimposed over black and blue striped background with red and white clouds.
    Andrew Schoultz
    Sentient Beast in Clouds, 2022
    acrylic on paper
    27 5/8 x 19 5/8 in
    70.2 x 49.8 cm
  • Blue birds fly over blue and white striped ocean with mountains and yellow sky in the background. Floating vessel is layered with images of exploding volcanoes, smaller vessels and a red and yellow striped beast.
    Andrew Schoultz
    There Is Wild Experience Beauty Deep Within, Where Water Flows, And Birds Soar, 2022
    acrylic on paper
    41 3/4 x 29 5/8 in
    106 x 75.4 cm
  • Man kneeling with raised arms holding a giant sphere in a stained-glass style with a background of yellow, orange, white and purple shapes separated by thick black lines.
    Andrew Schoultz
    Bowing to the Light (Sun Worshipper), 2021
    acrylic on paper
    30 x 22 in
    76.2 x 55.9 cm
  • In background, two red mountains spew red liquid and smoke above a sea of red and white wavy lines. Mountains frame vessel in foreground filled with blue birds flying diagonally down and red and orange beast. White scalloped triangle points into top of vessel.
    Andrew Schoultz
    Brimstone Mountains, Floating Vessel, 2020
    acrylic on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Mountain tops emerge among red and white scalloped clouds with yellow background. Sideways vessel pours red liquid into existing pools of red substance against black background. Vessel is decorated with red and yellow beast and blue birds flying over ocean waves.
    Andrew Schoultz
    Holy Mountains, Floating Beast, 2020
    acrylic on paper
    29 1/2 x 41 1/4 in
    74.9 x 104.8 cm
  • Overlapping sets of concentric circles in red, blue, yellow, orange and white create interwoven pattern across canvas.
    Andrew Schoultz
    Monumental Mind Fortress, 2020
    acrylic on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Stained-glass style background in yellow, orange and red with red and yellow striped beast posed in foreground.
    Andrew Schoultz
    Noble Beast in Window, 2020
    acrylic on canvas over panel
    20 x 16 in
    50.8 x 40.6 cm
  • Yellow gridded X shape is superimposed over concentric yellow and black wavy lines that become red and gray closer to edges of canvas.
    Andrew Schoultz
    Transcendence, 2020
    acrylic on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Medieval metal helmet floating on top of horizontal striped blue to red gradient background.
    Andrew Schoultz
    War Helmet (Prism), 2020
    acrylic on canvas over panel
    49 x 38 in
    124.5 x 96.5 cm
  • Cross-hatching in red and yellow creates a background behind yellow and white scalloped smoke outlined in red. Smoke emerges from the mouth of a vessel with red and white chevron patterning, blue birds flying diagonally, red and yellow floating eyes, and a red and yellow beast.
    Andrew Schoultz
    Red Vessel, 2019
    acrylic and collage on paper
    31 3/4 x 22 in
    80.6 x 55.9 cm
  • Floating rainbow colored beast layered with blue birds flying diagonally towards bottom left corner of canvas over a background of multicolored concentric circles. Tree branches with green leaves cover edges of scene.
    Andrew Schoultz
    Floating Beast in Nature, 2018-2020
    acrylic on canvas (diptych)
    120 x 240 in
    304.8 x 609.6 cm
  • Red background with white scalloped clouds and mountains spewing red wavy lines. Yellow brick vessel is patterned with an ocean, a blue being that is part-horse, part-ship, and red and white clouds.
    Andrew Schoultz
    Emergency Life Vessel, 2017
    acrylic on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Two layered concentric circles in gray and red emerge from two eyes. Flying over this background are blue birds, yellow, gray and light blue clouds, and red and white striped beasts.
    Andrew Schoultz
    Life and Death, Birds and Beasts, 2017
    acrylic on canvas on panel
    36 x 36 in
    91.4 x 91.4 cm
  • Dark night sky with white dots for stars and yellow floating clouds. Castle in the foreground has a pattern of gray and red overlapping curved lines along with blue birds, yellow clouds, and a gray being that is part-horse, part-ship.
    Andrew Schoultz
    Magic Facade (Night Sky), 2017
    acrylic on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Light blue sky with gray and yellow clouds rests above green grass. Red and white striped beast attempts to climb up tree while staring at a floating eye.
    Andrew Schoultz
    Scratching Up The Wrong Tree, 2017
    acrylic on paper
    30 x 22 in
    76.2 x 55.9 cm
  • Black and red striped beast stares at floating eye amid background of gray and yellow scalloped clouds, blue birds flying diagonally, and turquoise eyes amongst wavy lines.
    Andrew Schoultz
    Unbound Beast, 2017
    acrylic on canvas on panel
    30 x 22 in
    76.2 x 55.9 cm
  • Red, yellow and blue teardrop shapes and blue birds emanate out from an eye in the center of the canvas. Yellow paint with black and white gradient border oozes from the edges of the canvas. Background is black, white and red concentric circles and black concentric squares. Several red horses float throughout scene.
    Andrew Schoultz
    Shining Eye, 2016
    acrylic on canvas over panel
    72 x 48 x 3 in
    182.9 x 121.9 x 7.6 cm
  • An American flag is covered entirely in gold leaf, though outlines stars and stripes are still visible. Gold paint drips down canvas on top of patterns.
    Andrew Schoultz
    Gold Dripping Flag (made in China), 2015
    acrylic and gold leaf on stretched American flag over panel
    30 x 52 x 2 inches/76.2 x 132.1 x 5.1 cm
  • Andrew Schoultz, Last Hand, 2014/2025
    Andrew Schoultz
    Last Hand, 2014/2025
    silkscreen with unique hand-painted acrylic on paper
    40 x 30 in
    101.6 x 76.2 cm
  • Andrew Schoultz, Pyramid City in Space, 2014-2025
    Andrew Schoultz
    Pyramid City in Space, 2014-2025
    acrylic on canvas over panel
    diameter 24 in
    diameter 61 cm
  • Four men in yellow and red stripped outfits kneeling and pray towards a tree surrounded by pieces of brick, with multicolored leaves flying off into the wind. Two horses rear towards tree from either side. Background of circular canvas is mountains and white scalloped clouds.
    Andrew Schoultz
    The Sacred Tree of No Where, 2013
    acrylic, collage and gold leaf on wood panel
    48 in
    121.9 cm
  • Emanating from an eye in the center of an open palm in the center of the canvas are black horses and black and white curved lines.
    Andrew Schoultz
    Hand of Doom (Dark Horse Projection), 2012
    acrylic, ink, graphite, and gouache on paper
    15.5 x 11.75 in
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