Overview

For over 50 years, Wiley has distinguished himself as an artist who challenges the precepts of mainstream art. His work is not readily classifiable into any movement or stylistic trend. Combining humble materials, found objects, personal symbols, enigmatic texts, and references to art history, popular culture, and current events, he has developed a distinctive style that allows for variety, invention, and subtlety.

 

Wiley’s practices range from drawing, painting in watercolor and acrylic, sculpture, and printmaking to film and performance. One of the defining hallmarks of his work are the texts and wordplay that accompany virtually every piece he makes. These range from stream-of-consciousness rambles to pointed opinions and critiques, accompanied by inflections of humor through the use of puns, sarcasm, malapropisms, and double entendres. Joann Moser, curator of the Smithsonian American Art Museum, writes “Wiley has created a body of work that anticipated such important developments as installation art, audience participation, a revival of interest in drawing, as well as the use of humor and language as significant aspects of contemporary art.”

Works
  • William T. Wiley, Animal Looking to the Future, 1995
    William T. Wiley
    Animal Looking to the Future, 1995
    acrylic on canvas
    69 x 80 in
    175.3 x 203.2 cm
  • William T. Wiley, So My Country Is It Thee, 2002
    William T. Wiley
    So My Country Is It Thee, 2002
    acrylic on canvas
    32 1/2 x 38 in
    82.5 x 96.5 cm
  • An image of graphite drawing of a map with a colorful hanging piece
    William T. Wiley
    Agent Orange, 1983
    acrylic, graphite, ink and mixed media on canvas
    91 x 128 in
    231.1 x 325.1 cm
  • William T. Wiley, Hear in Silence, 2009
    William T. Wiley
    Hear in Silence, 2009
    acrylic and charcoal on canvas
    84 x 60 in
    213.4 x 152.4 cm
  • William T. Wiley, Sluggo and Matisse #2, 1999
    William T. Wiley
    Sluggo and Matisse #2, 1999
    mixed media on paper
    30 x 22 in
    76.2 x 55.9 cm
  • William T. Wiley, G.R. Amused, 2003
    William T. Wiley
    G.R. Amused, 2003
    acrylic on canvas
    32 1/4 x 40 1/2 in
    81.9 x 102.9 cm
  • William T. Wiley, Bridled Horse (after Gozzoli), 1995
    William T. Wiley
    Bridled Horse (after Gozzoli), 1995
    acrylic and charcoal on canvas
    33 3/4 x 20 1/2 in
    85.7 x 52.1 cm
    stretched 36 x 23 in
  • William T. Wiley, & 4 U A Ford, A Bull Picasso, 2002
    William T. Wiley
    & 4 U A Ford, A Bull Picasso, 2002
    acrylic and charcoal on canvas
    34 3/4 x 31 1/4 in
    88.3 x 79.4 cm
  • William T. Wiley, Skaters Wall on the Lock, 1998
    William T. Wiley
    Skaters Wall on the Lock, 1998
    acrylic and graphite on canvas
    28 x 31 in
    71.1 x 78.7 cm
    stretched 34 x 37 in
  • William T. Wiley, Harmonium Montra Memorium, 1997
    William T. Wiley
    Harmonium Montra Memorium, 1997
    acrylic and charcoal on canvas
    59 3/4 x 34 1/2 in
    151.8 x 99.1 cm
    stretched 63 1/2 x 38 in
  • William T. Wiley, Sauturn Eatin His Kids - After Goya, 1996
    William T. Wiley
    Sauturn Eatin His Kids - After Goya, 1996
    mixed media on canvas
    47 x 72 in
    119.4 x 182.9 cm
  • William T. Wiley, Before the Before After J.W.'s M, 2002
    William T. Wiley
    Before the Before After J.W.'s M, 2002
    watercolor and ink on paper
    24 x 18 in
    61 x 45.7 cm
  • William T. Wiley, Dark Vincent's War Thoughts, 2001
    William T. Wiley
    Dark Vincent's War Thoughts, 2001
    acrylic and charcoal on canvas
    109 x 145 in
    276.9 x 368.3 cm
  • William T. Wiley, & D. Warhol U.S. Icon, 2002
    William T. Wiley
    & D. Warhol U.S. Icon, 2002
    watercolor and ink on paper
    20 x 14 1/8 in
    50.8 x 35.9 cm
  • William T. Wiley, The Rower, after Ensor (El Nino), 1995
    William T. Wiley
    The Rower, after Ensor (El Nino), 1995
    acrylic on canvas
    23 x 34 in
    58.4 x 86.4 cm
  • William T. Wiley, Peacock & Tower, 1995
    William T. Wiley
    Peacock & Tower, 1995
    acrylic, charcoal and graphite on canvas
    69 1/2 x 64 in
    176.5 x 162.6 cm
  • William T. Wiley, Mad Meg (after Bruegel), 1994
    William T. Wiley
    Mad Meg (after Bruegel), 1994
    acrylic on canvas
    59 3/4 x 72 in
    151.8 x 182.9 cm
    stretched 65 1/2 x 77 1/2 in
  • William T. Wiley, We Eat the Berries and Blush after Bruegel (Sort Of), 1994
    William T. Wiley
    We Eat the Berries and Blush after Bruegel (Sort Of), 1994
    acrylic, charcoal and graphite on canvas
    35 x 27 1/2 in
    88.9 x 69.8 cm
    stretched 39 x 31 in
  • William T. Wiley, Detail from G.O.D. (after Bosch), 1994
    William T. Wiley
    Detail from G.O.D. (after Bosch), 1994
    acrylic and graphite on canvas
    32 1/4 x 35 1/2 in
    81.9 x 90.2 cm
    stretched 35 x 38 in
  • William T. Wiley, Monkey after Seurat Who Love Zoo, 1994
    William T. Wiley
    Monkey after Seurat Who Love Zoo, 1994
    acrylic and charcoal on paper
    46 x 43 in
    116.8 x 109.2 cm
  • William T. Wiley, Landscape with Gibbet (after Bosch--Rawanda), 1994
    William T. Wiley
    Landscape with Gibbet (after Bosch--Rawanda), 1994
    acrylic and charcoal on canvas
    38 3/4 x 12 3/4 in
    98.4 x 32.4 cm
  • William T. Wiley, & So...Wry Thing In The Light (after Bosch Maybe), 2011
    William T. Wiley
    & So...Wry Thing In The Light (after Bosch Maybe), 2011
    ink on paper
    30 1/2 x 22 1/2 in
    77.5 x 57.1 cm
  • William T. Wiley, Angel Saving Stag From Jaguar, 1995
    William T. Wiley
    Angel Saving Stag From Jaguar, 1995
    acrylic on canvas
    68 x 97 in
    172.7 x 246.4 cm
  • Painting of blackboard with wooden frame. Black board dread "Trust us for Just us" with large barrel that says "HOAX" with other phrases.
    William T. Wiley
    Trust Us For Just Us, 2008
    watercolor and ink on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • William T. Wiley, So Long Sol, 2007
    William T. Wiley
    So Long Sol, 2007
    mixed media on paper
    46 x 34 in
    116.8 x 86.4 cm
  • Watercolor of poster on plank in fair ground. Poster reads in symbols " & so Eye ASS Q, Is this Fair?" Watercolor has small blurb written underneath it.
    William T. Wiley
    Is This Fair?, 2000
    watercolor and ink on paper
    30 x 22 in
    76.2 x 55.88 cm
  • Watercolor divided into two panels; left side is only neutral colors with classic Wiley phrases and iconography, the other is a colorful picnic scene.
    William T. Wiley
    Company Picnic, 2000
    watercolor and ink on paper
    22 1/4 x 30 in
    56.52 x 76.2 cm
  • An image mixed media sculpture and painting.
    William T. Wiley
    The Hearings, 2007
    watercolor and ink on paper; sticks, yellow and red plastic tapes, rolled map, wire, paper mache with ink and acrylic, book with brown paper cover with ink, rope, woodcut printing block and a binder clip
    watercolor: 14 x 20 inches/35.6 x 50.8 cm
    construction: 39 x 60 x 27 1/2 inches/99.1 x 152.4 x 69.8 cm
  • William T. Wiley, Goat & Raven Leak Wink, 2009
    William T. Wiley
    Goat & Raven Leak Wink, 2009
    watercolor, ink and graphite on paper
    30 x 22 in
    76.2 x 55.9 cm
  • William T. Wiley, Manhood Test, 1969
    William T. Wiley
    Manhood Test, 1969
    metal dumbbell, rope, leather, wood, canvas, pen and ink
    19 x 46 x 27 in
    48.3 x 116.8 x 68.6 cm
  • Wood block resembling book with title WIZDUMB has rope emerging from center that is threaded through thin wood cylinder
    William T. Wiley
    Wizdumb, 1968
    wood, ink, rope, masking tape, adhesive letters, nails and metal feet
    6 x 13 x 17 1/4 in
    15.2 x 33 x 43.8 cm
  • Large unstretched painting with four quadrants in primary colors and black. This piece is about war veterans; featuring various scenes.
    William T. Wiley
    Rehabilitating the Savages, 2006
    mixed media on canvas
    128 x 145 in
    325.1 x 368.3 cm
  • William T. Wiley, Watch It!, 2018
    William T. Wiley
    Watch It!, 2018
    pocket watches and chains, paper clip, branding iron, wood, aspirin and teardrop-shaped slate
    18 1/2 x 12 x 76 in
    47 x 30.5 x 193 cm
  • William T. Wiley, Spooky on the Line, 1987
    William T. Wiley
    Spooky on the Line, 1987
    acrylic and graphite on canvas
    104 x 143 in
    264.2 x 363.2 cm
  • William T. Wiley, Now and Then, 2011
    William T. Wiley
    Now and Then, 2011
    watercolor and ink on paper
    30 x 22 inches/76.2 x 55.9 cm
  • William T. Wiley, Rejected War Monument, 2010
    William T. Wiley
    Rejected War Monument, 2010
    watercolor and ink on paper
    22 x 30 in
    55.9 x 76.2 cm
  • William T. Wiley, Punball: Only One Earth, 2008
    William T. Wiley
    Punball: Only One Earth, 2008
    rebuilt and restored pinball machine with original artwork
    70 x 26 x 53 in
    177.8 x 66 x 134.6 cm
  • William T. Wiley, This Is Not Blackwater, 2007
    William T. Wiley
    This Is Not Blackwater, 2007
    charcoal and acrylic on canvas
    40 1/2 x 34 in
    102.9 x 86.4 cm
  • William T. Wiley, Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
    William T. Wiley
    Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011
    acrylic and charcoal on canvas
    62 x 69 3/4 in
    157.5 x 177.2 cm
  • William T. Wiley, Momma's Cross with Jesus, 1995
    William T. Wiley
    Momma's Cross with Jesus, 1995
    found objects, playing cards, beads, feather, printed paper, plastic on paper, rubber, thumbtack, oil and ink on wood
    24 1/2 x 14 x 5 1/4 in
    62.2 x 35.6 x 13.3 cm
  • William T. Wiley, On the Left... We? Attempt a New Sign for the Palate. On the Right, Gold Man Sacks the World, 2010
    William T. Wiley
    On the Left... We? Attempt a New Sign for the Palate. On the Right, Gold Man Sacks the World, 2010
    watercolor and ink on paper
    22 x 30 in
    55.9 x 76.2 cm
  • William T. Wiley, Extreme Position, 2010
    William T. Wiley
    Extreme Position, 2010
    watercolor, ink and graphite on paper
    30 x 22 in
    76.2 x 55.9 cm
  • William T. Wiley, &…So…Ampersand in Backwards Land, 2011
    William T. Wiley
    &…So…Ampersand in Backwards Land, 2011
    watercolor and ink on paper
    30 x 22 in
    76.2 x 55.9 cm
  • William T. Wiley, 9/11/2001 #1, 2001
    William T. Wiley
    9/11/2001 #1, 2001
    acrylic and charcoal on canvas
    38 x 29 inches/96.5 x 73.7 cm
  • Black board with wooden frame. Blackboard has art historical references.
    William T. Wiley
    D.E & the Black Board Boys, 2008
    acrylic and charcoal on canvas
    59 1/2 x 61 1/4 in
    151.1 x 155.6 cm
  • William T. Wiley, & So the Universe, 2008
    William T. Wiley
    & So the Universe, 2008
    acrylic and charcoal on canvas
    62 1/2 x 44 in
    158.8 x 111.8 cm
  • William T. Wiley, Sluggo and Matisse #1, 1999
    William T. Wiley
    Sluggo and Matisse #1, 1999
    mixed media on paper
    30 x 22 in
    76.2 x 55.9 cm
  • William T. Wiley, Drawing Conclusions, 1998
    William T. Wiley
    Drawing Conclusions, 1998
    acrylic and graphite on canvas
    29 x 27 1/2 in
    73.7 x 69.8 cm
    stretched 35 x 33 1/2 in
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