Overview

Tim Hawkinson is a master at conjuring both organic and inorganic materials into extraordinary objects that uncannily mimic something entirely different. Kitchen scraps, wizened Christmas trees, detritus blown by storms into his backyard and his own hair are just some of the materials he transforms into intelligent and amusing sculptures and photo-works.

 

Importantly, many of Hawkinson’s objects use his own body as source material. Thumbsucker (2015), for example, is a two-part hanging sculpture of a moon and astronaut entirely made of casts of the artist’s lips and fingers. Another work looks like a microscope, but the “lenses” were created by casting imprints of his skull or butt cheeks in resin.

 

Though Hawkinson’s work is playful and often humorous, he addresses some of the most serious issues of our time. A number of works refer to current threats to our environment: rising temperatures and sea levels, drought, and the carbon footprint of our most beloved consumer products. Hawkinson is a visionary, a modern-day alchemist and provocateur, who sees the role of the artist in society as the person who asks the questions without answers.

Works
  • Tim Hawkinson, Drinking in the Museum, 2024
    Tim Hawkinson
    Drinking in the Museum, 2024
    oil on panel
    6 3/4 x 9 in
    17.1 x 22.9 cm
  • Tim Hawkinson, Uhrmach, 2024
    Tim Hawkinson
    Uhrmach, 2024
    oil on panel
    13 1/8 x 9 in
    33.3 x 22.9 cm
  • Tim Hawkinson, Fig Pic, 2024
    Tim Hawkinson
    Fig Pic, 2024
    oil on panel
    11 1/2 x 8 3/4 in
    29.2 x 22.2 cm
  • Tim Hawkinson, Leaving Hawaii, 2023
    Tim Hawkinson
    Leaving Hawaii, 2023
    oil on panel
    11 3/4 x 11 in
    29.8 x 27.9 cm
  • Tim Hawkinson, Empty Nesters, 2023
    Tim Hawkinson
    Empty Nesters, 2023
    oil on panel
    15 7/8 x 8 3/8 in
    40.3 x 21.3 cm
  • Tim Hawkinson, Oasis, 2023
    Tim Hawkinson
    Oasis, 2023
    oil on panel
    11 x 6 in
    27.9 x 15.2 cm
  • Tim Hawkinson, Wake ll, 2023
    Tim Hawkinson
    Wake ll, 2023
    oil on panel
    11 x 7 in
    27.9 x 17.8 cm
  • Tim Hawkinson, Clare Finds Jesus, 2023
    Tim Hawkinson
    Clare Finds Jesus, 2023
    oil on panel
    8 3/4 x 6 in
    22.2 x 15.2 cm
  • Tim Hawkinson, Elevator, 2022
    Tim Hawkinson
    Elevator, 2022
    oil on panel
    11 3/4 x 6 1/2 in
    29.8 x 16.5 cm
  • Tim Hawkinson, RIP Issey, 2022
    Tim Hawkinson
    RIP Issey, 2022
    oil on panel
    10 3/4 x 7 1/2 in
    27.3 x 19.1 cm
  • Tim Hawkinson, Sock and Buskin, 2022
    Tim Hawkinson
    Sock and Buskin, 2022
    oil on panel
    11 x 6 3/8 in
    27.9 x 16.2 cm
  • Tim Hawkinson, Patty Reading, 2022
    Tim Hawkinson
    Patty Reading, 2022
    oil on panel
    9 1/2 x 11 3/4 in
    24.1 x 29.8 cm
  • Tim Hawkinson, College Tour, 2022
    Tim Hawkinson
    College Tour, 2022
    oil on panel
    10 3/8 x 7 3/8 in
    26.4 x 18.7 cm
  • Tim Hawkinson, Pacemaker, 2022
    Tim Hawkinson
    Pacemaker, 2022
    oil on panel
    9 5/8 x 6 in
    24.4 x 15.2 cm
  • Tim Hawkinson, Burbank, 2022
    Tim Hawkinson
    Burbank, 2022
    oil on panel
    9 1/8 x 8 3/4 in
    23.2 x 22.2 cm
  • Tim Hawkinson, Geraniums, 2021
    Tim Hawkinson
    Geraniums, 2021
    oil on panel
    11 7/8 x 8 in
    30.2 x 20.3 cm
  • Tim Hawkinson, Clare at Eaton Canyon Falls, 2021
    Tim Hawkinson
    Clare at Eaton Canyon Falls, 2021
    oil on panel
    11 7/8 x 8 in
    30.2 x 20.3 cm
  • Tim Hawkinson, Neti Self-portrait, 2021
    Tim Hawkinson
    Neti Self-portrait, 2021
    oil on panel
    11 x 8 1/8 in
    27.9 x 20.6 cm
  • Tim Hawkinson, Hand and Feet, 2021
    Tim Hawkinson
    Hand and Feet, 2021
    oil on panel
    10 3/4 x 6 3/4 in
    27.3 x 17.1 cm
  • Tim Hawkinson, Mary-Louise Reading My Cup (Woodpecker), 2021
    Tim Hawkinson
    Mary-Louise Reading My Cup (Woodpecker), 2021
    oil on panel
    10 1/2 x 7 5/8 in
    26.7 x 19.4 cm
  • Horizontal and vertical straight black ink lines form a mirrored geometric pattern. At the center of the pattern is a circle which is then surrounded by various curves and ridges. Throughout the piece lines get closer to create optical illusions of depth and recession into space
    Tim Hawkinson
    Olabli, 2020
    India ink on Yupo paper
    60 x 60 inches/152.4 x 152.4 cm
  • Tim Hawkinson, Loboli, 2020
    Tim Hawkinson
    Loboli, 2020
    India ink on Yupo paper
    84 x 56 inches/213.4 x 142.2 cm
  • Horizontal and vertical straight black ink lines form a mirrored geometric pattern. At the top of the piece two circles rest while throughout the rest of the piece various curves and grooves form due to lines getting closer together and creating optical illusions of depth and recession into space
    Tim Hawkinson
    Ooluflai, 2020
    India ink on Yupo paper
    84 x 56 in
    213.4 x 142.2 cm
  • Tim Hawkinson, Nioni, 2019
    Tim Hawkinson
    Nioni, 2019
    India ink on Yupo paper
    48 x 72 inches/121.9 x 182.9 cm
  • Horizontal and vertical straight black ink lines form a geometric pattern of semi circles and curves creating patterns similar to simplified wave crescents. Throughout the piece several lines get closer to create optical illusions of depth and recession into space
    Tim Hawkinson
    Pultek, 2020
    India ink on Yupo paper
    60 x 40 in
    152.4 x 101.6 cm
  • Tim Hawkinson, Nine Lobed Roliepolie, 2019
    Tim Hawkinson
    Nine Lobed Roliepolie, 2019
    urethane
    12 x 14 x 15 inches
    30.5 x 35.6 x 38.1 cms
  • Geometric sculpture of the artist’s cast body parts namely fingers, elbows, and knees. Various denim fabrics cover the cast parts and frayed holes form at the sculpture’s joints
    Tim Hawkinson
    Knob and Tube, 2021
    fabric and urethane
    18 x 38 x 20 in
    45.7 x 96.5 x 50.8 cm
  • Tim Hawkinson, Big Agnes, 2022
    Tim Hawkinson
    Big Agnes, 2022
    oil on panel
    8 7/8 x 6 5/8 in
    22.5 x 16.8 cm
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