Overview

With enchanting incongruity, Liliana Porter’s work playfully subverts convention, disrupts time, and messes with reality. Using a wide range of media, Porter mixes the absurd with the philosophical, creating extraordinary situations that lure us unwittingly into the realm of her idiosyncratic cast of characters.

 

Drawing from an eclectic collection of figurines, knickknacks, toys, and souvenirs, Porter features these characters in unexpected combinations and circumstances. The peculiar situations she invents, where disparate events occur simultaneously, or dissimilar characters interact, wittily invite political, philosophical and existential interpretation.

 

Some of the characters are brought out of their two-dimensional representations to interact with the real world. Tiny figures on shelves perform colossal tasks, at once pathetic and hilarious. Photographs paired with the actual object depicted, though in different form, bend reality and reverse time. With masterful simplicity and humor, Porter blends the real with the representational in hypothetical yet convincing mini-dramas starring mass-produced, kitsch objects that inadvertently elicit compassion and laughter.

Works
  • Liliana Porter, Blue Scribble, 2025
    Liliana Porter
    Blue Scribble, 2025
    assemblage and colored pencil on paper
    11 3/4 x 9 in
    29.8 x 22.9 cm
  • Liliana Porter, To Try Again, 2025
    Liliana Porter
    To Try Again, 2025
    assemblage and graphite on paper
    14 x 11 in
    35.6 x 27.9 cm
  • A small teddy bear figurine sits on a ledge next to a framed photo of its shattered body
    Liliana Porter
    Reconstruction (Bear Salt Shaker), 2022
    framed archival pigment print, painted wood shelf and porcelain figurine
    14 x 18 x 4 1/2 in
    35.6 x 45.7 x 11.4 cm
  • Figurine attempts to clean comparatively massive smudges of graphite on lined paper
    Liliana Porter
    To Clean Up (woman with green dress), 2022
    assemblage and graphite on paper
    8 1/4 x 6 1/4 in
    21 x 15.9 cm
  • A photograph with dollhouse furniture clustered at the center on a white background
    Liliana Porter
    For Sale V, 2016
    Fuji-flex c-print on paper
    22 1/2 x 16 1/2 in
    57.1 x 41.9 cm
  • Still image of a video. In the still two tall figurines are placed in the center. The figurine of the left is a porcelain white bride while the figurine to the right is of a shiny metallic silver rabbit with blue jeans. A light out of shot shines down on the figurines and causes the objects to cast a dramatic shadow on the white background beneath them
    Liliana Porter
    The Riddle / La Charada, 2019
    digital video with sound
    duration: 8:40 minutes
  • Beige paper is peeled back to reveal the face of a white and light brown cheetah with black spots. A tiny human figurine dressed in black is mounted at the lower right of the peeled back paper and lowers its head to gaze at the cheetah below the surface
    Liliana Porter
    To Get Acquainted, 2011
    figurine and collage on paper
    15 1/4 x 11 1/2 inches/38.7 x 29.2 cm
  • Print of black square with black string that went through press but has been moved, showing white outline of string.
    Liliana Porter
    Black (string with knot), 1971
    aquatint and string on paper, unique
    plate 17 3/4 x 13 inches/45.1 x 33 cm
    sheet 29 1/4 x 22 1/2 inches/74.3 x 57.1 cm
  • White sheet with doll figurine looking into tiny mirror reflecting face.
    Liliana Porter
    Blue Eyes, 2000
    cibachrome print
    32 x 22 in
    81.3 x 55.9 cm
  • Digital duraflex photograph of a small pink bird figurine standing on a small brown stone. The bird is placed to the right of and is looking at a larger propped up photo of a white egg which is actually a popular Brancusi sculpture
    Liliana Porter
    Brancusi, 2008
    Duraflex photograph mounted on plexiglas
    11 x 15 1/4 inches/27.9 x 38.7 cm
  • Print of hand holding folded piece of paper with same piece of paper.
    Liliana Porter
    Untitled (hand with paper), 1973
    photo etching and collage on paper
    plate 11 3/4 x 12 inches/29.8 x 30.5 cm
    sheet 26 x 24 inches/66 x 61 cm
  • Fuji-flex c-print of a digital photograph. The photo displays a small white boat figurine that has been placed at the lower right of an opened book. The book is opened to an image of a roaring river with a bridge above it
    Liliana Porter
    Bridge, 2016
    Fuji-flex c-print
    12 x 18 in
    30.5 x 45.7 cm
  • Digital duraflex photograph of a close up of a melting candle which has been molded to take the realistic form of a white toy poodle dog
    Liliana Porter
    Candle/Dog, 2008
    digital duraflex mounted on Plexiglas
    8 x 5 1/2 in
    20.3 x 14 cm
  • Dark green etching with black string of yarn. The yarn is placed over two areas of the etching where there appear to be horizontal indentations creating the illusion that the yarn being wrapped around the green etching
    Liliana Porter
    Cubierta para un objecto extranjero (cover for a foreign object), 1970
    etching and yarn
    31 x 22 inches/78.7 x 55.9 cm
  • Digital photograph of an installation piece in which a pile of tangled black and beige ropes are rested on a white floor. Towards the lower left of the rope pile an incredibly tiny figurine holds out a small strand that connects back to larger rope pile
    Liliana Porter
    Forced Labor (rope), 2011
    Duraflex
    32 1/2 x 46 1/4 inches/82.5 x 117.5 cm
  • Black and white chromogenic print of a digital photo in which a wrinkled hand with an extended index finger touches a photo of a younger hand that is similarly posed. The two hands have a string tied around the tip of their outstretched index fingers. A drawing of a thin black line on the white mount of the digital photo creates the illusion that the string extends beyond the continues of the photo
    Liliana Porter
    Forty Years IIIA (hand over horizontal line 1973), 2013
    chromogenic print
    25 1/2 x 26 iN
    64.8 x 66 cm
  • A rectangular dark grainy etching depicting a black and white French word book is mounted onto a beige piece of paper. In the upper right corner of the book the image and word for La Lune is colored in gold
    Liliana Porter
    La Luna (LUNE/The Moon), 1977
    photo etching and aquatint on paper
    plate 12 x 10 inches/30.5 x 25.4 cm
    sheet 24 1/4 x 18 3/4 inches/61.6 x 47.6 cm
  • Digital duraflex photograph of two tiny brown chairs. The chair to the left holds a larger photocard that displays the colored drawing of a man with a black hat raincoat and umbrella against a red orange background
    Liliana Porter
    Magritte, 2008
    digital duraflex mounted on Plexiglas
    11 x 16 3/8 in
    27.9 x 41.6 cm
  • Rectangular wooden panel with an industrial nail sticking out of it at an angle. To the left of the nail a tiny human figurine with raises a hammer club over its head and is assumed to be the one who hammered the nail into the wood
    Liliana Porter
    Man with Nail, 2014
    nail, figurine and graphite on wood
    10 x 8 x 3 1/2 inches/25.4 x 20.3 x 8.9 cm
  • White paper with black print of metal screw with eyelet with string coming through eye and around and through page.
    Liliana Porter
    Untitled (hook and string), 1973
    silkscreen and string on paper, unique
    20 3/4 x 25 1/2 inches
    52.7 x 64.8 cm
  • Digital photograph of an installation piece in which an industrial nail sticks out the side of a white wall. A small white painted wooden cube has been mounted near the nail and a tiny human figurine dressed in green kneels down with a hammer. It is assumed that the figurine is nailing the nail into the wall
    Liliana Porter
    Nail, 2008
    figurine on wooden cube and nail
    3 x 3 1/2 x 2 inches/7.6 x 8.9 x 5.1 cm
  • Print with white border of sand with sphere, circle cut into sand, and cut circle matching print.
    Liliana Porter
    Untitled (with circle), 1975
    photo etching and collage on paper
    plate 8 3/4 x 11 3/4 inches/22.2 x 29.8 cm
    sheet 26 x 23 1/2 inches/66 x 59.7 cm
  • Digital photograph of an installation piece in which a light blue pile of sheer fabric has been piled and placed onto a white painted shelf. Towards the left of the shelf, a tiny human figurine dressed in gray sits on the ledge and is knitting. A single strand from the large light blue pile is connected to the figure leaving us to assume that the figurine has create the blue sheer fabric pile
    Liliana Porter
    Tejedora (Gris) / Weaver (Grey), 2018
    figurine, fabric and painted wooden shelf
    7 x 43 1/2 x 11 inches/17.8 x 110.5 x 27.9 cm
  • Dark grainy etching depicting a cube that casts a dramatic shadow to its left. The contours of a podium have been drawn in pencil over the etching creating the illusion that the cube is resting on top of the podium
    Liliana Porter
    Untitled (with cube - low), 1974
    photo etching and pencil on paper
    plate 9 x 11 3/4 inches/22.9 x 29.8 cm
    sheet 31 x 24 inches/78.7 x 61 cm
  • White print with page of book with several labeled objects. The square with a horse on it is opening like a door and casts a shadow over page. The square is labeled the door.
    Liliana Porter
    The Door, 1977
    photo etching and aquatint on paper
    plate 11 3/4 x 9 1/4 in/29.8 x 23.5 cm
    sheet 25 x 18 in/63.5 x 45.7 cm
  • Collage made out of a small wooden sphere mounted onto the old lined paper of a notebook. On the surface of the sphere a tiny human figurine holds a tennis racket and holds a tennis pose
    Liliana Porter
    Tennis Player, 2014
    collage on notebook paper
    8 1/4 x 6 1/4 x 1 3/4 in
    21 x 15.9 x 4.4 cm
  • Dark photo etching depicting a book opened to an old yellowed image of a well dressed man with multiple hands eating at a dinner table. Hovering above the book a hand uses a fork like tool to dab the mouth of the man in the image with a tiny white napkin
    Liliana Porter
    The Magician, 1977
    photo etching and aquatint on paper
    plate 11 x 8 1/2 inches/27.9 x 21.6 cm
    sheet 23 1/8 x 18 1/8 inches/58.7 x 46 cm
  • Digital photograph of an installation piece of a metallic bronze and copper gear clock. At the center of the clock on top of several gears a tiny human figurine stands and appears to be pulling on a tall lever
    Liliana Porter
    To Fix It (Wall Clock IV), 2018
    metal and figurine
    4 3/4 x 6 x 3 1/2 inches/12.1 x 15.2 x 8.9 cm
  • Digital photograph of an installation piece of a thick white wooden shelf which holds a broken and dismantled round wooden and metal clock. On top of the clock is a tiny human figurine who is crouched down with a tool in hand
    Liliana Porter
    To Fix It II (round clock), 2016
    metal clock, figurine on painted shelf
    6 x 12 x 10 1/4 in
    15.2 x 30.5 x 26 cm
  • Incomplete black brushstroke circle with several small paint splatters and tiny figurine placed towards the lower right. The figurine is positioned in a way that look as if it is the one responsible for painting the circle
    Liliana Porter
    To Try Your Best, 2014
    acrylic and figurine on paper
    30 x 22 1/2 in
    76.2 x 57.1 cm
  • Dark grainy etching depicting a piece of white paper whose upper left corner has been folded twice to make two wrinkles
    Liliana Porter
    Untitled (wrinkle I), 1968-69
    photo-etching and cut
    13 1/4 x 16 1/4 inches/33.7 x 41.3 cm
  • Blue splashes of paint dash across the left edge and along the bottom of a rectangular white canvas. A tiny figurine of a three mast ship is mounted at the bottom center of the piece and is surrounded by blue paint
    Liliana Porter
    Untitled at Sea V, 2020
    acrylic, wooden shelf and assemblage on canvas
    36 x 72 x 3 1/2 inches/91.4 x 182.9 x 8.9 cm
  • Digital photograph of an installation piece of a rusted metal wire bent continuously to form a spiral. At the center of the spiral a tiny human figurine in a blue dress and green coat waves a white flag
    Liliana Porter
    White Flag, 2018
    metal, painted metal figurine
    4 x 4 x 1 inches
    10.2 x 10.2 x 2.5 cm
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